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Everything SD DECEMBER 24, 2014

25 BIG Ideas

Fascinating San Diego people inspire us with big, bold ideas on everything from genomics to urban planning, art to architecture, food and more

Let’s remove the I-5 S-curve from downtown.

25 BIG Ideas

25 BIG Ideas

Jacqueline Campbell 2014

James Brown, principal, Public Architecture + Planning

“For San Diego, the freeway insertion in the early 1960s cut off Balboa Park from our city center and to our bayfront,” says Brown, who also owns and operates the Bread + Salt factory in Barrio Logan. “It also fragmented the bustling communities of Barrio Logan and Little Italy. This kind of idea sounds impossible, but actually it is critical and inevitable.” As the architect behind several structures, large and small, in downtown and uptown, Brown has even sketched out visions for what to do with the space, if I-5 were to end at the current Front Street exit. Think parks and direct access from downtown neighborhoods to Balboa Park. Where would all the traffic shift? He thinks the 805 should be the thoroughfare for shipping from the border. “It is just a question of when we choose to return our city to its full potential.”

 

Let’s make Julian a hipper getaway destination.

Paul Thomas, president/founder, Julian Hard Cider

“A lot of people think Julian is still recovering from the fires, but in the last few years, Julian has really grown in a lot of ways, as far as farm-to-table restaurants, art, and music [are concerned],” Thomas says. “People would be pleasantly surprised to see what Julian has become. It’s reminiscent of Santa Fe—a cool, active mountain community.” Sounds like things are gettin’ hipper already.

 

Let’s create the Americorps for data in San Diego.

25 BIG Ideas

25 BIG Ideas

Sam Hodgson

Eric Busboom, director, San Diego Regional Data Library

“A lot of the issues we have now are so fine-grain that you have to have good data to [solve them],” Busboom says. “Our nonprofits and governments simply don’t have access to the skills that are required to do that. The goal is to find volunteers and make connections.” Busboom is at the forefront of the open data movement and encouraging students and professionals to learn the skills to join him. Where do we need bus stops? How can we feed the hungry? He and the Regional Data Library are streamlining that sort of relevant city data in an effort to help government organizations and nonprofits make more informed decisions.

 

Let’s create more urban gardens.

25 BIG Ideas

25 BIG Ideas

Susan Lankford, activist

“I’d like to collaborate with the Salvation Army on Park and Broadway,” Lankford says. “We want to expand into city areas and figure out how to do vertical horticulture. When we see children at the gate and walk up our yellow brick road [at the Makers Quarter garden], they leave their troubles behind. They are free.” The activist, award-winning author, and filmmaker has shone a much-needed light on the city’s homeless and their stories. In 2013, she and her nonprofit, Humane SMARTS, launched SMARTS Farm, an abandoned parking lot-turned-community garden in the East Village that has already given more than 600 disadvantaged youth a chance to experience nature. Her latest project, SMARTS Café, will give that same population a creative outlet and place to show off (or maybe even sell) its artwork.

 

Let’s make our own organs and save 1 million transplant patients each year.

25 BIG Ideas

25 BIG Ideas

Craig Venter, Genetic Biologist and founder, J Craig Venter Institute

Venter’s genetics lab was the first to sequence the human genome, back in 1997. After a 15-year period in which he says progress slowed, things are picking up in the genomics sector. “Technology is getting faster and cheaper. Computing has changed. In 1999 I had to build a $50 million computer. Now, for a few hundred dollars, you can make your own computer,” he says. One of his many exciting projects? Changing the genetic code of pigs to create human hearts, lungs, and kidneys inside them that can be harvested for transplants. He says around 1 million people die in America each year because of a lack of organs or failed transplants. “People have thought about this for decades, but what’s making it possible now is genetic tools that we have developed for writing the code,” he says. “It‘s all about how to design new cells and new organisms.” A surfer and regular at George‘s at the Cove, Venter believes the center of genomics is here. “I have the ability to put these institutes anywhere in the world, and I can’t find a place better than here.”

 

Let’s push our food system to the next level with more sustainable farming.

25 BIG Ideas

25 BIG Ideas

Flor Franco, chef

We need more organic, biodynamic, and sustainable farming. Franco says: “We’re finally getting that we live in a paradise in terms of cooking. [Now] everybody’s making everything from scratch. It’s a better world. Six, eight years ago, how many farms went down? They couldn’t afford to have their small farms because no one was buying product. Now it’s amazing to see them with double the employees. The more sustainable we become, the better community we are.” And healthier, too. The Mexico-born, San Diego-residing chef has one of the most diverse portfolios in the restaurant biz. She recently opened Zarco Comida de Baja in Chula Vista, and is bringing international attention to the Baja region as chef/partner at Encuentro Guadalupe Antiresort’s Convivia restaurant. Franco also owns San Diego-based Indulge Catering, and recently collaborated with other chefs and farmers to open Back to Roots, an artisan food market in Bankers Hill.

