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More than two years after the acquisition, misinformation and misunderstanding still abound
When Ballast Point announced it was selling to Constellation Brands in 2015, the news rocked the entire San Diego beer community. More than anything, the deal’s billion-dollar price tag sent shockwaves throughout the craft beer industry.
What shocked me most about the deal—above and beyond the previously unimaginable purchase price—was how quickly so many folks in the beer community turned their backs—not only on the company, but also on its people. Sure, I understood where a lot of that bad feeling was coming from; hard-core craft fans felt Ballast was “selling out” and betraying some sort of implied contract they had with their customer base to remain, as other people put it, “independent.” To my mind, no one had really successfully defined the parameters of what “truly independent” actually means, nor had they agreed on which aspects of independence were specifically so great. I would argue that a home-grown local company that makes its product locally, contributes to the local economy, is a good corporate citizen, and employs hundreds of locals, is a good company—regardless of who owns it. I know plenty of people would disagree with me on this, and I understand that perspective as well—I just believe it’s misguided.
I’ve known Ballast Point Vice President and Specialty Brewer Colby Chandler for a long time now. I got to know him and the Ballast Point team back when I first started writing about beer in San Diego. I’ve seen firsthand how Colby, Home Brew Mart, and Ballast Point have played crucial roles in developing the craft beer culture and community here; the contributions they have made to the advancement and promotion of the industry are matched only by one or two other breweries in town. Knowing Colby, and knowing how strained the years since the acquisition have been for him as a member of the craft beer community, I have wanted for a while now to sit down and give him the opportunity to speak to all the misinformation and misconceptions there are about exactly what kind of company Constellation Brands actually is, what their actual day-to-day involvement in the brewery is, and how things have changed (or not) since the acquisition.
I finally—and recently—had that chance to sit down with Colby to discuss those long-awaited topics and more. Luckily, we were also joined by veteran Ballast Point V.P. of Marketing Hilary Cocalis, who added her 5+ years of perspective and was able to elaborate on certain key points and issues regarding the company as it stands today.
Hilary: You know, it’s interesting. The first misconception is who we were even acquired by. It was a landmark deal probably for the number—people will remember the billion dollars, but they won’t remember the details behind it. A lot of people think we were acquired by Anheuser-Busch or some other “big beer” company. A lot of people in San Diego don’t even know who Constellation is or what the history is. This is a company that really is a “House of Brands.” It started as a wine company and now has a portfolio of wine brands including Mondavi, Clos du Bois, and Simi. They’re brand managers.
Colby: Yes. They acquire brands and then manage them to the next level. And they’ve been doing it for the past 54 years or so.
Hilary: And the majority of that was wine. They only just recently got into the beer business. They got the import rights for the Mexican brands only recently.
Colby: Five years ago. They hadn’t had a beer brand until five years ago.
Hilary: Well, they were importing beer before the company was brewing it themselves. But, before the past five years, they were not brewers. They acquire brands that have potential and let them do their thing and grow them.
Hilary: Right.
Colby: Right. I don’t consider them “chefs.” You know what I mean? I don’t consider them manufacturers, in the historical sense. They only recently became brewers of the Mexican portfolio, not just importers. They are brand managers. And the whole point is that they haven’t touched the chefs here at all. We haven’t “cleaned house.” And the majority of our people haven’t left. It’s the same crew making the same beer, it’s just that we’re doing it with better facilities and better equipment. We were already heading in that direction [before the acquisition]. We were already quality focused and we were already kind of super corporate in a lot of ways to begin with. I think, actually, in a lot of ways, we’re less corporate now with Constellation than we were as an independent brewery. Hilary? Yes? No?
Hilary: I think yes in that we have a lot more freedom to build the brand the way that we want to under Constellation’s guidance.
Hilary: It was between 400 and 500. Now we’re at about 750. So we’ve grown our employee base.
Hilary: We were the 13th largest craft brand in the nation before were acquired.
Colby: Most people don’t know that Constellation bought the rights for the Modelo group but they can only brew it in Mexico and they can only sell it in the United States. They do not have the distribution rights for worldwide; that is fully AB-InBev. Constellation bought the rights for the Modelo group from AB-InBev to produce that product as a completely separate entity. Constellation is not an international company. They’re not owned by an international company. They’re a New York- and Chicago-based company, basically.
Hilary: And they’re family owned.
Colby: We have a larger international footprint as Ballast Point than Constellation has as a whole. We run our own international sales and everything. So that’s just a little bit of perspective.
Hilary: I think another misconception, going back to the quality issue, is that our quality has gone down. We hear that all the time through second-hand and third-hand sources; that we’re owned by Constellation and our quality has gone down. That’s a tougher one to quantify or to justify, honestly, because as a marketing person I can pay lip service to that and say it’s not true, but it’s a subjective thing. What I can say is that the amount of investment that we’ve put into our quality program—to Colby’s point, we were doing that even before the deal—but it’s even grown since the deal. We have a lab in every brewery, we’re expanding our lab here [in Miramar], and we doubled the size of our field quality team. The one proof point that we’re really proud of is that we have more than 300 quality touch points for every single batch of beer—that includes everything from the raw ingredients to out on the shelves in the market. And nothing about the procurement of our raw ingredients has changed. We’re working with the same hop farmers, we’re still working with the same malt vendors, we’re now even propagating our own yeast in many cases. James Murray, our head of brewing operations, is still running all of that decision making.
Colby: The quality has definitely gotten better. [Colby later added that, at the last GABF, Manta Ray won gold in the extremely competitive IIPA category and Sour Wench won silver—and both submissions were sent from large regular production batches.]
Hilary: Absolutely. And I think if you were to ask some of the executives at Constellation they would tell you that the thought leadership we bring to quality is what they see as appealing. As they’ve started to acquire other craft brands—Funky Buddha in Florida, for example—they’re looking to us for guidance on how to help them with their quality program.
Hilary: Not one bit.
Colby: Yes. But don’t get us wrong. It’s not like we’re saying absolutely nothing has changed since the deal. Things have changed, but it’s mostly been admin. Or sales and marketing. Those are the areas where Constellation is bringing its resources to us and we’re taking advantage of that. But, again, they’re not the chefs. So they kind of let us rule the kitchen.
Hilary: There’s pressure to grow the business, but we had that before.
