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Features AUGUST 6, 2018

Meet the Globetrotters and Expats Shaping San Diego

Some of them have come from afar, others travel frequently—but they all have something to say about San Diego. We asked 20 travel-savvy locals to give us a much-needed outside perspective on the city and, well, on us.

Meet the Globetrotters and Expats Shaping San Diego
Meet the Globetrotters and Expats Shaping San Diego

Meet the Globetrotters and Expats Shaping San Diego

Photo by Benjamin Ealovega

Rafael Payare

Music Director Designate, San Diego Symphony

Birthplace: Puerto La Cruz, Venezuela

Lives in: San Diego and Berlin

Age: 38

Rafael Payare had spent little more than 72 hours in San Diego over two visits before Mayor Kevin Faulconer proclaimed April 30 Rafael Payare Day. On that visit, the young conductor charmed us—wearing jeans to a press conference at Copley Symphony Hall, and touring Barrio Logan as well as a school in Chula Vista. He even made time to sit in on a string ensemble coaching session at Roosevelt Middle School.

Payare has conducted dozens of orchestras all around the world, from the Vienna Philharmonic to the Minnesota Orchestra, and won first prize at Denmark’s 2012 Malko Conducting Competition. Next year he will succeed Jahja Ling to become the thirteenth music director in the San Diego Symphony’s 108-year history. His name was brought up before the search committee for Ling’s replacement had even formed, back in 2014. Twenty-one guest conductors came to San Diego to audition, but when Payare arrived in January 2018, a unanimous recommendation was made to the board just 24 hours later.

While he was here, Symphony CEO Martha Gilmer hosted a reception at her house with about 50 cultural leaders from at least a dozen institutions. “I was really impressed the first time I came,” he says. “It was wonderful to see how all the different art institutions had similar goals. Everybody wants to work together, and that doesn’t happen that often. Any other city, each institution wants to be the center and do their own programming, and it’s complicated to make them do something together.” Payare envisions a sort of “collage” that would combine literature with visual art or perhaps technology and science. “The city seems to be very supportive of the orchestra.”

In his native Venezuela at age 14, Payare played the horn in a program called El Sistema, whose motto is “Social change through music.” “Even if you are not going to be a musician for your career,” he says, “if you get that feeling that you need to be in tune with others, you need to hear each other, you can apply that to anything. It makes the world a much better place.”

He also stresses bringing different parts of the city together. “With school sports, you go to another school and compete. Of course, there’s a little bit of friction because you want to win. With music, you don’t need that. You go to another school and put the two orchestras together to make music. That will make the community whole.” He explains that a joint performance also works to bring together parents and families from different neighborhoods. “I know that was the case for me with El Sistema. My friends were from very different parts.” To that end, expect more collaborations like the binational concert that happened earlier this year at the US-Mexico border. “Mexico is so close! Just put them together. I know firsthand that lasts a lifetime.”

Passing the baton:

Payare will conduct the San Diego Symphony for 10 weeks each season, including some Bayside Summer Nights performances. The next chance to see him will be in January, during the annual Hearing the Future festival.

Meet the Globetrotters and Expats Shaping San Diego

Meet the Globetrotters and Expats Shaping San Diego

Photo by Lauren Tabak

Sami Ladeki

Founder, Sammy’s Woodfired Pizza and Pisco Rotisserie & Cevicheria

Birthplace: Beirut, Lebanon

Lives in: La Jolla

Age: 74

La Jolla restaurateur Sami Ladeki grew up traveling with his dad, who rated hotels for the tourism ministry. At 20, he left Lebanon for Germany to study political science, but he ended up in a hotel and restaurant management program instead. He began his career in London and Bermuda, and also lived in Cairo, Berlin, New Orleans, Las Vegas, and San Francisco—plus about a half dozen other cities. “Out of them all, San Diego is my favorite. San Diego, especially La Jolla, was where I experienced my greatest success,” he recalls. He opened his first Sammy’s Woodfired Pizza in La Jolla in 1989 and went on to open 13 more, as well as Roppongi, Fresh, Tamarindo, Prime 10 Steakhouse, and Hotel Parisi. His eponymous pizza empire has lasted for 30 years and his travels continue to inspire his menus. His latest venture is Peruvian cuisine—he opened Pisco in Liberty Station last summer and expanded it to Carlsbad in January. But not everything in San Diego is 72 and sunny. “San Diego lacks in its outdoor, pedestrian lifestyle. The leaders of San Diego should support sidewalk cafés like you see in San Francisco and New York City. Outdoor areas are part of the culture, and there’s no better way to meet people and bring community together.”

Loyalty points:

“Even in my second life, I will live in San Diego.”

Meet the Globetrotters and Expats Shaping San Diego

Meet the Globetrotters and Expats Shaping San Diego

Lynelle M. Boamah, MD

Captain, United States Navy Medical Corps

Birthplace: Baltimore, Maryland

Lives in: Scripps Ranch

Age: 49

Captain Lynelle M. Boamah’s 23 years in the Navy have taken her all over the world. This year alone she has sailed to Indonesia, Malaysia, Sri Lanka, and Vietnam aboard the USNS Mercy as part of the Navy’s annual Pacific Partnership deployment. On these missions, the medical, nursing, and dental professionals of the San Diego–based hospital ship spend about two weeks in each host nation, working alongside their counterparts to see patients together. They also exchange best practices in medicine and surgery and teach CPR to civilians.

Boamah serves as the executive officer of the ship. A mother of four kids age 8 to 18, she is board certified in general pediatrics and pediatric gastroenterology and has multiple teaching awards and medals. But it’s working with patients that gives her lasting memories. “The experiences on the Mercy that always affect me personally are when we provide eyeglasses to people who have had vision problems all of their lives but did not have the means or resources for glasses. When a husband can see his wife’s face clearly or a grandmother can see her grandchildren—these are a real tearjerker!”

Home sweet home:

“My travels to the Indo-Asia-Pacific region have enhanced my appreciation for the comforts of home. I also appreciate the military culture within San Diego. In my experience, San Diego is very supportive of military members and families. We should continue to stand in support of our great Navy and Marine Corps and welcome people from other nations and cultures as they seek a new life for themselves and their families.”

Meet the Globetrotters and Expats Shaping San Diego

Meet the Globetrotters and Expats Shaping San Diego

Illustration by Michael Hirshon

Rodrigo Medeiros

Owner, Brazilian Jiu Jitsu San Diego Academy

Birthplace: Rio de Janeiro

Lives in: Pacific Beach

Age: 48

In 1996, young jiu-jitsu fighter Rodrigo Medeiros left his native Rio de Janeiro with $800 in contest winnings. The protégé of the legendary Carlson Gracie, he taught in Los Angeles for a couple of years before landing briefly in La Jolla. He opened his Brazilian Jiu Jitsu Academy at Pacific Beach Fight Center in 2000 and was the International Masters middleweight champion the next year. Medeiros has trained 1,000 students and 200 national and world champions here, and in 18 years he has left San Diego only to open a gym and teach in Hong Kong from 2012 to 2016.

Considering the growing popularity of jiu-jitsu worldwide, he could opt for a bigger venue than San Diego. He’s not about to trade it in, though, saying, “I think the lifestyle and quality of life you have is more important, as opposed to the money you make.” The fourth-degree black belt and lifelong surfer cites San Diego’s waves as a major factor in selecting his base of operations. On a typical five-minute drive from home to his Cass Street gym, he passes people running, biking, walking, and skateboarding. San Diegans love to be outside; the city is like Rio in that respect. “You have the beach, the social life, a lot of good gyms, young people,” he says.

On three continents, and in three very different cultures, “I learned overall we’re all the same. All people in the world look for happiness. Everybody has love inside their hearts. Every place has good and bad people, it doesn’t matter what religion or color you are.”

Meet the Globetrotters and Expats Shaping San Diego

Meet the Globetrotters and Expats Shaping San Diego

Photo by Jay Reilly

Richard Hermann

Photographer

Birthplace: Lyon, France

Lives in: Poway

Age: 64

Born in France and raised on the Monterey County coast, Richard Hermann was transfixed by marine life ever since childhood. In 1990, after 10 years of working as a dive instructor in the Bahamas and Guadeloupe, and assisting marine biologists off San Onofre, he got his first photography assignment: joining Jacques Cousteau on a shoot in the Philippines.