 

Let’s lengthen the school day and the school year.

Scott Barton, Principal, THE Preuss School

“If we are going to change the face of this city, state, and world, we have to get everybody an opportunity for a great education,” Barton says. Among other things, the charter school principal thinks a longer school day and school year are necessary to keep our students competitive with the rest of the world. At Preuss, students are in school from 9 a.m. to 4 p.m. daily, and for 18 more days per year than San Diego Unified. Added up, that amounts to almost one full additional year of school for Preuss students by the time they graduate, compared to SDUSD students. And with college placement rates up to about 80 percent, it’s one of many things at Preuss that seems to be working.

 

Let’s get real with our food.

25 BIG Ideas

25 BIG Ideas

Jacqueline Campbell 2014

Jaime Fritsch, photographer, founder of Death for Food

Fritsch thinks if we want to eat chicken, we should at least know what it’s like to actually kill and cook the chicken. “Death For Food is about going headfirst into reality, even when it’s challenging,” he says. “I take participants in San Diego (and beyond) through the experience of witnessing or taking part in killing for food. This can be done through photography, stories, and direct experience.” And while “people cry and hug me and thank me after,” says Fritsch, you’ll have to wait a bit to experience it yourself. His latest event was canceled under threat of a lawsuit from a local animal rights activist.

 

Let’s turn San Diego into a community of social innovators and world changers.

25 BIG Ideas

25 BIG Ideas

Jacqueline Campbell 2014

Ryan Sisson, CEO, Moniker Group and VP Business Development, Fifty and Fifty Digital Craftsmanship for Social Good

Gotta love the optimism of millennials, eh? The 32-year-old South Bay native runs Moniker Warehouse, a group of makers, artists, digital communicators, and even lawyers that all share space in a two-story building downtown. Sisson also rents the bottom out for weddings and private parties. He invests in every business or person that rents space from him. And then there’s his day job, generating new business for Fifty and Fifty, a digital marketing agency that only works with companies that have a strong charitable component to their business, like Invisible Children, United Way, and the National MS Society. He says the big idea is “focusing on people, not just business.” And then, business booms.

 

Let’s make more things in San Diego.

25 BIG Ideas

25 BIG Ideas

Mary Walshok, Associate Vice Chancellor for Public Programs and Dean of Extension, UC San Diego

“To sustain well-paid middle-class jobs in America and in San Diego, we need to return to making more things and producing things. It requires skilled workers who can command a skilled wage,” says the popular UC San Diego dean and author. “The whole East Village development, the idea of a maker district where creative people who are contributing to the design and production of products that are useful and needed, I see that as a positive indicator. A second positive indicator is the attention the Chamber of Commerce and the EDC are giving to manufacturing. Particularly in the cross-border region.” She also notes that 40 percent of the contents of goods manufactured in Baja are produced in Southern California, compared to just 5 percent in Texas. “For San Diego that’s a really exciting prospect.”

 

Let’s make San Diego the center of good design.

25 BIG Ideas

25 BIG Ideas

Don Norman, Director, the Design Lab at UC San Diego

The famous The Design of Everyday Things author, consultant, and researcher had just settled into retirement in the Bay Area (after a lauded career that spanned Apple, other startups, bestselling books, and lucrative speaking engagements) when the new UC San Diego chancellor, Pradeep Khosla, knocked on his door. They didn’t talk details, just that Norman would return to San Diego, where he started his career, and “he told me whatever we do, it has to be important and it has to be exciting.” He’s just settling into his new creative Design Lab at UC San Diego and has already met with every top design firm in town. Whether it’s cars that drive themselves or redesigning a huge healthcare system, Norman is back at it. “I wake up and if I walk 15 minutes to the west, I’m at the ocean. 15 minutes to the east, I’m in my office,” he says, noting his affection for the La Jolla mesa. Can’t beat that.

 

Let’s turn a vacant downtown lot into a temporary community hub.

