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A discussion with six iconic San Diego chefs and restauranteurs who helped make our culinary landscape what it is today
To say San Diego’s restaurant scene has gone through an evolution in the last few decades is an understatement. Gone are the days of just California burritos and surf ’n’ turf. Now we have Michelin-level chefs, award-winning design, a fine dining scene that rivals that of many big cities, and more than 7,000 restaurants in our county.
Diners are eating out more, experimenting more, and expecting more—in quality, presentation, and experience. But now everyone’s a critic, thanks to Instagram and Yelp. Add to that California’s convoluted regulations for small businesses. Just look to the closing of Cafe Chloe (RIP) for proof. No matter how good the food and ambience may be, it seems like it’s harder than ever to keep a restaurant open.
But there’s a group of trailblazers who appeared on the scene more than 20 years ago, opening restaurants before it was trendy, shaping our city’s food scene when we didn’t have one. Several are still slinging dishes today, and many of them are women.
Here, Senior Editor Archana Ram sits down with Urban Kitchen Group Principal Tracy Borkum, Barrio Star founder and The Mission Shareholder Isabel Cruz, Cafe 222 Proprietor and Bankers Hill Coproprietor Terryl Gavre, Extraordinary Desserts Owner and Executive Pastry Chef Karen Krasne, Cohn Restaurant Group Executive Chef and Partner Deborah Scott, and Saffron Thai founder Su-Mei Yu to discuss the struggles they faced to open their restaurants, what it’s like to be a woman in a male-centric industry, the new challenges they’re tackling, and how they continue to thrive.
Deborah Scott: In Little Italy I think I was the first restaurant that wasn’t Italian. Here I come, this gay woman with combat boots and shorts. I’d call my produce guy and say, “I want black plantains and chapulines.” And they’re like, “What is she talking about?” All of us here have that—we were pioneers in what we do. We had a vision, something original and creative. Now there’s so much new blood that brings so much to the table. San Diego when we started was not the San Diego of today.
The Women Who Revolutionized San Diego’s Food Scene
Deborah Scott, executive chef and partner of Cohn Restaurant Group
Tracy Borkum: It was so much easier. It wasn’t easy—it never has been—but it was more fun.
Terryl Gavre: More innocent.
Borkum: The challenges we had were convincing people to try a new food item. I remember putting lentils on the menu. No one ate lentils. Or look at how popular Brussels sprouts are today! No one ate that then.
Scott: If I couldn’t sell the chapulines, I would walk around the dining room with chapulines flatbread. It was free, so they’d try it. I said, “You just have to pick the little legs out of your teeth.”
Gavre: In the beginning at Cafe 222, I’d have days when I had only a few guests. I was sitting on table one and I had turkey dinner on the menu, and I would eat it every night because I didn’t want to throw it away. This guy used to walk by and feel sorry for me in there by myself; he’d bring me magazines. I’d be in there reading magazines because no one was coming in yet. It was seven years of waiting it out.
Scott: That was very ballsy of you, to do that in that kind of area!
Gavre: But I was young and had nothing to lose. When Bud Fischer gave me my lease, I didn’t have any money for the $5,000 security deposit. We were all broke when we started; I spent every nickel I had. He explained the consequences and I said, “My dead body will be in the freezer anyway. I got nowhere to go! This is all I have.” I was willing to live in the back room for many, many years, which is now our prep room. We were young, we didn’t have families; I put everything in storage and you made it work. Nowadays you don’t have that time. Rent is too high, costs are too high.
Isabel Cruz: I gave my wedding ring for my security deposit. I let them hold on to it until they felt like I wasn’t going to run out of business and leave them without paid rent. I finally got it back after years. I got divorced anyway—I didn’t care! But that’s how we did it. On a shoestring. I lived above The Mission in Mission Beach in a one-bedroom apartment with my two kids. They stayed with my parents at first because it was too hard. I was waking up to bake muffins and scones, and little by little started adding things to the menu. I was so tired that my boyfriend would hit the ceiling with a broom to wake me up. Half the time, he’d have to physically get me out of bed.
The Women Who Revolutionized San Diego’s Food Scene
Isabel Cruz, former chef-owner and now shareholder of The Mission, founder of Barrio Star
Su-Mei Yu: A friend of mine was helping me put together the Saffron concept. He said, “You gotta give some bread.” I said, “We don’t eat bread in Thailand.” He said, “They’ll ask for bread! What are you gonna do?” “I’m gonna cook rice.” “Rice?! People don’t eat rice in America!” I said, “I’m going to teach them.” People wanted butter and sugar for their rice! We couldn’t sell Sriracha because people didn’t understand spicy. I opened in 1985. People would come into my restaurant and ask me if I cooked cats or dogs. That’s the negative part of it. But I educated Maureen Clancy and Antonia Allegra, who were food writers. They knew nothing about Thai food!
Scott: Remember Eleanor Widmer?
Yu: She knew nothing!
Gavre: I was afraid of her.
Yu: Back then, with Italian food it was salty spaghetti with meatballs and red sauce. El Indio was making lots of money with little taquitos for a dime. Coconut? They had never heard of it. That’s what’s changed in San Diego. We’re always a little bit behind, and we catch up with whatever the scene is. The computer, iPhone, Instagram, Facebook revolutionized San Diego’s food scene. It opened an avenue for people to try it. And 90 percent of people don’t cook.
Gavre: Everybody does want to go out to eat, but it’s not just restaurants. Grocery stores and prep meals are taking over the business. There are so many other places for people to get pretty good food. We have to adapt the businesses; we have to be more delivery and pick-up friendly …
Karen Krasne: … and Instagrammable.
Scott: Oh yeah, that’s the wave of the future.
Yu: Food has become entertainment. They order something they read about, they know nothing about it, and they want to take a picture of it before they eat it.
Scott: And they want to be a critic. They want to get on Yelp.
The Women Who Revolutionized San Diego’s Food Scene
Terryl Gavre, proprietor of Cafe 222, partner of Market Restaurant + Bar, coproprietor of Bankers Hill Bar + Restaurant
Gavre: It’s becoming less about the food. It’s about how much they spent on the build-out, and the lighting, and getting the good Instagram. I worry about that.
Krasne I started working in restaurants in the back of house during my senior year of high school and I liked the late nights, the ebb and flow of the rushes and the team spirit. I felt the same way about it in college and during my years in France. I didn’t know it was my calling until I opened my own late-night pastry shop. I liked the idea of sleeping in mornings and having time to exercise, do things for myself, then work the evening shift.
Cruz: I always knew. Since I was a little girl, big family gatherings that centered around cooking and eating were a weekly ritual. I was always fascinated with the kitchen. Other kids were playing and I was in the kitchen trying to help.
Gavre: There was one absolute defining moment I knew. It was my birthday, and I was treated to dinner at the original Stars restaurant owned by Jeremiah Tower in San Francisco. It changed everything for me. It was the most glamorous crowd. Everyone was dressed to the ’80s hilt. Jeremiah was walking around in a beautiful white suit with a glass of Champagne, stopping by all of the tables. The food was delicious and beautiful. It was the first time I had foie gras. We drank a bottle of wine from my birth year—it was super spectacular. I thought, this man had the talent to create this feeling. What a fun thing to do. When we opened Bankers Hill, the details were important to me—what music would be playing, what the space looked and felt like, the handmade light fixtures, the vintage freak show poster.
Scott: I was an English major at Old Dominion University in Norfolk, Virginia, and I worked at Steak n’ Ale in Virginia Beach. I loved literature, but the restaurant was right up my alley. Talking to guests from all walks of life and creating an environment was gratifying.
Yu: I started Saffron in 1985. Prior to that, I founded and administered a nonprofit to assist newly arrived refugees from Southeast Asia. When I realized the foundation was no longer viable, with the approval of the board members, we discontinued its operation. I was 40 years old and found myself in a career transition. I was blessed, because my companion at the time was Raoul Marquis, who owned the India Street block. The tiny, vacant space that eventually became Saffron was going to be a pizzeria, but the deal fell through. I had the brilliant idea of starting a Thai restaurant. The original concept was based on Thai grilled chicken stalls. I grew up eating it and wanted to try my hand offering the same fare at Saffron.
Borkum: Growing up, it was my dream to be in performing arts. I studied theater in London and attended BFA programs at NYU and USC. Eventually, I realized that path wasn’t for me. In between my time at university, I spent a year at home in San Diego and decided I wanted to learn how to cook. I worked my way through the ranks at a local Italian restaurant. After that, I had this innate passion for everything hospitality. It’s now a 23-year career in an industry that I obsessively love.