The ensuing decades took him to New Guinea, Hawai‘i, the Bahamas, the Azores, Greece, Turkey, and Mexico’s remote Revillagigedo Islands. Hermann worked as a technical diver on two underwater Imax films, Deep Sea 3D and Under the Sea 3D, and shot still photos on the highest budget nature film of all time, Disney’s Oceans.

His most impressive calling card, though, is pioneering images of blue whales that were shot in the Sea of Cortez and off San Diego’s Nine-Mile Bank. Skill with a camera is one thing, but Hermann says that weather patterns, his knowledge of the ocean, and an extensive network of fishermen and scientists makes the difference between getting the shot and getting squat. “You might need only a minute of blue whale footage, but it could take three weeks,” he says.

Hermann, who’s fluent in French and German, moved to San Diego in 1976, mostly because of the area’s natural beauty. Now living in Poway, he still loves it for that reason. “You can swim in the cove in the morning, be in the snow in the mountains at noon, then the beautiful desert all in the same day,” he says. “For a nature person, there’s nothing better.”

San Diego is mostly the same beautiful place he found in the ’70s, with the exception of rising homelessness. “That’s the thing I really notice lately.”

Recalling his French roots, Hermann finds San Diegans gregarious in comparison. “People are easier to get to know. If you go to a barbecue where you don’t know people, you can always find someone you have things in common with.”

Meet the Globetrotters and Expats Shaping San Diego

Meet the Globetrotters and Expats Shaping San Diego

Photo by Phu Tang

Lorena Gaxiola

Founder and Owner, Lorena Gaxiola

Birthplace: Tijuana

Lives in: Sydney and San Diego

Age: 43

Though she has a Mexican passport, Lorena Gaxiola tells people she’s “a citizen of Qantas Airlines.” She splits her time between her San Diegan clients and her husband, daughter, and business headquarters in Sydney. For Gaxiola, jumping on a 15-hour flight from Australia for a five-day trip is “as easy as taking the bus.”

She’s used to it. For five years, Gaxiola spent every other month in China, mostly in Nanjing, designing luxury homes. She attended Design Institute of San Diego, but sought a creative outlet beyond what our city could offer. “I wish San Diego was more out there when it comes to design and architecture. That’s the reason I went to Sydney—it allowed me to be very creative,” she says, pointing out that while San Diego’s culinary scene has seen a design awakening, its hotels have yet to catch up. “The people building and investing should allow creative people like me to have a voice and let us think outside the box. Just like technology, design and architecture should progress as well.”

Even though she hangs her hat most of the year in Oz, she feels at home whenever she hits the tarmac here. “In Sydney there’s 5 million people; you don’t even realize you’re stressed out. When I come to San Diego I feel so relaxed. I go to the beach and it just feels like paradise.”

Meet the Globetrotters and Expats Shaping San Diego

Meet the Globetrotters and Expats Shaping San Diego

Andrew Campbell

Professional Sailor

Birthplace: Toms River, New Jersey

Lives in: North Park

Age: 34

Sailboat racing can blur the line between work and pleasure. It’s a bit of both when you train for the America’s Cup in Bermuda, as longtime San Diegan Andrew Campbell did from 2015 to 2017. Campbell and company lost the cup to Emirates Team New Zealand, but he and his wife returned to San Diego with a pair of twins, born on the island. Up next, the family will soon move to Rhode Island, to try to win back the cup in 2021.

Campbell, whose father was an America’s Cup sailor as well, relocated to San Diego at age 8. He showed up days late for college at Georgetown University with a bag full of dirty laundry from competing in Greece. In pursuit of the cup, an Olympic medal in Laser-class sailing, and other victories, Campbell has set sail in China, Korea, Australia, New Zealand, Brazil, Chile, and nearly every coastal corner of the United States, Canada, and Europe.

In northern Germany, he once found himself without accommodations and no internet to help him find some. With sailing as his only common language, he procured some gracious hosts. “It’s like, ‘You’ll stay with us; it’s not a question of how or how much.’ It ends up being an incredible friendship without words.”

San Diegans might find our city easily navigable, but when Campbell sees a soul looking a bit lost around the yacht club or elsewhere, he lends a hand. “I learned the value of that when I was doing a lot of Olympic traveling.”

On dry land, Campbell’s North Park home is a base for cycling tours up Mount Soledad and Mount Helix, or along the spine of Point Loma. “On my way home, I can get any variety of meal you could imagine. That’s something special about America and San Diego specifically,” he says. “The openness of our neighborhoods is really cool—being able to pass through and have people smile at you.”

Meet the Globetrotters and Expats Shaping San Diego

Meet the Globetrotters and Expats Shaping San Diego

Photo by Christina Gandolfo

Kyle Moss

Program Manager and Head of Global Entrepreneurship, Qualcomm Wireless Reach

Birthplace: Lockport, New York

Lives in: Del Sur

Age: 35

On one of her first trips for Wireless Reach, a Qualcomm initiative bringing wireless technology to developing nations, Kyle Moss traveled to rural Indonesia. No hotel in sight, she stayed with a host family who insisted she use their shower—a bucket-and-basin affair. Moss scooped water and poured it onto herself a few times. “Then I peered in to take a closer look at its source,” she says. “Lo and behold, a big scaly face stared back at me: an incredibly large catfish whose home I had been diminishing with each scoop.”

The job has also taken Moss to Senegal, Nigeria, South Africa, Japan, Korea, Malaysia, the Philippines, and parts of Europe. By partnering with nonprofits and government agencies, Wireless Reach puts the company’s wireless tech into the hands of mothers, schoolchildren, fishermen, and others in developing nations. It has allowed midwives to track the health of expectant mothers in India, given solar-powered tablets to students in Kenya, and helped fishermen get their catch more safely in Senegal.

The travel perks are good, but when it comes to calling somewhere “home,” give her San Diego’s coastline, wine regions, manageable downtown, and stellar educational institutions any day of the week. “It’s rare to find any other place that offers as many perks as San Diego does, paired with the joyful people and healthy-minded atmosphere.”

Beyond that, Moss is proud that her city resettles so many immigrants. “I’d love to see all our neighborhoods become more ethnically diverse. Being from a mixed-race family and now raising one of my own makes me desire that multiplicity wherever I go, not just in certain pockets.”

Meet the Globetrotters and Expats Shaping San Diego

Meet the Globetrotters and Expats Shaping San Diego

Photo by Lauren Radack

Douglas H. Austin

Chairman & CEO, AVRP Skyport

Birthplace: San Diego

Lives in: Del Mar

Age: 69

Frank Wolden

Principal, AVRP Skyport

Birthplace: San Diego

Lives in: Little Italy

Age: 67

Believe it or not, San Diego’s look has a Canadian influence. “Vancouver is a city with strong vision, and it’s respected throughout the world,” explains Douglas Austin, an architect and San Diego native. “It was Canadian architects who first saw promise in living downtown. They couldn’t believe we weren’t taking advantage of our waterfront. I think most San Diego developers weren’t getting it.”

That’s why the first developments, those two-story townhomes built in the early 1980s, were very suburban, says Frank Wolden. “We always used to joke back then that San Diego housing developers carried the ladder in the back of their pickup truck.”

Between them, Wolden and Austin have worked in Kuwait, Indonesia, China, the UAE, Mexico, Poland, England, Egypt, Guam, Costa Rica, India, and Ghana. “You have to see the world to do this stuff,” Wolden says. One local project they’re working on now is redesigning downtown’s Seaport Village for Protea Waterfront Development. It’s a $1.2 billion undertaking and it will be at least four to seven years before it opens. First order of business is removing the barriers. “Seaport Village is completely separate from the city,” Wolden says. “What you see from the city is trees and parking lots. It’s hard to get to the water. We’re going to actually connect the city to the waterfront.” In fact, more than 70 percent of the site will be public space—that includes parks, European-like “narrow streets of exploration,” and places where you can touch the water. In partnership with UC San Diego and Birch Aquarium, there will be a learning center, aquarium, school, marketplace on the water, and more. The new village will be oriented around having multiple experiences, not just retail. “It’s about life,” Wolden says. “It’s not about shopping.”

