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Features DECEMBER 22, 2017

Inside San Diego’s Big Farmers’ Market Boom

The story of how a humble movement turned into a citywide ritual

Inside San Diego’s Big Farmers’ Market Boom

A man is trying to navigate a double-wide baby stroller through the Little Italy Mercato Farmers’ Market. It’s going as expected: like a semitruck attempting to weave in and out of rush hour traffic. Jogging strollers, built wide for stability so children don’t fall out onto the sidewalk, also struggle. Compact, economy fold-ups seem the best for this experience.

The double-widers don’t seem to care. They’ve got a fresh pour-over from Bump Coffee, whose booth attendants might be models. Vista’s Hidalgo Flowers is selling lilies and hydrangeas, their display looking like Georgia O’Keeffe had a burst of inspiration and painted for days. Cute dogs sniff each other’s cute butts and play-wrestle, providing onlookers with some free serotonin. Some of the stroller moms and dads have managed to buy an apple from Escondido’s JR Organics, or that wild, alien citrus from Valley Center’s Polito Family Farms, or the beyond-red strawberries from Rodney Kawano Farms in Oceanside.

My tote bag was a freebie. I’m not even sure what it says. Looking around, I feel woefully under-toted. Many have cute designs and slogans, like “Romaine Calm” and “Your Plastic Bag Can Kiss My Canvas.” Some express the diversity of their owner’s shopping habits, like this woman whose bag reads “Walmart.”

Inside San Diego's Big Farmers' Market Boom

Inside San Diego’s Big Farmers’ Market Boom

Take Me to Church

Discussing baby strollers and tote bags may seem banal and off-topic in a story about farmers’ markets, one of America’s most booming food movements. But it helps to illustrate an important point. Farmers’ markets have transcended local food. They have become a weekly community ritual for tens of thousands of people in San Diego.

For most of our country’s evolution, the only free weekend gathering that people felt compelled to attend was church. It was the place most anyone could go for a sense of community. A place to connect with neighbors, meet newcomers, express proud opinions on matters of interest, disseminate and absorb gossip, get and provide support, see who’s dating or divorcing whom, coddle new babies, create a collective municipal and moral bond.

According to Pew Research Center, church attendance is way down. Less than 20 percent of us are going, though 40 percent of us claim we are. Meanwhile, farmers’ market attendance has never been higher. According to the National Museum of American History, from 1960 to 2000 the number of American farmers’ markets grew from 100 to over 3,000. Now there are over 8,600. In San Diego County, there are now 48 certified farmers’ markets.

Inside San Diego's Big Farmers' Market Boom

Inside San Diego’s Big Farmers’ Market Boom

An aerial view of the Little Italy market, which attracts over 10,000 people every Saturday

Staring down the throng of people at the Mercato on a recent Saturday, it’s easy to see why farmers’ markets have become church replacement therapy for many Americans. They’re a free communal experience that happens every week at a set time, usually on the weekend or after work hours. They are family friendly. Alcohol-free, for the most part. At each booth, someone preaches the virtues of purity and ethics.

Whereas religion has many branches that separate people, food is nondenominational, unless you count organic food as a religion, which some might. Not everyone may love food, but until Silicon Valley solves the issue, everyone still needs it.

So over 10,000 people every week (rain or shine) crowd onto Cedar Street for the Little Italy Farmers’ Market. Some come for the philosophy—to support local farmers and food-makers. For others, markets are simply an alfresco grocery store with better-tasting, in-season goods. Others come for flowers: San Diego has more small farms per capita than any other county in America, a majority of which grow ornamental plants and blooms. Some want to exorcise demons from their dogs or kids. Some come to meet people—like a live-action Tinder or Bumble with snacks. Some buy crafts or jewelry made by the person who’s selling it to them. Some simply come because everyone else is.

Inside San Diego's Big Farmers' Market Boom

Inside San Diego’s Big Farmers’ Market Boom

How It Started

“Grocery stores are depressing,” a friend tells me. “It’s like a long-distance relationship with food, whereas farmers’ markets are intimate.”

She’s got a point. Farmers’ markets are a very intentional reaction to the impersonal, institutionalized experience of grocery stores. Through the genius of innovation—industrial freezers, bar codes, self-checkout kiosks, packaged-food factories, nationwide distribution networks—we took the humanity and local-ness out of what, for millennia, was a very personal, home-grown, neighborhood experience.

Americans weren’t even allowed to shop without a human escort until 1916, when Piggly Wiggly in Memphis became the country’s first self-serve grocery store. Prior to that, our great-grandparents food-shopped daily, for social exercise as much as function. They knew their farmers’ and food-makers’ names, and their children’s names. We sped the process up in 1937 with the grocery cart, invented by Sylvan Goldman, owner of the Humpty Dumpty grocery chain in Oklahoma. Grocery store shopping became a rushed, antisocial experience—a race through a giant flourescent-lit box to collect largely shelf-stable dinners.

Until recently, aside from fictional characters (Boyardee, Jemima, Snap, Crackle, and Pop), there was no visible human behind grocery store food. Most of it was packaged and shipped by the truckload from other states and countries—on average, grocery store fruits and vegetables travel over 1,200 miles.

Inside San Diego's Big Farmers' Market Boom

Inside San Diego’s Big Farmers’ Market Boom

In California, the re-personalization of food started in 1978, when governor Jerry Brown signed the Direct Marketing Act during his first term. Soon after, California Certified Farmers Markets was formed. Farmers set up tables and tents outdoors, selling produce they’d picked 24–48 hours earlier for cash. The Santa Monica Farmers Market opened on July 11, 1981 and quickly became legend. Chefs and serious food people arrived so early they’d be waiting for the farmers to arrive, competing to grab the limited supply of delicious, super-fresh local fruits and vegetables.

Acquiring them was of the utmost importance for restaurants like LA’s two-star Michelin restaurant Mélisse. Chef Josiah Citrin’s food tasted better, in large part (aside from his immense talent) because the local, in-season fruits and vegetables tasted infinitely better than store-bought. To get an edge at the markets, chefs cut deals with farmers, who would set aside a private stash of the most prized produce for them. Commoners like myself would arrive to find stands looted by chefs, and we were left to pick over the scraps, asking questions like “What is a Meyer lemon, and how the hell do I eat it?”