Cruz: It’s horrific, and it’s getting worse. You don’t know when you first get in because nobody tells you about the changing laws. A big part of it is people in general, especially politicians, are making it impossible for someone to do what I did 20 years ago. I shoestringed a career, and I shoestringed employment for hundreds of people throughout my career. Now you need upward of $400,000 to open a small restaurant. You need a lawyer on retainer and an HR department. It’s really sad and unnecessary that California has set up a system where law firms are making billions of dollars closing small businesses. Small businesses close every day, and when a small farm—somebody who’s working in the dirt, trying to do organic produce—has to shut down, everybody is losing. Everyone should know about that and be afraid.
Yu: When we started doing this, you think you’re a good cook, you’re a good baker. You think, “This is going to be fun!” And you realize it’s really not fun—it’s a lot of work. The fun part is coming up with a cake or making a dish from Thailand no one ever heard of. It’s like building a castle. I started with no money. I had a partner who gave me a building until he dropped dead. I didn’t have to pay rent. A restaurant is an extension of your family, but you can’t do that today. Your family can turn against you, call a lawyer, and charge you for everything you have. I’d had my restaurant for 31 years when I sold it. I realized I didn’t want to spend all my time putting out fires.
Scott: Everyone’s in a protected class these days. You can’t look at someone wrong. Mike, my chef at Island Prime, tells a story of when he came to Indigo Grill and applied for a job. He goes, “Deb, you are so politically incorrect. You asked me where I lived, you asked me if I was married.” Once, my hostess at Kemo Sabe called in sick, so I grabbed a six-foot-two African American drag queen off the street and had her hostess for the night. But you can’t do that stuff anymore!
Cruz: You can’t ask anything. I feel like I have to call my labor lawyer every day. If you make a mistake, the punishment should fit the crime, and it doesn’t. It would be cheaper in legal fees if you murdered somebody than a labor class action lawsuit. I’m not exaggerating. Our lawsuits may not be millions of dollars, but fifty $200 lawsuits over something you didn’t even know you were violating will shut a small business down.
Gavre: My dream was to have a little place where all the employees had Thanksgiving together and we’d do holidays and close and go bowling. In the early years we did that.
Cruz: I know—I used to do that, too!
Gavre: I went out to dinner with some of my male employees for fun. Now you can’t do that. You can’t have a relationship with anybody who works for you. You can’t be anywhere and have a little wine if they’re in the room, because if something happens the next day you could be sued because it’s construed as a business function. That’s the part that’s been sad. It’s more about running a business. One day I was telling my managers, “We’re not allowed to take you to a brewery; I can’t drink with you, and you can’t drink because it’s sponsored.” I said no to about 10 things and they left really bummed. And I’m like, “You guys, wait! I used to be popular!” Everyone used to like me and now no one does. Because it comes down to me protecting what we all have.
Cruz: I used to have Christmas parties at my house where I’d cook for everybody, then we’d dance all night long. We can’t do that anymore because of HR and lawsuits and insurance.
Gavre: If two employees get amorous and kiss and fall in love for a week, then it’ll come back to you because they aren’t comfortable working in the kitchen together. And the whole back and forth about tipping is making me think about not having servers because it’s so difficult dealing with that.
Krasne: And the hierarchy of that. I would like that to completely go away. They don’t want to share.
Gavre: How are you going to get a whole group of servers, who are used to making their bundle, to share?
The Women Who Revolutionized San Diego’s Food Scene
Scott: First of all, they’re getting minimum wage, which they shouldn’t be. Secondly, they’re working half or less of the hours than the kitchen people are and making five times as much money.
Gavre: I’m right there with you, sister, but how do you sell that?
Scott: At some restaurants, we do a tip pool. All their tips go into a pool, then they’re divided up.
Borkum: That’s a big frustration and challenge with the politicians. We’re immediately the enemy, and we’re truly not. We’re actually employing those they want to help most. And in our business, those we want to help most are the people in the back of the house. When we sit down with the politicians and want to work with them and tell them how to help these people, they don’t want to listen. If they would consider tip credit, which we’ve brought up a million times…
Scott: … but they’re never going to do it!
Gavre: Well, the Restaurant Association spends a lot of time in Sacramento with their lobbyists. David Cohn goes, Susie Baumann goes …
Scott: … Mike Feinman goes. But it’s not lining their pockets. It’s not serving their purposes.
Borkum: We’re missing with our messaging somehow, as well. I speak to so many people that come into the restaurants. I have these conversations often, because I want to educate them. They don’t know! It’s shocking, right?
Borkum: Failing is not a pleasant experience. For me, I had two failures. First was purchasing Laurel and not understanding at the time what it costs to transform a restaurant, not being able to negotiate a lease properly. Bad timing. Through that came Cucina.
Scott: You have to learn. Sometimes it’s a hard lesson.
Borkum: The second one was replacing Kensington Grill with a seafood restaurant [Fish Public]. It was a really, really bad decision. But again, something I don’t regret.
Gavre: But you didn’t know it was a bad decision at the time!
Scott: It brought you to where you are today.
Gavre: I opened Acme Southern Kitchen in 2012. To this day, it’s my favorite concept. I love the food, the style of the food, how homey it is. It was really hard to close it. It was three blocks outside the East Village, it was a bit too close to the [E Street] post office, and people didn’t want to cross those streets to get there. It was the beginning of the whole gluten-free, vegetarian, let’s-eat-clean thing—Southern food is none of that. I thought, “They’ll still come. I eat biscuits; they’ll eat biscuits!” It was a miscalculation. Now I look at Instagram and Southern food is the rage! It was wrong place, wrong time. I had other restaurants I needed to be at. If I were 28, it probably would still be there because I would’ve worked every shift.
Borkum: We get asked this question a lot. I’ve started to feel almost guilty answering, because you want to stand up for the women in our industry. I was shocked by the numbers. We’re a group of strong, independent women with a conviction that this is what we’re going to do and we’re going to make it happen.
Gavre: I never felt I had a leg down because I was a woman. I still don’t feel that way.
Scott: It’s easier to come up with excuses why you can’t do something. “Oh, it’s a male-driven industry.” Well, it’s what you make it, and you’re an individual. You’re not a woman, you’re an individual. The more excuses you come up with—suck it up, do the job, and make it happen. I’m tired of people feeling entitled with reasons why they can’t function as well as somebody else. If that’s the case, find something else to do. Life is tough—make it work.
Borkum: But why do you think it happens? If you look at those statistics, it’s shocking.
Gavre: Did any of you get asked on a survey if you felt harassed?
Scott: No way.
Yu: Occasionally you get hit on by a customer who would say, “Do you ever go out?” “So, you ever get off work?” “Can I help you with the dishes?” It’s like, “C’mon. Go away.”
Krasne: I’ve fished off my own pier!
Gavre: That’s where we spend most of our time! I have to admit—if I wouldn’t have met them at the restaurant, I wouldn’t have met them at all. I remember the days as a cocktail waitress in my 20s—we’d have to wear spandex dresses and high heels and I did it happily because I knew that’s how I made my money. If I wanted to be a server, I could’ve worn a tuxedo shirt and black pants, but it was quicker money and shorter shifts. So I did it, not thinking I was degrading myself in any way.
Scott: You did what you had to do.
Gavre: I did. I was saving money for my restaurant. I know that it existed. Some cocktail girls would go out with the manager or whomever. But I went home.
Borkum: Certainly, we all have had that experience of the screaming asshole chef that’s degrading everyone, but I don’t think that particular chef would’ve been any less degrading to a woman than men in that time. It was everyone.
Scott: People got harassed then, but they either left or dealt with it. They wouldn’t file a lawsuit.
Borkum: I’ve terminated someone for taking advantage of a position where they made other team members feel uncomfortable. We very quickly acted on it. It’s a positive statement for where we are today. We’re more responsible to be protective of our employees. There’s the extreme side of it, too—I now have an HR person full time. I only brought them on two years ago. Before, we didn’t feel like we needed it. Now you need the attorney on speed dial.
The Women Who Revolutionized San Diego’s Food Scene
Gavre: How do you control other people’s behavior? We’re responsible, and that’s the hard part. It’s like having all your kids keep their hands off each other.
Scott: It’s when you don’t act on it when the problem comes in.
Gavre: And creating the culture in the first place.
Krasne: You’re really trying to create a culture of appropriateness. You can’t change people. You set your policies up to fish them out faster. When you get someone inappropriate the whole vibe can change instantly.
Borkum: A positive for being a woman-owned business is that a lot of people who work for you—there’s an expectation, but I think we live up to it, that we’re more compassionate, our motherly instinct is in place to take care of people. Hopefully that filters through our business.
The Women Who Revolutionized San Diego’s Food Scene
Gavre: It’s in our DNA to be nurturing. It might be a bit of a softer kitchen. Maybe.
Scott: Well, not back in the day for me! Maybe now.
