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Kelcey Fisher recreates SDM's very first cover from October 1948 by reimagining it in 2023
KFiSH
Kelcey Fisher, the local artist professionally known as KFiSH, is comfortable pretty much anywhere. Drop him in his current homebase of Encinitas and he’ll find inspiration in the roving tides and casual metronome that plots the neighborhood’s classic chill. Plant him in Bushwick, NY and he’ll adopt the patina of grit steaming off the far-flung borough’s sidewalks. Hell, he might even start painting on them.
It’s this amalgam of beachy sensitivity and urban gravitas that gives KFiSH his signature style. He even has a name for it: “controlled chaos,” a wavy pattern of distinct strokes, at once mesmerizing in its ease and deafening in its repetition.
His duality of breezy calm and stark ambition was one of the reasons we asked him to reinterpret the very first cover of San Diego Magazine. Each month in 2023, we will be asking a local artist to recreate one of our iconic covers from the past 75 years. For January, we’re debuting our very first cover from October 1948: a line drawing of the Majestic Hotel by E. Miller.
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Though a wanderer at heart, KFiSH claims that San Diego will always be home and is often the impetus of his visions. Having moved from a small beach town in Florida to Coronado (where he spent most of his childhood), being in San Diego was a surreal opportunity for him, one that allowed him the chance to be surrounded by both a city filled with colorful murals and another country only 15-minutes from home.After a couple of years in college in Maryland, KFiSH moved to Los Angeles to pursue his art. In storied LA fashion, his career was kickstarted at a party headlined by Steve Aoki where he took his chances by presenting him with a portrait of himself.The LA doors swung open. The meeting led to commissions, lucrative brand partnerships, vast murals, and eventually art shows of his own. Fast forward to San Diego, where our city and its border status have become a clear influence for him.
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“I love the colors, the murals, and the vibrance of SD and Mexico,” he says. “Experiencing the uniqueness of different cultures [and] lifestyles is one of my main inspirations.” It made sense, then, when presented with the concept for the reimagined cover, that he played with the Padres’ City Connect jersey colors to help illustrate Petco Park.“I’ve always seen Petco Park as a cultural meeting space in San Diego,” he says. “I’ve been to many games and created a lot of memories there with friends and future clients. I always loved the energy and, when designing the cover, I saw it as one of the most iconic San Diego spots.”
See his cover here, paired alongside our original cover, and keep an eye out each month for the artists we’ve tapped to help us celebrate our birthday.
Danielle is a freelance culture journalist focusing on music, food, wine, hospitality, and arts, and founder-playwright of Yeah No Yeah Theatre company, based in San Diego. Her work has been featured in FLAUNT, Filter Magazine, and San Diego Magazine. Born and raised in Maui, she still loves a good Mai Tai.
We chat with the Encinitas artist to learn more about her work, inspirations, and upcoming projects
Each month in 2023, we’re asking a local artist to recreate one of our iconic covers from the past 75 years. For December, we tapped artist Taylor Chapin to help us recreate San Diego Mag‘s January 1965 cover. Check out her unique translation here and learn more about Chapin in the Q&A below:
The style I’m currently working in was developed during my recent time in grad school at UCSD. I’ve always been fascinated by branding and advertising, and my earlier work explored this very overtly through painting brands and products representationally.
During my time experimenting in school, I was challenged to think of new ways to explore these themes, and I had the idea of very literally covering up the products and brands I was painting with fabric so that their form was obscured. I began painting these covered forms as a way of critiquing how value is represented. This led to my current obsession of covering everything—including the human form.
I’ve always been really into pattern and detail since I was a kid, and now I’ve found ways to incorporate all the patterns I’m attracted to into my work through this act of covering the form in fabric. I’ve honed my skills over the years through countless hours of painting, and I continue to do so by painting pretty much everyday. Painting never ceases to challenge me, and I love working through the process slowly and methodically and learning more as I go.
There’s so many artists I look up to. I’m currently really inspired by the work of Amy Adler, she was one of my advisors in grad school. I’m also really into the work of Jean Lowe, Hilary Pecis, Ken Gun Min, and Ilana Savdie, to name a few.
To me, Southern California has such a specific color palette and aesthetic associated with it. I think my palette of bright and contrasting colors is very much inspired by Southern California. I also think my interest in consumption and consumerism is related to my observations and experience of living in Southern California, because it is a capital for conspicuous consumption, entertainment, and the performance of wealth and beauty. I think being in such close proximity to this type of display has heightened my fascination with our culture of consumption.
I was in a group show in 2018 at Hill Street Country Club, a nonprofit arts space in Oceanside. Dinah Pollenitz, the cofounder and curator at Hill Street, subsequently offered me a solo show there in 2019. This first solo show has led to so many other amazing opportunities throughout San Diego, and I am forever grateful to Dinah for supporting my work and providing me with one of my first opportunities to show my work in an art space in San Diego.