Even top San Diego chefs were making the weekly trip to Santa Monica. The huge difference in quality was worth the commute—until San Diego’s Hillcrest Farmers Market opened in 1997.

Inside San Diego's Big Farmers' Market Boom

Inside San Diego’s Big Farmers’ Market Boom

Oceanside Farmers Market

Does Local Food Matter?

More than any other state, California’s rise to the top of food and restaurant culture was directly tied to the quality of our local produce. New York had elite European chefs, who seemed to think they’d reached the end of America when they hit Manhattan and had no interest in going farther west. California’s unique selling point was its abundant supply of world-class soil. The temperate climate allows for nearly year-round growing seasons, and the resulting crops are simply better (crops loathe New York winters just as much as New Yorkers do).

California has over 77,000 farms. The state is virtually the nation’s sole producer (over 99 percent) of almonds, dates, figs, olives, peaches, artichokes, kiwi, pomegranates, raisins, pistachios, plums, and walnuts. California grows about 90 percent of the nation’s avocados, and San Diego County accounts for 40 percent of that. Over 85 percent of farmers’ market vendors travel less than 50 miles to sell. Over half travel less than 10.

A short distance from soil to market is beneficial in a lot of ways, but let’s focus on two: flavor and nutrition. Produce reaches full nutritional value when ripe, and starts losing nutrients the minute it’s plucked from the earth. A landmark University of Texas study showed that fruits and vegetables now contain between 15 and 50 percent fewer nutrients than they did 50 years ago.

Inside San Diego's Big Farmers' Market Boom

Inside San Diego’s Big Farmers’ Market Boom

So, when we buy a tomato grown in poor soil, picked green, put on a train for 1,200 miles and artificially ripened with argon gas—what are we paying for? Fewer nutrients, and only a portion of the tomato’s flavor potential. Some scientists have even argued that, due to our produce having lost nutritional value over the years, eating them causes our brain to demand more food (a personal favorite explanation for my overeating).

Farmers’ markets also serve a preservational function. Farmers are San Diego’s endangered species. We’re losing them. Every city is. But especially San Diego, where the cost of land, water (tripled in the last decade), and labor are higher than most counties. Last June, Suzie’s Farm, one of the county’s most popular, was forced to close because they couldn’t pay the bills.

“At one point we got up to 62 farmers’ markets in San Diego County,” says Catt White, founder of SD Weekly Markets, which operates three of San Diego’s largest in Little Italy, Hillcrest, and Pacific Beach. “And now we’re back down to 48. That’s not because people don’t want them. We just keep running out of farmers.”

Grocery stores have started selling local produce, at least partially in response to the popularity of farmers’ markets. A good thing, for sure. Their bulk sales help local farmers. But the much-needed profit for the farmer is drastically smaller.

Inside San Diego's Big Farmers' Market Boom

Inside San Diego’s Big Farmers’ Market Boom

“If our farmers sell avocados to a packing house or grocery store, they make between 7 and 11 cents per,” White explains. “They can sell them at farmers’ markets for $2.50.”

A study by the Farmers Markets Coalition (potential bias duly noted) concluded that in 2017, farmers received only 17.4 cents for every dollar Americans spent on food, compared to 90 cents on the dollar at farmers’ markets. That’s a 500-percent increase. Some small farmers make only a couple hundred dollars a day, White says, but a few make upward of $250,000 a year selling at multiple markets. Then there’s the effect on the local economy. According to the Institute for Self-Reliance, only 15 cents of every dollar spent in a grocery store stays in the area, while farmers’ markets retain 30–45 cents.

For food-makers—people who make sauces, baked goods, packaged foods, etc.—the markets are a cost-effective way for entrepreneurs to test-market their ideas. White explains that some vendors can get set up at her farmers’ markets for $2,000 to around $5,000 or more for the commercial kitchen space, permits, insurance, marketing, packaging, equipment, signage, and starting inventory. Next month, White will host the InTents Conference, a two-day instructional on how to start and grow a farmers’ market business, including national speakers like New York Times best-selling author Forrest Pritchard and Neal Gottlieb, who started his national ice cream chain, Three Twins, at the Berkeley Farmers’ Market.

Inside San Diego's Big Farmers' Market Boom

Inside San Diego’s Big Farmers’ Market Boom

Taste of Success

“As a minority and an immigrant, I came here without job experience or references. The farmers’ market was a way for me to start my business,” says Anis Ben, founder of Chula Vista’s Baba Foods, whose hummus and pita chips have been an icon of SoCal farmers’ markets since 1994. “I also don’t need to wait 21 days for people to pay me. When you go through suppliers, sometimes you have to give them 30-, 60-, or 90-day terms, so you need a lot of capital to pay for a large order up front by yourself. At the market, people hand me cash right there.”

Cassandra Curtis is cofounder of Once Upon a Farm, a San Diego company serving high-pressure-processed baby food using in-season fruits and vegetables. While most baby food is shelf-stable because it has preservatives, Once Upon a Farm has to be refrigerated because it uses real, perishable food without the other gunk. It was a gamble. Because no other baby food had to be refrigerated, stores couldn’t stock it where customers were used to looking. The Little Italy and Pacific Beach markets provided her with invaluable market research from the stroller crowd.

“It wasn’t even called Once Upon a Farm when we started,” she explains. “The markets helped us realize we needed to change the name, and the branding, and some of the recipes. Babies would try our flavors and either swallow it or spit it out.”

Once Upon a Farm recently brought on a new partner in John Foraker, who spent 17 years as the CEO of organic food brand Annie’s before selling it to General Mills for $820 million. So they’re doing okay, thanks in part to baby spit at San Diego’s farmers’ markets.

Baby Clydesdale is a sauce company run by the most entertaining man at the market. Dave Mead stands dressed in a blazer, sunglasses, and with a camera-ready haircut. He has a schtick. He runs us through a tasting of four sauces—a pesto, a carrot-habanero ginger, a lemongrass barbecue sauce, and Sriracha—each on tiny squares of bread on a toothpick.

Inside San Diego's Big Farmers' Market Boom

Inside San Diego’s Big Farmers’ Market Boom

He and his wife, Justine Marzoni, started their company with the idea of creating an organic version of America’s most en vogue commercial hot sauce—Sriracha. It’s good, although the pesto’s better, damn right delicious.