Scott: Those relationships are such a huge part of our business. Some of my best friends are people who’ve been coming to the restaurants for 25 years. Regulars become close friends. That’s the culture, because we all live and breathe it. I spend 80 percent of my time in the dining room. I like the way you can walk through and go to their table. You can tell they’re excited you’re there. That’s the most fun experience—being out there with people.
Gavre: And if you open up something new, they’re the first people at the door. That’s an important part for me—they know they’re going to see me every once in a while and I’ll remember their kids’ names. Especially at Cafe 222, I would see people in clothes from the night before and they’re all in love now. Five years later they’re married and they have kids, then their kids are in college. Karen, don’t you love knowing people enjoy your cakes? When you see all the memories that have been created around your cakes?
Krasne: In the last 15 years I’ve become much more reclusive. I’m not a front person because I’m not able to switch hats comfortably. I’m either front or back, but don’t make me come out to the table to say hello. It’s not my comfort zone.
Yu: My customers think I’m part of their family because our food is health oriented. We got a lot of people who were sick who wanted to come in. They’d tell me, “I have this and this and this—what should I eat?” If I was there, I’d make something special for them or recommend something. I had a special relationship with my customer. When I sold my restaurant, people I saw would come hug me and say, “Where have you been? We want you to come back!” It’s like sending your kids to college. You gotta cut the ties.
The Women Who Revolutionized San Diego’s Food Scene
Su-Mei Yu, founder of Saffron Thai
Gavre: I’ve gone into Tracy’s place in Kensington and Tracy, operator of many years, she’s hostessing! I’m like, “What are you doing hostessing?”
Borkum: When I’m really, really desperate!
Gavre: You’re always about two people calling in sick from working the door. Last time I walked into Indigo Grill, there was Ms. Scott. I loved it! I love seeing these women in their places, and if I do, I know other people do. It’s part of the fun.
Scott: It’s because we’re all type As. I’m sick because I’m always looking for new things.
Borkum: It’s the need to be creative. I think you’re right—you used the word “sick.” It’s a sickness that we have to keep going and going.
Scott: If you’re going to have an addiction, it’s not as bad as some addictions.
Borkum: Food is a super-personal thing in our world. And I don’t think we stop enough to recognize the significance of what we’re providing to our community. It sounds so spiritual and ethereal, and obviously we’re not thinking in terms of that day-to-day, but it’s an addiction to provide that experience.
Scott: It’s an intimate exchange.
Borkum: It is! And we want to provide it on all levels. Our environments are really important to all of us. The space also tells that story, and then our style of service is very personal. Then the food speaks for itself. It’s in our blood. It’s hard to let it go. You get home at night and go, “Wow, I had a full house. They were smiling and happy and we filled their souls with who we are.” There’s a real positive.
The Women Who Revolutionized San Diego’s Food Scene
Tracy Borkum, Principal of Urban Kitchen Group, including Cucina Urbana, Cucina Enoteca and Cucina Sorella
Cruz: That I still have a pulse after all this time!
Scott: It’s a miracle.
Cruz: It is a miracle! Oh my god. Everything we went through to open, how hard we worked and thinking about how much harder it is now—now I got a breather from everything going on. I know exactly what my next move is going to be. I’m teaming up with Tami Ratcliff, who used to be at Cafe Chloe, and we’re going to work on a couple projects. We’re simplifying. Food is about well-being, and for me, I feel better when I eat a certain way. That’s going to be next—having those things on the menu.
Scott: For me, it’s creating the brand “Deborah Scott.” The fact that when I walk into a dining room, people are whispering and wanting me to come over, or people are coming up to me at Costco. It’s creating that culture that isn’t me, but it’s something I helped create. I’m proud of the way it’s recognizable and that it does have its mark in time. My most fun thing to do now is take these chefs up to the next level, make them shine, because I’ve had my time in the sun. I still enjoy what I do and love my guests, but I want to cultivate other people. That’s a focus for me now.
The Women Who Revolutionized San Diego’s Food Scene
Borkum: I’m proud of being in this group trailblazing our way in San Diego. All of us individually have made a mark and created businesses that others have tried to emulate. I’m proud of Cucina, especially at the time we created it, and the statement it made that you can dine on a much-less-expensive budget and still have the same quality and experience that we weren’t used to back then. When someone leaves the restaurant, I don’t necessarily want them to immediately say, “I loved this dish or that server”; I want them to just say, “I really enjoyed being at Cucina.” There’s nothing more to ask for.
Krasne: I spend a lot of time being grateful that a little idea of mine is able to raise a child and sustain a marriage and travel and go to yoga and walk dogs—all this stuff I love. I’ve never wanted to own tons and tons of restaurants, because my life is so important to me. Every day I try to live the mantra of the name of my company and what that means to me. I’m going to use the best ingredients and I’m going to charge for it—but I’m going to deliver. I try to have that permeate throughout my staff. I have a dozen and a half people who’ve been with me for over 20 years. My front staff has been there for over 10 years.
Scott: The cool thing about what you do is that it comes through in so many restaurants. I see a Karen Krasne cake every two to three days in my restaurants. That’s cool!
Krasne: I’m in people’s weddings, birthdays, anniversaries. I get the juicy good stuff. That’s really fulfilling.
The Women Who Revolutionized San Diego’s Food Scene
Karen Krasne, owner and executive pastry chef of Extraordinary Desserts
Yu: I wanted to open a restaurant that teaches people about food without being in their face. That teaches people they could eat healthy inexpensively, but eat well if they don’t feel like cooking. I’m the oldest one here! I’ve been in business a long time, but it’s time for me to do something else. I was very fortunate to sell Saffron to a family that’s like my family. They came and fixed my ceiling when it collapsed! They had more business strength than I did. It’s not the same, but my face is Saffron. The imprint of the recipes was created. It was an important part of my life. But Saffron can go on with these wonderful people.
Gavre: I’m proud I’m still here in my 26th year. I still love to get up and go in every day. I’m proud that I recognize my customers and that they’re following my career. I’m proud I’ve employed people who’ve worked for me for 15 and 20 years. I have a server—this is the American dream—when I hired him he spoke very little English. He started working for me 18 years ago. Beautiful English now. He works days for me and nights at Best Western. He put three kids through college. He bought a house in Point Loma, then he bought the house next door, which he rents. Every day when he comes into work, he’s in the most wonderful mood; he brings everyone up. I’m proud that I was able to keep the waffle house going so he could do all that. All of us have that story, of employees who’ve worked for us and gone on and bettered their lives. I’m also really proud when people say, “Hey, aren’t you the girl with the waffle on your head?”
Scott: Everyone remembers it
The Women Who Revolutionized San Diego’s Food Scene
From left: Isabel Cruz, Su-Mei Yu, Deborah Scott, Terryl Gavre, Tracy Borkum and Karen Krasne
After two years of farmers markets and pop-ups, the San Diego baker is bringing its Korean-inspired pastries to University Heights
The folks at Kairoa Brewing Company must never be lonely. It seems like there’s always a local pop-up or event at the University Heights space, from Bincho Taco slinging Japanese coal-fired tacos on the rooftop patio every Tuesday to Yipao Coffee serving coffee from a window on the ground floor. Later this year, the New Zealand-inspired brewery will bring yet another resident into the fold—Mon Chourie is launching its first bakery counter service window along Park Blvd.
Mon Chourie owner and baker Kelly Kim first started selling her Korean-style cream puffs at farmers markets and places like Pizza Kaiju, Pho Ga Go, and Mixed Grounds, collaborating with a myriad of other makers (like Amor ice cream and Ming Oun’s) before nabbing a regular spot at Michi Michi Bakery every Wednesday. San Diego Magazine readers even voted Mon Chourie the Best Pop-Up for 2026.
In French, the word for an airy puff pastry is “choux,” which is pronounced generally the same way as “syu,” the Korean word for the same item. (Both sound like “shoe.”) Mon Chourie plays with both iterations with a dash of whimsy by referencing the song My Cherie Amour by Stevie Wonder, which translates to “my darling love.”
As long as all the permits and inspections move forward without issue, Mon Chourie should open in Kairoa before the busy holiday season. She’ll continue appearing every Wednesday at Michi Michi and other pop-ups in the meantime. Once open, expect best-selling flavors like the savory potato croquette (a collaboration with Karanchi chili crisp) and a sweet Dubai chocolate choux au craquelin, a version of puff pastry with a delicate cookie crust.
Classic cream puffs are fluffy, softs and often filled with custard cream in the United States. “What makes a difference for us is we use a very light version of diplomat cream, which is my mom’s recipe,” she explains. Diplomat cream is a lighter French pastry cream that uses whipped cream for a lighter, airier end result.
Choux au craquelin’s signature crunchy top comes from adding a thin disc of cookie-like dough on top of the pastry, which crackles as it bakes, leaving a thin layer of crispiness atop the final product. “It contrasts with the creamy, fluffy cream inside, so it gets that better, deeper texture experience,” she says.

