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Archive JANUARY 11, 2018

Have a Beer with the Eppig Brewing Team

Clayton LeBlanc, Nathan Stephens, and Stephanie Eppig discuss the North Park brewery's magic formula

Have a Beer with the Eppig Brewing Team
Eppig team members (left to right): Clayton LeBlanc, Stephanie Eppig, Nathan Stephens, and Todd Warshaw. | Photo: Bruce Glassman

I’m still not exactly sure what the magic formula is, but every once in awhile a new brewery opens up and it’s immediately and lovingly embraced by the beer-drinking public. Such was the case with North Park’s Eppig Brewing a little more than a year ago.

As far as I can tell, the magic formula doesn’t require any specific kind of location or incredible decor, nor does it require fancy ad campaigns or public relations events. I’ve seen it happen with brewers who were already well known, but I’ve seen it happen just as often with brewers who were not. For sure, the magic formula includes brewers with top-notch brewing skills and an instinct for the styles and flavors people want to drink. It also includes the making of great beer.

The team at Eppig includes two former brewers from Ballast Point and a business-savvy husband-and-wife team who are passionate about beer (in her case, the passion goes back 150 years to her great-great grandfather and his brother who established a brewery in Brooklyn, New York, in 1866). In just a little more than a year, Eppig Brewing has distinguished itself not only for its quality, but also for its variety and its ability (and willingness) to include less common styles in its regular rotation.

I recently gathered co-founder Stephanie Eppig, brewer Nathan Stephens, and brewer Clayton LeBlanc for a chat (Stephanie’s husband, co-founder Todd Warshaw, was tending to various brewery maintenance issues). Sipping on a light, crisp, perfectly balanced West Coast Blonde called Civility, I talked with the team about lessons learned in their debut year, how history has informed what they do, and what’s in store for the year ahead.

Ok, so your first year is behind you. What would you say were the biggest surprises of the past twelve months?

Clayton: No surprises at all! Everything went exactly according to plan! [Wink emoji goes here.]

Nathan: I’d say our Japanese Lager was one of the biggest surprises to me. When you think of it, that style was traditionally made by large mass-production breweries. Then we took that style and gave it our little twist by having a little more hops on the finish and actually making rice the featured ingredient, where you could taste it. I thought it was an awesome beer and, apparently, a lot of other people did too.

Stephanie: Over the past year, we learned a lot of things and people have taught us a lot of things—being in the beer business and experiencing it has been completely different from what I originally had thought it would be like. For me, I was very surprised by how supportive the rest of San Diego beer industry and the beer community has been. For other breweries to recommend Eppig when guests ask where they “have to” taste next, and to send them to our tiny little space here on El Cajon Boulevard, that’s been very surprising to me. What’s not surprising, however, is why: It’s the relationships Clayton and Nathan have built since their time back at Ballast and the beers that are coming out of our brewery. That’s not the surprise at all.

What would you say were the major snags you hit in your first year here?

Stephanie: Most of the major snags had to do with the space itself, like not having enough room to keep up on production of beers that people love and are asking for. We have to keep a lot of our beer off-site because we don’t have space for it here; and then somebody wants a keg, and we don’t have it here, and so we’re not able to get it to them that day. So, we’ve had a lot of production snags that hopefully will be solved from here on out.

Nathan: More logistical issues than you’d think for a space this size. You’re basically playing Tetris every day to get everything done.

Clayton: We’d sure like more square footage so we could keep more things in stock. But we knew what the square footage was when we moved in.

Let’s talk for a minute about your Ballast Point roots. Nathan and Clayton: You both were at Ballast for a long time. What would you say you brought from your Ballast experience to what you’re doing here?

Clayton: The Scripps Ranch experience from Ballast was all about immense growth happening, essentially the whole time we were there. And then there were all the experiences that came from that; not enough people, yet we need to make more beer and in a shorter amount of time. And then there’s the equipment breaking and it needs to be fixed and you have to come up with creative solutions to get around problems because it’s three o’clock in the morning. All those experiences made all the events here much easier in the sense that we had found a lot of workarounds from the Ballast days that can only come from the experience of going through it. We were there for a while, but only about 5 years, and if there hadn’t been so much growth and so much brewing going on during that period, we wouldn’t have seen all the things that we had seen. And we did it all with just a few guys. I mean, Nathan opened the Little Italy brewery. So all that experience has definitely benefited us here. We’re convinced that nothing can break that we can’t just work around.

Nathan: I would say one of the biggest things we brought from Ballast was discipline. We were just expected to get everything done and more, especially at Scripps Ranch because that was the workhorse before Miramar opened. So I got a taste of both sides of that going into Little Italy, where there were some different issues, like coming up with a schedule for the brewery and coming up with new recipes, and sourcing ingredients. So, between Clayton and myself, we got a lot of the skills that are needed to open a brewery—at least from the brewing side.

What about the recipe side? And the styles side? Were there types of beers you grew to love at Ballast that you brought over to here?

Clayton: You mean other than Sculpin? [Laughs] Like any chef who’s worked in a kitchen and then moves to his own restaurant, we kind of all have the same ingredients available to us. Nathan, having done a lot of the R&D stuff—he got to play with, and work with, a lot more ingredients than I ever did—that gives you a deeper playbook or recipe book. Then we got to come here, where there are no constraints and we can kind of make whatever we want. At the same time—because we’re also not completely insane—we also want to make good tasting beer that everyone can enjoy drinking, so that kind of makes for a nice balance.

Nathan: You find ingredients that you love and combinations you love. And I’ve always had a lot of things I never got around to doing and I always wanted to try. Here, once in a blue moon when we have an open tank, I can do something that maybe I’ve had in my back pocket for a while.

Did you ever feel pressure, with people knowing your Ballast Point background, that the hoppy beers were expected to be a certain way?

Nathan: We felt an expectation of quality.

Clayton: For me, I think there was more pressure on ourselves. Like, we’ve told people where we come from so we better bring it. As far as the beers: I don’t want to make the same beers [we made before], that would be quite bad form.

Talk to me a little bit about how you two work together as a brewing team. Do you collaborate on every batch and work everything together?

Nathan: For the most part. It kind of depends which beer we’re talking about. We’ll go back and forth on a recipe—say, I’ll put together a rough draft of something and then Clayton will give feedback and make suggestions.