After people fell for their sauces at markets, Baby Clydesdale expanded—first into local gourmet retail, like Seaside Market and Specialty Produce; then on to San Francisco, Seattle, Brooklyn, Maine, Massachusetts, and North Carolina. Another iconic local brand, Bitchin’ Sauce, started at the Pacific Beach market before getting picked up by nearly every grocery in town, including Whole Foods and Costco.

One company, Mush, makes nicely branded overnight oats flavored with dates, vanilla, berries, apples, etc. We try all four, each delicious. We buy two six-ounce packages (apple and blueberry) at four dollars a pop.

Two days later, Mush owners Ashley Thompson and Katherine Thomas appear on the investor TV show Shark Tank. After hearing their pitch, one investor says the food space is too cost prohibitive, so he’s out. Mark Cuban offers them $300,000 for 10 percent of their company. They accept.

Inside San Diego's Big Farmers' Market Boom

Inside San Diego’s Big Farmers’ Market Boom

Rules, Schmules

At Certified Farmers’ Markets, prepared-food makers like Bitchin’, Baby Clydesdale, and Mush have to stay on one side of the affair, away from the farmers who grow their own food. There are rules to this, many good, some downright odd. At “producer only” farmers’ markets—an esteemed designation—you must grow what you sell. You’re legally mandated to have a sign that says some version of “We Grow What We Sell.”

As usual, some rules go a little far. White would love to be able to allow farmers from Valle de Guadalupe and Baja to sell at the San Diego markets, since Baja is a much closer growing region than, say, Fresno. But it’s illegal.

“Our local beekeepers also aren’t allowed to sell their beeswax candles at markets because they didn’t produce the wick locally,” explains White. “Some herb and flower growers can’t sell their holiday wreaths because they didn’t make the twine or metal wire that ties the wreath together.”

Inside San Diego's Big Farmers' Market Boom

Inside San Diego’s Big Farmers’ Market Boom

Eat Small

Visiting San Diego farmers’ markets for this story, I notice I’ve maintained a bad habit. Over 20 years of attending San Diego markets semi-regularly, I’ve often skipped over smaller booths. Guess it’s that old grocery store shopping instinct: I want a big booth for efficient, one-stop shopping.

In doing so, I’ve kind of missed the point, and missed places like Four Sisters. They sell just a few things—scallions, carrots, broccoli, greens, beets, kale—that they grow on four plots of land within San Diego city limits. It’s run by Idzai Mubaiwa, who relocated to San Diego from Zimbabwe with her family. She started farming with her sister, Tsitsi, at the New Roots Community Farm in City Heights, an initiative by the International Rescue Community to help low-income refugee and neighborhood families supplement their incomes and get a good start in America by growing healthy food. Michelle Obama visited the farm in 2010. Tsitsi eventually died of breast cancer, but Idzai carries their legacy.

I sample insane amounts of food. Sampling food is the greatest farmers’ market tradition. A worker takes a knife, cuts a piece of a Honeycrisp apple, stabs it, and pushes the knife toward me. This is their primary sales pitch. A slice of apple so good you realize, after years of shopping at grocery stores, that you’ve never really known what a real apple—grown in good soil, picked in-season at the peak of ripeness, within the last couple of days—tastes like.

It tastes like candy.

At the end of the market operating hours, I watch as farmers and vendors talk among one another. They trade for each other’s goods. Some lemons for some honey. Some fresh-pressed juice for some almonds. They load their trucks with what they didn’t sell, some of which will be made into sauces or jams, some will go to nonprofit hunger organizations.

They clean up, and drive back out of the city. They’ll be back next week. For church.

Inside San Diego’s Big Farmers’ Market Boom

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Arts & Culture SEPTEMBER 9, 2026

Fall Arts Preview 2026

Your checklist for the best stage performances, museum exhibits, and one-night-only cinematic events hitting San Diego this autumn

Fall Arts Preview 2026
Courtesy of the San Diego Opera | Photo Credit: Karli Cadel

Fall Arts Preview presented by SDFC Playmakers

September

Cecil Beaton’s Fashionable World

Museum of Photographic Arts at the San Diego Museum of Art

Now through Jan. 10, 2027

Sift through over 200 photographs, sketches, letters, and costumes from “The King of Vogue,” who photographed World War II, modernized royal portraits, and created the aesthetic for 1920s socialites in London.

Washed Ashore: Art to Save the Sea

Natural History Museum

Now through Feb. 28, 2027

Walk through an 18-foot whale ribcage (and a couple dozen other marine-creature sculptures) made entirely of plastic bottles, flip-flops, lighters, rope, and other plastic detritus found on the beach in the Nat’s 3,000-square-foot second-floor gallery.

Forging a Legacy: 15 Years of Landmark Acquisitions

San Diego Museum of Art

Now through May 31, 2027

Part of SDMA’s centennial, “Forging a Legacy,” highlights artists from the past (Picasso, Monet) and modern day (Hugo Crosthwaite) who contributed to the museum’s collection.

ZWO Astronomy Photographer of the Year

Fleet Science Center

Now through 2027

See the stars (without the smog) at their best from the winners of the world’s largest astrophotography competition—all in the Fleet Science Center’s new basement gallery, specifically dimmed to let the cosmos shine.

Begin Again

The Old Globe

Sept. 6–Oct. 11

From the 2013 silver screen to this year’s The Old Globe stage, you can “Begin Again” (again) with a world-premiere musical adaptation featuring new songs—courtesy of Train—and a story overflowing with hope.

Dear Evan Hansen

Cygnet Theatre

Sept. 9–Oct. 4

“On the outside, always looking in…” marks the emotional crux of the Tony-, Grammy-, and Emmy-award winning musical coming to the Cygnet Theatre.

Kumeyaay Comics by the Kumeyaay Visual Storytelling Project

Museum of Us

Opening Sept. 12

Learn the history of the Kumeyaay Nation from the perspective of the members themselves in an immersive exhibit inspired by graphic novels “Our Past, Present, and Future,” and “Beyond Gaming.”

Good Night, Oscar

North Coast Repertory Theatre

Sept. 16–Oct. 11

During Oscar Levant’s appearances on “The Jack Paar Show,” he explained his reality with mental illness—the institutionalizations, electroshock therapies, nothing was too taboo for him. “Good Night, Oscar” takes us backstage in the raw moments before his 1958 television appearance.