Along with her popular cream puffs and her bite-sized “mini-choux” options, Kim is also planning on offering more of a newer-to-her item: salt bread, a rich butter pastry topped with sea salt that originated in Japan, but went completely viral in South Korea. There are a few places to get it in Los Angeles and New York, “but I know that a lot of people here are interested in trying out new stuff, or maybe they had it in Korea or Japan, and they came back, but they couldn’t find it anymore,” says Kim. At first, she didn’t really get why it was so popular. Then she tried it in South Korea earlier this year.
“I was in love,” she laughs. “This is what the hype is about.”
Ideally, Mon Chourie will eventually open its own storefront and introduce more events in North County to satisfy demand. “I would also love to have our own drink program that reflects what’s popular in Korea,” she says. And to mark two years of puffy pastry prosperity, Mon Chourie is throwing a two-year anniversary party at Easy Does It (5375 Kearny Villa Rd., Suite 112) on Wednesday, August 25 from 4 p.m. to 7 p.m. with drink specials like a misugaru latte (a Korean roasted multi-grain powder with espresso), a DJ, photo booths, special ceramic merch created by local ceramicist Whale Tran, and a few other vendors. Get there early.
Mon Chourie will open inside Kairoa Brewing Company by the end of 2026 and posts the next week’s schedule of upcoming events and pop-ups on Instagram every Monday.
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Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
Bring home a taste of the city with local coffee, conchas, chili crisp, hot sauce, and other suitcase-worthy finds
Snacks are the best vacation souvenirs. You get all the novelty of having something to unwrap without any of the burden of keeping random crap around. I’m always game to try some chips from a place I can’t find on a map with ingredients I can’t identify by taste. Gimme that spice mix from that Southern barbecue pit whose wine list consists of light beers from lesser-known appellations. Don’t think I won’t lick the inside wrapper of some chocolate bar homemade by a grandma at a farmers market you stumbled upon in a small Midwestern town best known for giant yarn balls.
Even though San Diego is best known for our thigh-sized burritos, fish tacos, and craft beers, those travel about as well as room-temp mayo. So we gathered some of the city’s best food souvenirs: snacks, spices, and sauces worth sliding into your carry-on or gifting to a lucky out-of-towner.

