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Crack open a cold one and get hoppy! We're diving into the new, notable, and lesser-known in our city's beer scene, from brewers stocking rare pours and women's stakes in the industry to critic's picks and the rise of sours and beer cocktails.
Forget about a name—there isn’t even a sign marking Chula Vista’s Bar Sin Nombre. But like the city’s nascent beer scene, it does have one thing: a following. “People here used to have to go to North Park, South Park, or the East Village to get decent beer,” says Tony Raso, the Chula Vista native who opened the bar last November. “Now on Friday and Saturday we get crushed by people from North Park looking for beer they can’t get at Toronado. It’s kind of created this reverse-commute thing.”
“Reverse” is an apt word. In little more than a year, 3 Punk Ales Brewing, Chula Vista Brewery, and Groundswell Brewing have all opened on Third Avenue. Add to that list a wine bar and a new location of the burger joint Balboa Bar & Grill, and you’ve got yourself a barhopping scene.
On Saturday mornings, Christianne Penunuri, owner of Groundswell, rolls up the doors and looks across the street to see the eponymous three punks doing the same. “It’s like, hey neighbor!” she says. “It feels like a small community. Everybody knows each other.” That’s saying something, considering that at more than 250,000 residents, Chula Vista is the county’s second-largest city.
Chula Vista doesn’t skew as young and single as other beery destinations, but that doesn’t seem to be a problem. “Families need a place to go and blow off steam and visit and get together with their community,” Penunuri says.
“What was a sleepy little block is starting to find its stride,” Raso says. “The bars and restaurants are creating this walkable neighborhood feel. The foot traffic in the last year is up 1,000 percent. Families, young people—things you never used to see.”
The Coolest Things Happening in San Diego Beer Right Now
If one end of the tap-selection spectrum is exclusively local brews, Chula Vista’s Bar Sin Nombre is at the opposite end. Owner Tony Raso is known for tracking down highly coveted beers that are nearly impossible gets.
“My list is my personal favorites, and focused heavily on imported beers,” he says. “We try to keep it accessible, always with some local beers so it’s not completely Greek to them.”
Raso’s taps are often the only ones pouring that brew in San Diego—or even in Southern California. His past work with a distributor in Hawai‘i has led to him to getting first dibs on many small-batch beers, some of which might be too out-there for mainstream bars but just right for Raso.
Sour beer from Jolly Pumpkin Brewery out of Michigan? A selection from De Garde Brewing in Tillamook, Oregon? He’s featured them, always beside predominantly “bone-dry, session-able” beers, a couple dozen sours, a few pilsners and hazy IPAs, and a couple of ciders.
As Raso puts it, “I’m just trying to pour the very best beer list in the world.”
The Coolest Things Happening in San Diego Beer Right Now
Ivan Maldonado
Craft beer is one of the few things that doesn’t often cross the border with Mexico. Ditto for craft brewers. The lone exception—the one brewer with a foot in the beer world of both countries—is Ivan Maldonado, head brewer at the fledgling 3 Punk Ales Brewing in Chula Vista. Maldonado also makes 30 barrels a month at Silenus Cerveza Artesanal, his Tijuana microbrewery that distributes throughout Mexico.
“Nobody else really works on both sides,” says the 36-year-old, who grew up between California and Baja. After attending high school in Chula Vista, he moved to Tijuana and fell in with a crowd of home brewers. “One of the first clones we made was Sculpin IPA.” Maldonado had been in concrete laying since age 15, but left that trade in 2012 when he scored a keg-washing job at Coronado Brewing Company, and then an assistant brewer gig at Saint Archer.
His Tijuana-born cervezas occasionally make cameo appearances on San Diego–area taps. But whether here or there, Mexican craft beer can be hard to find. Politics, low wages, permitting, and competition from giants like Corona and Tecate make for a tough market, he says, but it’s budding.
“I see the craft beer scene in Mexico becoming a powerhouse in five to 10 years. A lot of people are experimenting. Mexico has so many fruits and herbs, the list of what you can use in a beer goes for miles.”
Breweries are getting in on the loyalty program model. Newtopia Cyder, a newcomer in Scripps Ranch, has launched an annual membership program for 200 cider lovers. For $150, members get discounts, a stainless steel growler, invitations to members-only parties, and the feeling that they’re part of an exclusive club—at least for the one-year duration of the membership.
“Probably 80 percent of our members are residents,” says owner Jennifer Hays Moreno.
Farther south, more than 80 customers have paid $450 for a lifetime membership to Eppig Brewing’s new waterfront outpost (see page 106), which gets them special barrel-aged brews, exclusive bottle releases, members-only parties, and other boozy perks.Modern Times opens their own club to 1,000 members at $350 each, and extends their perks to those living outside of San Diego—they offer pickup locations in LA and Portland.