Sometimes moving forward means looking back. “It’s a little bit of a reverse story,” Wolden says. “The things you can learn from around the world, a lot of times, are the old things that people used to do. For the seaport, we used a lot of analogies to famous places like the Barcelona Rambla or the Piazza del Campo in Siena. The kinds of things in European streets that are pedestrian oriented. We’re trying to implement those lessons in Seaport Village.”

Meet the Globetrotters and Expats Shaping San Diego

Meet the Globetrotters and Expats Shaping San Diego

Illustration by Michael Hirshon

Margaret Leinen

Director of Scripps Institution of Oceanography

Birthplace: Chicago

Lives in: Mission Hills

Age: 71

As a paleoclimatology researcher and science envoy for the US State Department, Leinen has been virtually everywhere—on land and sea. She’s visited most of the world’s nations, setting foot on all seven continents, a dizzying array of Pacific islands, and the South Pole. That doesn’t even cover her time crisscrossing the world’s oceans, on the surface and the seafloor, where she’s ventured as deep as 13,000 feet and once discovered undersea hydrothermal vents 250 miles off the Washington coast.

Leinen moved here just four years ago after living in Illinois, Oregon, Florida, and Washington, DC. She loves how her new city and its neighborhoods, like her own Mission Hills, unify the region while maintaining their character. “Mission Hills is totally different from Pacific Beach or Barrio Logan or La Jolla.” It’s diverse compared to her native Chicago, she says.

Leinen was recently in a ride-sharing car headed to the airport for a morning flight. She asked her driver who else needed a ride so early before dawn. The driver said he started his shifts at midnight, often picking up chefs at the border who were bound for San Diego kitchens to prepare for breakfast. “San Diego is a border town that lives with its border very easily,” she says. “We kind of take that for granted.”

From her office at Scripps, she can watch as surfers and fishermen feast on San Diego’s spoils. “People here are really engaged in being in their environment. On the trail, people are out and about. You look at the bay, it’s full of boaters.”

Meet the Globetrotters and Expats Shaping San Diego

Meet the Globetrotters and Expats Shaping San Diego

John Spence

President, Scott Dunn USA

Birthplace: Lambourn, England

Lives in: Solana Beach

Age: 49

“I was born on my parents’ farm near Oxford. I’m a bit of an English hillbilly I guess,” says John Spence, who is anything but by American standards. In 1991 he bought a one-way ticket to South Africa, and ended up a cocktail barman in Cape Town for six months during the end of apartheid. Next, he trained to be a white-water rafting guide on the Zambezi, a grade 5 river (the second most dangerous kind) that he describes as “awfully terrifying.” On his days off, he would go out in the bush with his safari guide friends and look for elephants, birds, and leopards. That’s when he fell in love with Africa and got into the safari travel business.

“I was in the middle of the Serengeti, surrounded by lions and wildebeest, when I met a man from what I thought was called ‘La JOH-lah.’” That safari guest ended up investing in Spence’s business, Aardvark Safaris. Spence traveled to San Diego from England once a year for 10 years to make presentations to potential customers. “To have somewhere the size of San Diego and not have one safari specialist was like being the only male at an orgy,” he jokes of his early success. “Americans are really good networkers; if they like you, they really support you. That was very different to the UK. When I was turning 40 and having my second or third midlife crisis, I thought, world domination has to have America in it.” That’s when he decided to move to this “very wealthy backwater of America—and it’s not a bad place to live, either.” He ran Aardvark Safaris for 25 years, traveling to Africa up to six times a year, until he sold to Scott Dunn in 2016, where he is now president.

Culture shocked:

“I’ve lived all over—Switzerland, France, England, Zimbabwe, South Africa—and I’ve found San Diego the most foreign place I’ve ever lived, even though I have the language in common. I still really struggle. Getting in a car to get a pint of milk does my head in.”

Meet the Globetrotters and Expats Shaping San Diego

Meet the Globetrotters and Expats Shaping San Diego

Photo by Simon Emmett

Dame Zandra Rhodes

Fashion Designer

Birthplace: Kent, England

Lives in: Del Mar

Age: 77

Not many people can say they’ve designed clothes for both rock royalty and actual royalty. Zandra Rhodes once made dresses for Princess Diana. “I used to go to the palace to fit her,” she says. “It’s very formal. I’d curtsy when I went in. She was lovely, delightful.”

Rhodes studied art and printed textile design in Kent and London and opened her first shop on Fulham Road in 1967. A few years later she brought her work to New York. After Diana Vreeland put her designs in Vogue, she was picked up by Henri Bendel, Neiman Marcus, and Saks. She has designed for everyone from Jackie Onassis and Elizabeth Taylor to Freddie Mercury and Kylie Minogue. Her clothes have been seen on Sarah Jessica Parker on Sex and the City and on Helen Mirren, Kate Moss, and Ashley Olsen.

She landed in Del Mar 22 years ago when her partner, then-president of Warner Brothers, wanted to retire by the ocean and spend time at the races. Rhodes is not a fan of horse racing or the short skirts you see on women in the clubhouse. “But I don’t think we should pick on the racetrack, because there are some elegant people in San Diego who dress up beautifully. I mean, we’re not in the sticks.”

She has created costumes for the San Diego Opera and continues to design, shuttling back and forth between London and San Diego about a dozen times a year. In addition to launching collections and collaborating with other designers (search for her name and, among other items, you’ll find a Valentino men’s swim short with her print selling for $600 on mrporter.com), she opened the Fashion and Textile Museum in London in 2003, and will celebrate the fiftieth anniversary of her label in October 2019 with an exhibition and a book.

As for the signature pink hair? In 1970s London, she explains, people were experimenting with colored wigs, and her green wig pinched her head. “I thought, ‘You know what? Hair must be a bit like a sheep. Why don’t we dye our hair?’” But the dyes came out. Then she went to China in 1980. “They were still in army uniforms and no one wore makeup and it was the middle of winter.” She came back thinking about “Red China” and decided to dye her hair pink, “the nearest thing to red. The pink was permanent, easy to keep, and I don’t wish to go gray.”

With hono(u)rs:

In addition to becoming a dame commander, Order of the British Empire, Zandra (Z for short) holds nine honorary doctorates at universities in the US and UK.

Meet the Globetrotters and Expats Shaping San Diego

Meet the Globetrotters and Expats Shaping San Diego

Photo by Jay Reilly

Mark Price

CEO, Firewire Surfboards

Birthplace: Durban, South Africa

Lives in: Solana Beach

Age: 56

In retrospect, Mark Price seemed destined for a career in the surf industry. He was a professional surfer in the early 1980s, and he once embarked on a string of marketing posts for surf brands Gotcha, Rip Curl, and Reef Footwear. But his biggest break came in 2006, when he accepted an offer to helm a little-known startup called Firewire Surfboards. Under his leadership as CEO, the company has evolved into one of the most recognizable and innovative names in surf, pioneering the use of eco-friendly materials and manufacturing techniques for surfboards. Price’s environmental bent—see Firewire’s algae-based traction pad and pledge to produce zero waste by 2020—formed while he was living in South Africa, Australia, France, Hawai‘i, and Solana Beach.

“I believe that humankind is at war with nature, and if we don’t change how we consume the goods and services that make up our daily lives, I know who’s going to win, and it won’t be pretty,” he says. “While progress is being made, I’d like to see San Diego become a notable beacon of ever-increasing sustainability and a case study for other cities.”

As a well-traveled surfer who still rips on his company’s own boards, Price is surely tempted to make his home somewhere closer to one of his favorite waves—South Africa’s Jeffreys Bay, perhaps. But it’s the “big-city vibe in a small package” that keeps him here. And it’s “the weather, multicultural influences, eclectic neighborhoods, and combination of city-meets-the-beach, all within a relatively short distance of each other” that keep him occupied.

What irks him? “Those damn 40-foot RVs taking up all the parking spaces at my local surf spot, even though none of them surf. However, if I score a parking space I’m grateful to them for keeping the crowds down.”