Colby: And they’re not dictating the brands that we’re making. They’re guiding us a little bit here and there. But we’re still putting the beers out and making the recipes. And places like [Ballast Point] Little Italy are still full steam ahead with all the R&D down there.
Colby: Unless the beer is shitty…
Hilary: It seems the defining factor these days in this category is “independent” versus “non-independent.” For us, we think it should be about quality. All we can do is make the best beer we can and stand behind it. And the folks who won’t drink Ballast Point any more because we’re owned by Constellation—because of the independence factor—there’s not much we can do to win them back, other than to potentially show them that this is still great beer and there are still great people here that are passionate about making it. We may not be “independent,” but we are—first and foremost—a San Diego brewery. San Diego is still 20% of our total business. And this is where the majority of our employees work and live, and we’re doing a lot to support the community here. I mean, we’re still running Home Brew Mart, our original location that Jack opened as a homebrew supply shop—and we’re still running it as a homebrew supply shop. If we just cared about being a big national brand, what would be our incentive to do that?
Colby: Yes, that’s right. That’s another misconception. People think Constellation owns its own distributors; they don’t. They have their own network of distributors, which they call the Gold Network, but when people say we’re restricting access to market, we can’t. We can’t control it the way AB-InBev does with their own distributors. The only way we can control it is with quality beer.
Colby: Half of our distributors were already lined up with the network before the acquisition.
Hilary: That’s right. We were already mostly lined up with the distributor network and we were already distributed to most of the U.S. Our route to market hasn’t changed.
Colby: You should see the welcome mat they put out for us in the cities we’re going into. The difference between the San Diego brewing scene and the brewing scenes in other cities around the country is pretty dramatic. People are actually excited for us to come into places like Virginia and Chicago—even Disney at this point. It’s the complete opposite of what other breweries have experienced here in San Diego. It’s a passionate culture that we’ve created here over the past twenty to twenty-five years. I always relate it back to an indie band getting a record deal. You may find it hard to support them for the first couple of years, but sooner or later you realize they’re still making f*****g good music.
Let me also add that I didn’t get into the beer business—I didn’t fall in love with micro-brews—because of who owned them. I fell in love with how they tasted. And I’m bummed about the beer drinkers we’re creating nowadays, because they feel they can only drink “independent beer,” and it doesn’t matter if the beer tastes good or not, or the history behind it. Does that mean you can’t have a Guinness on St. Patrick’s Day because it’s owned by Diageo? I can’t have a Corona and a taco on Cinco de Mayo because it’s Constellation? That’s not why I got into this business. I think it’s turning in not the best direction, and I think Ballast is kind of feeling that in a lot of ways. For me, it’s always been about the beer. And the whole reason I’ve been here for 21 years is because we’ve always made great f*****g beer.
Colby: Home Brew Mart. That’s almost the foundation of the San Diego brewing community.
Colby: Sometimes I think it hurts the wrong people. Somebody’s intention to “hurt” Ballast Point just trickles down and eventually hurts some of the 450 people working here in San Diego.
Hilary: I have to say that, historically, we’ve been a pretty quiet and humble brand. We’re not out there tooting our own horn; we’ve always let the beer speak for itself and let the consumers and our fans speak for us. If anything, I think we’ve been too quiet after the acquisition about what the culture really is here, and what has not changed. We’ve let the rumor mill sort of run rampant a little bit. Even doing something like this interview feels a bit uncomfortable because we shouldn’t have to prove ourselves or toot our own horn.
Colby: The irony for me is that I was president of the Guild for almost six years, it was all volunteer work, and a lot of it was done on Jack’s dime while I was working. We supported the community so much when we had no resources. And now that we have all of the resources, the community won’t let us support them any more. That’s the most frustrating thing for me. I mean, nothing’s really changed for us. We’re still going to promote San Diego here, we’re going to promote San Diego in our new locations around the country, and we’re always going to promote the brewing scene in San Diego to the rest of the world. We also want to help the local hop growers and Pink Boots and folks like that, and if people want our help we’re going to give it to them.
Colby: Nobody remembers it, but when I was president, I always said if Budweiser had a plant in San Diego they would be a part of the Guild. That’s because I would have leveraged their resources for everything! For meetings, for food, for festivals, whatever. That ultimately would help everybody, right?
Colby: Yeah. We want to do it. And more importantly, Constellation wants to do it. They’re kind of new to this too, you know? They bought a brewery in the most beer-nerdy city in the United States, so it’s a learning curve for them as well.
Has Anything Really Changed Since Ballast Point Sold to Constellation?
Colby Chandler is Vice President and Specialty Brewer at Ballast Point Brewing Company | Photo: Bruce Glassman
After two years of farmers markets and pop-ups, the San Diego baker is bringing its Korean-inspired pastries to University Heights
The folks at Kairoa Brewing Company must never be lonely. It seems like there’s always a local pop-up or event at the University Heights space, from Bincho Taco slinging Japanese coal-fired tacos on the rooftop patio every Tuesday to Yipao Coffee serving coffee from a window on the ground floor. Later this year, the New Zealand-inspired brewery will bring yet another resident into the fold—Mon Chourie is launching its first bakery counter service window along Park Blvd.
Mon Chourie owner and baker Kelly Kim first started selling her Korean-style cream puffs at farmers markets and places like Pizza Kaiju, Pho Ga Go, and Mixed Grounds, collaborating with a myriad of other makers (like Amor ice cream and Ming Oun’s) before nabbing a regular spot at Michi Michi Bakery every Wednesday. San Diego Magazine readers even voted Mon Chourie the Best Pop-Up for 2026.
In French, the word for an airy puff pastry is “choux,” which is pronounced generally the same way as “syu,” the Korean word for the same item. (Both sound like “shoe.”) Mon Chourie plays with both iterations with a dash of whimsy by referencing the song My Cherie Amour by Stevie Wonder, which translates to “my darling love.”
As long as all the permits and inspections move forward without issue, Mon Chourie should open in Kairoa before the busy holiday season. She’ll continue appearing every Wednesday at Michi Michi and other pop-ups in the meantime. Once open, expect best-selling flavors like the savory potato croquette (a collaboration with Karanchi chili crisp) and a sweet Dubai chocolate choux au craquelin, a version of puff pastry with a delicate cookie crust.
Classic cream puffs are fluffy, softs and often filled with custard cream in the United States. “What makes a difference for us is we use a very light version of diplomat cream, which is my mom’s recipe,” she explains. Diplomat cream is a lighter French pastry cream that uses whipped cream for a lighter, airier end result.
Choux au craquelin’s signature crunchy top comes from adding a thin disc of cookie-like dough on top of the pastry, which crackles as it bakes, leaving a thin layer of crispiness atop the final product. “It contrasts with the creamy, fluffy cream inside, so it gets that better, deeper texture experience,” she says.