Jason Grauten, Co-founder, Rad Lab architecture

This big idea is now a reality. The new 30,000-square-foot Rad Lab Quartyard—complete with a craft beer garden, gourmet sausage restaurant, dog park, public plaza, and more—is set to open this month. It’s the brainchild of Grauten, David Lowenstein, and Philip Auchettl, who pitched the idea as their final thesis at the New School of Architecture & Design, just one block away from the site. The students saw an opportunity among the vacant lots downtown, where they could “actually build something” and show off their skills as emerging architects, while filling a need in the community and helping the city out with property taxes. Everything on the site is temporary and transportable, including the slick, Paul Basile-retrofitted and repurposed shipping containers that double as a coffee shop, kitchen, full-service bar, office space, and more. The Quartyard’s current lease runs through next summer. In the meantime, stop by and check it out at the corner of Market Street and Park Boulevard, between G and 11th streets.

 

San Diego should bring voting into the 21st century.

25 BIG Ideas

25 BIG Ideas

Jacqueline Campbell 2014

Lori Steele Contorer, founder, chairman, and CEO, Everyone Counts

“A secure software voting solution can increase participation and access to voters. At the same time, it can increase security while cutting the cost nearly in half. If you think about things like the mayoral special election, which cost more than $5 million, there are plenty of reasons for San Diego to move quickly for modernizing voting.” An expert in election modernization, Steele Contorer is at the helm of Everyone Counts, whose software solutions are bringing sophisticated and secure online voting systems to more than 165 countries. In 2014, her company ran more than 600 elections for U.S. governments, continued working with the Oscar ballot system, and launched online voting for the Emmys, all of which saw an increased voter turnout.

 

Let’s alleviate hunger in the tropics.

25 BIG Ideas

25 BIG Ideas

Josh Schneider, managing partner, Cultivaris North America and Global Breadfruit

Schneider and the new San Diego-based plant development company Cultivaris are helping to alleviate hunger in at-risk countries with breadfruit, a potato-like crop grown in tropical regions that yields 700 pounds of fruit per year. Thanks to Schneider’s technologically advanced work with the Breadfruit Institute, the trees can now be grown in a laboratory and shipped to countries for large-scale plantings without any worries of pesticides or disease. “One tree can change the life of a family by giving them food and economic security,” Schneider says. “A $15 donation to the Breadfruit Institute or Trees That Feed Foundation will fund the purchase of a tree, training for farmers, and assistance with bringing their fruits to market. How many times do any of us have the opportunity to feed a family for half a century?”

 

Let’s churn out more software developers.

25 BIG Ideas

25 BIG Ideas

25 BIG Ideas

25 BIG Ideas

Rob & Chelsea Kaufman, founders, LEARN bootcamp

“At SDRuby, the monthly meet-up for Ruby developers, we regularly see 10 to 15 people trying to hire, and only one or two people looking for work,” says Chelsea, the founder of a new bootcamp, intensive training program to learn Ruby on Rails programming language. “We’ve struggled to find additional developers to work with us. We don’t want companies leaving San Diego in search of talent.” Neither do we! It’s not grad school. The bootcamp is short and intense, with a simpler application process, an extremely efficient way to learn a highly marketable skill. Bonus: Good developers are paid upwards of six figures!

 

Let’s make a city known for its superhero convention the place where real heroes learn how to change the world. 

25 BIG Ideas

25 BIG Ideas

Jason Russell, Activist, co-founder and creative director, Invisible Children

Russell is a bit of a hero himself, perhaps known best for his film Kony 2012, which went viral with more than 100 million views on YouTube. His nonprofit, Invisible Children, has been fighting since 2004 to help end the war in Central and East Africa, and has launched educational and other protective programs for its citizens. Russell’s influence has virtually rebranded the nonprofit industry, making charity and global activism appeal to a younger generation in a way that few other orgs have been able to. His latest project, a children’s book co-authored by wife Danica called The ABCs of Activism, seeks to further this mission, educating families about the benefits of philanthropy and giving. As for his idea of turning San Diego into a hub for fellow do-gooders? Sign us up!

 

Let’s create a mass transit system that works for old people, too.

25 BIG Ideas

25 BIG Ideas

Ari Seth Cohen, Blogger and filmmaker, Advanced Style

Cohen has made a name for himself chronicling the older (and surprisingly chic) population of New York City. His blog, Advanced Style, was turned into a book and recently became a documentary. But the Del Cerro native still feels ties to his hometown. He says, “San Diego is such a beautiful place to live, but the reliance on cars for transportation isolates many older people who still want to retain a sense of independence and be part of the world.” Hey, City Hall, can we fix that, please?

 

Let’s rethink the way we buy a home.