“It’s a way to make a deeper connection with our guests,” says Stephanie Eppig, whose brewery is capping its memberships at 100. Those who’ve taken the plunge get to know their brewers at annual parties and other events. “They’re our friends now.”
The Coolest Things Happening in San Diego Beer Right Now
Hoping to replicate its recent success with Dankness Dojo—a vegan restaurant and tasting room in downtown Los Angeles—San Diego–based brewery Modern Times is opening a new eatery in Encinitas. “I’ve wanted to open a place in North County for a long time, and we finally found the right location,” says Jacob McKean, CEO and founder. “It’s walkable, right next to transit, and the building is a sadly neglected structure we’re bringing back to life.”
Across the 101 from La Paloma Theatre and slated to open later this summer, The Far West Lounge will offer locals a plant-based menu that features some of the biggest hits from the LA restaurant and then some. McKean has been thrilled with the support in LA so far, describing the response as overwhelming at times: “We’ve been going through so much food, our distributor has had trouble keeping some things in stock. It’s a good problem.”
The beer selection at the new Encinitas restaurant will be similar to that of the brewery’s Point Loma flagship. It will also serve as the pick-up spot for special releases offered to Modern Times’ “reserve society,” dubbed The League of Partygoers & Elegant People.
Why the focus on vegan food? McKean himself has been vegan for over 20 years and wants to be able to eat or drink anything the company makes. “It also supports Modern Times’ mission as a whole,” he says, “which is not just to exist and make beer, but to leave the world better and weirder than we found it.”
The Coolest Things Happening in San Diego Beer Right Now
From left to right: Secret Breakfast, French 75, and The IPA Cocktail | Photo: Paul Body
Until recently, the most common things to mix with beer—other than sunshine—were Clamato, lime juice, and salt. But local bartenders are changing that, going beyond the michelada to come up with creative beer cocktails. “It’s definitely picking up momentum,” says Rachel Clark, bar manager at Craft & Commerce, which has actually been serving beer cocktails for nearly a decade. Clark told us the secrets behind one of the most popular mashups she serves, as well as one of her favorites around town.
You might hear bartenders speak of “French 75 spec.” This refers to the proportions of one of the most classic cocktails of all time, the French 75, in which an ounce of gin and a half ounce each of lemon and simple syrup are topped with a pour of Champagne. Riffs on this theme often yield excellent beer cocktails, Clark says, so use it as a guide when you’re feeling inventive. “Don’t be afraid to mess up. It’s going to take making a bunch of crappy drinks first. Eventually you’ll have an a-ha moment where it’s just what you envision.”
When she’s not working at C&C, you’ll probably find Clark sipping one of these beer cocktails at Soda & Swine in Liberty Station. The secret is one ounce of bourbon and a half ounce each of lemon juice and honey; S&S bartenders top it with five ounces of Cali Creamin’ from Mother Earth Brew Co. Just hard shake all ingredients minus the beer with cubed ice, then top the shaker with the beer to blend.
This lovely mashup from C&C infuses one ounce of Aperol with a half ounce each of Aperol and lemon or grapefruit juice, but in a pinch you can simply shake the cocktail with citrus zest instead. Clark most often tops this with five ounces of AleSmith Brewing Company’s IPA, but any IPA will do. “Once in a while we’ll do it with a double or triple IPA. It’s dangerous on a hot day, but delicious.”
Blame it on modern brewing practices. When brewers figured out how to make beers “clean”—to banish naturally occurring bacteria, and ferment them using only specific kinds of yeast—they also banished the sour flavors that had characterized beer since antiquity. The easily controlled taste of clean brews allows for flavors to come through without the feeling of having Sour Patch Kids in your cheek.
But local brewers are increasingly inviting lactic-acid-producing bacteria—the very same ones responsible for kombucha, yogurt, and sauerkraut—to mingle with the yeast (and sometimes fruit) to funk things up a bit. As long as the FDA isn’t eavesdropping, you could just as well call sour beers probiotic. Their tangy, fruity flavors are the result of more variables in the brewing process than clean beers, like using multiple strains of yeast. “It’s a much more complex fermentation, and harder to know how everything is going to interact,” says Jeff Crane, head brewer at Kearny Mesa’s Council Brewing.
This souring of local taps seems part of a larger trend toward more complex flavors—much like how hop fatigue is leading brewers to reinvent subtler styles, like Mexican lager and pilsner. As Tony Raso, owner of Chula Vista’s Bar Sin Nombre, puts it, “As your palate and pocketbook develop, you tend to go toward things that are drier and more tart.”
Council, which just opened a tasting room in the former home of Finest Made Ales in Santee, was among the first in San Diego to produce sours four years ago, when just about all of them were imported and hard to find. “A few American breweries were making it, but there was concern of contaminating the rest of your brewery,” Crane says. Council broke with the pack by dedicating equipment and resources to making sour beers.
“We started focusing on it and pumping out pretty good quantities of it. That kind of gave us a name. That’s what people were buying, so we kept making it.”