Along with her popular cream puffs and her bite-sized “mini-choux” options, Kim is also planning on offering more of a newer-to-her item: salt bread, a rich butter pastry topped with sea salt that originated in Japan, but went completely viral in South Korea. There are a few places to get it in Los Angeles and New York, “but I know that a lot of people here are interested in trying out new stuff, or maybe they had it in Korea or Japan, and they came back, but they couldn’t find it anymore,” says Kim. At first, she didn’t really get why it was so popular. Then she tried it in South Korea earlier this year.
“I was in love,” she laughs. “This is what the hype is about.”
Ideally, Mon Chourie will eventually open its own storefront and introduce more events in North County to satisfy demand. “I would also love to have our own drink program that reflects what’s popular in Korea,” she says. And to mark two years of puffy pastry prosperity, Mon Chourie is throwing a two-year anniversary party at Easy Does It (5375 Kearny Villa Rd., Suite 112) on Wednesday, August 25 from 4 p.m. to 7 p.m. with drink specials like a misugaru latte (a Korean roasted multi-grain powder with espresso), a DJ, photo booths, special ceramic merch created by local ceramicist Whale Tran, and a few other vendors. Get there early.
Mon Chourie will open inside Kairoa Brewing Company by the end of 2026 and posts the next week’s schedule of upcoming events and pop-ups on Instagram every Monday.
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Have breaking news, exciting scoops, or great stories about new San Diego restaurants or the city’s food scene? Send your pitches to [email protected].
Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
Bring home a taste of the city with local coffee, conchas, chili crisp, hot sauce, and other suitcase-worthy finds
Snacks are the best vacation souvenirs. You get all the novelty of having something to unwrap without any of the burden of keeping random crap around. I’m always game to try some chips from a place I can’t find on a map with ingredients I can’t identify by taste. Gimme that spice mix from that Southern barbecue pit whose wine list consists of light beers from lesser-known appellations. Don’t think I won’t lick the inside wrapper of some chocolate bar homemade by a grandma at a farmers market you stumbled upon in a small Midwestern town best known for giant yarn balls.
Even though San Diego is best known for our thigh-sized burritos, fish tacos, and craft beers, those travel about as well as room-temp mayo. So we gathered some of the city’s best food souvenirs: snacks, spices, and sauces worth sliding into your carry-on or gifting to a lucky out-of-towner.