Inside Bread & Salt—Barrio Logan’s old Weber Bread Factory turned into one of the city’s most vibrant art, culture, and community spaces—there’s a cafe in front of a giant, now-defunct bread mixer. Mexican-owned specialty brew shop and roastery Provecho! Coffee started as a pop-up in 2020, but its success quickly bricked-and-mortared. Although Provecho! specializes in sourcing and roasting Mexican coffees, its consistency is variety: The lineup changes regularly as Provecho! finds new sources around the world. Get a to-go taste via the coffee bags that range between 250 g and 2 kg.

Superlova!’s Chinese-inspired, seed oil–free sauces are grocery list mainstays for San Diegans. The sesame sauces (Dan Dan is spicy, May May is tame) pair with noodles, dumplings, or any meal that could use a little more oomph. They don’t have tahini, which is de-hulled; they have Chinese sesame paste, which is dark-roasted for a nuttier flavor and packed with fiber and calcium.

San Diego is known for beer, sure. But real locals pour from a different tap. JuneShine’s low-sugar, yet still refreshingly sweet, hard kombucha is an SD favorite. The brand has joined the canned cocktail tidal wave and now sells vodka mules, tequila palomas, and vodka sodas—all with about two shots per can, real juice, and sparkling water. But for a classic food gift, get a variety pack of the booch. Fit it into your checked bag. It’s worth it.

Double entendre is key to hot sauce brand Down To Ferment, aka DTF. (Popular sauces have flavor names like CornHub, Smokin’ Hot Date, and Ghosted.) But it’s no gimmick. The homemade, kombucha-based sauce is seriously good: DTF’s That’s What Shishito Said made it onto Season 30’s lineup on Internet-famous interview show Hot Ones.

As discussed, carne asada burritos travel about as well as a toddler with emotional-regulation issues. But the soul of a truly great, San Diego burrito? It’s not the fillings. It’s the tortilla. You can’t go wrong from any locally owned spots, but our favorites are Tortilleria Los Reyes in Vista, Windmill Farms Market in Del Cerro (which uses Pancho Villa’s old tortilla press), Esperanza’s Tortilleria in Escondido, and Tortilleria Lily in City Heights.

Handcrafted in small batches, Karanchi’s Sichuan peppercorn–packed chili oil comes in two varieties: original and spicy. The original warms your palate and adds depth to your meal, and the spicy is a form of mealtime masochism. Founder Nguyen Le’s favorite way to eat his garlic-studded chili crisp is on avocado toast—which makes an already San Diego meal even more San Diegan—but it’d make old shoes taste pretty good.
Fresh fish ranks low on society’s acceptable realms of carry-on items. But canned fresh fish straight from local fishermen? You’re the best part of a bruschetta. Every Saturday at the docks behind Seaport Village, fishermen step off their boats and sell what they caught as recently as that morning. While getting yourself some fresh sea urchin and squid, grab a couple cans of locally caught albacore tuna for the tinned-fish lover in your life.