Visiones Nocturnas: Queer Nightlife in Contemporary Art

Museum of Contemporary Art San Diego

Sept. 19–Jan. 10, 2027

A disco ball isn’t just a disco ball. It’s a symbol of where queer communities can finally exhale and be their fullest selves. “Visiones Nocturnas” uses paintings, sculptures, textiles, performances, photos, and videos from Latin American artists to explore what’s at stake when nightclub lights shut off.

Silent Movie Mondays

Balboa Theatre

Sept. 21, Oct. 26, Dec. 7

Guest organists from across the country will come to the Balboa Theatre to accompany a new silent film for each performance. This year closes out with The Headless Horseman (1922), Dr. Jekyll & Mr. Hyde (1920), and a holiday triple feature of Laurel and Hardy films.

Oh, Mary!

Civic Theatre

Sept. 29–Oct. 4

“What if Abe’s assassination wasn’t such a bad thing for Mary Todd Lincoln?” was the question that inspired Cole Escola’s play “Oh, Mary!” In the production, Mary Todd desperately tries to return to the cabaret stage, but her husband (President Lincoln in the midst of the Civil War) keeps getting in the way.

Photo Credit: Anja Koehler

October

Payare Leads Strauss’ A Hero’s Life

Jacobs Music Center

Oct. 3–4

Conductor Rafael Payare opens the San Diego Symphony’s 2026-2027 season with a three-part concert featuring composers Sofia Gubaidulina, Wolfgang Amadeus Mozart, and Richard Strauss.

Emily–No Prisoner Be

Baker-Baum Concert Hall

Oct. 8

Two dozen of Emily Dickinson’s poems are turned into songs—composed by Pulitzer Prize winner Kevin Puts and performed by Grammy-winning mezzo-soprano Joyce DiDonato—for a one-night-only exploration of love, loss, loneliness, and mortality.

Ripcord

The Roustabouts Theatre Co.

Oct. 8–Nov. 1

Roommate beef has no age limit. The latest play from Pulitzer Prize winner David Lindsay-Abaire turns that experience into a comedy through retirement home roommates Marilyn and Abby and the bet between them to see who will break first and move out.

Des Canyons aux Étoiles

La Casa del Zorro

Oct. 12

Composer Olivier Messiaen has chromesthia, so for him, sound evokes a visual connotation. His work “Des Canyons aux Étoiles” brings desert rock and the night sky to mind. See what he means from La Casa del Zorro in the Anza-Borrego Desert, in this performance immersed within nature.

San Diego International Film Festival

Locations Vary

Oct. 13–18

San Diego International Film Festival salutes the silver screen for a 25th time, now with a sixth day adding extra time for parties, screenings, and movie-star tributes.

Rigoletto

Civic Theatre

Oct. 23–25

Considered one of the masterpieces from opera great Giuseppe Verdi, San Diego Opera’s “Rigoletto” sees what happens when the prurient Duke of Mantua and his sharp-tongued court jester become entangled in a fatal curse.

Grim

La Jolla Playhouse

Oct. 27–Nov. 29

When the Grim Reaper’s job becomes too…grim…and he retires after 300,000 years, his daughter picks up the family business. But when she falls for a human and finds beauty in the souls she’s meant to reap, she questions her purpose.

Photo Credit: Ron Kerner

November

Skate Craft

Mingei International Museum

Nov. 21–May 9, 2027

San Diego is nothing without skate culture. Mingei’s “Skate Craft” portrays skateboarding as “living folk art” via its DIY roots (skateboards built in garages) and shows how that ethos shapes the future.

Emma Veidt

About Emma Veidt

Emma Veidt is an editor at San Diego Magazine. She earned her bachelor's and master's degrees from the Missouri School of Journalism. She loves running, hiking, and rock climbing, but really, she mostly loves encounters with the street cats around North Park.

Ryan Hardison is a freelance arts and entertainment writer and recent graduate of San Diego State. When he's not staring at his laptop, he's likely eating an adobada burrito or getting sunburnt at the beach.

Food & Drink SEPTEMBER 9, 2026

Hako Hako Will Bring Japanese Konbini Culture to Hillcrest

San Diego entrepreneur Kenji Blouin-Ito is turning a tiny Uptown Inn space into a destination for bentos, coffee, snacks, and more

Hako Hako Will Bring Japanese Konbini Culture to Hillcrest
Courtesy of Hako Hako

Tokyo unquestionably holds the title as one of the best, if not the best, food cities of the world. But despite the plethora of Michelin-starred kaiseki restaurants and hole-in-the-wall ramen joints, you’d be remiss in walking past glowing signs beckoning you to enter one of the 56,000-plus konbini across the country.

Konbini cafes like Lawson’s, FamilyMart, and 7-Eleven may look like run-of-the-mill convenience stores, but convenience store culture is a completely different animal there. Absent are the sad, floppy hot dogs sizzling sweatily on a rotating wheel of misery. Instead, konbini are stocked with a bevy of hot and cold drinks in every imaginable flavor, meals like tamago sandos (Japanese egg salad sandwiches) and prepacked bento boxes, snacks like onigiri (handheld triangles of rice and seaweed, often filled with fish or pickled plum), and even limited-edition merchandise (not unlike Wawa’s line of merch). 

Soon, Hillcrest will get a taste of konbibi culture. Hako Hako opens in front of Uptown Inn by Vantaggio, next to Ramen Ryoma, in early 2027.

Kenji Blouin-Ito, a half-Japanese, half-French San Diego native grew up eating Japanese food at home and during trips across the Pacific. “I remember looking forward to eating bentos on the train,” he says, grabbing quick items to munch on without sacrificing quality or succumbing to cost. When in France, he saw a rise of appreciation for casual Japanese cuisine, “long before it happened here.” 

Courtesy of Hako Hako | Photo Credit: @josh_walker.26_genteel

So he decided to bring it here. After AB 626 passed in 2018 to allow different jurisdictions to permit Microenterprise Home Kitchen Operations (MEHKOs), Blouin-Ito launched Foodnome, the first legal marketplace for homemade food in the US. Eventually, the national nonprofit The Cook Alliance took over the project, leaving him open to the next new idea but with the experience of running a food-based business. 

“That experience changed how I think about food, not just what makes it good but what makes it work,” he explains. Bento boxes felt affordable in a time of inflation, convenient in a bustling world, and versatile to a variety of palates. When he got the chance to open a konbini himself, he went for it. 