Clayton: Nathan’s really the head chef. He pitches ideas and then we kind of stir them around in our heads. I’ll pitch ideas if I have them, but otherwise it’s mostly Nathan.

Are there specific influences or sensibilities you think each of you brings to the mix usually? You know, like Clayton is Lennon and Nathan is McCartney?

Clayton: I think you nailed it right there!

Does one of you tend to lean more toward the malty side or the crazy ingredients side?

Nathan: We have a lot of overlap, I would say, with what we like. So, for the most part, it makes it very easy to figure out a direction we want to go. I guess the way I would say it is that I never really have to “sell” anything to him. Stylistically what we like to drink is fairly similar.

Have a Beer with the Eppig Brewing Team

Have a Beer with the Eppig Brewing Team

Eppig’s Festbier is just one of numerous lager styles the brewery produces on a regular basis. | Photo: Bruce Glassman

There’s an interesting history to the Eppig family and their background in brewing. I know that’s a big part of what you do here and a big part of your identity. Can you talk a little bit about that history?

Stephanie: Sure. So my great-great grandfather and his brothers emigrated from Germany in the 1850s and settled in Brooklyn, New York. They ended up opening their own family brewery in 1866. They opened the Leonhard Eppig Germania Brewery and they brewed nothing but lagers for about five years. That truly was a great inspiration for us. And one of the great synergies in bringing on Nathan and Clayton is that they helped to develop the lager program at Ballast Point and they developed our lager program, which is the Natural Bridge Lager Series. It’s been really special to be able to share our lagers with people and to have that connection back to the original Eppig brewing heritage.

Are they original recipes from back then?

Stephanie: No. They’re not.

Are there any original recipes that survived, do you know?

Stephanie: We don’t have any. We’ve been through everything, but haven’t found any.

Nathan: But we can interpret and put our interpretation on things. Brewing in the 1800s was not like it is today. The total number of raw ingredients you had available was tiny compared to today. You have a rainbow of hops and malts to play with now, whereas, back in the day, you just did with what you had.

Stephanie: One of the standout lagers from last year was the Vienna lager, which was a pre-Prohibition style lager. We try to have a range of different styles of lagers from different points in time that tie back to our history, but we’re not always able to keep all the same beers on at the same time.

The original Eppig Brewing was in business until when?

Stephanie: Officially, until Prohibition. But every good story, as you know, has gangsters involved somehow. The famous gangster Dutch Schultz partnered up with the Eppig sons of the founders and they went underground. So Leonhard Eppig’s brewery was pushing beer during Prohibition. That is also the rumored reason why the family lost Eppig Brewing in the 1930s. They made it through Prohibition, but afterwards Dutch Schultz took it over and the family lost everything. My grandfather was about twelve at the time, and he lived in Brooklyn, and his father was the brewery’s bookkeeper, so we still have a lot of the original documents. That was a very difficult time, but also a source of pride for the Eppig family. When I was growing up, I heard all the stories. And we still had the original glass bottles and bottle caps. To be able to bring that back in a modern way with our unique stamp has been really cool. Our very first barrel-aged release, for example, pays tribute to that history. The bottle cap on top is the same as the original Eppig Brewing bottle cap.

When did that spark of inspiration hit you, when you realized you wanted to open a brewery and then incorporate your family’s history into it?

Stephanie: We always had a deep appreciation for the craft and we had always wanted to bring the family brewery back, but so many people have that same kind of thought—that they want to do something, but they don’t actually jump off the cliff. Often they’re second-guessing themselves because they don’t have all the skills to do it. We were not brewers, and we’d never pretend to be the brewers here, so I wanted to leave that to the professionals. If we’re putting my family’s name on it, I want it to be the best and the highest quality. Nathan and Clayton are the perfect fit to be able to do that for us. The decision to start a brewery was a moment between Todd and me where we were talking about what we wanted to do with the rest of our lives and how we could have a career we would be happy with, doing what we love to do. That’s when we decided to take the chance. And it was really fortunate that we had met Clayton about a year or two before we had that first conversation.

How did you first meet Clayton?

Stephanie: We met through mutual friends. It was at a barbecue. We learned that Clayton was a brewer at Ballast Point, but it was nothing more than social at first. We’d run into each other and catch up, but we never thought any more of it—until we seriously started talking about opening a brewery. We thought, “We don’t brew beer, so how are we going to do this?” That’s when Todd said, “Clayton.” It was a very natural idea.

Clayton: Yeah, it was like a nice long courtship in a sense, because it started very casually. I mean, I was a brewer. It was my job. Of course, in the back of every brewer’s mind is the idea of opening your own place, and our conversations led to my hearing the story of the Eppig family and I thought that was pretty cool. And I started to think about how we could do that. When we finally put it all together we had a moment when we said, “So, do we really want to do this?” We all decided we should, even though we were still kind of getting to know each other in some ways.

Did you formulate a clear idea of what kinds of beers you wanted to do at that point?

Clayton: Some of the history was kind of a motivator. We thought, “Hey this doesn’t exist, there’s not a lot of lagers produced out there.” That idea was combined with the fact that Nathan was part of the Ballast team that was developing how to make lagers effectively. Never at any time did we say anything like, “We’ll never make an IPA,” or anything like that. We did come from the house built by IPA so we wanted to have some fun with those as well.

Plans for the future: You have a tasting room opening in Point Loma soon, correct? What are some of the things you’re looking most forward to once that is up and running?

Stephanie: I think the vision has always been “Beer Garden.” And also outdoor, drinkable, approachable beers, because here in San Diego we have summer weather almost all year. To be able to create that kind of atmosphere out along the water and to be able to share beers with an audience down there, I think, is the vision we all share for Point Loma.

Nathan: If you’ve lived in San Diego for any amount of time and you’re a beer drinker, you’ve probably been struck by how few options there are of places that take advantage of the three most famous things here, which are beer, weather, and water. So, if we pull this off correctly, it’s going to be a pretty spectacular venue. And serving the styles of beers that we make in that very unique location right on the water there—right on the harbor with the skyline of downtown San Diego in the background—it’s going to be incredible.

One last question—and it’s okay to brag here: There are about 150 breweries in this town. You guys were number 130, and there are a lot of breweries that have been around longer than you have that don’t enjoy the kind of support or notoriety or accolades from other folks in the beer community that you have—or the support from craft beer fans. So what do you think it is that you guys are doing particularly right?