Started as a pandemic baking hobby for BFFs Natalie Rodriguez and Lesly Mendoza, Tus Chefs is now a South County favorite spot for conchas with a twist. The menu is expansive enough to get over a baker’s dozen without any repeats—why not get one of each, anyway?—but if you only have enough space in your carry-on for a few, start with popular “chocolate abuelita,” churro, mazapan, horchata, and brownie conchas.
Emma Veidt is an editor at San Diego Magazine. She earned her bachelor's and master's degrees from the Missouri School of Journalism. She loves running, hiking, and rock climbing, but really, she mostly loves encounters with the street cats around North Park.
No gatekeepers, no creative rules, no perfect definition—the city’s DIY publishing scene makes room for anyone with something to say.
If magazines are like the adultier eldest daughters who know exactly how much anarchy they can get away with, zines are the far less predictable younger siblings going on whim and instinct. Those who draw on the walls around the house, DIY their own piercings, and experiment with different emo/straight-edge/back to emo phases (or not-phases). Boundaries and routines are what zines were created to rail against.
Walk into Verbatim Books’ zine corner, and this rebellion is immediately clear. Zines have no singular form, no clean category or definition. Vintage magazine scraps are collaged into new meaning alongside mini fandom zines. Single sheets of plain white printer paper are covered in nothing but black ballpoint pen. Repurposed hardback book covers are folded into something entirely new. Some are duct-taped together, others stapled. Some glossy, others matte. There are guides to anything and everything, comic panels, photography, hand-drawn cartoons, poetry, recipes, diaries, and ramblings that only make sense to the person who made them—and that’s on purpose.
Zines are creative magic. And with no rules, they’re incredibly accessible. Anyone can zine and have a voice, regardless of artistic training or work life experience.
You are your own Anna Wintour, Graydon Carter, Ruth Whitney.
San Diego–based zine creator Lyssette Williams specializes in mini zines—often limited to eight pages, they’re meditations in abbreviation. Outlining, thumbnailing, and revision all move quickly from idea to page. Larger projects, including Williams’ long-form graphic novel thesis, move at a slower pace. For those, she often returns to pen and ink, a choice that resists the over-editability of digital work.
Raised by a single mother and navigating mixed-race identity in a predominantly white town, she finds a home for processing it all in zines. Her work deals in identity, belonging, self-definition, and punk-rock childhood. But it isn’t always heavy; Williams creates a mini duck-themed zine called Backyard Duck Propaganda that’s hard not to love. “When I create, I think about what would have helped me find the words back then, what my younger self would’ve needed,” Williams says. “[Zines] put the tools in your hands and democratize art. They’re translations of memories and identities.”

For Williams, a big reason she keeps creating is being surrounded by other creatives—a scene that extends across the border. She points to Verbatim and Comicbook Artists of San Diego, plus events like Zine Fest (October 17–18 this year at Woo in Barrio Logan) and Black Comix Day at the WorldBeat Cultural Center.
Zines have always been a road for subcultures. During the Harlem Renaissance, Black creatives like Langston Hughes and Zora Neale Hurston self-published one issue of Fire!!, which inspired other Black authors. In the 1930s, zines (then called fanzines) were hubs for sci-fi nerds to write fanfiction, address the fandom, and create new characters. Superman actually made his public debut in a fanzine called Science Fiction (he was originally cast as a villain with a fully receded hairline). A couple decades later, zines about feminism and riot grrrl became subculture de rigueur.
The internet nearly killed zines, of course. But now, people tired of the algorithm’s firehose are finding comfort and renewed inspiration in analog. Zines, a salve for digital fatigue.

A giant figure in San Diego zine culture is Burn All Books. Founded by Amanda and Nick Bernal, BAB started as a risograph (digital screen printing) studio and turned into one of those places that keeps expanding the whole scene around it, even forming its own archive group, SCANNNERS. Since opening in January 2023, it has published over 35 works and collaborated with more than 100 artists, writers, and zinesters.
For Duophobia, the pseudonym for local twin sisters Alora and Kiani Dotson (affectionately known as the “possum twins”), zines make room for experimentation and play that doesn’t fit anywhere else. Room for eclectic cartoons and dirty jokes. For sticker-covered sketchbooks.
It’s that same brand of nostalgia you might feel when, say, you walk past the carcass of an abandoned mall and see a faded cartoon mural. Their work lives somewhere between childhood and adulthood, where being unserious is taken very, very seriously.
“We’re born and raised in San Diego, and the community of artists here is a main reason we started publishing,” Kiani Dotson says. “There are people here like Trixxie Land who run open art gatherings. Show up, and you’re part of it.”
Land, a zinester herself (she made 250 single-page zines during 2020’s lockdown), is all about storytelling over hierarchy. Art shouldn’t be about gatekeeping or intimidation, she says. So she holds open-invite arts shows at Subterranean Coffee.

Duophobia regularly share their work at local galleries like Subterranean, filling that lowbrow space with pieces that answer: “What would’ve made us laugh as kids?” Children are often the first to pick up their zines, unfolding them in every direction while parents briefly panic at the impulsive destruction. The twins always step in. “No, no, it’s okay,” they say, before showing how one sheet of paper folds into an entire little book. “It’s like magic.” More often than not, the kids leave with a tiny zine tucked under a tiny arm, future San Diego zinesters in the making.
When asked what a zine really is, Alora Dotson’s response was simple: “It’s anything. Literally anything. The more genuine you are, the more people are going to hear what you have to say. Your voice matters, even if it’s just a silly joke or story. People want to hear about it.”
Not a perfect definition? Exactly. Zines inherently resist categories. Want to turn a single playing card into a storybook? Do it. What about your favorite graffiti artist’s signature tag at Prince Memorial Skatepark? Turn it into a zine.
Everything’s a zine.
Isabella Dallas is a freelance writer for San Diego Magazine and the Arts and Culture Editor at The Daily Aztec in her final year at San Diego State University. She previously worked as an editorial intern for SDM, but when she’s not writing, you can find her trying the best coffee spots in SD, devouring the latest rom-coms, and indulging in anything and everything pop culture.
Behind every beautiful space is a thoughtful process, and ASID San Diego is helping homeowners understand the value of professional design.
A perfectly designed home rarely happens by accident. Those kitchens that feel effortless and rooms that seem to tell a story the second you walk in? They’re usually the work of someone who knows exactly what they’re doing.
It’s knowing which ideas will actually work, which materials will hold up over time, and how to turn a collection of choices into a space that feels intentional. That’s where a professional interior designer comes in.
For the American Society of Interior Designers (ASID) California San Diego Chapter, the goal is to help people see interior design as more than just the finished look. Behind every well-designed space is a process built on technical expertise. Designers are educated in everything from professional software and construction details to building codes, space planning, materials, and functionality.