The Coolest Things Happening in San Diego Beer Right Now
“There is no acidity, because they don’t add lactic acid bacteria to this one. The aroma has both the fresh and earthy smells of spring captured in one place.”
“This beer uses a technique called ‘kettle souring,’ which uses the Lactobacillus for souring, but then boils the beer afterward. And it’s in a can!”
“Another tart saison, but one that’s been aged in used white wine barrels, allowing the wine flavor to infuse into the beer. A good introduction for wine lovers venturing into beer.”
The Coolest Things Happening in San Diego Beer Right Now
Wild Barrel Brewing Company, the 15-barrel brewhouse that recently opened in San Marcos, takes the bar to the next level with axe throwing and batting cages. Batter (and beer) up!
The Coolest Things Happening in San Diego Beer Right Now
Photo: Todd Warshaw, Eppig Brewing
It’s hard to believe that until recently, San Diego had no brewery tasting room on the bay. Eppig Brewing remedied that in February, when they cut the ribbon on their new Waterfront Biergarten, nestled among the yachts at Intrepid Landing Marina. The spacious 2,000-square-foot patio—with heaters and sun shades—offers vistas of America’s Cup Harbor and the downtown skyline beyond. The black lagers and IPAs this North Park brewery is known for flow from 20 taps beneath a tall, slanted ceiling, while the exterior evokes shipping containers.
The Coolest Things Happening in San Diego Beer Right Now
AleSmith’s Sublime Mexican Lager
If you’ve ever downed a Corona, you’ve tasted Mexican lager. You probably haven’t had one like local craft brewers are turning out lately, though, since many only recently fell for this super-quaffable style. “I always felt like lagers got a bad rap because the big boys make lagers,” says 3 Punk Ales’ Ivan Maldonado. “A lot of us were like, why can’t we make them the way we know how?”
Derived from Vienna lagers, at some point the Mexican variant morphed into the inexpensive yellow suds that pair so impeccably with tortilla chips and lime. There’s no strict definition of what makes a Mexican lager; slightly hoppy with a dry finish, they’re faintly sweet with no trace of fruity esters. Macrobreweries may brew them with corn syrup to impart the lager’s characteristic hint of toasted maize, but craft brewers stick to adding flaked corn into the mash.
Local varieties include 3 Punks Ales’ La Flama Blanca Pale Mexican Lager, AleSmith’s Sublime Mexican Lager, and SouthNorte’s Sea Señor Mexican-Style Lager.
“In San Diego, we went through the whole awkward adolescent phase of big, bold, in-your-face beers,” says Bar Sin Nombre’s Tony Raso. “We’re finally coming out of the funk of trying to make the craziest beers.”
The Coolest Things Happening in San Diego Beer Right Now
Candace Moon
Craft beer is a highly regulated industry, and one with specific needs that are different from that of, say, the wine industry. Few people know this better than Candace Moon, San Diego’s own craft beer attorney, who handles everything from trademarks and licensing to complicated business issues for about 350 clients across the country.
As a bartender at Hamiltons Tavern while she was in law school, Moon got to know a lot of local brewers. After graduating, she didn’t really know what she wanted to do with her degree, so she stuck to what she knew—bartending. Then, at an industry event, she had something of an epiphany.
“I met a wine lawyer and a lightbulb went off,” she says. “I knew a lot of brewers, but I didn’t know of any lawyers that specialized in their specific needs, so I decided to become a craft beer lawyer.”
Moon launched her solo practice in 2009, and the demand for her services grew exponentially. She recently closed her practice and joined Dinsmore & Shohl’s Beer, Wine and Spirits Practice Group, which represents alcoholic beverage producers across the world.
Most of Moon’s clients are in California, and “quite a few” are in San Diego. “I’d say at some point, I’ve worked with almost every brewery in town on some issue, and some breweries more than others,” she says. Her first San Diego client was Monkey Paw. “I had worked for Scot Blair at Hamiltons and he was kind enough to give me a shot early on.” Some other notable local breweries she’s worked with include Green Flash, Alpine, AleSmith, and Mother Earth, but by far her favorite request to date was “a client asking how they would get federal formula approval for a beer recipe that included breast milk.”
Being a craft beer aficionado herself, Moon was expecting some perks to come with the job. “I did think I would get more free beer,” she says. “But since everyone pretty much pays their bills, I can just buy the beer.”
The Coolest Things Happening in San Diego Beer Right Now
Brewer Laura Ulrich, president of the Pink Boots Society at Stone Brewing World Bistro & Gardens
From Melani Gordon, cofounder of Taphunter, to Jill Davidson, president emeritus of the San Diego Brewers Guild, San Diego’s craft beer industry is full to the brim of high-profile women doing big things. One of them is Laura Ulrich, small-batch brewer at Stone and president of the Pink Boots Society, which aims to empower women in brewing. Since its inception 10 years ago, the society has grown from a hobby organization to a fully professional one, offering scholarships, education, and support to its 1,600 members worldwide. And it all started right here in San Diego, one Saturday in June 2007, when founder Teri Fahrendorf paid Ulrich a visit at Stone.