Meet the Globetrotters and Expats Shaping San Diego

Meet the Globetrotters and Expats Shaping San Diego

Illustration by Michael Hirshon

Jaime Alonso Gómez

Dean, University of San Diego School of Business

Birthplace: Coahuila, Mexico

Lives in: Scripps Ranch

Age: 61

In Latin America, grabbing a coffee and getting to know someone personally is a prerequisite to doing business. (Whereas Americans like to get to the point.) Businesspeople have to understand these cultural differences anywhere they work. And after researching, teaching, and consulting in 55 countries, Gómez is a prominent expert in multicultural communication. As dean, he still has time to teach courses like Leadership and Culture in a Global Context to high-level executives. A believer in business models with social good baked in, he preaches his own five-point bottom line: people, planet, profit, peace, and prosperity. There’s a reason the Mexican native with a worn passport chooses to remain where he raised his sons, a doctor and a sound engineer, both of whom earned graduate degrees locally. “San Diego is a great place to build your life, because the community here is collaborative and deeply cares about making this city and the world a better place,” he says.

Meet the Globetrotters and Expats Shaping San Diego

Meet the Globetrotters and Expats Shaping San Diego

Photo by Jenny Siegwart

Jennifer Burney

Assistant Professor, UC San Diego School of Global Policy and Strategy

Birthplace: Albuquerque, New Mexico

Lives in: La Jolla

Age: 41

After earning a bachelor’s from Harvard and a PhD in physics from Stanford, this self-described “child of the mountains” found that environmental science was the way to stay outside. For the last decade, Jennifer Burney’s main laboratories for studying food security and climate change have been the African nation of Benin—where she lived for one year—and northeastern Brazil.

No matter how many lines of latitude or longitude you cross, she says, “scientific curiosity brings people together.” Even in rural West Africa, she recalls tuning in to a broadcast about international climate negotiations. “Local pastoralists were talking about how important it is.”

Burney was named a National Geographic Emerging Explorer in 2011, and when she landed a teaching gig at UCSD, it felt like “winning the lottery”—not only because of the school’s prestige, but because living here would afford her outings to the Anza-Borrego desert, mountain bike rides at Mount Laguna, and all the other benefits of the multifaceted city that she says “feels like a well-kept secret. It’s not easily characterized in one line. You have a bunch of different communities that are diverse in many ways.”

Kind of a big deal:

The National Science Foundation awarded Burney a four-year, $1.5 million grant to study how climate change and pollution impact agricultural production. She has also coauthored two papers on the impacts of air pollution, both forthcoming in Nature this year.

Meet the Globetrotters and Expats Shaping San Diego

Meet the Globetrotters and Expats Shaping San Diego

Photo by Alex Ayling

Alex and Marko Ayling

Cocreators, Vagabrothers

Birthplace: San Diego

Live in: Los Angeles

Ages: 30 and 32

Their parents were a Kiwi and a flight attendant who met on a train in Switzerland. (She was lost; he had a map.) So Alex and Marko Ayling, a pair of brothers who grew up in Mission Hills, were destined to travel. And they have: visiting around 70 countries, 50 of which were destinations in their 671,000-subscriber-deep YouTube travel channel, Vagabrothers. Now living in Los Angeles, they introduce themselves to the world as a couple of guys from San Diego.

“If two San Diegans met anywhere in the world—they could be on the Mongolian steppe—they’d start arguing over their favorite burrito spot,” says Marko. (For their money, the brothers back El Cuervo in Hillcrest.)

Of every place they’ve seen, San Diego still ranks highly. “It has the best balance of lifestyle in the world, especially North County,” Alex says. “You can surf, go for a bike ride, grab a smoothie, eat a great lunch with craft beer, and then hit up a reggae show at Belly Up.”

San Diegans are fortunate to share the border with Tijuana, Marko says. “There’s such a rich melting pot of cultures in your own backyard. To grow up so close to another language and culture and be able to cross over—it’s a gift.”

But the brothers know their hometown has some decisions to make about growth. They point to Mission Valley as an example of what not to do. “There’s still time to avoid some mistakes LA made in terms of spreading too far,” Marko says, arguing that San Diego ought to take notes from Denmark and the Netherlands for developing bicycling infrastructure, like bike parking garages and separate lanes to keep cyclists safe from cars.

“San Diego is such a great city for biking,” Alex adds. “Investing more in green transportation options, whether it’s eco-friendly trolley lines linking the city, or bike paths—that’s the way to move forward.”

On motorcycle and on foot, the brothers love to head east to Julian, Ramona, and Mount Laguna. “There’s some cool mountains out there, vineyards, apple pie,” Alex says. “We live in such an amazing city in an amazing corner of the world. I’d encourage San Diegans to explore their hometown more.”

Meet the Globetrotters and Expats Shaping San Diego

Meet the Globetrotters and Expats Shaping San Diego

Juan Carlos Bonilla Uribe

CEO and Architect, Matraca Real Estate Solutions and Kom Studio

Birthplace: Mexico City

Lives in: Cortez Hill

Age: 32

“You want to go snowboarding, you have Big Bear. You want to go to a major city, you have LA. Wine tasting? Valle Guadalupe. You have everything within a really short radius.”

That’s how this Mexico City native feels about his adopted home, living with his wife and dog in Cortez Hill. In Mexico City, he says, “You live every minute of your life in rush mode. Here you can take that moment to enjoy going surfing, walking to your job, walking to the park.” The recreational surfer and triathlete believes that San Diego gives you breathing room, yet still allows you to develop your career in virtually any field. “There’s no other place you can find that.”

The architect and real estate developer in him, however, sees potential for something more. After studying in Mexico City, Australia’s Gold Coast, Paris, and São Paulo, Uribe moved here in 2015 to expand his family architecture and design businesses, pursuing projects on both sides of the US-Mexico border—mostly turnkey private home development. He sees Tijuana becoming a model for the kinds of live-work communities that will dominate future cities. San Diego, not so much.

“Tijuana, Mexico City, São Paulo, Sydney—they want to innovate. They’re creating a cool style of architecture that’s their own. Here, it’s still restrained. Architecture and design are far behind,” he says, adding that when you’re in a restaurant or hotel in LA or New York, you know it, whereas San Diego lacks a defining style.

What does it need? “A big art movement would be really interesting.”

Ice, ice, baby!

Uribe recently added a new pin to his travel map: Iceland, where he ventured with his wife and sister to a few of the world’s coldest surf spots. Ten days of long drives and harsh weather yielded just a few small windows of good surf conditions at three different beaches. Uribe’s wife and sister snapped photos of him on the icy waves while a surf guide flew a drone, all to capture material they plan to use for a documentary film about the trip.

Meet the Globetrotters and Expats Shaping San Diego

Meet the Globetrotters and Expats Shaping San Diego

Raúl Prieto Ramírez

San Diego Civic Organist and Artistic Director, Spreckels Organ Society

Birthplace: Southern Spain

Lives in: University City

Some may not know it, but San Diego is one of only two cities in the US with a designated civic pipe organist. Raúl Prieto Ramírez assumed the role last December; he will play at least 44 free concerts per year at Balboa Park’s Spreckels Organ Pavilion and curate the annual International Summer Organ Festival (Monday evenings, now through September 3). The century-old Spreckels Organ is the largest outdoor pipe organ in the world, but the way young Ramírez plays is anything but old-fashioned—he’s hailed for his lightning-fast footwork and electrifying stage presence.

“Since the first time I came to San Diego to perform I felt like I belonged,” he says. “I really love how the beautiful environment and weather has shaped San Diegans with an attitude of enjoyment that, as a Mediterranean guy myself, feels like the right way to live.” He also notices that San Diegans love their animals. “I grew up with dogs, so I enjoy seeing so many citizens here spending their time with their dogs.”

One area where we’re lacking, he believes, is efficient and affordable public transportation, because the number of potential riders per square mile is higher even than some European cities that do have it. “I’m ready to trade most of my outrageous car expenses for better public transportation. That’s quality of life.”