Nathan: I would say a big part of it for us was the fact that, even though we’re a new brewery, we’ve been in the business and working and perfecting our craft for years now. I went to school and studied brewing, and we worked our tails off during a crazy growth phase at Ballast, so we’ve been in the trenches for a long time. And now we just happen to be in a new venue where we get to call the shots and get to make the type of beers we want to make. And we also get to be involved in every decision as the brewery moves forward. So a lot of it is just the knowledge you learn through experience and the fact that this is what I want to do with my life. It’s what I love.

Stephanie: For me, not having the beer background that Nathan and Clayton have, it’s not only the beer quality but also the quality decisions that are being made. If they say a beer is going to be ready on Tuesday, I’m not allowed to promote it ahead of time, because if they taste it on Tuesday morning or hold it up and see it needs another day to clarify (because there’s no filtering) then we give it an extra day. There’s no cutting corners on the ingredients or during the brewing process. Every beer gets the time that it deserves. That way it’s the freshest and the best every time you drink it. That’s something that’s really special and it’s something that not every brewery has the luxury of being able to do.

Have a Beer with the Eppig Brewing Team

Eppig team members (left to right): Clayton LeBlanc, Stephanie Eppig, Nathan Stephens, and Todd Warshaw. | Photo: Bruce Glassman

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Food & Drink JUNE 25, 2026

Global Fork Food Hall Opens in Little Italy

Offering everything from smashburgers to sundaes, the latest food hall from Tiger Hospitality opens its doors this weekend

Global Fork Food Hall Opens in Little Italy
Courtesy of Global Fork Food Hall

Omakase and fixed-price menus are one way hospitality businesses are addressing our collective food decision-making fatigue. But on the opposite end of the spectrum, some restaurateurs are offering a bonanza of totally unrelated options for people ordering on a whim. Why not pair a lobster grilled cheese sandwich, açaí bowl, and ridiculously loaded hot dog? 

Starting June 27, diners can satisfy their spur-of-the-moment appetites at Global Fork in Little Italy, the latest food hall from Southern California-based Tiger Hospitality. 

Six different food concepts will be featured in the 4,685-square-foot, indoor-outdoor space along the Piazza della Famiglia promenade. The space’s inaugural lineup includes a mix of Tiger Hospitality-owned concepts (Cosmos Burger, La Vida, Lobster Lab, and Prik Ki Nu Thai) and outside operators (Seattle-based Moto Pizza and Handel’s Homemade Ice Cream). The space next door, Good Enough Cocktail Club, is another Tiger-backed brand, operated by the team behind Same Same and Amor y Magia in Carlsbad.

Cosmos Burger serves smashburgers stacked with classic toppings, while Lobster Lab focuses on seafood favorites including lobster rolls, shrimp rolls, and lobster mac n’ cheese. Prik Ki Nu Thai adds Thai street food to the mix, with traditional noodle, rice, and stir-fry dishes. And for those looking for something on the lighter side, La Vida offers things like smoothies, salads, and wraps. 

Courtesy of Global Fork Food Hall

Moto Pizza focuses on Detroit-style square pizza with Filipino influences and, despite the name, is not affiliated with Mr. Moto Pizza. Handel’s, which began in Ohio in 1945, will offer dozens of flavors ranging from staples like chocolate and vanilla to rotating specialties packed with candies, cookies, and other mix-ins. (Handel’s already has a number of locations across San Diego, with a La Mesa store coming later this year.) 

Some of these vendors already operate at Miramar Food Hall, the other Tiger-owned food hall in San Clemente. And some of them will also appear in Station8, the next food hall slated to open in UC San Diego’s Theatre District Living and Learning Neighborhood later this fall. But if you ask me, reviving the space that housed the Little Italy Food Hall before its closure last February is a far better outcome than leaving empty suites smack in the middle of an area saturated with fantastic food options. Plus, where else can you order a slice of beef adobo pizza alongside squares of caviar toast and a banana split?

Global Fork opens June 27 at 550 W. Date Street, Suite B, in Little Italy. Initial operating hours are from 9 a.m. to 9 p.m., seven days a week, but vendor hours may differ. 

Courtesy of Holland Partner Group

San Diego Restaurant News & Food Events

Beth’s Bites

  • La Jolla is reviving one of its own shuttered spaces this August with Tacos & Jarros, coming to the space on Wall Street that formerly housed Comedor Nishi and Coffee Cup. The all-day Mexican restaurant is the latest project from the family behind Cazadores Mexican Grill in Santee and Cotija’s Taco Shop, and will offer wine, beer, tacos, traditional breakfast dishes, as well as lunch and dinner. Some concepts may have hit their ceiling (craft beer, anyone?), but thankfully, it seems that Mexican food still has a long way to go before that. 
  • In the latest hilariously-named collaboration, on June 9, The Lion’s Share will host executive chef Tara Monsod from Animae for a one-night event called Animaeniacs. (Millennials who know, know.) The three-time James Beard Award Semifinalist Monsod will work with Lion’s Share executive chef and co-owner Dante Romero to create a multi-course, family-style dinner inspired by Romero’s Mexican background and Monsod’s Filipino heritage. Tickets get you a seat at the table, plus access to an afterparty in the Marina neighborhood hotspot’s loft, with seatings at 5 p.m. for the early birds and 8:30 p.m. for the night owls. 
  • Thanks to my son’s lifelong obsession with boba, I’m always on the lookout for the latest bubble tea place to check out. Next on my list is Tera Tea House, a boba, matcha, and fruit tea joint coming this month (maybe?) to City Heights near the Copley-Price YMCA. Will I go because their logo is a cartoon dinosaur sipping on boba tea? No, but it sure doesn’t hurt.
  • After opening their latest outpost in North Park, Moniker Group announced plans to open their third Moniker General later this year inside West, a 37-story mixed use building coming to downtown at 1011 Union Street. The space will continue the group’s signature menu of coffee, cold brew, matcha, small bites, wine, and beer, and founder Ryan Sisson says they identified downtown for their next location due to the area’s “tremendous amount of momentum.” I’ve never lived in a building with a built-in coffee shop, but I’ve got to admit, it does sound like a pretty nice perk.

Listen Now: The Latest in San Diego’s Food and Drink Scene

Have breaking news, exciting scoops, or great stories about new San Diego restaurants or the city’s food scene? Send your pitches to [email protected].

Beth Demmon

About Beth Demmon

Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.