I have a solo show with Quint Gallery in La Jolla in March of 2024 that I’m currently working on. I will also be doing a public mural in Pacific Beach next year, and I have a few other projects that are currently in their early stages of development.
People can check out my work on my website. I have a show up at ICA North through the end of this year. I also have a few murals around San Diego including one on the side of Warren Hall at UCSD, an indoor mural at Corner Pizza in Oceanside, and one on the south-facing side of the Leucadia Donut Shoppe. I am available for hire via the contact form on my website.
Chef Claudia Sandoval and TikTok's Shavone Charles recreate San Diego Mag's June 1956 cover
It’s easy to write our city off as merely an always-sunny hub for laid-back beach bums—thus forgetting that culture, innovation, and progress have always been baked into SD’s identity.
This cover from 1956 marries all these values. Bali Hai opened in 1952 at the dawn of tiki culture. Four years later, photographer Paul Oxley shot the three-wheeled Messerschmitt KR200 outside its doors. Designed by a German aircraft engineer, the sleek microcar broke 22 international speed records in 1955. It’s a promise of the auto technology to come, plopped in the middle of San Diegans’ favorite haunt for tiny umbrellas.
In honor of our 75th anniversary, we’re recreating iconic covers from our past. The new cover stars the same beloved Bali Hai and another futuristic, three-wheeled vehicle, the SD-grown, battery-and-sun powered Aptera.
The original cover featured an uncredited model. This time, we chose two unforgettable
locals pushing our city into the future: Shavone Charles, head of global diversity and inclusion communications at TikTok, and chef Claudia Sandoval of cookbook and Master Chef fame.
They (and the other movers and shakers sprinkled throughout this issue) are proof that San Diegans are always headed towards the next big thing—we’re just doing it in better weather than most.
Jackie is a long-time freelance journalist covering cannabis, food/restaurants, travel, labor, wine, spirits, arts & culture, design, and other topics. Her work has been selected twice for Best American Travel Writing, and she has won a variety of national and local awards for her writing and reporting.
Mission Beach boardwalk icon SloMo recreates San Diego Mag's August 1972 cover
As fall approaches, it’s a good time to pause and savor the mellow of summer. Night comes quicker with each day that passes. Soon, quiet afternoons in the backyard will give way to dark evenings by the fire. Now is a time to slow down.
Nobody takes it all in quite like San Diego’s slow-rolling, suntanned philosopher, John Kitchin, aka SloMo, who you can generally find floating one rollerblade at a time down the Pacific Beach Boardwalk. A neurologist and psychiatrist, SloMo took up skating in retirement as a way to mellow out.
“Since then, I’ve been living freely,” he says. “And skating literally everyday on the boardwalk for 24 years.”
As we celebrate San Diego Magazine’s 75th anniversary, we’re reflecting on our history—blading the boardwalk down memory lane, ontology. (Though we’re doubtful that pipe will looking to past covers for inspiration and putting a modern shine on them. This month, we peek back at our August 1972 cover, an homage itself to Lippencott Magazine’s 1895 cover, dubbed “Tennis.” Here, a stately gentleman finds a moment of repose on his way to a friendly game. We assume he’s mulling over his own thoughts on the state of being, how to unravel his personal elevate his tennis skills.)
In our new version, SloMo pauses in his garden—reading, daydreaming, hidden away like the San Diego treasure he is.
“There are two things that we all have,” he says. “One is the world of objectivity. What’s back in the other world, that of subjectivity, is where dreams are.”
The annual event honors middle market companies creating jobs, scaling up, and investing in the region
San Diego is known for its startup culture and innovation economy, but what happens when the company moves beyond its early-stage years? The San Diego Business Impact Awards aim to answer that question, spotlighting the middle market businesses helping drive the region’s economy.
Hosted by San Diego Regional Economic Development Corporation (EDC) and JPMorganChase, the second annual awards celebration takes place on Thursday, July 23, from 4:30 to 7:00 p.m. at Scripps Research Auditorium. More than 200 executives, entrepreneurs, and business leaders are expected to attend the networking and cocktail event honoring some of San Diego County’s fastest-growing companies.
Businesses headquartered in San Diego County that have operated for at least two years are encouraged to submit their nomination by Thursday, June 18 at 4 p.m. Companies across industries—from technology and life sciences to tourism and consumer products, as well as pre-revenue startups—are eligible for recognition.
For EDC President and CEO Mark Cafferty, the event is as much about building connections as celebrating success. “We’ve had a longtime partnership with JPMorganChase; their work aligns with our efforts to support underserved communities and drive talent development,” says Cafferty. “And the networking was invaluable last year. I’m still in touch with people I met at last year’s awards.”