Ramírez is also the founder and artistic director of the Barcelona-Mataró International Organ Festival. “I travel to share music with people,” he says, “and because music is a language common to all human beings, it makes our equality very evident. Isn’t that beautiful?”

We’ll drink to that:

“I laugh at my friends’ faces when I tell them a glass of fine wine in my hometown costs from 2,5€ to 5€ maximum.” (That’s about $3 to $6 US.) “And it comes with a free tapa!”

Meet the Globetrotters and Expats Shaping San Diego

Meet the Globetrotters and Expats Shaping San Diego

Michelle Martin

Founder and CEO, Travara​

Birthplace: Durango, Mexico

Lives in: Santaluz

Age: 39

A trip to Poland at age 19 changed everything for Martin, who blogs about travel and social impact for forbes.com. “I volunteered at a summer camp for kids with cancer—they came from a region of Poland that was so heavily polluted that 85 percent of people had cancer,” she remembers. “The children would spend their summer in the clean mountain air, having chemo treatments in between hikes and picking blueberries.”

In 2008, she created the nonprofit Karuna International to take underserved youth from Barrio Logan abroad for the first time. She has also worked at Qualcomm Wireless Reach, which brings smartphone technology to remote areas of the world. The job took her to rural villages in Morocco, India, Myanmar, Colombia, Senegal, and to remote areas of Ghana and the favelas of Brazil.

“San Diego does a lot of things right when it comes to the tourism and hospitality industries, but I would love to see more mission-driven, for-profit companies working in the social good space.” She cites local creative agencies like thinkPARALLAX, which sponsors employee trips to global destinations of their choice.

“We take for granted things like basic infrastructure, access to education and health care, and public safety. I was born in Mexico but my parents raised me here. I’m privileged to raise my children in a city like San Diego, but they’ve both had passports since they were babies. The best gift I can ever give them is the opportunity to see what life is like for people around the world.”

Her current venture:

Launched last month, Travara is a media platform aimed at socially conscious travelers. A percentage of its ad revenue will help take underserved youth abroad and create jobs for women in developing countries.

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Features SEPTEMBER 22, 2026

Who Was San Diego’s Original Theater Star?

A century ago, there was a stage actress known as San Diego’s Sweetheart—we traced her footprint through history, up to modern day

Who Was San Diego’s Original Theater Star?

There was once an actress known as “San Diego’s Sweetheart” who mailed herself to Los Angeles—donning a helmet covered in postage stamps and boarding a two-seater, single-engine mail plane. The publicity stunt was billed as the first air parcel package in the US. It wasn’t. She wasn’t even the first human to be mailed: When the US parcel post started in 1913, at least seven people mailed their newborns to relatives (an innovative loophole eventually outlawed).

Technicalities be damned. That kind of nose for spectacle was why Virginia Brissac was such a star—landing bit parts in TV shows (I Love Lucy, Dragnet) and 155 films, notably playing James Dean’s grandmother in Rebel Without a Cause. “Nobody could help but love her,” her dresser told San Diego Magazine in a 1971 feature, published when Brissac was 88 years old.

In 1911, she topped the Playbill at the opening of the Savoy Theatre at 3rd and C streets in Downtown—a grand live-performance hall built for $150,000 ($5.2 million in today’s money). It became one of the premiere vaudeville theaters in the country (under vaudeville king Alexander Patages). The theater helped make San Diego a destination for stars like silent-film comedian Roscoe “Fatty” Arbuckle, heavyweight champ Jack Dempsey, plus classical legends Rachmaninoff and Anna Pavlova. As theaters converted to movie houses through the ’20s and ’30s, the Savoy remained dedicated to live humans. It closed in 1940, and the Civic Theater now stands in its footprint.

As for Brissac, during a time when women couldn’t even vote, she led a stock company under her own name at the Strand Theatre. The Brissac Company held a four-year residency, “an all-time successful record run for San Diego,” the article says. That classic Ocean Beach theater (featured in San Diego film legend Cameron Crowe’s Almost Famous) has been closed for decades, its bones now a chain beachwear and souvenir store. But Brissac’s legacy lives through the women leading San Diego’s theater scene.

Read the entire 1971 article by Merle Clayton below…

Emma Veidt

About Emma Veidt

Emma Veidt is an editor at San Diego Magazine. She earned her bachelor's and master's degrees from the Missouri School of Journalism. She loves running, hiking, and rock climbing, but really, she mostly loves encounters with the street cats around North Park.

Features
Arts & Culture SEPTEMBER 14, 2026

What Will It Take to Make San Diego a Global Arts City?

Jonathon Glus on the Art + Design District, investing in the creative economy, keeping artists in the city, and what we can learn from places like London and Chicago

What Will It Take to Make San Diego a Global Arts City?
Photo Credit: Stacy Keck

Jonathon Glus is the Prebys Foundation senior fellow leading the development of the Art + Design District at the Downtown San Diego Partnership. He has been asked what an arts and design district is many times. In our conversation, I asked him instead to describe what it isn’t. His answer opened up a broader discussion about what San Diego has and hasn’t invested in, what it has the capacity to become, and what other cities have done that we haven’t. Glus speaks about global art fairs and architecture biennials in Chicago and long tables at dinner parties all with the same fluency. He also discusses who gets to live in the neighborhoods where creative work happens, and what it means when they can’t afford to stay.

Claire Johnson: You have been asked what an arts and design district is many times. Can you tell me what it isn’t?

Jonathon Glus: It is not a place designed intentionally and specifically for tourists. Of course there will be opportunities for tourists to come, but the district is really focused on creatives, on creative education, and on the creative workforce—as well as our major performing arts organizations. That is the emphasis.

What does the district need to do in the next five years for you to consider it a success?

[It needs to] develop greater connectivity between the anchor institutions—the symphony, Broadway San Diego, the opera, all the wonderful things happening in Balboa [Park]—and the creative workforce that will be living and working in that neighborhood 24/7.

What does San Diego not have that you wish it did?

We have not been intentionally investing in the contemporary art product that other major cities have been building. A contemporary art fair. A biennial that reflects the ethos of this region. Chicago developed an architecture biennial about eight years ago. London has a design biennial. Desert X, right here in Southern California, invests in and elevates contemporary artists inside a city. We have not really been playing in the global art market in a way that we have the capacity to.

What capacity do we have?

We have a wonderful foundation. Two theater companies that produce work that goes to Broadway more than many regional theaters in the country, major museums, artists teaching at UC San Diego and University of San Diego. What a city does when it wants to take itself to the next level is intentionally create the product. Miami went after the Art Basel fair; they did not passively receive it. You have to have the intention and the will, and you have to go after it. We haven’t done that in the way that other cities have.

Look at what we did with the tech sector; we’re now a major tech center. That was intentional. Leadership organized around it. We have to do the same thing around the arts. We have a lot of contemporary art collectors here. We have a lot of galleries. But the ecosystem of the business of contemporary art is not as organized or as visible as it should be.

Which city is your North Star?

It’s bits and pieces of different cities. Dubai has invested very quickly and very intentionally in contemporary art—art fairs, design fairs, higher education, artist residencies from all over the world. London has centered artists and creatives in the contemporary zeitgeist in a way that was not true 40 years ago. They built biennials. They ensured British artists had affordable housing and workspace. They made sure the media paid attention to what they were doing.

If you don’t have an artist at your dinner table, it’s not a dinner party. That sounds elitist, but it’s true. It shows the value that artists have in a community. Our relationship culturally with Tijuana is really significant here because artists in Baja seem to be at the table.

We’ve talked before about how food, fashion, design, and art aren’t siloed anymore.

They aren’t. When super creative people are in a community doing extraordinary work, that draws other super creative people doing extraordinary work. That’s why other arts and design districts around the world end up populated with some of the most interesting restaurants and young fashion designers. Creatives want to be around other creatives.

Which leads to the economic argument…

Our creative economy already employs about 170,000 people and generates more than $11 billion in economic activity. It’s large and robust. But we must center all of this in accessibility and affordability. Williamsburg used to be affordable. Artists can’t afford to live there anymore. Wicker Park and Bucktown in Chicago—artist central, now unaffordable. If we’re going to invest in this district, we have to be really intentional about housing and workspace, so creatives have a place in the future of this district.