Food & Drink JUNE 24, 2026

Michelin Chooses San Diego for Its Big Show

How the now iconic rating system became the biggest name in the food and how it made its way to our backyard

Michelin Chooses San Diego for Its Big Show
Photo Credit: Elodie Bost

So, Michelin chose San Diego to host its annual awards show this week. Big thing for our city, which people wrote off as the flaccid mozzarella stick or the “fish tacos bro” of California food culture.

Michelin Guide is a pretty fascinating story. It started as a marketing brochure for a tire company and evolved into the strongest global marketing platform for restaurant culture in history.

In 1900, there were less than 3,000 cars in all of France. André and Édouard Michelin were trying to sell tires. A niche market. If people drove more, they figured, tires would go bald faster. They’d sell more rubber.

So they published a guidebook with maps, gas stations, mechanics, hotels, restaurants, and travel advice. The “How to Go Bald” book with food as the bait. By the 1920s, people were buying the guide just for the restaurant recs.

In 1926, Michelin introduced stars. This changes everything.

Originally just one. Five years later, it expanded to three. One meant “very good restaurant.” Two meant “worth a detour.” Three stars meant “worth a special journey.” In other words, wear those tires down to a nub in search of Dover sole.

Photo Credit: Elodie Bost

By WWII, Michelin was the gold standard guide to French food. And French food was the gold standard for western food. Which was half the world.

Michelin first came to the US in 2005.
New York only.
(Knicks in five).

In 2007, San Francisco. Then LA and Vegas in 2008.

Michelin stopped publishing in LA and Vegas after two years and stayed dark until 2019.

Major theories for this?

First, print is expensive. I can attest. ROI on a printed story is hard.

Second, people wanted local critics, and they were finding them online.

Third, Michelin landed like a stuffed shirt in LA, which had taco carts in its heart. LA swiped hard left.

Then Michelin discovered a new way to fund what it does. Instead of trying to sell enough books to justify the cost (inspectors, printing, restaurant bills, etc.), it had tourism marketing districts pay for inspectors to come analyze their cities or states.

Tourism marketing districts are massive organizations whose primary goal is to sing the priases of their cities and states—attract tourists, who pay for hotels and spend money in the city. Heads in beds.

The first to swipe its credit card was California, which paid $600,000 in 2019 for Michelin to come back to LA, Orange County, Monterey, Sacramento, Santa Barbara, and… San Diego.

It’s an overwhelmingly positive thing, which is never without its doubters and critics.

Namely, not everyone is down with the pay for play model.

The biggest reason is that it means cities without big tourism budgets get left out. Chefs in those cities are chefs non grata in the eyes of Michelin. Which is a fair complaint, though also, sadly or not, kind of how capitalism works.

Michelin isn’t a government organization, or a nonprofit culinary organization. It’s a publicly traded company with real bills to pay and investors and shareholders to answer to.

Since it feels like a tad of a PR dilemma for Michelin, I have a proposal that may or may not work.

What if Michelin took a portion of the money it receives from larger cities and used it to fund its expansion into an underserved city or state that can’t afford it? Bake it into the price it charges California or any other state.

Again, Michelin’s not obligated to do this; there is no penalty beyond the paper cuts of public sentiment. But that sort of pay-it-forward model could help other cities without the resources to play the game, while simultaneously making Michelin’s reach bigger and more holistic.

Second, people claim this TMD-funded model somehow taints the winners.

I don’t buy that at all. All tourism boards are doing is paying a marketing business (Michelin) to come operate in their city. They’re not telling Michelin which restaurants to choose for awards. As I understand it, Michelin has retained independence, and its inspectors only award restaurants that they feel are absolutely worth it based on merit.

True pay for play would be if a restaurant group paid Michelin in exchange for a star. Or if tourism boards had a say in which restaurants received attention or awards.

I haven’t found any proof of that happening, and so I won’t ding the validity of the awards until (and if) I ever do.

All tourism boards can control is which areas they’re willing to pay to have analyzed. For instance, San Diego could technically ask that only the city be analyzed and not the county. Which it did not, most likely because Visit San Diego (our TMD) is in charge of marketing the entire county (and thus why Michelin stars like Jeune et Jolie, Lilo, and Addison are outside of SD city limits).

So, if you’re dead set on criticizing Michelin, I’m not sold yet on the pay-for-play model being the right route.

Troy Johnson

About Troy Johnson

Troy Johnson is the magazine’s award-winning food writer and humorist, and a long-standing expert on Food Network. His work has been featured on NatGeo, Travel Channel, NPR, and in Food Matters, a textbook of the best American food writing.

Food & Drink JUNE 24, 2026

A Guide to The 2026 Sapporo Omakase Open

The restaurants and people behind the fastest sold-out event in San Diego Magazine’s history

A Guide to The 2026 Sapporo Omakase Open
Photo Credit: James Tran

The Sapporo Omakase Open is upon us. The event that sold out faster than any in San Diego Magazine’s history. The birth of another tradition.

The idea was simple: partner with the city’s preeminent force in Asian business and culture (the Convoy District) and the longest-running Japanese brewer in the world (Sapporo, founded 1876). Then bring together some of our favorite chefs and food and drink people who specialize in Asian delicacies—sushi, pho, xiao long baos, mochi, musubi, sake, tea, you name it—to shine a light on who they are and the delicious things they create.

There will be a friendly competition, judged by everyone in attendance and a panel of food experts, including longtime Food Network judge (and SDM co-owner) Troy Johnson. Winners will be named and trophied and exalted.

But moreover, SDM and its partners—Snake Oil Cocktail Co, Rivian, Del Mar Wine & Food Festival, and Komé Collective—believe in building local culture will bring together a room full of people to eat, drink, commune, and celebrate those who make San Diego’s food and drink culture hum.

Here is your guide to the restaurants, chefs, and people cooking and creating at the inaugural Sapporo Omakase Open:

Dumpling Inn & Shanghai Saloon

The OG. Dumpling Inn & Shanghai Saloon started in a tinier strip-mall space, famous for Shanghai-style comfort food like jellyfish salad and xiao long baos (XLBs, aka soup dumplings). It became so loved that they took over the giant anchor spot on Convoy (a former iconic Chinese grocery store, which also helped launch Convoy into the pan-Asian food wonderland its become). Its menu is vast, but the dumplings are the legend—with fresh dough rolled each morning, a rounded pocket of porky goodness and a gush of broth. Celebrating 10 years in its massive space (and 32 years overall), the Inn’s XLB comforts everything in its path.