His family runs Uptown Inn, a mix of apartments and hotel rooms that’s seen increased food traffic over the past few years. “We had a small space in front of the building that wasn’t being used, and it just made sense,” he says. Hako means “box” in Japanese, a reference to both bentos and small space from where he’ll sling freshly made bentos, coffee, drinks, pastries, snacks, and a small retail selection.

Hako Hako will initially open for morning and afternoon hours, but you don’t have to wait until next year to get a taste of Japanese culture. Blouin-Ito’s concept is popping up at various coffee shops around San Diego, with a few coming up: Easy Does It on September 19 and Cafe Moto on October 17. Until then, practice the art of gaman: patience with grace. 

Hako Hako opens at 819 University Avenue in Hillcrest in early 2027.

San Diego Restaurant News & Food Events

Beth’s Bites

  • Sushi Tadokoro held on to its Michelin star for three years—no mean feat for anyone. But now, the Old Town restaurant is changing things up, eliminating lunch and à la carte service at the end of September before transforming into an omakase-only experience in October. The dining room will close from October 1 through October 22 to make the change, but promises it will be “more intimate. More personal. More focused on each guest and every piece we serve.” Sounds worth the wait.
  • Bock brought new life to South Park when the German-inspired beer bar opened after a long construction process by owner Brian Jensen (Vino Carta, Bottlecraft). Now, Bock is getting its own shot in the arm with a new in-house kitchen from the people behind Majorette, Love Letters Pizza, and Scrimshaw Coffee. Kurz, or “quick” in German, is already open, serving European-inspired bites like the requisite currywurst, Bavarian pretzel, and schnitzel, along with some newcomers like a pierogi and famous “Majorette burger.” (I can confirm it’s a damn good burger.) Reminder: Bock and Kurz are 21+, so leave the kinders at home.
  • The popular Japanese dessert chain Warabimochi Kamakura already has 70-plus locations in Japan, Australia, China, Thailand, and the U.K. (to name a few), but is finally opening a location in Convoy District at 8322 Clairemont Blvd. After a successful pop-up test run at Asa Bakery, Warabimochi Kamakura will bring its signature warabimochi (a traditional simple, jelly-like dessert), plus tea like matcha and hojicha, as well as soft serve as soon as October, but possibly November. (Although warabimochi is sometimes considered a summer treat, I’m pretty sure I can make an exception for autumn.)

Listen Now: The Latest in San Diego’s Food and Drink Scene

Have breaking news, exciting scoops, or great stories about new San Diego restaurants or the city’s food scene? Send your pitches to [email protected].

Beth Demmon

About Beth Demmon

Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.

Food & Drink SEPTEMBER 8, 2026

Two San Diego Wine Pros Are Betting Big on Tinned Fish

With Sosal Line, Heidi Greenwood and Juerie Masters are importing traceable seafood from small producers and building a global pantry business along the way

Two San Diego Wine Pros Are Betting Big on Tinned Fish
Courtesy of Sosal Line | Photo Credit: Madison Daube

No matter your job, it’s helpful to find some sort of joy in it to avoid going completely insane. Some people savor the variety of personalities when dealing with customers. Others find comfort in the predictability of closing a bar after last call, counting tips and wiping counters. Perhaps achieving Inbox Zero really gets your blood pumping, or shipping a new product design sparks joy.

For Heidi Greenwood and Juerie Masters, work doesn’t get better than logistics and operations.

“[We] both love all the unsexy parts of supply chain and backend management,” laughs Greenwood. Tracking outbound orders? Ensuring compliance? Managing inbound freight? Stop me if this is getting too hot for you!

Not enough people think about the unsexy reality of running a business before launch, but effectively and consistently keeping an eye on operations separates successful companies from out-of-business ones. Both Masters and Greenwood already own their own businesses—Greenwood is behind the wine zine Campestre Mag and runs the online wine shop Esquina, and Masters co-owns Clos Wine Shop and Fintastic Provisions in University Heights with her husband Paul. Apparently, these gigs weren’t enough to satisfy their collective yearning for spreadsheets and inventory maintenance. 

So, they decided to start another business together—Sosal Line, a San Diego-based import and distribution company specializing in global pantry items. The pair launched Sosal Line at the beginning of 2025 and currently only sell three brands of tinned fish, but Greenwood says they plan to expand their offerings as they discover other small or family-run businesses that share their values.

“We want to work with brands and with products that really have a sense of place and actually tell a story—not just the product, but the people behind it too,” she says. 

Masters and Greenwood are both Korean-American and named this burgeoning business after Haenyeo, the legendary free-diving women of Jeju Island in South Korea. Traditional Haenyeo equipment and garb include oribal (swim fins), yeoncheol (lead belts to help them sink), and the company’s namesake sosal, a hand-held fishing spear (sometimes called jaksal)

The average person, if sitting completely still, can stay underwater for up to a minute and a half at most. Haenyeo can hold their breath for up to three minutes while actively foraging, harvesting, and swimming. Scientists say these diving women spend more time underwater than any other group of humans on earth. Not badass enough for you? The average age of Haenyeo is around 70.

Courtesy of Sosal Line | Photo Credit: Luke Schmuecker

“Fishing is a strong heritage for Koreans, and it’s the same here in San Diego with the Portuguese settlers,” Greenwood explains. (We aren’t the tuna capital of the US for no reason.) 

Sosal Line carries 100 percent traceable, wild caught fish from Galicia in Northern Spain and the Pacific Northwest, all family-owned companies who don’t compromise on sustainable practices. Tinned fish has never been more popular—or more debated—but there’s more to it than cute labels designed for maximum Instagram reach. “I want to know who I’m purchasing from,” says Greenwood. One of their suppliers, Craft Fish Co., which is based in San Diego but fishes in the PNW, is run by JJ and Jessica Gerritsen. JJ catches, Jessica packages, and it’s a business relationship on a first-name basis. “You can’t find that when you’re working with some nameless brand.”

San Diegans can find Sosal Line products at local retailers like Clos/Fintastic (obviously), allmine in Oceanside, Always Hungry Grocery & Goods in Carlsbad, J. Brix Wines in San Marcos, Collins & Coupe/Tablespoon in North Park, and Green Acre in La Jolla. They’re also available in select retailers in Northern California, Oregon, Arizona, and strangely enough, South Carolina. Expanding its client base is, of course, a goal. But not at the expense of quality or joy of discovery.