I see all these new supper clubs and creative collectives popping up. What is the lesson there for San Diego in terms of the commercialization of cultural and creative groups?

I think the lesson is that nothing changes. What do people love? Long tables. Why? Because you’re with a lot of people—some you may have known your entire life, but most you don’t. And if it’s driven by a creative process, all the better. We know one of the best ways to do that is around food, but also music.

For the Art + Design District, part of why we’re leaning into the process is because, culturally, we’re bringing down the barriers between film, fashion, multimedia, tech, and architecture. It’s an experiential mashup in the best possible way.

And it’s not just about art and design, but community writ large. Creative expression is something we all desire. Whether it’s at a long table, at the opera, or in your studio, we gravitate toward creative expression as a way of building community and communicating with the people around us.

Is there a question I should have asked you but haven’t?

I hope you are writing about this in seven years when the district is fully mature. But this is just the beginning for all of this. I think that’s what’s most exciting to me. We don’t know what this is going to be like, but we know it’s going to be creatively centered, and that’s super exciting to me.

Arts & Culture SEPTEMBER 11, 2026

San Diego FC’s Vision Goes Beyond the Soccer Field

A conversation with Sebastián Morúa on art, community, and why the club’s future heroes should include the creatives helping build it

San Diego FC’s Vision Goes Beyond the Soccer Field
Photo Credit: Xavier Hernandez

Sebastián Morúa is the Senior Vice President of Brand & Innovation for San Diego FC. He oversees Playmakers, the program through which the club has, over the past three years, engaged with over 80 working artists—not as marketing partners, but as co-creative directors.

Morúa didn’t build Playmakers as a community-outreach program bolted onto a Major League Soccer franchise. He built it as the identity of the franchise. When we sat down, he talked about the World Cup, San Diego’s creative workforce, his challenge to other sports franchises in the city, and the mural of heroes he hopes people will see one day when they close their eyes and picture San Diego FC.

Claire Johnson: Why does an MLS team invest in arts and culture?

Sebastián Morúa: I want to answer that in two parts. Philosophically first—because I think what you’re really asking is why should any sports team do this when most don’t.

Sport is a platform for transformation. It has proven that over and over. We saw it this summer with countries participating in the World Cup for the first time and what that did in their home countries—the sense of self-identification, pride, possibility. That is the power of sport.

When you take a sports team that’s fueled by that principle and understands what it could mean for other stakeholders in a community, you start to think about what you can accomplish in collaboration with them. One of those stakeholders, very early on, was the creative community. If we were going to build a team that represents this place and its people, we needed to go to the source. Artists are uniquely positioned to translate the essence and the soul of a community. When you zoom out and look at the multitude of artists in a place, you start to see the fabric of that local culture. That’s where the sense of pride and possibility gets unlocked.

But you’re also San Diego FC specifically. That matters.

Our mission is to create opportunities for talent to flourish and make San Diego shine. That means the club is a platform. When we started doing the early research for the brand, we brought artists into our focus groups. The response was immediate. There was a clear need. In 2024, we ran the first full year of what became Playmakers, working with more than 20 artists to help us tell the story of how San Diego FC could weave 18 distinct communities together.

We’re in the business of developing communities through sport. We’re not in the business of fútbol to entertain communities. That is an outcome—but not the purpose.

When you started, were you thinking about the profitability of this type of program?

No. I wasn’t thinking about where this was going or how much it would cost. It instinctively felt aligned with our organizational purpose, and we made a decision to go for it. Now it’s become what it’s become.

What does Playmakers look like in 10 or 20 years?

If a fan closed their eyes 20 years from now and tried to paint a mural of the heroes that make up the club, they would see a big percentage of Playmakers artists on that mural. Ask any fan about the team they’ve supported for decades, and they’ll tell you about players, maybe a coach, maybe an owner. We’re expanding that. In our mural, there’ll be artists, entrepreneurs, community leaders, youth coaches. The community will be present.

Three to five years from now, Playmakers is an established community of creatives who have co-directed the identity of the club and the evolving identity of San Diego. If we keep the pace we’ve kept, we should have collaborated with 150 to 200 artists whose stories we’ve told and whose next steps we’ve helped support.

What would you tell another organization considering this kind of investment?

There’s a huge benefit for us as a club and as a brand. This is symbiotic. The artists have a need, we can support that need, and in return the community cares more about our club because of the investment we’re doing in the community. That’s what I would tell another organization.

What excites you most about how San Diego is changing?

San Diego is waking up to how much it has to offer the global conversation around culture. There’s a purity to life here—partly because of the weather, which allows us to spend so much time outside, in nature—and that exists alongside this incredible richness in food, music, art, and now sports.

I have a sense that San Diego is ready to unlock its full potential. You see it in the artists and creatives here. They’re ready. There’s very little hesitation. It’s more like: “Hell yeah, of course I want to do this. I know I’m talented. I’ve been waiting for something like this.”

That energy, combined with the unique lifestyle and character of this place, creates a really exciting sense of what San Diego can become in the years ahead.

Is there a question I should have asked you that I haven’t?

I would ask: What would you say to the other big players in San Diego who are—or could be—shaping the cultural fabric of our community? Do they understand the symbiotic benefit? Are they supporting it?

Because Playmakers, in the end, is a cultural compass. It’s making sure that San Diego still feels—and will always feel—represented in the creative process of building San Diego FC and what that means for San Diego.

The pitch is a canvas. Athletes are painting collectively during every game. There is a story in every game. That’s the link between sport and art. At the core, it’s the same creative process.

Arts & Culture Q&A
Studio S SEPTEMBER 11, 2026

Vi at La Jolla Village – Senior Living in the Heart of Everything

At Vi at La Jolla Village, residents don't have to choose between security and adventure, connection and independence. They get all of it.

Vi at La Jolla Village – Senior Living in the Heart of Everything
Courtesy of Vi at La Jolla Village

Today’s seniors are more connected than ever, with a renewed focus on retirement as a time of discovery and enriching experiences. The ultimate reward for a retirement well-earned is the wisdom to appreciate it all, and what better place to enjoy that unique perspective than Vi at La Jolla Village, in the heart of San Diego.

All-access pass to good living.

As a Continuing Care Retirement Community (CCRC), Vi provides access to a connected and fulfilling community while making it easy to plan for future care, should the need ever arise. With a care plan in place, residents enjoy greater financial predictability and long-term value, freeing them to focus on making the most out of retirement.

Resort-style amenities at the epicenter of a cultural hub like San Diego offer a retirement experience unlike any other. Paired with exceptional dining, spacious accommodations and dedicated staff, the best of maintenance-free living is all around. And with the introduction of Vista 360 Well-Being, Vi’s panoramic approach to wellness, there are more ways than ever for residents to access it all.

The harmony of mind, body and community.

Courtesy of Vi at La Jolla Village

The key to longevity is striking the right balance in maintaining an active lifestyle with an active mind in a fulfilling community. With newly renovated community spaces and restaurants, Vista brings a variety of opportunities for residents to elevate their well-being through Vi-exclusive “Signature Experiences.”

Vista Enrich takes an evidence-based approach to brain vitality, keeping residents at the forefront of cognitive health through exergaming (exercising + gaming), nutritional plans and informative workshops. It is also home to The Brain Vitality Studio, an innovative facility dedicated to cognitive fitness that has garnered national recognition.

Vista Discover invites residents into stimulating educational experiences, from chef-led cooking demos and guided wine tastings to lectures at local universities and intimate lectures following cultural outings.

While Vista Enrich focuses on brain health and Vista Discover engages residents intellectually, Vista Explore cultivates a sense of adventure through curated travel and local excursions. But broadening one’s horizons doesn’t always require a plane ticket. One recent event brought a taste of the world right to the community: an onsite “jazz cruise” featuring live music and global cuisine served at a series of themed “ports” all within the community’s own ballroom.

“Location, location, location”

Courtesy of Vi at La Jolla Village

One of the biggest perks of life at Vi at La Jolla Village is its proximity to just about everything. With easy access to transportation and local attractions just steps away, residents can explore and engage with their community at their own pace.