Crab Hut

This is the family-run spot in Convoy for seafood boils, brought to you by the owners of one of the city’s top restaurants, Kingfisher. Crab Hut is their OG idea from owners Ky Phan, sister Kim, and brother in law Quan Le. It’s a love note to their childhood home and family tradition where they grew up in Vietnam. Behind their house was a river. The Phans would fish during the day, and sit around the communal table boiling up the day’s haul at night. There’s the “Bucket for One” filled with snow crab clusters, shrimp, crawfish, mussels, clams, corn on the cob, potatoes, and andouille sausages. There’s the “Go to Town” boil overflowing with everything previously mentioned, plus king crab legs and a glorious Dungeness crab. The most delicious kind of mess.

Lumi by Akira Back

Lumi by Akira Back is led by world-renowned Korean-American chef Akira Back—the ex-pro snowboarder turned Michelin-star, best known for Dosa in Seoul, Yellowtail in Vegas, and this rooftop sushi-plus concept in the Gaslamp. Overlooking Fifth Ave, it’s serious food with a little party in its heart. Along with a serious sushi program, there are dishes like his Japanese-inspired take on pizza (a tuna carpaccio + ponzu mayo idea) or the miso pork belly kimchee chaufa. Want the full show? Order the Nano 9, Lumi’s Signature Mystery Box, a limited nine-piece omakase sushi course unveiled tableside in an ornate carrier leaking fog all over the place. Keep going big (but refined) with Mist of Kyoto, a cocktail-for-two experience—Knob Creek Barrel Rye, Mizunara liqueur, Japanese sweet vermouth, and black walnut bitters, served in a ceremonial tea pot with two equally ceremonious cups. 

Sake Bar GAGA

This concept was inevitable. Ayaka Ito first came onto San Diego’s restaurant scene in 2016 with Beshock Ramen in East Village. The ramen is fantastic, but the place was unique in that it was one of the city’s first portals into the craft of world-class sake. Ito is a kikizakeshi—essentially a certified sake sommelier or master. Sake Bar GAGA is her sake tasting bar in East Village, a 10-seater destination that takes guests on an omakase-style journey of around 20 sakes, hand selected by Ito. For the food, she and chef Ryan Miller collaborated on tapas-style bites with Marie Chiba, a certified sake samurai (one of the few in the world) and owner of Tokyo’s famous sake bar, Eureka. When you choose your dishes—like the blue cheese ham katsu, scallop mango tartar, A5 Wagyu Nigiri, konbu-aged red snapper, snow crab croquettes, you name it—the bar customizes your sake to each food.

Cannonball

San Diego’s largest oceanfront rooftop, hovering above the beach-culture pandemonium at Belmont Park. With a qualification like that, Cannonball could serve gas station sushi and mid boat drinks and be just fine. But local restaurant group Eat. Drink. Sleep (JRDN, The Lakehouse) and chef Luis Romero have made sure the seafood lives up to the view—with over 30 sushi creations, apps like bluefin tostadas with aguachile negro, baked blue crab dip with sriracha honey—plus entrees like a ribeye in uni butter and miso black cod. Watching the daily mix of tanned, parrot-wielding locals, Fit gym body-bods, and tourists is a show in and of itself, made even more enjoyable with a Lychee Lychee—vodka, nigori sake, yuzu liqueur, and lychee syrup. 

Glass Box

Hard to call him underrated, since he won best dish at Del Mar Wine + Food Festival last year. But chef Ethan Yang’s Glass Box still deserves more. The restaurant is an attraction in and of itself—encased in a giant glass cube inside the Sky Deck at Del Mar Highlands. Yang and his chefs are on display, slicing top-notch fatty toro or premium wagyu filet. He offers a 10 to 15 course omakase experience, and the bar brings classics like a Toki Old Fashioned (Suntori Toki, bitters, orange) and modern plays like a Matchatini. 

Ikegi by Chef Stevan Novoa

Cooking. That’s what chef Stevan Novoa’s ikegi is; a Japanese word meaning “reason for being.” A military veteran with 13-plus years of experience in kitchens across the coast of California and Mexico, Novoa has cooked most styles that make the region hum—and developed a deep appreciation for local farmers, fishermen, and ingredient people. Ikegi by Chef Stevan Novoa is his private chef concept, curating tasting menus that span the gamut (coastal California, Mexican, Japanese izakaya) for people in their favorite space: their home.

Mon Chourie 

Few things in life are more affirming than light, fluffy dough balls stuffed with cream and baked to perfection. South Korea native and New York art-student-turned-baker Kelly Kim specializes in classic choux au craquelin—the oversized French cream puffs baked with a slender cookie disc that melts across the top during baking. At Mon Chourie, she starts with her mom’s recipe, then tweaks with seasonal, global flavors—often in collaboration with other local makers. Like the recent pandan mango ice cream choux with indie San Diego-based ice cream brand, Amor. Or a peach oolong tea choux—silky oolong tea-infused cream, peach compote inside that twice-baked, light-as-atmosphere pastry dough. She pops up on Wednesdays at local bakery Michi Michi, plus other spots in town. 

Pho Ga Go 

A restaurant within a restaurant from the family who owns Crab Hut and Kingfisher. Pho is all about the broth and the lengths you’re willing to go for it. At Phở Gà Go, the whole idea is to take the quality of broth they have at Kingfisher—one of food critic Troy Johnson’s “Top Five Restaurants in San Diego”—and serve it in a more casual setting. Chicken bones are simmered for over 12 hours with the highest-possible ingredients (including heirloom garlic from the famed Christopher Ranch in Gilroy), resulting in a broth that’ll send the slightest throat tickle or sniffle scampering away like a frightened little puppy. They also specialize in chả giò—Vietnamese imperial rolls that are in the realm of Chinese-American egg rolls, but ineffably lighter thanks to using rice flour instead of wheat dough—stuffed with pork, shrimp, taro, wood ear mushroom, carrots, and mung bean noodles. 