Inside Bread & Salt—Barrio Logan’s old Weber Bread Factory turned into one of the city’s most vibrant art, culture, and community spaces—there’s a cafe in front of a giant, now-defunct bread mixer. Mexican-owned specialty brew shop and roastery Provecho! Coffee started as a pop-up in 2020, but its success quickly bricked-and-mortared. Although Provecho! specializes in sourcing and roasting Mexican coffees, its consistency is variety: The lineup changes regularly as Provecho! finds new sources around the world. Get a to-go taste via the coffee bags that range between 250 g and 2 kg.

Superlova!’s Chinese-inspired, seed oil–free sauces are grocery list mainstays for San Diegans. The sesame sauces (Dan Dan is spicy, May May is tame) pair with noodles, dumplings, or any meal that could use a little more oomph. They don’t have tahini, which is de-hulled; they have Chinese sesame paste, which is dark-roasted for a nuttier flavor and packed with fiber and calcium.

San Diego is known for beer, sure. But real locals pour from a different tap. JuneShine’s low-sugar, yet still refreshingly sweet, hard kombucha is an SD favorite. The brand has joined the canned cocktail tidal wave and now sells vodka mules, tequila palomas, and vodka sodas—all with about two shots per can, real juice, and sparkling water. But for a classic food gift, get a variety pack of the booch. Fit it into your checked bag. It’s worth it.

Double entendre is key to hot sauce brand Down To Ferment, aka DTF. (Popular sauces have flavor names like CornHub, Smokin’ Hot Date, and Ghosted.) But it’s no gimmick. The homemade, kombucha-based sauce is seriously good: DTF’s That’s What Shishito Said made it onto Season 30’s lineup on Internet-famous interview show Hot Ones.

As discussed, carne asada burritos travel about as well as a toddler with emotional-regulation issues. But the soul of a truly great, San Diego burrito? It’s not the fillings. It’s the tortilla. You can’t go wrong from any locally owned spots, but our favorites are Tortilleria Los Reyes in Vista, Windmill Farms Market in Del Cerro (which uses Pancho Villa’s old tortilla press), Esperanza’s Tortilleria in Escondido, and Tortilleria Lily in City Heights.

Handcrafted in small batches, Karanchi’s Sichuan peppercorn–packed chili oil comes in two varieties: original and spicy. The original warms your palate and adds depth to your meal, and the spicy is a form of mealtime masochism. Founder Nguyen Le’s favorite way to eat his garlic-studded chili crisp is on avocado toast—which makes an already San Diego meal even more San Diegan—but it’d make old shoes taste pretty good.
Fresh fish ranks low on society’s acceptable realms of carry-on items. But canned fresh fish straight from local fishermen? You’re the best part of a bruschetta. Every Saturday at the docks behind Seaport Village, fishermen step off their boats and sell what they caught as recently as that morning. While getting yourself some fresh sea urchin and squid, grab a couple cans of locally caught albacore tuna for the tinned-fish lover in your life.