“I would love to see people try food from different cultures and be excited about it,” says Greenwood. “Maybe make them want to travel to experience different areas of the world.” 

San Diego Restaurant News & Events

Manna Coffee Co. Is A Family Affair  

Beth Demmon

About Beth Demmon

Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.

Studio S SEPTEMBER 9, 2026

Meet ArtsConnect, UC San Diego’s Invitation to SoCal Arts Lovers

ArtsConnect brings those experiences into view, helping residents discover what they can see, hear and create at UC San Diego while experiencing the campus in a new way.

Meet ArtsConnect, UC San Diego’s Invitation to SoCal Arts Lovers
Courtesy of UC San Diego

Ask most people what UC San Diego is known for, and the arts may not be the first answer. Yet this fall, San Diegans can watch Ghostbusters with a live orchestra, try their hand at glassmaking and wander among more than 20 works of public art woven throughout the university’s La Jolla campus.

ArtsConnect brings those experiences into view, helping residents discover what they can see, hear and create at UC San Diego while experiencing the campus in a new way.

Courtesy of UC San Diego | Photo Cred: Erik Jensen

“The arts are at the heart of UC San Diego’s student-centered mission and vision,” says Alysson Satterlund, Vice Chancellor for Student Affairs and Campus Life. “Whether creating, participating in, or experiencing performances, the arts are essential to a healthy and truly fun Triton student experience.”

That invitation often begins where the arts intersect with other fields.

“Some of the most innovative work and discovery happen where disciplines don’t usually share a stage,” says Cristina Della Coletta, Dean of the UC San Diego School of Arts and Humanities. “So through our unique intersection of the arts with science, technology, and medicine, we are improving lives, physically and emotionally.  

Take The Inaudible Ocean, a collaboration between Department of Music Professor Lei Liang and Scripps Institution of Oceanography Assistant Project Scientist Josh Jones. Over eight years, the pair recorded earthquakes, ship noise, whale songs and other sounds in remote underwater locations. They transformed those recordings into a live music experience that allowed audiences to hear the ocean in an entirely new way. The work premiered on campus in May and continues to evolve.

The arts also connect the campus to the global art world and diverse perspectives. Chief Campus Curator Jessica Berlanga Taylor recently curated the Mexico Pavilion at the 61st Venice Biennale, featuring RojoNegro, the collective formed by Noé Martínez and María Sosa. The collective will unveil a compelling new permanent installation for UC San Diego’s celebrated Stuart Collection later this fall. 

ArtPower offers another easy entry point, bringing touring performers to venues including the outdoor Epstein Family Amphitheater and the intimate Loft. The nearly three dozen performances featured through its 2026-2027 season span music, dance, film, theater and conversation. 

Among the fall highlights is Ghostbusters in Concert on Sept. 25, pairing the beloved 1984 film with a live performance of Elmer Bernstein’s score. Tickets start at $35, and the amphitheater is located next to the UC San Diego Blue Line trolley station.

“Every member of our community should have access to world-class art, so we work hard to remove the barriers that stand in the way,” says Colleen Kollar Smith, executive artistic director of the Campus Performances and Events Office. “That means affordable ticket prices, and performances, voices and experiences where people see themselves reflected on stage and know they belong.”

The arts at UC San Diego are not only something to watch. The Craft Center offers public classes and workshops in ceramics, jewelry, woodworking, culinary arts and even surfboard shaping. At the new Glass Center, beginners and experienced makers can explore glassmaking through classes, demonstrations and studio experiences.

Whether you want to attend a performance, make something yourself or spend an afternoon exploring public art, there is an easy way in. And the invitation extends well beyond students and alumni.

Kollar Smith says it best: “Visit, participate, spectate or create. You’re invited, and we hope you’ll connect with us soon.”

Explore upcoming experiences at ucsd.edu/artsconnect.

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Food & Drink SEPTEMBER 8, 2026

Something Big Is Brewing In La Mesa

The folks behind Oddish Wine and Lost Cause Meadery are partnering with Bica to open an all-day cafe, coffee shop, wine bar, and restaurant near La Mesa Village

Something Big Is Brewing In La Mesa
Courtesy of Oddish Wine

La Mesa: a bucolic, hill-dappled city long regarded as a somewhat frumpy, never quite trendy bridge between the urban cool of Mid-City and the rural sprawls of East County. La Mesa’s population clocks in at around 4 percent of the city of San Diego’s—fewer than Chula Vista, Oceanside, Escondido, Carlsbad, El Cajon, Vista, San Marcos, and Encinitas, in that order. It’s home to a killer Oktoberfest, one of the best charter high schools in the state, and a theatrical mayor who tools around town in a golf cart (and so far, hasn’t cut any arts funding or closed public bathrooms). 

But any area that’s only 20 minutes from downtown San Diego and under 20 miles to Mission Bay will only stay under the radar for so long. Slowly but surely, bits and bobs from San Diego’s cultural tastemakers have been popping up all over town. Dark Horse Coffee and the boutique Small Batch both opened in La Mesa in 2018. Stella Jean’s and Pop Pie are coming later this year. Native Poppy is building its new headquarters and studio this fall. After a year in business, the new owners of JK’s Greek have established themselves as one of the best Greek restaurants in the county. 

Next year, La Mesa will get one of its most ambitious projects yet. Billy and Suzanna Beltz, owners of Lost Cause Meadery and Oddish Wine, are pouring everything they have into renovating a 5,000-square-foot building between the Village and MacArthur Park to open a wine/beer bar, coffee shop, all-day cafe, and wine shop. 

The concept doesn’t have a name (yet), and Bica in Normal Heights will come on as a partner to run the restaurant aspect and coffee program (which also won’t be called Bica. Still lots of naming decisions to be made). But the Beltz’s vision is to create something in La Mesa that doesn’t exist yet—a community gathering space open from morning until night that’s family-friendly, creatively designed, and well… cool

The building has been around since the 1940s, first operating as a neighborhood market, then butcher shop, secondhand children’s store, electronics store, dry cleaners, and bike shop. The Beltzses say they plan to keep the “soul and character” of the space as much as possible, highlighting original details like a barrel-shaped wooden roof, brightening up the corner building by utilizing the large front windows, and eventually building an outdoor dining/drinking space and kid-friendly area—a must for the neighborhood’s plethora of young families. They tapped all locals for the design and build: Tecscape Design, design consultant Carly Miller-Chen (who owns Ayi boutique in South Park) to create the space, and local contractor CLTVT. 