Roppongi Restaurant & Lounge

In early-2000s San Diego, the next generation of sushi chefs were largely trained in two spots: Sushi Ota, or Roppongi Restaurant & Lounge. First opened in 1998, Roppongi was the Japanese-inspired standout from restaurateur Sami Ladeki, who had made his name with Sammy’s Woodfired Pizza but was blown away by the food culture in Roppongi, Japan. La Jollans cried multiples when it closed in 2015, and relentlessly bugged Ladeki to bring it back. So he did exactly that last year with chef Alfie Szeprethy. They supercharged the design of the space, and rebirthed some of the classics—like the Polynesian crab stack, Mongolian duck quesadilla, the Roppongi Roll (tempura shrimp, unagi, spicy toro), and the Japanese hot rock (thinly sliced steak sizzling on a smooth stone with chili ponzu, sesame goma sauce, and cucumber sunomono). Welcome back. 

Sushi On a Roll

Jeff Roberto is a low-key, laidback icon of sushi in San Diego. At any event, if you spot a surprisingly elaborate sushi case and setup and a couple of itamaes wielding blow-torches or breaking down an entire tuna—that’s Roberto and his Sushi On a Roll. He’s been one of the city’s premier sushi caterers since 1993 (when he started, there were only seven sushi restaurants in the city)—a powerhouse on wheels offers everything from sushi making workshops and classes. When a few US presidents needed sushi, Roberto got the call. His arsenal at this point includes over 1,000 sushi options. But moreover, he’s the warm, smiling attraction at any party that involves high-quality fish in the nude. 

Sweet Vibe

Hard to decide if Sweet Vibe is a viral dessert shop or a highly popular newish entry in tea culture, which runs deep in Convoy. Their cakes have somewhat stolen the buzz, with Thai milk tea cake, taromisu (taro + tiramisu), yuzu cheesecake, sea salt Oreo, etc. They’re also cute as hell, with their bearamisu (a tiramisu with a bear on it) and mousses shaped like French bulldog pups. But its drinks are the core of the menu, with vibrant fruit and milk teas (green Thai lemon, uji matcha foam with jasmine milk, lychee lemon, iced peach oolong), yogurts with Crystal boba, and fruit slushes (mango pomelo, strawberry milk, pink lychee)—all with adjustable sugar and ice levels and boba add-ons. 

This Musubi Love

It’s a sandwich. It’s nigiri. No, it’s musubi. For all the SPAM skeptics, we urge you to honor the deeply Hawaiian and Japanese tradition and witness the charms of a warm, handheld block of sticky rice with a thick slab of teriyaki-glazed canned meat wrapped in nori. Those who have either been raised in the arts or converted tend to exude a higher than expected life happiness. This Musubi Love, a Leucadia musubi speakeasy (you heard us right), focuses exclusively on the minor food religion. The MEHKO (Micro Enterprise Home Kitchen) from founder Roger Post serves classics, plus riffs like the Cordon Bleu-Subi made with panko-fried SPAM, shredded rotisserie chicken, swiss cheese and Bachan’s Japanese BBQ sauce. Or the Dawn Patrol with SPAM, egg, bacon, cheddar cheese and spicy mayo. If you’re still not convinced, the fried BBQ chicken tender musubi or the crispy BBQ tempura shrimp musubi might change your mind. 

Mochichis

It’s the pastry hybrid that everyone who values their mouth should have seen coming. Mochi is having a true uprising in San Diego. Most people know the Japanese specialty from the mochi-covered ice cream found in boxes at various grocery stores, but artisanal mochi comes in many, far more interesting forms. Like donuts. Mochi donuts have that crispy-fried traditional donut exterior, but the chewy-soft, rice-flour soul in the middle. Mochichi in Encinitas—a startup from SDSU grad Beth Kass—specializes in them. Base flavors include creme brulee, strawberry glaze, ube Oreo, churro, an Nutella, but she customizes on request and whim. She also serves an ube float and a Vietnamese coffee float because, well, that should clearly exist. 

Studio S JUNE 15, 2026

A Modern Take on Steak

Stake Chophouse & Bar brings contemporary classics and old-school service to the heart of Coronado

A Modern Take on Steak
Courtesy of Stake Chophouse

Stake Chophouse & Bar isn’t your average steakhouse. Blue Bridge Hospitality’s Coronado outpost is a modern interpretation of a big-city steakhouse nestled in the heart of the small coastal community. The team at Stake has reimagined the whole steakhouse experience. By prioritizing a seasonal farm-to-table sourcing philosophy, a personalized guest experience, and unique service touches, like a formal steak presentation and a bespoke knife selection process, Stake distinguishes itself in a sea of steakhouses.

Exceptional steaks, including Wagyu from Japan, Australia, and the U.S., and fresh seafood flown in daily form the core of Stake’s culinary identity. The menu features a five-course omakase-style steak experience highlighting house favorites, plus an array of cuts, and classic steakhouse staples—think a wedge salad, baked potato, or pasta carbonara—refined for a contemporary palate without losing their traditional appeal. Stake focuses on seasonal sourcing from the region’s best family farms and specialty purveyors, and incorporates intentionally unexpected touches to create something truly unique.

“I challenge our chefs and myself to take it a step further in sourcing,” says Chef Ronnie Schwandt. “It’s important to us to highlight different farms, unique one-off farms—whether it’s cattle, strawberries, a local fisherman or from anywhere in the United States, we’re always trying to find that niche.”

Beyond the menu, Stake emphasizes outstanding service, says Vinny Spatafore, Director of Hospitality Operations. Staff maintains detailed notes, allowing them to remember guests by name, recall previous orders such as a favorite martini (also memorable for the customer since it’s served in an extra tall, distinctly-shaped glass), and celebrate special occasions like birthdays and anniversaries.

“When you have those points of topic that you remember about a guest, they appreciate that,” he says. “Our servers are really good with that—we have a couple servers who have been here since the beginning and they’ll remember somebody from years ago, their name, their kids’ names, where they live. I’m really thankful to have a great front of house staff.”

Award-winning wines, rare whiskeys, special events, and a complementary black car service that provides transportation for guests throughout Coronado add to Stake’s appeal.

Schwandt stresses that Stake offers more than a meal; they aim to give patrons something unforgettable.

“It starts when you walk up the stairs and are greeted by the hostess—that sets the tone for the night. Then you’re greeted by a server, who may know you by name, and can guide you through the menu and curate as they get to know you,” says Schwandt. “Most people leave kind of blown away; they leave feeling like they just had an experience. That’s the goal, right? Whether you’re serving smash burgers or high-end steak, you want somebody to leave thinking, Wow, that was awesome.”