“People don’t always realize how much goes on behind the scenes,” Kirsten Recce , current president of the ASID California San Diego Chapter, says. “Our designers are not just doing furniture placement and color selection and picking out new fluffy pillows. That’s not what they’re trained for.”
ASID members bring formal education, continued learning, and industry knowledge to their projects, helping create spaces that are not only beautiful, but designed to work. A paint color that changes completely depending on the lighting. A material that looks beautiful in a showroom but doesn’t make sense for everyday life. A layout that photographs well but doesn’t function for the people living there. These are the details where professional guidance can make all the difference.
Still, one of the biggest misconceptions about hiring an interior designer is that it’s reserved for massive renovations, luxury homes, or people who already know exactly what they want. The process can feel intimidating. Where do you begin? Is a designer worth the investment? What if you only need help with one room?
ASID’s answer: start with one hour.
ASID’s Spruce Up events break down one of the biggest barriers between homeowners and professional design: knowing where to begin. Held twice a year, the community program gives homeowners the chance to work directly with an ASID designer through a one-hour, $125 consultation in their own home. Whether you’re looking for advice on furniture placement, window treatments, kitchen and bath updates, remodeling ideas, vacation rentals, color selections or something else entirely, the upcoming September 2026 event offers an approachable way to get expert guidance before committing to a full project. Signups are open through Sept. 7, with consultations taking place Sept. 21 through Oct. 31. Proceeds benefit ASID San Diego’s educational and community programs. Register here!

“It’s a great opportunity for people who are in that exploratory phase,” Recce says. “Maybe they’re not sure they want to hire an interior designer yet, or they think it sounds daunting or expensive. This gives them a chance to discover what working with a designer is actually like.”
Design is personal. A good designer isn’t just creating a beautiful room; they’re helping create a space that fits the way someone lives.
“We’re a resource to all of San Diego County,” Recce says. “It doesn’t cost anything to pick up the phone and call and ask. We’ll answer.”
Follow ASID San Diego on Instagram, LinkedIn, and Facebook for updates on upcoming events, or connect with the chapter directly at [email protected] or 619-548-8847.
SDM's staff shouts out our favorite food finds this month including bites from Glass Box, Pete's Seafood, Kimochi, and Immersion Coffee
It’s August. Corn season—that hallowed dental flossian time—is upon us. Peak summer means the fruits from local farms are downright NC-17. It’s also hot-adjacent, so we search out top-notch sashimi and interesting fruit punches. And because we’re contrarians, we also find ourselves tucking into a warm lobster roll in North Park, vying for a father’s love. Anyway, these are the stories behind the best things we found this month—things we’d recommend to friends who didn’t owe us money. Salamat.

Chef Ethan Yang grew up folding dumplings in his dad’s San Diego restaurants—such as the former Fortune Cookie in Rancho Bernardo, which drew on the family’s Taiwanese and Chinese roots. So the Taiwanese beef noodle soup on the menu at Glass Box (a lovely glass-enclosed sushi and pan-Asian spot at Sky Deck in Del Mar) is a family pride—the result of Ethan, dad, and his brother tinkering endlessly with various bones (they finally found the perfect bone, only sold by one butcher in LA).
But the dish that shows off his raw fish skills is the albacore—lightly cured in soy, mirin, and toasted sesame oil, flame-torched to caramelize, and finished with smoked shoyu, chive oil, shiso oil, house-pickled sweet peppers, and crispy rice pearls. —Troy Johnson

“Wait, where is it?” I hear this a lot when suggesting Luce for drinks or a bite. The Bay Park restaurant is smack dab in a part of the city that isn’t conventionally attractive: on the side of the 5 freeway, next to a bevy of service-looking storefronts. To be in this area, you either live here (homes here are fairly excellent with that bay view) or are getting a muffler fixed. A better reason to be in Bay Park: An evening at Luce, a locals’ haunt. Get the Duroc pork chop (the chefs’ chop, with darker meat, higher fat content, better marbling) with collard greens, toasted grits (toasting anything results in a better version of that anything), and a mustard glaze that makes you feel like you’re in the South enjoying sweet tea with friends. —Nicolle Monico

Ever walk into your kitchen during the afternoon feeling recklessly free and decide the time is exactly right for a glass of Champagne? Maybe you crushed a work project or navigated a 4-year-old’s meltdown with the elegance of a global diplomat. You ever then pour that glass and are immediately pulled away by other demanding life errata—and by the time you eventually return to celebrating being alive, you find the remaining victory-juice sits in the popped bottle, losing its steam, and serving you a metaphor for your day?
Hilary Cocalis solved this for me with Carlsbad-based Sipwell. Tiny Victories is a Champagne-style sparkling white in a 250ml can (a glass and a half—the correct amount), the first can-conditioned sparkling wine on the market, fermented with true Champagne yeast. Crisp apple, a little citrus, that biscuity thing good bubbles do, zero sugar. It’s also the first canned wine to crack Wine Enthusiast’s Top 100, so now there’s no excuse not to celebrate all of life’s tiny victories. —Claire Johnson

If my dad were to rank his favorite things, I think I’d make the podium, but there’s no way I’m outperforming this lobster roll. And why would I? We went to Pete’s on Father’s Day, and Peter DeCoste brought out 5 ounces of Maine lobster smothered in warm butter, tucked haphazardly into a grilled New England–style roll, served with a simple coleslaw and basic fries (no need to overshadow the star). Pete’s has a cold version with mayo, too, but there’s something about warm lobster that really wins over dads and their lobster-jealous daughters. –Lili Kim