Courtesy of Oddish Wine

Starting in the morning, the space will offer coffee and light breakfast items before transitioning to lunch and dinner menus, plus a full bar that will feature Oddish and Lost Cause products as well as other local wines, beers, ciders, and other beverages alongside an aperitivo program and low-ABV cocktails and spritzes. Food-wise, they plan to install a wood-fired oven and rotisserie, but expect more menu details to be revealed closer to opening. 

There will also be a small retail space focused on natural wines and ciders from places like Raging Cider & Mead in San Marcos and other San Diego and Baja California makers. But don’t expect run-of-the-mill options from the guy who makes weird wines and mead, the oldest alcoholic beverage in human history (hardly TikTok trend material). “We have a unique perspective… Hopefully we can expand some palates and minds in the process,” says Billy.

Community is the heart of the project, more than food, more than drinks. “We have a young family. [Bica owners] Manny [Da Luz] and Charlie [Knowles] have families,” says Billy. Suzanna adds: “People want a space that they know they’re going to get really amazing food, really fun drinks, but they can also feel like they can bring their kids during the weeknights.” It won’t be North Park 2.0, although many families now living in La Mesa came from various neighborhoods across Mid-City (like the Beltzes). It’s filling a void. It’s something they can build from the ground up. And just maybe, it’s something that will surprise people who have yet to discover La Mesa’s potential. 

Oddish Wine/Lost Cause Meadery’s new concept is projected to open by the end of 2027 at 8495 La Mesa Blvd.

San Diego Restaurant News & Food Events

Beth’s Bites

  • For as long as I can remember, my favorite animal in the world has been bunnies. (You’d think I would have been cured of the notion after adopting an adorable, but absolutely diabolical rabbit in my teens, but alas, it did not.) If you, too, love gazing at cute little cotton tails and velvety-soft ears, then join me for Bunnies & Brunch on Saturday, September 26 at Hilton San Diego Gaslamp Quarter’s Wild Hare Bar Garden. (I had no idea that downtown San Diego was once home to a robust rabbit population in the mid-19th century, but today I learned!) Yes, there will be a bunny petting farm from 11 a.m. to 1 p.m. Take a number, pal.
  • Keeping with the animal theme, there’s a new snake in town. Serpent & Stone, a Greek-inspired restaurant and lounge opened this weekend at 750 Front Street with Mediterranean classics like falafel, Greek meatballs, skewers, Greek salads, and mythology-inspired cocktails like “The Aphrodite” (pea-flower-infused Ketel One vodka with passion fruit, Madagascar vanilla, Passoã, lime and champagne). If you didn’t make it to Mykonos this summer, this sounds like a decent alternative. 
  • Mat Robar, Jesse Pine, and Winslow Sawyer launched Pure Project in 2016 with the idea of centering a brewery around sustainability, rather than leaving it as an afterthought or bonus. Most recently, they released Closed Loops, a collaborative murky IPA with Societe Brewing Company and Dalum Beverage Equipment, the latter of which installed CO2 capturing machines at both breweries earlier this year. Since February, Pure Project has recaptured and reused over 74,500 pounds of CO₂ emissions, keeping all of that out of the air and staying on track to hit over 119,000 pounds by the end of the year. The hazy IPA brewed with Tropical Fusion, Mosaic, and Strata Cryo hops is now on draft and in to-go four-packs at all five Pure Project locations, and I’ve got to say, it’s really nice to see environmental enthusiasts doing their part. 
  • Cheerio, California English. The Sorrento Valley British restaurant launched by celebrity chef Richard Blais will close permanently at the end of September. May your prime rib “proper roast” and Scotch eggs live on in another realm somewhere.

Listen Now: The Latest in San Diego’s Food and Drink Scene

Have breaking news, exciting scoops, or great stories about new San Diego restaurants or the city’s food scene? Send your pitches to [email protected].

Beth Demmon

About Beth Demmon

Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.

Arts & Culture SEPTEMBER 4, 2026

What’s Next for Arts and Culture in San Diego?

Artists and advocates are building a more sustainable creative future through public funding, political organization, and cross-border collaboration

What’s Next for Arts and Culture in San Diego?
Photo Credit: Katie Gardner & Matt Furman

This is part of a three-part series. This is Act III. See Act I and Act II here.

The Future

We’ve been here before.

In 2012, city funding for the arts and culture in San Diego had eroded. As a corrective, the city council unanimously approved “Penny for the Arts”—a promise to dedicate roughly one penny of every dollar spent on hotel rooms (the Transient Occupancy Tax, or TOT).

The logic was fair and sound: Cultural institutions and events help attract visitors. Those visitors pay hotel taxes. So, the people agreed, some of that hotel-tax revenue should go back into maintaining the cultural ecosystem that helps bring those visitors and that money.

Projected as a five-year plan, the measure was supposed to increase funding to $17.9 million by 2017.

It never did. The penny was never guaranteed, so each year the city used part of it for other priorities. By 2023, the money going to arts and culture was up to about a half a penny. Even as TOT revenue has gone up significantly.

In 2019, TOT revenue was $245 million.

In 2025: $325 million.

One fix would be to guarantee the penny. Not simple, given San Diego’s financial woes. But the alternative—eroding the culture that makes San Diego San Diego, give it its identity—also doesn’t feel wise. Plus, even a locked percentage still rises and falls with tourism, which is why culture advocates want a guaranteed floor on top of it.

Another solution would be to give the arts commission actual authority.

“It’s an advisory body,” says arts commissioner Kamaal Martin. “You’d be hard-pressed to find anybody who takes our advice.”

Photo Credit: Katie Gardner & Matt Furman

He described the commissioners debating real, consequential questions this year, like whether and how to divide the cuts between funding pools. But those conversations “don’t connect to whoever’s actually deciding,” Martin says. “We haven’t been entrusted with decision-making about relevant things nearly enough.”

Christine Martinez is building political infrastructure through her organization Arts+Culture:San Diego—which is starting a 501(c)(4) lobbying structure not unlike police and fire unions. Martinez is also keeping her community actively engaged. “We won’t be caught off guard next year like we were this year,” she tells me.