Partner Content
Food & Drink JUNE 23, 2026

In a City Obsessed With Coffee, One Pop-Up Is Doing Things Differently

One of One combines creative seasonal drinks, ethical sourcing, and Filipino-American roots to stand out in San Diego's crowded cafe scene

In a City Obsessed With Coffee, One Pop-Up Is Doing Things Differently
Photo Credit: Maryssa Liu

In a city overflowing with cortados, ceremonial-grade matcha, and ambitious coffee startups, standing out isn’t easy. It’s even harder when your business doesn’t have a fixed address. That’s the challenge (and increasingly, the appeal) of One of One

The Filipino-American coffee and matcha pop-up concept is the work of Kristin Cleavinger, a San Diego native who spent nearly a decade working in the Los Angeles specialty coffee business before returning home to build a concept of her own. The business takes its name from Cleavinger’s grandfather Gregorio Magnaye Bolor, who immigrated from the Philippines to the United States in the 1970s with almost nothing, but managed to build a life for him as well as his descendants. 

It’s that sense of grit, perseverance, and identity that Cleavinger says fueled her to build One of One. “Throughout my time in specialty coffee, I was really curious about Filipino representation, because that wasn’t something that I saw,” she explains. She began to research coffee from the Philippines, but considering the island nation only produces about 0.25 percent of the world’s largest producer, Brazil, there wasn’t much to find.

Instead, she turned inward, drawing from her family’s history and her own Filipina-American identity to build something personal.  “To me, this really is a way to honor my family’s legacy—my nanay, Maria Nieves Bolor, and my tatay Gregorio.”

Photo Credit: Juliet Furst

For her drinks, Cleavinger never uses refined sugars, and syrups are made in-house from organic and regenerative ingredients. The Summer Peach latte, the current seasonal special, layers Ceylon cinnamon, unrefined cane sugar, Maldon sea salt, and ripe yellow peaches for a riff on one of summer’s most glorious treats: peach cobbler. Another new drink is Mint Chip, inspired by Thrifty ice cream with a fresh mint syrup, dark cocoa powder, and chocolate chunks with a base of either espresso or hojicha (roasted Japanese green tea with a mild, sweet, earthy flavor and lower caffeine content than other green teas). 

Other crowd pleasers include the signature Neapolitan latte, which is inspired by childhood memories of her family using Neapolitan ice cream to create pan de sal ice cream sandwiches. She layers housemade organic strawberry syrup, Madagascar vanilla bean-infused oat milk, and dark cocoa-swirled espresso for a tricolored beverage experience that she recommends sipping before stirring to taste each layer on its own merit. 

Past specials have ventured deeper into Filipino flavors, like a turon-inspired latte using jackfruit and banana; another was a coconut pandan matcha made with organic coconut water and topped with a pandan matcha cream.

Photo Credit: Juliet Furst

The sourcing decisions behind these drinks are equally deliberate. Coffee comes from Boondocks, a Filipino-owned LA roaster whose founder is originally from National City. Its current offering, the Galleon blend, combines beans from southern Luzon in the Philippines with Chiapas, Mexico—a nod to the communities woven into San Diego’s own cross-border identity. Matcha is sourced through Este, a local San Diego company that works directly with producers in Mie Prefecture, Japan. 

Every supplier is chosen for value alignment as much as quality—Boondocks’ current blend, for example, directly supports women-owned farms. “Each person has the power to choose where they want to put their dollar,” Cleavinger says. 

You can catch her at regularly scheduled pop-ups at places like Olivewood Gardens in National City (every third Saturday), Ayi in South Park’s Summer Series (every Saturday morning in June), and on regular rotation at Home Ec and Best Bud Floral in Kensington. (More dates are listed on Instagram as well.) Cleavinger says she does have plans to launch a brick-and-mortar shop in the future, ideally with an expanded beverage menu, space for art shows, and a community gathering place for local and Filipino-owned makers.

In a crowded field of coffee concepts, One of One shows that a memorable drink can do more than wake you up. It can tell you something about the person behind the idea—who they are, where they’re from, and where they’re going next.

San Diego Restaurant News & Food Events

Beth’s Bites

  • After appearances on Top Chef and Iron Chef Mexico and stints at big-name kitchens like Vaga and Leu Leu, chef Claudette Zepeda just released her debut cookbook Cooking the Borderlands: Spice and Smoke Between Mexico and the States. By deep diving into the cross-border culinary traditions between Mexico and the United States, Zepeda doesn’t just tell the story of food—it’s a story of her upbringing as a self-proclaimed “border kid,” a moniker all-too-familiar to thousands of people who straddle the two countries. It’s a fascinating (and beautiful) book from one of San Diego’s native daughters and well worth picking up. 
  • Despite throwing the North County restaurant world into despair at the news that Matsu was permanently closing, we are blessed with the ability to continue enjoying Chef William Eick’s culinary prowess. Eick is now the chef de cuisine at Pacific Point at the Park Hyatt Aviara Resort in Carlsbad, working alongside sushi chef Meljohn Sebastian to design a new Asian-inspired menu focused on seasonality. Matsu may be over (for now), but Eick’s talent is still on full display. 
  • Urban Property Group just announced a deal for a new cafe opening in the freshly renovated Five50 West in Little Italy. Café Noelia will open this summer, bringing a slew of coffee, matcha, toasts, and sandos to the ground floor of the building, where (rumor has it) a Japanese speakeasy is also on the way. 
  • In the latest twist of the weirdly ongoing story that is Modern Times Beer, its Encinitas location, the Far West Lounge, is no more. The once-renowned local craft beer brand flew too close to the sun during the beverage boom and now, after closures, sales, and corporate splits, only exists with a small handful of the original tasting rooms and as a craft coffee brand (that’s not actually related to the beer side of things anymore).

Listen Now: The Latest in San Diego’s Food and Drink Scene

Have breaking news, exciting scoops, or great stories about new San Diego restaurants or the city’s food scene? Send your pitches to [email protected].

Beth Demmon

About Beth Demmon

Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.

Food & Drink JUNE 23, 2026

The Japanese Curry Taking Over Petco Park Is Coming to Hillcrest

CoCo Ichibanya's wildly popular katsu curry has become a ballpark favorite—and now the chain is opening a second San Diego location

The Japanese Curry Taking Over Petco Park Is Coming to Hillcrest
Courtesy of CoCo Ichibanya

I’m a creature of habit. When I go to Petco Park for a Padres game, I order two things without fail: a Swingin’ Friar ale from Ballast Point and a Friar Frank (extra mustard, no ketchup). I might supplement with tri-tip nachos from Seaside Market, or splurge on fancy fish tacos from Deckman’s at the Draft, but there’s no way I’m going to a ballgame without enjoying the classic combo of a beer and hot dog.