“When I met her, I was immediately amazed that she had been a brewer for so long,” Ulrich says of Fahrendorf. “I was unaware that women did this as their careers, and I picked her brain the entire day. So much so, that after my shift I invited her to dinner. That’s when she spoke about the idea of starting Pink Boots Society.”
At the time, Ulrich was a young brewery employee who barely knew any other women in the industry. Fahrendorf was the third female craft beer brewmaster in the country; she’d spent 19 years at Oregon’s Steelhead Brewing before setting out on a brewery tour across the United States. Meeting her was an eye-opener for Ulrich, who worked her way up from the bottling line to brewer and just celebrated her 14th anniversary with Stone this year.
“The following year, we held our first meeting here in San Diego during the Craft Brewers Conference,” Ulrich says. “We started with just an Excel sheet, tracking women that way.”
Today, the Pink Boots Society is a registered nonprofit with a membership database and chapters in 10 countries. But the San Diego chapter remains the largest and most active. The organization celebrated its decennial with a beer festival at Liberty Station on June 3, 2017; Mayor Kevin Faulconer declared it Pink Boots Society Day.
While the nonprofit’s main focus is scholarships and education, there’s also a networking aspect that helps women in the industry connect with one another around the world. “If I wanted to reach out to get advice or recommendations,” Ulrich says, “I know I have an entire network of women that I can look to.”
The Coolest Things Happening in San Diego Beer Right Now
PARTNER CONTENT
Chula Vista Brewery
As NASCAR lands in San Diego this weekend, a recently burgled dad is irregularly excited
My 15-year-old daughter tried to steal our car this week, so I’m ready to become a NASCAR dad. It would be appropriate discipline. We just relocated to a very nice suburb within walking distance of her high school. The suburbs are like living in a Tesla commercial. I am pretty far from the wealthiest dad in this neighborhood (I am, in fact, the least wealthy dad in this ’hood), more than a few engineering degrees short of being in the running.
I’m fairly certain watching NASCAR is a violation of our HOA and a violation of my daughter’s emotional HOA. But NASCAR hits San Diego this weekend and I have a fever I’ve never felt before. I want to watch 111 drivers do dangerous things in cars and trucks on an active military base in the ocean. Since my lifelong exposure to NASCAR is limited to Talladega Nights and every single iteration of the movie Cars, I can only base my plan of attack on oafish stereotypes.
So while other neighbor dads are sizing bubble jackets for their golf simulators, I’m gonna grow a Ricky Bobby, run the extension cord for the TV out into the carport we share with six other condos, fill a cooler with a proper 80-20 split of Hamm’s and Mountain Dew, treat a lawn chair like an ADU, and spend a few hours yelling ohsheeeit as if it’s a single, nine-syllable word.
The quality parents in our neighborhood seem to be able to sense anytime a vehicle breaches the 6 MPH threshold, so I should gather a crowd pretty fast. They may come over with strongly worded emails in their hearts, but one glimpse of Shane van Gisbergen and hometown hero Jimmy Johnson guzzling the last remaining drops of gasoline on the planet in a dazzling display of carmanship—they’ll join my NASCAR pop-up party.
By the time my daughter brings her friends over, we’ll have a real welcoming committee. I’ll set a special lawn chair out for the nice young boy who bought her flowers on her birthday. Have a Dew and talk to me about yourself and please list out your morals alphabetically, kid, I’ll say.
Because, like I said, my daughter tried to steal my car.
She wasn’t going to Mexico. But while Claire and I were off doing businessy stuff to afford the teen’s skincare rituals, she and a friend decided to teach themselves stick shift. She’s never driven a stick before. I’m not saying she has, but if she has driven a vehicle at all—it would have been done in a remote, abandoned parking lot where the only possible thing she could destroy was the concept of driving itself.
But a couple TikTok videos later, she and her friends felt a certain level of mastery had been achieved, and they gave it a go. They backed our VW Bug out of the garage with a series of stalls and transmission seizures, and managed to get it into the carport, attempting to do “donuts.” That’s when I got a call from a resident, who had taken an active interest in this experiment.
Which got me wondering about the power and might of vehicles. Turns out, even at carport speeds there exists a bit of potential fireworks. A garage door could become not a garage door anymore. At 145 MPH on Naval Base Coronado this weekend (don’t worry, they slow down to 100 MPH for turns), NASCAR drivers are essentially doorbell ditching gods. I didn’t register the temperature after my daughter’s trial run, but the track at NASCAR races usually hits a cool 130-150 degrees, enough to lightly sear some Nikes (the tires themselves hover in the 200 degree range).