25 BIG Ideas

25 BIG Ideas

Michael Koh, co-founder, Fypio

What if instead of looking online at little icon clusters with prices and dates attached to them, you could actually browse (or spy, depending on how you look at it!) houses for sale based on design and lifestyle choices like, “Big patio, open kitchen, modern design”? And then, what if you could also incorporate wishes, like “Diverse neighborhood with lots of young parents and kids”? Koh’s new app, Fypio, does just that. His team has gone through and tagged every photo in the Multiple Listing Service for its designs and colors and specific elements, and they’ve also licensed or bought large amounts of demographic data that have been built into the app. “So instead of the daily listing email with prices and whatever photo the realtor chooses to list first, you get things you’re actually looking for.”

 

Let’s build the world’s first plug-and-play, prefab high-rise.

25 BIG Ideas

25 BIG Ideas

Paul Basile, Design genius, Basile Studio

With limited space to accommodate a growing population, especially in a city like San Diego, Basile envisions a new kind of urban living with customizable, portable units that plug into a ready-made building. Sound complicated? It is. But Basile has thought out all the details, from the plumbing and wiring to the crane that would lift these units onto a steel structure. He’s qualified to do it, too, as his company, Basile Studio (behind hot spots like Ironside Fish & Oyster, UnderBelly, and Polite Provisions), boasts a rare triple-threat license to design, construct, and fabricate. Imagine a box- or pod-like studio apartment with glass windows overlooking the bay. It is self-contained and completely movable, should you need to take an extended vacation or relocate. Before it’s installed, you can load your clothes and bring over your dog. And rest assured—in Basile’s hands, it will be stylish.

 

Let’s get more women into tech.

25 BIG Ideas

25 BIG Ideas

Jacqueline Campbell 2014

Shawn Covell, Vice president, government affairs, Qualcomm

Working her way through the corporate ranks at Qualcomm, Covell was conscious of the need for mentoring women in the tech sector. “Every time I was promoted I made a point to place another capable woman in my previous position,” says the globetrotting exec, who heads Qualcomm’s Wireless Reach program that promotes mobile health and entrepreneurship in developing countries around the world. She took the mentoring a step further this year, launching Q Camp for girls, a two-week camp in which tweens toyed with robots, programmed hats with moving parts, and hung around the labs and other cool places at Qualcomm to ignite their excitement in STEM areas. “If I had my way, we’d be following these girls and supporting their interests through college and re-creating this kind of thing around the country.”

 

Let’s create a community book club, but for classical music.

25 BIG Ideas

25 BIG Ideas

Paul Harris BWP Media USA

Nuvi Mehta, Classical musician and spokesman, San Diego Symphony

The studied violinist and conductor (hello, Julliard!) longs for the days of old—before TVs and computers were so readily available, “when people actually created.” He envisions a salon-like setting where people can explore good, classical music with wine, food, and professional musicians at the ready to explain and expose different classical pieces. “It starts with a discussion. You give people an exposition and they are hooked,” he explains. “So you close your eyes and know that you’re supposed to feel like ‘this’ when the note changes because the composer did XYZ. We don’t do that in concerts. People are cut off from the artistic expression of it.”

 

Let’s build a fish farm off the coast so we can sustainably raise seafood.

25 BIG Ideas

25 BIG Ideas

Don Kent, President, Rose Canyon Fisheries

In an age when we’re importing 90 percent of the seafood we eat in the U.S. (20 years ago, it was around 60 percent, says Kent), and our government is increasing the amount of fish we are supposed to incorporate into our diets, something’s got to give. Kent thinks San Diego can easily be at the forefront of sustainably farming fish in federal waters about 5 miles off our coastline. “If we want sustainable supply grown by acceptable standards, we should do it ourselves,” says Kent, who’s been working on this concept for several years out of the nonprofit Hubbs-SeaWorld Research Institute. Now he’s started Rose Canyon Fisheries and joined with a financial investor who, along with an army of permit-seeking consultants, is starting to really move the needle toward this goal. “So if 65 percent [of seafood] comes from China, what kind of regulations do they use? When I’m in the stores, I’d like to see that it was grown in California by USDA and FDA standards.” A native San Diegan, Kent also supports the idea of resurrecting San Diego’s esteemed commercial fishing industry by putting local fishermen to work on the farms.

 

Let’s make a city known for its weather also known for its arts.

25 BIG Ideas

25 BIG Ideas

Candice Eley, PR and promotions manager, San Diego Tourism Authority

“Yes, the weather is nice and our beaches are beautiful, but San Diego is so much more than just a sunny beach town,” says Eley, who spearheaded a video project focusing on the best arts and culture in nine San Diego neighborhoods. She wrote the script, produced the shoots, and starred as the on-camera talent guiding you through the hidden gems, in partnership with the City of San Diego’s Arts & Culture Commission. “Art, music, theater, dance, dining, craft beer—it’s all happening here, and happening in big and creative ways.