Started as a pandemic baking hobby for BFFs Natalie Rodriguez and Lesly Mendoza, Tus Chefs is now a South County favorite spot for conchas with a twist. The menu is expansive enough to get over a baker’s dozen without any repeats—why not get one of each, anyway?—but if you only have enough space in your carry-on for a few, start with popular “chocolate abuelita,” churro, mazapan, horchata, and brownie conchas.
Emma Veidt is an editor at San Diego Magazine. She earned her bachelor's and master's degrees from the Missouri School of Journalism. She loves running, hiking, and rock climbing, but really, she mostly loves encounters with the street cats around North Park.
SDM's staff shouts out our favorite food finds this month including bites from Glass Box, Pete's Seafood, Kimochi, and Immersion Coffee
It’s August. Corn season—that hallowed dental flossian time—is upon us. Peak summer means the fruits from local farms are downright NC-17. It’s also hot-adjacent, so we search out top-notch sashimi and interesting fruit punches. And because we’re contrarians, we also find ourselves tucking into a warm lobster roll in North Park, vying for a father’s love. Anyway, these are the stories behind the best things we found this month—things we’d recommend to friends who didn’t owe us money. Salamat.

Chef Ethan Yang grew up folding dumplings in his dad’s San Diego restaurants—such as the former Fortune Cookie in Rancho Bernardo, which drew on the family’s Taiwanese and Chinese roots. So the Taiwanese beef noodle soup on the menu at Glass Box (a lovely glass-enclosed sushi and pan-Asian spot at Sky Deck in Del Mar) is a family pride—the result of Ethan, dad, and his brother tinkering endlessly with various bones (they finally found the perfect bone, only sold by one butcher in LA).
But the dish that shows off his raw fish skills is the albacore—lightly cured in soy, mirin, and toasted sesame oil, flame-torched to caramelize, and finished with smoked shoyu, chive oil, shiso oil, house-pickled sweet peppers, and crispy rice pearls. —Troy Johnson

“Wait, where is it?” I hear this a lot when suggesting Luce for drinks or a bite. The Bay Park restaurant is smack dab in a part of the city that isn’t conventionally attractive: on the side of the 5 freeway, next to a bevy of service-looking storefronts. To be in this area, you either live here (homes here are fairly excellent with that bay view) or are getting a muffler fixed. A better reason to be in Bay Park: An evening at Luce, a locals’ haunt. Get the Duroc pork chop (the chefs’ chop, with darker meat, higher fat content, better marbling) with collard greens, toasted grits (toasting anything results in a better version of that anything), and a mustard glaze that makes you feel like you’re in the South enjoying sweet tea with friends. —Nicolle Monico

Ever walk into your kitchen during the afternoon feeling recklessly free and decide the time is exactly right for a glass of Champagne? Maybe you crushed a work project or navigated a 4-year-old’s meltdown with the elegance of a global diplomat. You ever then pour that glass and are immediately pulled away by other demanding life errata—and by the time you eventually return to celebrating being alive, you find the remaining victory-juice sits in the popped bottle, losing its steam, and serving you a metaphor for your day?
Hilary Cocalis solved this for me with Carlsbad-based Sipwell. Tiny Victories is a Champagne-style sparkling white in a 250ml can (a glass and a half—the correct amount), the first can-conditioned sparkling wine on the market, fermented with true Champagne yeast. Crisp apple, a little citrus, that biscuity thing good bubbles do, zero sugar. It’s also the first canned wine to crack Wine Enthusiast’s Top 100, so now there’s no excuse not to celebrate all of life’s tiny victories. —Claire Johnson

If my dad were to rank his favorite things, I think I’d make the podium, but there’s no way I’m outperforming this lobster roll. And why would I? We went to Pete’s on Father’s Day, and Peter DeCoste brought out 5 ounces of Maine lobster smothered in warm butter, tucked haphazardly into a grilled New England–style roll, served with a simple coleslaw and basic fries (no need to overshadow the star). Pete’s has a cold version with mayo, too, but there’s something about warm lobster that really wins over dads and their lobster-jealous daughters. –Lili Kim

Valerio’s 1979 is a quintessential San Diego family story. In the 1950s, the grandparents opened their first bakery in the historic Philippines city, Cavite. Their son, Jimmy, would bake and sell bread before school. After enlisting in the Navy and being stationed in San Diego, Jimmy and his wife, Gloria, opened his own version of the family bakery in National City in 1979—a huge hit and home-away-from-home spot for the city’s massive Filipino community.
Four-plus decades later, with four locations across SoCal, it’s on the third-gen of Valerios. The new blood is reviving the name and place with all kinds of Filipino comfort food, and the turon is a star. The classic Filipino treat is a ripe, sweet saba banana and jackfruit, rolled in lumpia wrapper, deep-fried, and covered in sticky, caramelized brown sugar. “Dessert lumpia” is a phrase to live a life by. —Troy Johnson