But this season, I’m faced with a conundrum. CoCo Ichibanya, the world-famous Japanese curry chain with locations in Convoy District, Los Angeles, Orange County, and Texas, debuted this March at the Mercado near Section 104. I recently attended a game against the New York Mets when I noticed a woman sitting in the row in front of me with a giant helping of chicken katsu curry. I hadn’t seen CoCo’s curry in the wild at the ballpark yet, but the aroma of the crispy fried chicken bathed in savory curry wafting over her shoulder absolutely intoxicated me (and ended up being a nice distraction to the 7-3 loss). Hopefully, she didn’t notice me leering with envy, but I’m 92 percent sure I got some drool on the guy next to me.

The world’s largest Japanese curry chain isn’t done popping up in San Diego quite yet. This July, CoCo Ichibanya will open its second standalone store in San Diego on the ground floor of the Denizen building in Hillcrest.

First launched in Nagoya, Japan in 1978, CoCo Ichibanya specializes in Japanese-style curry dishes, a comfort food signature. Unlike fiery Thai and Indian curry, Japanese curries are often more like gravy, served over rice and alongside katsu pork, chicken, or beef, or as curry omurice (omelet rice). The chain expanded to the United States 15 years ago, and owner Teruyoshi Ono says they’d been eyeing more opportunities in San Diego for some time.

Courtesy of CoCo Ichibanya

The location in Hillcrest spans 2,585-square-feet with seating for around 49 guests. Menu favorites like the chicken cutlet curry with vegetables, the pork cutlet omelet, and Thai tea will be available, but Ono said Hillcrest will be the first location in the US to offer one major crowd-pleaser: alcohol. And keeping with local baseball fandom, “We will also have Padres x CoCo Ichi limited merchandise at our Hillcrest location,” he promises. 

Ono also revealed that CoCo’s future expansion plans include looking for more locations across Southern California and possibly more in San Diego. While the Japanese yen remains at a historic low against the dollar (making it an absolutely unbeatable time to visit the Land of the Rising Sun), why fly overseas when you can get a taste of Japan in your own backyard—or ballpark?

CoCo Ichibanya Hillcrest is slated to open at 3833 5th Avenue in July.  

San Diego Restaurant News & Food Events

Beth’s Bites

  • Leucadia, gird your loins for a bagel bonanza. New Wave Bagels is ready to sling its sourdough delights in time for the July 4 weekend, promising bagels, breakfast sandos, and a limited sandwich menu until a hard launch on Wednesday, July 8. Maybe we should rename Independence Day to Carbohydrate Day? 
  • First a Michelin star, now number one—Carlsbad’s darling Lilo was just named the number one restaurant in the US by Robb Report, the luxury lifestyle site (which coincidentally happens to be owned by Penske Media Corp., the new owners of Vox Media and Eater as of today). What can’t John Resnick and Eric Bost do??
  • B’s Bodega, a New York-inspired deli and convenience store inspired by the late Brandon Zanavich of The Friendly, is slated to open later this year. But before it does, you can get a taste of the Big Apple energy on June 27 at Bock in South Park, when the B’s team will be on hand hosting their first sandwich pop-up. Sneak a peek of what’s to come and grab a beer while you’re at it.

Listen Now: The Latest in San Diego’s Food and Drink Scene

Have breaking news, exciting scoops, or great stories about new San Diego restaurants or the city’s food scene? Send your pitches to [email protected].

Beth Demmon

About Beth Demmon

Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.

Partner Content JUNE 25, 2026

Summer Nights at SeaWorld San Diego

SeaWorld dazzles with a drone show, big-name entertainers, new animal adventures and more 

Summer Nights at SeaWorld San Diego

Nights are heating up at SeaWorld San Diego. The quintessential summertime staple on Mission Bay is transforming into a destination for unforgettable day-to-night adventures, bringing back some of its most popular Summer Nights programming and introducing exciting new experiences sure to delight both kids and adults alike. 

The 2026 Summer Day to Night at SeaWorld San Diego is the park’s most ambitious season yet. SeaWorld has planned a highly anticipated entertainment lineup that features nine weeks of throwback concerts featuring R&B and hip‑hop favorites from the ‘90s and early 2000s, including Jordin Sparks, Too $hort and Warren G, Ashanti, and an array of boy band heartthrobs performing together as part of the Pop 2000 Tour. 

New this season is perhaps the park’s most visible update: a nightly drone show, Ocean of Dreams, which illuminates the sky with hundreds of synchronized sparklers. Drones form sea otters, sharks, dolphins, and a majestic orca that tell a breathtaking 12-minute story of marine life and underwater ecosystems. The show culminates with a spectacular electric neon finale celebrating hope, wonder, and ocean stewardship.

Nighttime visitors are also in store for animal adventures that fuse education with high-energy fun and the dreamy ambiance of nighttime. The park has launched two all-new animal presentations: Shamu’s Celebration: Light Up the Night and Dolphins: Touch the Sky. Shamu’s Celebration: Light Up the Night features vibrant lighting, music, and dynamic choreography that celebrates the power and beauty of killer whales. Dolphins: Touch the Sky showcases playful bottlenose dolphins and the special connection between humans and the natural world. And back by popular demand is fan-favorite Sea Lions Tonite. See the charming pinnipeds splash, play, and parody pop culture in this refreshed crowd-pleaser. 

More must-sees: a newly reimagined Shark Encounter, one of the country’s more immersive exhibits highlighting 11 different species up close, SeaWorld’s beloved BMX Blast! stunt show, and high-seas escapade, Pirates Ahoy! The Battle for Mermaid Cove. And don’t miss the park’s all-new Deep Sea Disco, which encourages guests to dance the night away under the glow of the SkyTower, and vibrant closing time laser light display Laser Reef Summer Spectacular. 

Amp up the nighttime vibe with local craft beers, curated cocktails, and nostalgic theme park treats with $1 beer all summer long. SeaWorld is the place for day to night summer fun. When the sun goes down, SeaWorld lights up, and inspires guests of all ages to embrace their inner whimsy and see why generations of San Diegans head to SeaWorld to make memories they’ll never forget. 

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