EDC is an independently-funded nonprofit that works directly with San Diego companies to help them grow the local economy, make the region as a whole more competitive, and attract and retain top-tier talent with quality jobs. Through EDC, companies can get help starting or expanding their business with support for things like site selection, permit navigation, and regulatory guidance, plus connections to local resources and potential business collaborators.
The San Diego Business Impact Awards began as an idea with one of EDC’s longtime strategic partners, JPMorganChase. The two organizations share a commitment to San Diego and are dedicated to bolstering middle market businesses.
“We’re blessed with a robust innovation economy and startup community,” says Aaron Ryan, San Diego Region Manager for JPMorgan’s Commercial and Investment Bank and vice chair of the firm’s’ San Diego Market Leadership Team. “But one of the segments of the business community we felt was overlooked was emerging middle market companies—the businesses that are no longer small but not yet large.”
Ryan says supporting those companies is critical as they scale and decide where to invest, hire, and grow.
San Diego’s high cost of living remains one of the region’s biggest business challenges, making talent recruitment and retention increasingly competitive. But local leaders point to the region’s quality of life, climate, and collaborative business community as advantages that continue to attract employers and workers.
“In order to support thriving households, there has to be enough high-quality jobs for people to be able to afford to live here,” Cafferty says. “Once a company grows and excels past that middle market point in their growth cycle, they become much more likely to pay higher wages and compete globally.”
Both Cafferty and Ryan proudly tout the unique collaboration that exists among San Diego County businesses. Bringing together top universities producing high-quality talent, cutting-edge research institutions, a robust military and defense presence, leading ocean science and environmental organizations, and a binational, cross-border identity creates a distinct business ecosystem that defines and strengthens the San Diego region.
Last year’s San Diego Business Impact Awards celebrated nearly 60 honorees from 49 industries, representing a total of 8,232 jobs across eight sectors, including: software and technology, healthcare and life sciences, consumer goods, professional services, finance, construction and manufacturing, defense, and hospitality and tourism. On average, honoree companies doubled their revenues over the previous year, employed more than 145 San Diegans each, and offered an average annual compensation of $192,415.
Top honorees included defense contractor Innoflight, environmental consulting firm Bancroft Construction Services, life sciences startup Element Biosciences, defense technology contractor GALT Aerospace, organic grocery store chain Jimbo’s, and biopharmaceutical company LENZ Therapeutics. During the event, Innoflight Founder and CEO Jeff Janicik held a fireside chat offering his insights on investing in the community and embracing San Diego culture.
This year, organizers hope to continue highlighting the middle market players driving economic impact across the region. Nominations are now open through June 18 at 4 p.m. Get your tickets to the San Diego Business Impact Awards celebration to enjoy drinks by Snake Oil Cocktail Co., light bites, live music, and networking.
The NWSL and Wave FC's youngest player talks growing up in San Diego & being a part of our cover recreation
Each month in 2023, we’re recreating one of our iconic covers from the past 75 years. For August, we asked the National Women’s Soccer League and Wave FC’s youngest player, 15-year-old Melanie Barcenas, to help us re-shoot San Diego Mag‘s June 1959’s cover. Check out the recreation here and learn more about Melanie in the Q&A below:
Being part of this cover recreation is an honor. The cover is iconic and I’m grateful that I’m a part of a historic recreation in my hometown of San Diego. Not everyone gets that opportunity, especially at my age.
Growing up playing soccer in San Diego is special. There’s a special fútbol culture here in every part of San Diego and that culture brings out the best in everybody and unites everyone. I’m excited to continue to see soccer/futbol grow here in San Diego and feel lucky to be part of that.
My soccer idols have always been Neymar and Alex Morgan. I’ve always loved the way Neymar has played, his creativeness on the ball is something I want my game to replicate, and his skill set is amazing. I’ve also always looked up to Alex as she is a female athlete and has accomplished some amazing things in her career. I also admire the off-the-field things she has done for communities and young girls. I hope I can inspire and be someone for young athletes to look up to, like how Alex was for me.
Things have been going really well with Wave. I made my debut back in April and have been getting more playing time and even got my first start recently. I’m looking forward to the rest of the season with the team. I’m loving every second of it.
The shoot was very fun, I had a blast in the pool! It felt a little more relaxed and comfortable since I love being in the pool in the summer. It was super cool to wear the jersey in the pool, I mean anytime I wear the jersey it’s an amazing feeling. I’m proud to represent my home, San Diego.