And that is at least part of our fascination with NASCAR (the other fascination is the legendary pit parties, which either set humanity back a few evolutionary links, or advance it by the same amount of links). These drivers take something us adults do every day in a very efficient, boring way and take it to its extreme impulse. Grace and precision at the thunderous edge of shit going terribly wrong. Most of us have, upon seeing the price of California gas, wanted to pile our worldly possessions into a Honda Pilot and see how fast we could make it to our new home in Vegas. So NASCAR drivers are acting on our own wildest impulse.
Troy Johnson is the magazine’s award-winning food writer and humorist, and a long-standing expert on Food Network. His work has been featured on NatGeo, Travel Channel, NPR, and in Food Matters, a textbook of the best American food writing.
In a sport obsessed with prestige, a San Diego–born golf brand is betting on something more fun and less fussy
Music drifts across the fairway. Someone’s in flip flops. The Pacific flashes in the distance. Sun peeks onto shoulders through the palm trees. It’s spring, technically, but the air reads suspiciously like summer. At the par-3 course at Liberty Station, the longest hole barely stretches past 120 yards, and no one looks particularly interested in becoming the next PGA legend.
This is where Sunday Golf was born.
“I got dragged to a par-3 course in 2019 —The Loma Club—and it was way more my jam,” says Ronan Galvin, CEO and co-founder of Sunday Golf, a company that makes lightweight golf bags for players who’d rather carry less and laugh more. “It was a lot different than the stereotypical ideas you have about golf where it’s kind of long, uptight, and exclusive.”
Galvin spent over a decade in the golf industry working in product development, sourcing and manufacturing. But he didn’t grow up swinging clubs. Basketball and football were more his speed. What clicked for him was a simpler, more relaxed kind of play: shorter rounds and weekend games built for fun rather than formality. The kind of golf that resonated for him felt accessible, effortless, and surprisingly his lifestyle.

He noticed something else, too.
On a course where five clubs do the job, players were still lugging 14. So Galvin built something smaller. Lighter. A bag designed specifically for par-3 rounds, the Loma Bag is sleek, functional, and refreshingly unfussy. It’s practical minimalism in a sport known for excess.
Sunday Golf was slated to launch in January 2020. Then, COVID hit. Shipments stalled; lost at sea. The future felt shaky. But the series of catastrophes for the young company turned out to be anything but: By the time inventory arrived that August, golf had become one of the few activities people could safely do.
“It introduced and brought so many people back to the game,” Galvin says. “It created a habit for a lot of people, which is a big reason golf is on its growth trajectory.”
It turns out Americans can’t get enough of golf. Forty-eight million of them swung clubs last year, a 41 percent jump since 2019, and the National Golf Foundation says the total could top 50 million by the end of 2026.
The brand rode this unlikely momentum. Since 2021, Sunday Golf has expanded into larger lightweight bags and continues evolving from there. A major reason for the company’s success is its approachability, a value so central that it’s literally written on the office walls in the form of the company’s guiding mission: “Get 500,000 golfers having more fun by 2027.” This goal is measured, fittingly, by golf bags sold.
Sunday Golf has already passed 300,000 bags sold.
But the numbers aren’t the point.

“To remind the world that life is meant to be enjoyed,” Galvin says of the brand’s why. In an era dominated by screens, golf offers something analog. “People are outside, touching grass with their friends. A golf bag is a golf bag, but our products are vehicles to help support that.”
Unlike legacy golf giants promising proximity to Rory McIlroy-level greatness, Sunday Golf leans into what Galvin jokingly calls “diet golf” or “golf light”—weekend rounds, driving range sessions, company scrambles. The bags are built for the casual golfer, and the fit feels obvious.
That philosophy resonates across Southern California, where year-round sunshine means golf courses never really hibernate for winter. As Galvin puts it, “the laid-back lifestyle of San Diego kind of seeps into everyone’s veins.”
Sometimes the validation arrives via email: a 76-year-old customer is able to walk the course again because their golf bag is lighter. Parents are able to take their children out with Sunday Golf’s kids line.
For Galvin, that’s the real win. Not perfection. Not prestige. Just more people outside, enjoying themselves. In San Diego, that might be the most natural mission of all.
Isabella Dallas is a freelance writer for San Diego Magazine and the Arts and Culture Editor at The Daily Aztec in her final year at San Diego State University. She previously worked as an editorial intern for SDM, but when she’s not writing, you can find her trying the best coffee spots in SD, devouring the latest rom-coms, and indulging in anything and everything pop culture.
Announcing a partnership between Art & Design District, SDFC Playmakers, and San Diego Magazine
FOR IMMEDIATE RELEASE
SAN DIEGO, CA — [June 15th, 2026] — Art plus story equals culture. Today, three local groups deeply invested in advancing San Diego arts and culture— San Diego FC Playmakers, Art & Design District, and San Diego Magazine—have joined forces to tell its stories.