“There are trolley and bus stops within a 5-minute walk that will get you to the beach, UCSD Campus, medical appointments, downtown La Jolla or San Diego, et cetera. We rarely use our car,” said resident Tom Yager.

With the best of San Diego just steps away, residents don’t just live in the city, they live within reach of everything that makes it special.

The best of all worlds.

Courtesy of Vi at La Jolla Village

At Vi at La Jolla Village, retirement isn’t a chapter to slow down; it’s an invitation to discover more. Tailored community experiences created by Vista, paired with the vibrant pulse of San Diego just outside the door, mean that residents don’t have to choose between security and adventure, connection and independence. They get all of it.

This is what an all-access pass to good living looks like: the comforts of an elevated lifestyle, a community built for growth and a city made for discovery – all in one place.

To learn more about Vi at La Jolla Village or for details on available floor plans, visit ViatLaJollaVillage.com/SDM.

Partner Content
Arts & Culture SEPTEMBER 4, 2026

What’s Next for Arts and Culture in San Diego?

Artists and advocates are building a more sustainable creative future through public funding, political organization, and cross-border collaboration

What’s Next for Arts and Culture in San Diego?
Photo Credit: Katie Gardner & Matt Furman

This is part of a three-part series. This is Act III. See Act I and Act II here.

The Future

We’ve been here before.

In 2012, city funding for the arts and culture in San Diego had eroded. As a corrective, the city council unanimously approved “Penny for the Arts”—a promise to dedicate roughly one penny of every dollar spent on hotel rooms (the Transient Occupancy Tax, or TOT).

The logic was fair and sound: Cultural institutions and events help attract visitors. Those visitors pay hotel taxes. So, the people agreed, some of that hotel-tax revenue should go back into maintaining the cultural ecosystem that helps bring those visitors and that money.

Projected as a five-year plan, the measure was supposed to increase funding to $17.9 million by 2017.

It never did. The penny was never guaranteed, so each year the city used part of it for other priorities. By 2023, the money going to arts and culture was up to about a half a penny. Even as TOT revenue has gone up significantly.

In 2019, TOT revenue was $245 million.

In 2025: $325 million.

One fix would be to guarantee the penny. Not simple, given San Diego’s financial woes. But the alternative—eroding the culture that makes San Diego San Diego, give it its identity—also doesn’t feel wise. Plus, even a locked percentage still rises and falls with tourism, which is why culture advocates want a guaranteed floor on top of it.

Another solution would be to give the arts commission actual authority.

“It’s an advisory body,” says arts commissioner Kamaal Martin. “You’d be hard-pressed to find anybody who takes our advice.”

Photo Credit: Katie Gardner & Matt Furman

He described the commissioners debating real, consequential questions this year, like whether and how to divide the cuts between funding pools. But those conversations “don’t connect to whoever’s actually deciding,” Martin says. “We haven’t been entrusted with decision-making about relevant things nearly enough.”

Christine Martinez is building political infrastructure through her organization Arts+Culture:San Diego—which is starting a 501(c)(4) lobbying structure not unlike police and fire unions. Martinez is also keeping her community actively engaged. “We won’t be caught off guard next year like we were this year,” she tells me.

Then there’s the evergreen issue of affordability and accessibility. Kiplinger’s most recent report ranks San Diego as the 11th most expensive city in the US, based on cost of living. The average home value is $980,700 (the US median is $540,000), but San Diego’s median household income is only one-third greater than the national level. Rent is also 66 percent higher than the national average ($2,716 vs. $1,636).

This is why San Diego has long suffered from the creative brain drain—creatives leaving for more affordable cities. “Artists are free to live wherever they want, and they will go where the rent is affordable,” says Jennifer de Poyen of Space 4 Art. “When they leave, they take their gifts with them, and their contributions, and their economic impact.”

One saving grace is the presence of Tijuana, where the cost of living is about 60 percent lower than San Diego, per Numbeo. Tijuana has long functioned as an affordable neighborhood for many in San Diego’s creative culture. It’s part of the reason why the binational identity is such a constant in our galleries, music, theater, murals, and culture. While that cross-border blood flow is one of San Diego’s most compelling attributes, few artists living that life would call it convenient or easy. A city is at a disadvantage when its culture creators have to cross a border to go home at night, and cross again the next morning to work.

In May, San Diego County Board of Supervisors approved a $2.75 million arts initiative of its own. It includes an Artist Space Grant Program aimed directly at the affordability crisis, as well as an artist-in-residence program, a dedicated Binational Creative Economy Investment, and a one-time investment in the Black Arts and Culture District in Encanto.

Bob Lehman of San Diego Art Matters has been doing county-level, binational organizing for years; in 2023, he helped get the county’s arts commission reestablished after 30 years of defunctness. That’s important because it gives arts and culture an official seat in county government, advising the County Board of Supervisors on arts and culture policy. He also brought in consultant Laura Zucker, who ran LA County’s arts program for three decades, to build a real regional plan.

“I really believe we’ll have something set up here that other communities come and look at,” he told me. “A national template other cities come to learn from.”

When asked who decides which artists will get the new grant money, county arts commissioner and executive director of the Chicano Park Museum and Cultural Center Monica Delgadillo Hernandez doesn’t hedge.

“That’s part of the infrastructure we’re going to be building,” she says. “What should a panel of reviewers look like? Should it be the commissioners? Should it be other folks? A supervisor?” She was just as candid that the commission itself doesn’t reflect San Diego’s population—Chicano communities are roughly a third of the city, she tells me, “and that’s not represented at the table yet.”

Photo Credit: Katie Gardner & Matt Furman

What Other Cities Prove Is Possible

The great news is that none of these solutions have to be invented from scratch. Numerous cities serve as examples of what’s possible—if we have the will.

Jonathon Glus—Prebys Foundation Senior Fellow for Art & Design, the Executive Director of the Art + Design District, and board president for California for the Arts—worked in Houston before coming to San Diego. The Texas city dedicates 74.5 percent of its hotel tax to arts grants by formula, and that support is guaranteed. Washington, DC locked in dedicated arts funding in 2019. Salt Lake City, my hometown, has run a voter-approved arts tax for almost 30 years, most recently reauthorized through 2034. And just this summer, New York City pushed cultural funding to a record $323.8 million, even incorporating an emergency fund.

Denver’s model is interesting because instead of a city-dependent funding model, theirs is a 0.1 percent regional sales tax. In place since 1988 and renewed by voters three times, their Scientific & Cultural Facilities District has distributed between $54 million and $85 million to arts, culture, and scientific orgs—each of the last 12 years.

This is part of a three-part series. This is Act III. See Act I and Act II here.

None of these cities got there by accident. They decided, on purpose, that arts and culture were worth protecting from politics—and, in some cases, worth building an entire identity around.

“That’s how Miami has flipped the switch,” says Glus. “People go to Miami for culture as much as they do the beach.”

San Diego has spent decades selling itself backward: Beach and weather first, culture as an afterthought you might stumble into. Glus would love to see the strategy flipped: Visitors should come for the art, “and then, by the way, you’re on the beach.”

Photo Credit: Katie Gardner & Matt Furman

So What Happens From Here?

“I do think it was a wake-up call for the community,” de Poyen says of the budget fight. “People understand that our funding is vulnerable. It was a lesson in how much power people have when they coalesce. But wow, is it painful.”

Glus says he’s genuinely optimistic. “The players have all changed seats, but the work is moving forward.”

“I believe optimism is a moral duty,” says Martin, who’s both power-fist and polite.

In eight months, there will be another budget fight. Everyone I talked to expects it will be worse. But something happened this spring that can’t be undone.

“I hope this rupture has brought us together in a moment of self-realization,” says Leticia Gomez Franco of the Balboa Art Conservation Center. “I hope we stop being so transactional; we begin to see ourselves and each other as partners in this work.”

That’s the whole ask, really. And it’s on all of us.

This is part of a three-part series. This is Act III. See Act I and Act II here.