Behind every beautiful space is a thoughtful process, and ASID San Diego is helping homeowners understand the value of professional design.
A perfectly designed home rarely happens by accident. Those kitchens that feel effortless and rooms that seem to tell a story the second you walk in? They’re usually the work of someone who knows exactly what they’re doing.
It’s knowing which ideas will actually work, which materials will hold up over time, and how to turn a collection of choices into a space that feels intentional. That’s where a professional interior designer comes in.
For the American Society of Interior Designers (ASID) California San Diego Chapter, the goal is to help people see interior design as more than just the finished look. Behind every well-designed space is a process built on technical expertise. Designers are educated in everything from professional software and construction details to building codes, space planning, materials, and functionality.

“People don’t always realize how much goes on behind the scenes,” Kirsten Recce , current president of the ASID California San Diego Chapter, says. “Our designers are not just doing furniture placement and color selection and picking out new fluffy pillows. That’s not what they’re trained for.”
ASID members bring formal education, continued learning, and industry knowledge to their projects, helping create spaces that are not only beautiful, but designed to work. A paint color that changes completely depending on the lighting. A material that looks beautiful in a showroom but doesn’t make sense for everyday life. A layout that photographs well but doesn’t function for the people living there. These are the details where professional guidance can make all the difference.
Still, one of the biggest misconceptions about hiring an interior designer is that it’s reserved for massive renovations, luxury homes, or people who already know exactly what they want. The process can feel intimidating. Where do you begin? Is a designer worth the investment? What if you only need help with one room?
ASID’s answer: start with one hour.
ASID’s Spruce Up events break down one of the biggest barriers between homeowners and professional design: knowing where to begin. Held twice a year, the community program gives homeowners the chance to work directly with an ASID designer through a one-hour, $125 consultation in their own home. Whether you’re looking for advice on furniture placement, window treatments, kitchen and bath updates, remodeling ideas, vacation rentals, color selections or something else entirely, the upcoming September 2026 event offers an approachable way to get expert guidance before committing to a full project. Signups are open through Sept. 7, with consultations taking place Sept. 21 through Oct. 31. Proceeds benefit ASID San Diego’s educational and community programs. Register here!

“It’s a great opportunity for people who are in that exploratory phase,” Recce says. “Maybe they’re not sure they want to hire an interior designer yet, or they think it sounds daunting or expensive. This gives them a chance to discover what working with a designer is actually like.”
Design is personal. A good designer isn’t just creating a beautiful room; they’re helping create a space that fits the way someone lives.
“We’re a resource to all of San Diego County,” Recce says. “It doesn’t cost anything to pick up the phone and call and ask. We’ll answer.”
Follow ASID San Diego on Instagram, LinkedIn, and Facebook for updates on upcoming events, or connect with the chapter directly at [email protected] or 619-548-8847.
The contemporary Japanese restaurant lands in San Diego as part of its global expansion
For years, writers (even me, I’ll admit) have spilled gallons of ink lauding San Diego’s up-and-coming dining scene. No, we’re not Los Angeles’ little sibling. Yes, we’re more than fish tacos—and have been for a while. We hosted this year’s California Michelin Guide ceremony. Southern California’s first three Michelin-starred restaurant (Addison by William Bradley) calls San Diego home. I think it’s safe to say we’re not on the way—we’ve arrived.
If anyone needs more proof that San Diego has truly made it to the world’s stage, all you need to do is look toward downtown’s newest arrival: Zuma, the globally-acclaimed contemporary Japanese restaurant and izakaya.
Located inside The Guild Hotel, Zuma San Diego is the sixth US outpost of the London-born brand, which now includes restaurants in destinations like Bangkok, Thailand; Ibiza, Spain; and Cannes, France. And there are on the way, including Saint Barth in the Caribbean; Los Cabos, and Mexico.
Each Zuma outpost has its own local flair, but share a few key elements no matter where it is in the world: a large, energetic bar area; an open sushi counter; and Zuma’s signature robata grill.
Rainer Becker and Arjun Waney founded Zuma in Knightsbridge, London, in 2002 after Becker spent six years cooking in Tokyo, connecting Japanese elegance with vibrant design. After opening locations in Miami, New York City, Las Vegas, Boston, and Vail, vice president of operations Nick Fielding says San Diego felt like a natural fit.