The initial project will be a landmark September edition of San Diego Magazine—fully dedicated to the people, ideas, and identities of the city’s creative community. After its release, those stories and more will extend across six months of integrated digital, social, and multi-platform coverage. Art & Design District and SDFC Playmakers will serve as co-publishers of the expanded editorial vision.
The Art & Design District is evolving into San Diego’s first home for the performing arts at iconic downtown venues like the Civic Theatre and Jacobs Music Center alongside research and development programs focused on artist live/work spaces, galleries, studios, and New School of Architecture & Design.
“[The Art & Design District initiative] is a long-term investment in San Diego’s creative life and the creative workforce that powers our cultural experiences and creative industries here at home and across the world,” says Jonathan Glus, Prebys Senior Fellow for Art & Design in Residence at Downtown San Diego Partnership. “But infrastructure alone is not enough. The public needs to see, understand, and participate in what’s being built and why. Joining as co-publisher of this issue means helping ensure that the story of San Diego’s creative community—its artists, its institutions, its future—gets told at the level of ambition the moment requires.”
San Diego has entered a defining chapter in how the region invests in its creative community, with civic and philanthropic leaders working alongside artists, brands, institutions, and people to chart a new model of public-private support for arts and culture.
As digital co-publishers of San Diego Magazine‘s arts and culture coverage, SDFC’s Playmakers partnership will include a six-month integrated collaboration designed to sustain the visibility of San Diego’s creative community well beyond a single issue.
“The Playmakers program was built on the belief that the creative community is essential to what makes San Diego, San Diego,” says Sebastian, San Diego FC’s SVP of Brand and Innovation. “Investing in local media that tells those stories—and reaches the audiences who need to hear them—is one of the most direct ways we can support the artists, organizations, and cultural leaders shaping this city’s future. We’re proud to step in as digital co-publishers of San Diego Magazine‘s arts and culture coverage and the founding partner of this new editorial program.”
Under the partnerships:
The partnership represents a new model for regional media: civic and cultural institutions providing the resources required for sustained, ambitious, local editorial media focused on the neighborhoods it serves.
“For 78 years, the magazine has told the story of arts and culture here,” says Claire Johnson, CEO of San Diego Magazine. “But the fragmentation of traditional media has made it harder than ever to cover this community at the depth and scale it deserves. SDFC Playmakers and the Art & Design District have recognized something critical: Media is not separate from the civic conversation, it’s the stage for the conversation.”
San Diego Magazine retains full editorial control over all reporting, features, and original content produced under both partnerships.
“Our role in this ecosystem is to tell the story of San Diego’s culture and provide context for our readers.” says Johnson. “These partnerships give us the resources to do justice to that responsibility—and to extend that commitment well beyond a single issue. Our readers also deserve to know exactly how this work was funded. I’m grateful to our partners, and to the arts and culture community in San Diego for letting us tell this story.”
The September Arts & Culture Issue will be released early September 2026, with digital, social, video, and podcast coverage rolling out through early 2027.
ABOUT SAN DIEGO MAGAZINE For 78 years, San Diego Magazine has been the region’s leading lifestyle and culture publication, reaching approximately 6 million readers monthly across print, digital, newsletter, and social platforms. Owned and operated locally, the magazine has been the connective tissue of San Diego’s cultural conversation since 1948.
ABOUT SDFC PLAYMAKERS The Playmakers program is an ongoing initiative that seeks to identify and showcase the talent of San Diego creatives who are contributing to the culture, substance, and flow of our community. We want to bring the San Diego community together by marrying football and creativity to provide a platform for these Playmakers who are positively impacting our culture by pushing the boundaries through innovative ideas. The goal is to create a program that consistently provides growth and exposure opportunities for San Diego creatives, while shaping an authentic direction for San Diego FC’s brand and community-building process. Through this program we hope to contribute to the creative fabric of our city by providing paid jobs, projects, collaborations, as well as networking opportunities for Playmakers.
ABOUT THE ART & DESIGN DISTRICT The Art & Design District is a Downtown San Diego Partnership initiative, supported by the Prebys Foundation, working to shape a connected, vibrant arts and design district in downtown San Diego. Led by Art and Culture Expert Fellow Jonathan Glus, the initiative convenes artists, cultural leaders, civic stakeholders, and residents in service of a downtown that reflects the creativity, identity, and diversity of the region. Learn more at downtownsandiego.org.
Stake Chophouse & Bar brings contemporary classics and old-school service to the heart of Coronado
Stake Chophouse & Bar isn’t your average steakhouse. Blue Bridge Hospitality’s Coronado outpost is a modern interpretation of a big-city steakhouse nestled in the heart of the small coastal community. The team at Stake has reimagined the whole steakhouse experience. By prioritizing a seasonal farm-to-table sourcing philosophy, a personalized guest experience, and unique service touches, like a formal steak presentation and a bespoke knife selection process, Stake distinguishes itself in a sea of steakhouses.