Valerio’s 1979 is a quintessential San Diego family story. In the 1950s, the grandparents opened their first bakery in the historic Philippines city, Cavite. Their son, Jimmy, would bake and sell bread before school. After enlisting in the Navy and being stationed in San Diego, Jimmy and his wife, Gloria, opened his own version of the family bakery in National City in 1979—a huge hit and home-away-from-home spot for the city’s massive Filipino community.
Four-plus decades later, with four locations across SoCal, it’s on the third-gen of Valerios. The new blood is reviving the name and place with all kinds of Filipino comfort food, and the turon is a star. The classic Filipino treat is a ripe, sweet saba banana and jackfruit, rolled in lumpia wrapper, deep-fried, and covered in sticky, caramelized brown sugar. “Dessert lumpia” is a phrase to live a life by. —Troy Johnson

The contemporary Japanese restaurant lands in San Diego as part of its global expansion
For years, writers (even me, I’ll admit) have spilled gallons of ink lauding San Diego’s up-and-coming dining scene. No, we’re not Los Angeles’ little sibling. Yes, we’re more than fish tacos—and have been for a while. We hosted this year’s California Michelin Guide ceremony. Southern California’s first three Michelin-starred restaurant (Addison by William Bradley) calls San Diego home. I think it’s safe to say we’re not on the way—we’ve arrived.
If anyone needs more proof that San Diego has truly made it to the world’s stage, all you need to do is look toward downtown’s newest arrival: Zuma, the globally-acclaimed contemporary Japanese restaurant and izakaya.
Located inside The Guild Hotel, Zuma San Diego is the sixth US outpost of the London-born brand, which now includes restaurants in destinations like Bangkok, Thailand; Ibiza, Spain; and Cannes, France. And there are on the way, including Saint Barth in the Caribbean; Los Cabos, and Mexico.
Each Zuma outpost has its own local flair, but share a few key elements no matter where it is in the world: a large, energetic bar area; an open sushi counter; and Zuma’s signature robata grill.
Rainer Becker and Arjun Waney founded Zuma in Knightsbridge, London, in 2002 after Becker spent six years cooking in Tokyo, connecting Japanese elegance with vibrant design. After opening locations in Miami, New York City, Las Vegas, Boston, and Vail, vice president of operations Nick Fielding says San Diego felt like a natural fit.

“There’s something uniquely special about San Diego in terms of energy and culture,” he says. “You’ve got a city that is extremely, extremely well versed in culture, in food, in hospitality, in luxury. It’s a quiet luxury, which is very much in keeping with what we believe in.”
The Guild Hotel makes sense as the host location. The historic Italian Renaissance property dates back to 1924, featuring a European-style courtyard, plush lobby, and an abundance of restored original details, like 1920s-era tilework.
One important note: while guests can access Zuma via the hotel lobby, the restaurant has its own dedicated entrance located on Columbia Street. And if you want the full Zuma experience, that’s where you’ll want to start, promises Fielding.

“The entrance is a big part of the arrival experience,” he says. Upon entry, guests walk through an elongated tunnel made from solid teak before arriving at an oversized boulder wall. Each stone has been hand-cut and carved by a team of artisans in Mexico, with a design meant to reflect the rugged California coastline. Next steps guide you across a Japanese garden–style walkway among a Zen pebble garden (inspired in part by the Japanese Friendship Garden in Balboa Park) straight to the indoor-outdoor bar made with hand-cast resin panels designed to emulate the sunset over the ocean.
As for the patio, it’s a jungle out there—literally. Luscious greenery and towering palms drape across the space to create a secret tropical garden framed by hand-carved, uplit teak screens from Indonesia. By design, there’s no question it’s a Zuma restaurant, but the San Diego location’s style rotates around five pillars, according to the restaurant group’s head of design, Lucy Robinson.

One: embracing a sense of understated luxury. Two: highlighting the year-round climate with a 50/50 indoor/outdoor split of the space. Three: blending local architectural details (like the botanical garden references) with Japanese aesthetics. Four: creating a bespoke palette of bold pinks, oranges, and yellows inspired by minerals found in coastal stones along the coast. Five: Creating a vibrantly energetic space (a goal for every Zuma location).
Inside, the robata grills crowns the center of the dining room, featuring a Japanese paper hood and fire element-inspired resin wainscot base to create a striking tower of red, yellow, and orange. “We always try to bring the four elements into our projects, which are fire, water, wind, and earth,” explains Robinson. San Diego also features Zuma’s first ice box centered on the sushi counter. “It’s almost like on an island—a big lit-up ice block, which will be chipped down to make the base of our sushi platters.”
The 6,600-square-foot dining space seats 221 guests, with a natural flow between the two—another nod to the nearby coast. From hand-woven details by an artist in Germany to the granite tiles on the walls, scale, pattern, texture, and color are everywhere.
That’s true for the plates as well. Head chef Briant Arciniega says to recognize all Zuma’s big hits—spicy beef tenderloin, saikyo miso-marinated black cod, barley miso-marinated baby chicken, as well as signature sushi and sashimi options, and robata dishes like grilled scallop skewers, beef with shishito pepper and smoked chili soy, jumbo tiger prawn with yuzu pepper, and ribeye with wafu sauce and garlic crisps.

Beverage-wise, the menu follows the same diversity of flavors and price points to offer high-end staples, but remain approachable, says Fielding. Expect concoctions like a Japanese margarita made with Mijenta blanco tequila, mezcal, yuzu, orange, and yuzu koshu, opt for an easy-drinking Sapporo pale lager, ask the lead bartender Eric Howell for a wine recommendation, or explore the sake selection.
At minimum, expect vibes. Robinson says the Zuma team has watched certain San Diego restaurant groups go all-in on experiential, eye-popping, energetically-designed spaces. “We wanted to make sure we stood out when coming into the area,” she says. When you have to compete with things like speakeasies-within-speakeasies and man-made barside beaches of imported Turkish sand, you better bring it.
Zuma San Diego opens at The Guild Hotel (500 West Broadway) on August 10. Initial operating hours are seven days a week for dinner service. Reservations are now open.
Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
Innovative treatment could offer cancer patients new options with fewer side effects
Chemotherapy and radiation have long been considered gold standards of cancer treatment, but they can cause severe side effects. A promising new approach called theranostics—a combination of “therapeutics” and “diagnostics”—could offer patients with certain types of metastatic cancers new hope. It’s a two-step process that uses a drug that binds to specific receptors on cancer cells. Advanced imaging detects this radioisotope, allowing doctors to then use a second radioisotope that binds to the cancer cells and destroys them. Click here to learn more about how specialists at Scripps Cancer Center are using theranostics.
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