“There’s something uniquely special about San Diego in terms of energy and culture,” he says. “You’ve got a city that is extremely, extremely well versed in culture, in food, in hospitality, in luxury. It’s a quiet luxury, which is very much in keeping with what we believe in.”
The Guild Hotel makes sense as the host location. The historic Italian Renaissance property dates back to 1924, featuring a European-style courtyard, plush lobby, and an abundance of restored original details, like 1920s-era tilework.
One important note: while guests can access Zuma via the hotel lobby, the restaurant has its own dedicated entrance located on Columbia Street. And if you want the full Zuma experience, that’s where you’ll want to start, promises Fielding.

“The entrance is a big part of the arrival experience,” he says. Upon entry, guests walk through an elongated tunnel made from solid teak before arriving at an oversized boulder wall. Each stone has been hand-cut and carved by a team of artisans in Mexico, with a design meant to reflect the rugged California coastline. Next steps guide you across a Japanese garden–style walkway among a Zen pebble garden (inspired in part by the Japanese Friendship Garden in Balboa Park) straight to the indoor-outdoor bar made with hand-cast resin panels designed to emulate the sunset over the ocean.
As for the patio, it’s a jungle out there—literally. Luscious greenery and towering palms drape across the space to create a secret tropical garden framed by hand-carved, uplit teak screens from Indonesia. By design, there’s no question it’s a Zuma restaurant, but the San Diego location’s style rotates around five pillars, according to the restaurant group’s head of design, Lucy Robinson.

One: embracing a sense of understated luxury. Two: highlighting the year-round climate with a 50/50 indoor/outdoor split of the space. Three: blending local architectural details (like the botanical garden references) with Japanese aesthetics. Four: creating a bespoke palette of bold pinks, oranges, and yellows inspired by minerals found in coastal stones along the coast. Five: Creating a vibrantly energetic space (a goal for every Zuma location).
Inside, the robata grills crowns the center of the dining room, featuring a Japanese paper hood and fire element-inspired resin wainscot base to create a striking tower of red, yellow, and orange. “We always try to bring the four elements into our projects, which are fire, water, wind, and earth,” explains Robinson. San Diego also features Zuma’s first ice box centered on the sushi counter. “It’s almost like on an island—a big lit-up ice block, which will be chipped down to make the base of our sushi platters.”
The 6,600-square-foot dining space seats 221 guests, with a natural flow between the two—another nod to the nearby coast. From hand-woven details by an artist in Germany to the granite tiles on the walls, scale, pattern, texture, and color are everywhere.
That’s true for the plates as well. Head chef Briant Arciniega says to recognize all Zuma’s big hits—spicy beef tenderloin, saikyo miso-marinated black cod, barley miso-marinated baby chicken, as well as signature sushi and sashimi options, and robata dishes like grilled scallop skewers, beef with shishito pepper and smoked chili soy, jumbo tiger prawn with yuzu pepper, and ribeye with wafu sauce and garlic crisps.

Beverage-wise, the menu follows the same diversity of flavors and price points to offer high-end staples, but remain approachable, says Fielding. Expect concoctions like a Japanese margarita made with Mijenta blanco tequila, mezcal, yuzu, orange, and yuzu koshu, opt for an easy-drinking Sapporo pale lager, ask the lead bartender Eric Howell for a wine recommendation, or explore the sake selection.
At minimum, expect vibes. Robinson says the Zuma team has watched certain San Diego restaurant groups go all-in on experiential, eye-popping, energetically-designed spaces. “We wanted to make sure we stood out when coming into the area,” she says. When you have to compete with things like speakeasies-within-speakeasies and man-made barside beaches of imported Turkish sand, you better bring it.
Zuma San Diego opens at The Guild Hotel (500 West Broadway) on August 10. Initial operating hours are seven days a week for dinner service. Reservations are now open.
Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
The long-awaited $6 million restaurant from Black Swan Hospitality brings coastal Mediterranean to Coronado
William Wordsworth’s 1807 poem “By The Sea” paints a glorious picture of a coastal sunset, elegantly describing the serenity that can only be found upon an ocean’s sandy shores.
It is a beauteous evening, calm and free,
The holy time is quiet as a Nun
Breathless with adoration; the broad sun
Is sinking down in its tranquility
And as a San Diegan, I often have to pinch myself. We’re spoiled by this breathtaking beauty each day. Come August 12, Coronado will have a new place from which to soak in the Pacific’s peacefulness: By The Sea. Created by the team at Black Swan Hospitality (Nolita Hall), Doug and Lara Hamm brought to life a Mediterranean-meets-San Diego oasis influenced by their travels through the French Riviera, Italy’s Amalfi Coast, and the Greek Isles. (It’s not the first time the couple drew inspiration from the Mediterranean coast—their wedding took place on the island of Capri, their daughter’s namesake.)
Opening the 6,500-square-foot, second-story restaurant took longer than expected. First announced three years ago, the Hamms worked with Loren Wynn and Mellissa Ramos—their own in-house design studio (Creative House)—alongside Tecture (Lucien, Anigma Encinitas, Bivouac Ciderworks, George’s at the Cove) to create a space that feels more like a coastal villa than spartan dining room.
Guests enter via a cobblestone staircase to a light-drenched dining room and outdoor patio shaded by a eucalyptus wood trellis. Windows dot nearly every wall below the high ceiling of hand-stained willow reed thatching and exposed wood beams. “We have a beautiful lounge area with some textures such as velvet and marble,” says Lara. Everywhere feels organic, with materials like white oak and Italian limestone flowing throughout the open concept and semi-private dining areas.