Exceptional steaks, including Wagyu from Japan, Australia, and the U.S., and fresh seafood flown in daily form the core of Stake’s culinary identity. The menu features a five-course omakase-style steak experience highlighting house favorites, plus an array of cuts, and classic steakhouse staples—think a wedge salad, baked potato, or pasta carbonara—refined for a contemporary palate without losing their traditional appeal. Stake focuses on seasonal sourcing from the region’s best family farms and specialty purveyors, and incorporates intentionally unexpected touches to create something truly unique.
“I challenge our chefs and myself to take it a step further in sourcing,” says Chef Ronnie Schwandt. “It’s important to us to highlight different farms, unique one-off farms—whether it’s cattle, strawberries, a local fisherman or from anywhere in the United States, we’re always trying to find that niche.”
Beyond the menu, Stake emphasizes outstanding service, says Vinny Spatafore, Director of Hospitality Operations. Staff maintains detailed notes, allowing them to remember guests by name, recall previous orders such as a favorite martini (also memorable for the customer since it’s served in an extra tall, distinctly-shaped glass), and celebrate special occasions like birthdays and anniversaries.
“When you have those points of topic that you remember about a guest, they appreciate that,” he says. “Our servers are really good with that—we have a couple servers who have been here since the beginning and they’ll remember somebody from years ago, their name, their kids’ names, where they live. I’m really thankful to have a great front of house staff.”
Award-winning wines, rare whiskeys, special events, and a complementary black car service that provides transportation for guests throughout Coronado add to Stake’s appeal.
Schwandt stresses that Stake offers more than a meal; they aim to give patrons something unforgettable.
“It starts when you walk up the stairs and are greeted by the hostess—that sets the tone for the night. Then you’re greeted by a server, who may know you by name, and can guide you through the menu and curate as they get to know you,” says Schwandt. “Most people leave kind of blown away; they leave feeling like they just had an experience. That’s the goal, right? Whether you’re serving smash burgers or high-end steak, you want somebody to leave thinking, Wow, that was awesome.”
The team behind Harumama and Blue Ocean will open Little Kiki Katsu & More on June 15, serving premium cutlets, Japanese sandos, and curated sake pairings
Every culture has its own comfort foods—cozy dishes that nurture the soul as much as the body. In the US, dipping a grilled cheese sandwich in a bowl of tomato soup can feel as satiating as pulling a warm sweater out of the dryer. In China, a steaming bowl of congee is basically a miracle remedy for anything you can imagine. I’m pretty sure Italian carbonara could achieve world peace. And in Japan, katsu remains one of the most universally satisfying inventions of the past century.
Katsu was originally invented as a riff on côtelette de veau, the classic French veal cutlet coated with breadcrumbs and pan-fried in butter. In 1899, a Western-style restaurant called Rengatei in Tokyo decided to put their own spin on the dish by pounding the cutlets until thin, then coating them with softer panko and deep-frying versus pan frying (like tempura) for a crispier, lighter, crunchier bite. Today, pork—called tonkatsu in Japanese—tends to be the most common base for katsu.
The dish has yet to achieve the same mainstream status as say, chicken nuggets, in the US. But Little Kiki Katsu & More hopes to change that, when the katsu-focused restaurant opens in Carlsbad on June 15.
Created by the team behind Harumama and Blue Ocean, Little Kiki will focus on premium katsu dishes paired with sake and around a dozen small bites like miso soup, karaage, edamame, and Japanese pickles. Executive chef James Pyo, who co-owns all three restaurants with his wife Jenny, created a menu that features proteins like Berkshire Kurobuta pork, Jidori chicken, salmon, scallops, and dry-aged Pacific cod for the katsu and grilled stone selections. (Note: the grilled stone options will be offered for dinner only.)

The lunch menu includes Japanese-style sandos like a tonkatsu sandwich with pork, housemade bread, and tonkatsu sauce (available regular or spicy). Dessert options are simple to start—yuzu cheesecake, matcha crème brûlée, and mango/yuzu mochi ice cream. The Pyos curated a selection of premium sakes as well, specifically for pairing purposes, as well as offering some beer and cocktails.
Little Kiki, which is named for Jenny’s cat, seats 25-30 guests inside with room for only a few more on the small outdoor patio as well. Designer and assistant Yoojin Jang says the vibe is meant to be warm and welcoming but modern, using colors like olive green, cream, and pops of orange against Japanese-style wood slats.
Initially, Little Kiki will only be open for dinner service, but aims to introduce lunch hours for the grand opening on July 1. Due to the limited seating, Jang encourages guests to make reservations, and while the restaurant will offer takeout, it will not be available on food delivery apps like Uber Eats or DoorDash to motivate guests to come experience it for themselves.
“Come in curious and leave satisfied,” says Jang. And keep your eyes open for subtle cat motifs—she promises they are hidden all over the place. Whimsy, it seems, is also on the menu.