Celebrated binational artist Panca discusses her inspiration behind the recreation of our February 1965 cover
It developed just as I did, quietly waiting to be found. Growing up during the ’80s-’90s with Gen X around me I, was exposed to weird MTV cartoons quite young as well as having frequent visits to museums in Mexico City when we would visit family. Films from the golden era of cinema in México with my parents very-much influenced me as well.My life came to a cathartic point where I was forced to look inward and I realized it was the one constant thing I really enjoyed and I could express myself with much more clarity and depth, it clicked. Once I accepted that my style was weird, imperfect, and raw, I was able to accept it as my own so it was easier to lean into it. It felt right. The environment I was in was quite bizarre so it allowed me to mirror my surroundings. It gave me the same comfort I longed for as a bored child surrounded by adults. Now as an adult myself I realize it’s part of many things much deeper than my personality, so I am happy to embrace it. Style is everything.
I really admire artists who chase their dreams with genuine love. I’m devoted to being present and being supportive of them. I’m in awe of women confronting stigma related to dealing with generational trauma and also cultural or social dynamics. Some female artists that I constantly refer to creatively are Susan Sontag, Patti Smith, Diane Arbus—she went there; she saw a side that was also beautiful but not photographed, and she made it poetic and raw. It inspired my “Los Perdidos” series. Éric Rohmer; these films feed my soul. Lady Pink, Maya Hayuk, Miss Van, Mab Graves, Camille Rosé Garcia.
Panca
Well, these women made me think, “Wow, such strength,” and they inspired me greatly. Representation matters. When I started it was a boys club so I have nothing but respect. Goya! David Alfaro Siqueiros has always been a master as well as that generation of painters during that time in Mexico. Sofia Coppola, I saw her films during my teens and it was really impactful to me. It allowed me to see that pain could be made into something quite brilliant and beautiful.Nina Simone (I mean wow), Amy Winehouse (I feel you), Flor Garduño…a photographer that has work [that is] so dreamlike and ahead of her time. Mr. Rogers, I mean this list could be epic and never ending. The Golden Girls. But Keith Haring was an artist I was able to learn about before his death and it really spoke to me. The more I grew up, I really have just learned that I follow the same idea that the art is for everyone and along with Jean-Michel Basquiat. I also saw that grit was the secret ingredient.
I think that my art strongly reflects the Southern California experience but also that of a binational person living, creating, working between the border or frontera. I grew up here, went to surf camps as a kid, had skateboarding posters all over my walls and especially the colors, raw in your face images from skateboard culture totally influenced my style. The color palette alone from then is very much in my work. Those neons pop out and the fact that I grew up close to IB and now that I am back and I live closer to Barrio Logan-Sherman Heights, it’s a very different experience and don’t have a specific style that can be categorized. Yet the people of the community spill into my work and it’s the same as when I was in Tijuana. I just embrace it. It’s real and beautiful.
Right now I am doing a pop up with Modelo beer and that will happen this summer. That is a big one! I am going to be finishing the new phase of El Más Allá which will open this summer to kids and complete my installation there which is a big deal because I started during the pandemic and it’s been a hard process for me.
At one point I had this ritual of after a show or big mural taking the red eye from Tijuana to Yucatán-Quintana Roo and just disconnecting for a week but it’s just a whole thing nowadays and I am enjoying going to Valle de Guadalupe for a nice day or weekend trip. I miss living in Baja, but I am reconnecting with San Diego and finding a nice day at Lafayette or just the beach is relaxing. I’m walking the harbor and enjoying that.I’m a fan of taking the train to LA to just have a museum day or go see a show and then come back. It’s close and I get to relax seeing the ocean along the way. Also, home. I am a big hermit who really enjoys being home and I get to be with my senior pets and recharge by watching a film, gardening or going for a walk. It’s the little things.
Right now mostly around San Diego and the Tijuana/Baja region. Places like The New Children’s museum. Bread and Salt, Mujeres Brew House, Holy Paleta, La Dona in OB, The new MCASD shop, Mortis Studio in Golden hill and a solo pop up show at Mi Vida Logan this summer. I’m excited that this summer I’m working with Modelo beer on several pop-up events in the community.
Scripps study shows that some patients may be able to taper their dose and maintain results
While glucagon-like peptide-1 (GLP-1) receptor agents have been used to treat Type 2 diabetes for more than 20 years, their recent emergence as weight-loss wonder drugs marked a new frontier in medicine. But their effectiveness has left some patients wondering what to do once they’ve reached their goal. Stopping the medication could mean regaining some, if not all, of the weight. A Scripps Clinic internal medicine physician recently conducted a small study of whether GLP-1 patients who had reached their goal weight could maintain that weight by taking their regularly prescribed injection every other week instead of weekly. Spoiler alert: 30 of 34 patients did. Read more about the study here and what that may mean as pharmaceutical companies roll out oral GLP-1s.
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