The curvaceous travertine bar seats 24, while the 11 outdoor tables and 44 indoor tables and banquettes hold an additional 254 guests. It’s not quite oceanfront, but the peekaboo water view and floor-to-ceiling glass pocket doors allow the nearby sea breeze to drift across the dining room. (And if you’re the type of perpetually cold person once the mercury falls below 72, never fear—the outdoor fireplace and built-in heaters will keep you comfortable all year round.)
With a name like By The Sea, one can safely assume seafood features heavily on the menu. Executive chef Alex Carpio utilizes plenty of local produce and catches, with starters like scallop crudo, tuna tartare, octopus with crispy potatoes, and calamari fritti. The rest of the menu is broken into salads, vegetables, pastas, and mains, with standouts like a beet salad with feta, kale, orange, and charred lemon vinaigrette; Moroccan-spiced carrots served with lemon yogurt, mint, and parsley; classic linguine and clams with garlic, tomato, and parsley; a lamb cavatelli with fennel, chives, and breadcrumbs; grilled branzino with tahini and Castelvetrano olive tapenade; grilled half chicken with celery, cucumber, and a Calabrian chile vinaigrette; steak frites; and pan seared scallops with pickled peppers, basil, dill, and aioli.

Lara says there was one non-negotiable item for the menu: a dramatic seafood tower. Built for 2-4 guests or 4-6, each option comes with a collection of fresh oysters, shrimp, tuna tartare, scallop crudo, and caviar, with lobster and crab claws available on the larger size.
And if you’re curious about exploring the world of caviar, you’re in luck. Doug says they’re building a tasting menu of different spirits to pair with various caviars under bar manager Andrew Phillips’ purview.

Phillips’ drinks menu uses housemade syrups and fresh-squeezed juices, encapsulating both classic cocktails as well as signature inventions like All That Glitters with Cazadores Reposado, Xila Licor de Agave, Chinola Passionfruit liqueur, vanilla, and lime; Sea Glass with Dewar’s scotch, Haku yuzu vodka, green tea, vanilla, lemongrass, apple, lime, and clarified milk; and The Mariner with Appleton Signature & Reserve Rums, Ron Zacapa 23, Chinola Passionfruit, Aperol, pineapple, lemon and orgeat. Wine pairings are curated by the directors of operations Daniela DiGregorio and Gina Martinez, spotlighting small, organic producers from around the world as well as a selection of high-end Champagnes.
Lara describes By The Sea as “a place to linger together,” with director of hospitality and general manager Heather Roberto overseeing every aspect of the low-key feeling of the space. The restaurant may be European-inspired, but the Hamms say it’s wholly Coronado.
The Hamms moved to the Crown City at the end of the pandemic after years in bustling Little Italy. “Within a few weeks of moving here, we felt the magic,” says Doug. Now, they get to be a part of building it up—CH Projects’ Baby Grand hotel is across the street and the Hotel del Coronado sits just down the block. “We’re happy to be part of the scene, and we hope it continues to grow,” he says. “That’s what makes Coronado so special.”
By The Sea opens August 12 at 1300 Orange Avenue, Coronado. Initial hours of operation are Wednesday and Thursday, 4 p.m. to 11 p.m.; Friday and Saturday, 4 p.m. to midnight; Sunday and Monday, 4 p.m. to 11 p.m.; closed Tuesday. Weekend brunch and extended hours to come soon. (Subject to change.)
Photos Credit: Kimberly Motos






Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
Innovative treatment could offer cancer patients new options with fewer side effects
Chemotherapy and radiation have long been considered gold standards of cancer treatment, but they can cause severe side effects. A promising new approach called theranostics—a combination of “therapeutics” and “diagnostics”—could offer patients with certain types of metastatic cancers new hope. It’s a two-step process that uses a drug that binds to specific receptors on cancer cells. Advanced imaging detects this radioisotope, allowing doctors to then use a second radioisotope that binds to the cancer cells and destroys them. Click here to learn more about how specialists at Scripps Cancer Center are using theranostics.
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