Then there’s the evergreen issue of affordability and accessibility. Kiplinger’s most recent report ranks San Diego as the 11th most expensive city in the US, based on cost of living. The average home value is $980,700 (the US median is $540,000), but San Diego’s median household income is only one-third greater than the national level. Rent is also 66 percent higher than the national average ($2,716 vs. $1,636).

This is why San Diego has long suffered from the creative brain drain—creatives leaving for more affordable cities. “Artists are free to live wherever they want, and they will go where the rent is affordable,” says Jennifer de Poyen of Space 4 Art. “When they leave, they take their gifts with them, and their contributions, and their economic impact.”

One saving grace is the presence of Tijuana, where the cost of living is about 60 percent lower than San Diego, per Numbeo. Tijuana has long functioned as an affordable neighborhood for many in San Diego’s creative culture. It’s part of the reason why the binational identity is such a constant in our galleries, music, theater, murals, and culture. While that cross-border blood flow is one of San Diego’s most compelling attributes, few artists living that life would call it convenient or easy. A city is at a disadvantage when its culture creators have to cross a border to go home at night, and cross again the next morning to work.

In May, San Diego County Board of Supervisors approved a $2.75 million arts initiative of its own. It includes an Artist Space Grant Program aimed directly at the affordability crisis, as well as an artist-in-residence program, a dedicated Binational Creative Economy Investment, and a one-time investment in the Black Arts and Culture District in Encanto.

Bob Lehman of San Diego Art Matters has been doing county-level, binational organizing for years; in 2023, he helped get the county’s arts commission reestablished after 30 years of defunctness. That’s important because it gives arts and culture an official seat in county government, advising the County Board of Supervisors on arts and culture policy. He also brought in consultant Laura Zucker, who ran LA County’s arts program for three decades, to build a real regional plan.

“I really believe we’ll have something set up here that other communities come and look at,” he told me. “A national template other cities come to learn from.”

When asked who decides which artists will get the new grant money, county arts commissioner and executive director of the Chicano Park Museum and Cultural Center Monica Delgadillo Hernandez doesn’t hedge.

“That’s part of the infrastructure we’re going to be building,” she says. “What should a panel of reviewers look like? Should it be the commissioners? Should it be other folks? A supervisor?” She was just as candid that the commission itself doesn’t reflect San Diego’s population—Chicano communities are roughly a third of the city, she tells me, “and that’s not represented at the table yet.”

Photo Credit: Katie Gardner & Matt Furman

What Other Cities Prove Is Possible

The great news is that none of these solutions have to be invented from scratch. Numerous cities serve as examples of what’s possible—if we have the will.

Jonathon Glus—Prebys Foundation Senior Fellow for Art & Design, the Executive Director of the Art + Design District, and board president for California for the Arts—worked in Houston before coming to San Diego. The Texas city dedicates 74.5 percent of its hotel tax to arts grants by formula, and that support is guaranteed. Washington, DC locked in dedicated arts funding in 2019. Salt Lake City, my hometown, has run a voter-approved arts tax for almost 30 years, most recently reauthorized through 2034. And just this summer, New York City pushed cultural funding to a record $323.8 million, even incorporating an emergency fund.

Denver’s model is interesting because instead of a city-dependent funding model, theirs is a 0.1 percent regional sales tax. In place since 1988 and renewed by voters three times, their Scientific & Cultural Facilities District has distributed between $54 million and $85 million to arts, culture, and scientific orgs—each of the last 12 years.

This is part of a three-part series. This is Act III. See Act I and Act II here.

None of these cities got there by accident. They decided, on purpose, that arts and culture were worth protecting from politics—and, in some cases, worth building an entire identity around.

“That’s how Miami has flipped the switch,” says Glus. “People go to Miami for culture as much as they do the beach.”

San Diego has spent decades selling itself backward: Beach and weather first, culture as an afterthought you might stumble into. Glus would love to see the strategy flipped: Visitors should come for the art, “and then, by the way, you’re on the beach.”

Photo Credit: Katie Gardner & Matt Furman

So What Happens From Here?

“I do think it was a wake-up call for the community,” de Poyen says of the budget fight. “People understand that our funding is vulnerable. It was a lesson in how much power people have when they coalesce. But wow, is it painful.”

Glus says he’s genuinely optimistic. “The players have all changed seats, but the work is moving forward.”

“I believe optimism is a moral duty,” says Martin, who’s both power-fist and polite.

In eight months, there will be another budget fight. Everyone I talked to expects it will be worse. But something happened this spring that can’t be undone.

“I hope this rupture has brought us together in a moment of self-realization,” says Leticia Gomez Franco of the Balboa Art Conservation Center. “I hope we stop being so transactional; we begin to see ourselves and each other as partners in this work.”

That’s the whole ask, really. And it’s on all of us.

This is part of a three-part series. This is Act III. See Act I and Act II here.

A

About Aaryn Belfer

Aaryn Belfer is a writer and editor specializing in nonfiction across art, architecture, and culture. Once upon a time, she wrote a provocative column for San Diego CityBeat (RIP). She was a runner up in the 2025 Matchbook Stories contest at the San Diego Central Library and is irrationally happy about it. Currently in her Soft Girl Era, Aaryn has expensive taste in (mostly flat) shoes and will choose a great art exhibit or live jazz concert over almost anything else. Except, possibly, Javier Bardem.

Art Arts & Culture
Partner Content AUGUST 21, 2026

This Scripps Clinic Physician is Serving Up Care

Laika Nur, MD, takes her love of volleyball from the court to the clinic as team physician for the San Diego Mojo

This Scripps Clinic Physician is Serving Up Care
Courtesy of Scripps Health

Growing up, Laika Nur, MD, Scripps Clinic sports medicine specialist, loved watching beach volleyball when the Association of Volleyball Professionals tour came to her hometown of Chicago. A talented volleyball player herself, she remembers sitting in the stands all day, and once, even got a couple autographs. Years later, Dr. Nur was attending a professional event focused on women’s sports, and the discussion turned to a new professional women’s volleyball league. The general manager and coaching staff  for San Diego’s team, the Mojo, happened to be in attendance, and Dr. Nur took the opportunity to ask them if they needed a team doctor. Flash forward to the Mojo’s inaugural 2024 season, when Dr. Nur officially became the team physician. Click here to read more about Dr. Nur and how she incorporates lessons she learned on the court into her practice. 

For more nutrition, wellness, and healthy living tips, sign up for the San Diego Health newsletter here.

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