A

About Aaryn Belfer

Aaryn Belfer is a writer and editor specializing in nonfiction across art, architecture, and culture. Once upon a time, she wrote a provocative column for San Diego CityBeat (RIP). She was a runner up in the 2025 Matchbook Stories contest at the San Diego Central Library and is irrationally happy about it. Currently in her Soft Girl Era, Aaryn has expensive taste in (mostly flat) shoes and will choose a great art exhibit or live jazz concert over almost anything else. Except, possibly, Javier Bardem.

Art Arts & Culture
Arts & Culture SEPTEMBER 4, 2026

How San Diego Became a City of Art and Culture

The history, communities, and creative movements behind a cultural scene that extends far beyond the city’s postcard image

How San Diego Became a City of Art and Culture
Photo Credit: Katie Gardner & Matt Furman

This is part of a three-part series. This is Act II. See Act I and Act III here.

Without concrete, wildflowers are just weeds. Any honest history of San Diego art and culture is tension and its reckonings. It begins before the name existed, with the Kumeyaay. It must pass through the Panama-California Exposition, one hell of a county fair that conjured Balboa Park as our grand cultural stage. It pays tribute to the lights of La Jolla, where the donor pool helped realize unrealizable things. It should mention names like Marston, Scripps, Ochoa, DeWitt, Lopez, Klauber, Baldessari, Torres… so many.

In short spaces like this, long histories like that become roll calls. So this is more of a walk through pressure points, notes on recurring forces and regional oddities.

Border life is key to understanding the here of here. Art without dialogue is just decoration. At its best, that dialogue should be a tad muddy, emotionally gassed. In other words, it should be in need of art—to widen perspective, parse meaning, see the unseen.

San Diego’s central dialogue—the magic and the stressor—is being flatmates with Mexico’s second-largest city by population. That makes San Diego a swing-gate of shared and vastly different perspectives, both its own place and something larger. And in no other major city in the US do the fresh flow of ideas from two countries—different governments, laws, mores, expressions, arts, cultures, traditions, economies, loves, and resentments—mingle at such a constant daily rate (due respect to El Paso).

That binational steam created Chicano Park, one of the most uniquely San Diegan contributions to national and international culture. When construction of the I-5 and Coronado Bridge divided Logan Heights, neighbors protested by transmuting prejudicial concrete into redwoods of Chicano art. Turning a civic wound into a beautiful and enduring landmark that expressed and preserved a core identity—like East Side Gallery in Berlin or Constitution Hill in Johannesburg—is damn near the core of what art is supposed to do.

Like any city, the underground-overground friction is crucial in San Diego. Our culture is headlined by institutions that lift creative work onto national and international stages: MCASD, The Nat, SDMA, Centro Cultural de la Raza, the Symphony, WorldBeat Center, The Old Globe, La Jolla Playhouse, Mingei, Museum of Us, Stuart Collection, Timken, ICA, Comic-Con, etc. The next mutations grow in the seams: street murals, music dives, tattoo shops, wheatpasted walls, graffiti, lowriders, surf and skate art (though in San Diego, this is mainstream), pop-up shows, backyard shows, beach raves, any place with room for people and a loose relationship with regulations.

Photo Credit: Katie Gardner & Matt Furman

Both art and culture get their power from power. They’re fundamentally a conversation with and retort against dominant structures. San Diego’s most pervasive structure is arguably the most rigid form: the military. Its presence is heavy in the southern tip (Border Patrol), the middle (Navy and MCAS Miramar), and northern edge (Camp Pendleton). The military is San Diego’s largest employer, by a long shot.

Within this plus-sized environment of order and hierarchy, it’s understandable that Shepard Fairey’s “OBEY” posters in the late ’90s struck such a potent chord. The most compelling punk rock is often outside a strong governor’s window. (The “OBEY” series featured an ominous, propaganda-style André the Giant wheatpasted on random ugly surfaces across San Diego—launching Fairey’s style that he eventually used for Obama’s “HOPE” poster.)

Armed forces are often viewed as the absence of creative culture—understandably so, since rogue individual expression feels like a pretty sure way to sink a war effort.

But in San Diego, the Navy’s unsuspecting role as art creator—directly or indirectly—is hard to ignore. Tattoos are a dawn-of-time practice of many early cultures, including the Kumeyaay. But Polynesia was a core realm. Sailors were exposed to it on deployment in the Pacific Rim, inking their arms with the names of loved ones and unit insignia. Back in San Diego, they’d flaunt those tats in the beaches and bars of Mission Beach or PB (Marines did the same in Oceanside.) Enlistees were the muscular flesh galleries that helped turn skin art into one of the city’s most widespread modern art forms.

During WWII, the military also trained huge legions of San Diego laborers how to build war machines. Those mechanics, engineers, machinists, welders, painters, and metal fabricators used those skills for creative good in their neighborhoods—especially in custom car culture, which took off in the post-war ’50s and ’60s. Mexican-American vets helped develop the lowrider scene, a deeply rooted part of San Diego creative expression. Galleries on slow-moving wheels.

Tourism is the other mainstream force ripe for creating against. It is both critical to San Diego’s economy, and one of the greatest barriers to deeper, more nuanced expressions of what and who San Diego is. The industry of selling our city to passers-through creates a gigantic tarp of cultural tropes. It reinforces the most obvious charms—cute zoo animal takes in an epic sunset with a giant margarita—and doesn’t yield much airspace to the thrilling micro-cultures that live and breathe where locals live and breathe. Nothing against watercolors of dolphins, but much against the hegemony of watercolors of dolphins.

Maybe because of these dominant forces, San Diegans especially tend to force underground and institutional art into a needless cage match. It’s human instinct to champion the underdog as more worthy, but that has always felt like a form of articide.

Photo Credit: Katie Gardner & Matt Furman

It’s like saying the only good food is made by gritty upstarts who crafted their own whisks from discarded shopping carts. Most of those plucky whisk-makers would love to eventually be paid properly, would love a stage, a grant, a building, a donor, a lighting rig, health insurance, maybe even one chair that doesn’t threaten the spine.

That’s what the major institutions do. Both stages—the duct-taped and the donored—serve vital roles and deserve commensurate support if we care about the entire lifespan of creative expression and not just its first exciting steps. Championing the starving artist exclusively just secures an enduring poverty for the creative class at large.

I’ve often theorized it’s harder to create great art and culture in cities like San Diego, where the climate is supernaturally pleasant. In colder/hotter/rainier/less beautiful cities, people are forced indoors to fabricate their own beauty (the grunge music of Seattle, the obscene creative output of Reykjavík). San Diego’s eternally mild sunshine tends to make the human body our art medium of choice. But scratch the surface of that surf poster (and I’ve only scratched a miniscule percent here), and this city’s far from the cultural shallows it gets accused of being.

Addendum: A Personal Agenda. In scouting the route of art and culture across San Diego county through history, two areas come up again and again: La Jolla and Barrio Logan. So I propose a collaboration between two icons of artful concrete—Chicano Park and Salk Institute (one of the world’s great examples of brutalism architecture). Let Barrio Logan’s muralists go nuts on that coastal science fortress, unite the realms for a moment in time.

This is part of a three-part series. This is Act II. See Act I and Act III here.

Troy Johnson

About Troy Johnson

Troy Johnson is the magazine’s award-winning food writer and humorist, and a long-standing expert on Food Network. His work has been featured on NatGeo, Travel Channel, NPR, and in Food Matters, a textbook of the best American food writing.

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NewBridge School is San Diego’s only school dedicated to the education of students with dyslexia and related learning profiles. For 30 years we have successfully served students with dyslexia, dysgraphia, dyscalculia, receptive/expressive language disorders, ADHD, executive functioning and memory deficits. Students transition successfully into academically rigorous high schools and colleges across the country. Why NewBridge? Training, training, training (plus intensive individualization, and comprehensive program design). All teachers are trained and retrained biennially in Orton-Gillingham, the only approach proven to remediate dyslexia based on Science of Reading research, and complete a year-long training program. Every aspect of our program is designed around our students’ learning styles and needs. Every class is taught by a highly-trained expert, and our Speech/Language and Occupational Therapy teams embed throughout the day. Our multisensory, multi-tiered math program has been developed in conjunction with sister schools and experts across the country. Don’t wait—early intervention is magic!

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