Little KiKi Katsu & More soft opens on June 15, 2026 at 2958 Madison Street, Suite 101 in Carlsbad. Hours are Monday, Wednesday, Thursday, and Sunday from 11:30 a.m. to 3 p.m. for lunch and 5 p.m. to 9:30 p.m. for dinner; Friday and Saturday from 11:30 a.m. to 3 p.m. for lunch and 5 p.m. to 10 p.m. for dinner; closed Tuesday.

Listen Now: The Latest in San Diego’s Food and Drink Scene
Have breaking news, exciting scoops, or great stories about new San Diego restaurants or the city’s food scene? Send your pitches to [email protected].
Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
Telefèric Barcelona will open its first San Diego location early this summer
Westfield UTC mall is adding yet another “first” to the ever-growing roster of restaurants. The first US location for China’s stir-fry sensation Chef Fei is on the way later this year, Japan already reinvented crispy rice pioneer Katsuya by opening the first Katsuya Ko, and now, it’s Spain’s turn—Telefèric Barcelona opens early this summer.
The family-owned, Barcelona-based tapas joint first opened in the US 10 years ago in Walnut Creek, California, but co-founder and CEO Xavi Padrosa says they’ve had their eye on San Diego for years. Westfield UTC “just clicked,” he says, pointing to the burgeoning collection of world-class eateries already within the mall’s walls. Plus, La Jolla’s breezy vibe echoes Spain’s easygoing tapas culture.
The indoor/outdoor space spans 5,526-square-feet, with seating for 150 inside, 60 on the patio, and 16 more at the bar. Xavi’s sister and co-owner Maria Padrosa designed the Mediterranean-inspired space as a contemporary take on coastal Catalonia, using imported furniture and materials from Spain like hand-glazed tiles and wood accents. And if all the dining spaces are planets, the center of the suite’s universe is the bar.

Padrosa points to signature favorites like patatas bravas (fried potatoes drizzled with a spicy red sauce and house aioli), jamón ibérico de bellota (Spanish ham from free-range pigs raised on acorns, cured for 38 months and sliced to order), gambas al ajillo (garlic shrimp), pulpo Telefèric (octopus with potato purée and pimentón XO, a spicy Spanish/Cantonese fusion sauce), and croquetas (a popular fried tapas dish coated in breadcrumbs and made with béchamel mixed with fillings like jamón or king crab.
There are a very small handful of legit paella spots in San Diego (Costa Brava in Pacific Beach and Cafe Sevilla in Gaslamp Quarter come to mind), so I’m personally looking forward to giving Telefèric’s a go—especially the squid ink paella negra, which is perhaps the most goth paella of all. Every location also offers different weekend specials, La Jolla’s being seafood-driven and meant to pair with beverage director Alex Serena’s drinks. There are over a hundred Spanish wines, Spanish-inspired cocktails, sangria, and of course, plenty of twists on the iconic gin and tonic. The restaurant will also have a gourmet market called The Merkat with imported Spanish sundries.

With more US locations in the works (Newport Beach will open soon after La Jolla), Padrosa says the company hopes to open more across California, but are open to anywhere in the country that feels right. “We don’t know exactly what new cities will appear on our map in the coming years,” he says. But in true Catalan fashion, anywhere they go should be ready for big plates of hearty Spanish cuisine.
Telefèric Barcelona La Jolla opens early summer 2026 in Westfield UTC. Opening hours will be Monday through Thursday, 11:30 a.m. to 10 p.m.; Friday and Saturday, 11:30 a.m. to 11 p.m.; and Sunday, 11 a.m. to 10 p.m.

Most of the time, you have to be 18 years old to change your name. In Arcana’s case, it was about a month. The immersive speakeasy behind Archive in Encinitas updated their moniker to Animga (a play on “enigma”) earlier this month, after what one can only assume was an upset letter from a similarly-named business. However, partner Paula Vrakas promises that the concept remains the same—mystery, cocktails, and a forthcoming bottle locker membership club. Since the only constant is change, Anigma is off to a good start!

Listen Now: The Latest in San Diego’s Food and Drink Scene
Have breaking news, exciting scoops, or great stories about new San Diego restaurants or the city’s food scene? Send your pitches to [email protected].
Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
Scripps study shows that some patients may be able to taper their dose and maintain results
While glucagon-like peptide-1 (GLP-1) receptor agents have been used to treat Type 2 diabetes for more than 20 years, their recent emergence as weight-loss wonder drugs marked a new frontier in medicine. But their effectiveness has left some patients wondering what to do once they’ve reached their goal. Stopping the medication could mean regaining some, if not all, of the weight. A Scripps Clinic internal medicine physician recently conducted a small study of whether GLP-1 patients who had reached their goal weight could maintain that weight by taking their regularly prescribed injection every other week instead of weekly. Spoiler alert: 30 of 34 patients did. Read more about the study here and what that may mean as pharmaceutical companies roll out oral GLP-1s.
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