I want to see a San Diego where every resident sings the praises of our arts and neighborhoods just as much as we do for our weather and beaches.”

 

Let’s turn the city’s newspaper into a nonprofit.

Malin Burnham, philanthropist

With today’s mass media mergers and takeovers, it’s hard to imagine a newspaper that puts its community before political or personal agenda. But that is Malin Burnham’s vision. The respected philanthropist and longtime Point Loma resident has assembled a team of investors that have an interest in buying the UT San Diego and turning it into a nonprofit—with a catch. It would still function as a for-profit media outlet, run by the pros, with any residual income being funneled into community charities and projects. According to an article in the U-T, the plan is currently in the approval process with the IRS. And current owner Papa Doug Manchester says there is yet to be a deal on the table. Time will tell if “community before self,” Malin’s personal life mission and motto, will make it to print.

 

Let’s restore the San Diego River, source-to-mouth.

25 BIG Ideas

25 BIG Ideas

Jacqueline Campbell 2014

Rob Hutsel, Executive Director, San Diego River Park Foundation

If you’re a member of almost any local service or neighborhood group in central San Diego, you’ve probably heard some version of Hutsel’s presentation before. He’s been making a pretty compelling case for working to restore the length of the river, from way up in the mountains down to the coast. How? By buying up the land in and around it and working with the community, government, and private sectors to develop it in a strategic, sustainable way. So, will we be fishing off our kayaks in Mission Valley someday? If Hutsel has his way, yes!

 

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Arts & Culture AUGUST 27, 2026

Meet the San Diego Artist Bringing Walls to Life

Allison Hunsley on painting massive walls, creating art in front of a crowd, and building a career one mural at a time

Meet the San Diego Artist Bringing Walls to Life
Photo Credit: Studio Luniste

There’s a good chance you’ve spotted Allison Hunsley’s sizable murals and other artwork around town, perhaps at One of Us Bar or Brickhouse Apartments in North Park, Slowly Restaurant & Bar in Pacific Beach, or Mary’s Salads in Ocean Beach. Or maybe you’ve seen her live painting at an event like last year’s Del Mar Food & Wine Fest or Ballast Point’s The Art of Beer. A Pacific Beach resident, Hunsley lands clients through word of mouth and Instagram inquiries—businesses and individuals asking her to come paint on the side of their building or help beautify their space with a mural.

Hunsley uses both acrylic and spray paint in her work, often blending the two together. Observers especially like watching her spray paint in action during live painting events, where she makes freestanding murals and canvases while strangers walk by and make comments.

We interviewed Hunsley about her art career, live painting with a crowd watching, and the rigors of painting massive murals (our fingers are cramping just thinking about it). Here’s what she had to say. 

Courtesy of Allison Hunsley

How did you get your start in the art world and become a professional artist?

I always knew I wanted to be an artist ever since I could hold a pencil. When I said I wanted to be an artist, people told me it was a better hobby than a job. I didn’t have many examples of people close to me in Minnesota who were doing it full-time, so I just made small commissions at first. I was always really into drawing and was in all the art classes in high school, where people started having me draw tattoos for them or paint small family member things.

Later in high school, I started winning a few awards and gaining a bit more confidence and recognition. From one of those awards, I got a scholarship for a summer program at Minneapolis College of Art and Design, where I did three weeks in a painting course. That was the first time I ever fully painted, so it was a crash-course in learning to paint. I fell in love with it.

I went to college at the University of Minnesota for product design. It was a good mix of art and engineering—because I’ve always loved math, too—and I thought it was a more realistic career where I could still use my creativity. While in school, I was still making art on the side for people, and my Instagram was getting a little traction. It was the summer after my first year of college when I was at a coffee shop and found an old bucket list I made, and one of the bullets said: paint a public mural. 

So I opened my laptop and sent an email to a few local businesses. One antique shop got back to me immediately and said they’d love for me to come paint on their building. It was a very steep learning curve and initially I had no idea what I was doing, but eventually I figured it out and loved it. The community loved it, too, so from there things slowly started ramping up. I got a few community grants and then started juggling mural painting with school—to the point where I was showing up to class covered in paint and going back to paint in between classes. I was trying to juggle it all and slowly realized I could make money with it. I knew if I graduated, I would still only want to do murals. So I took a leap of faith and left school to pursue art full time starting in December 2019.

What brought you to San Diego?

My friend and I started traveling around the country to figure out where we wanted to live. I didn’t want to be in the Midwest forever where it’s far too cold, which makes mural painting really hard. When it got too cold there, I’d have to blow-dry the paint as I go. We kind of stumbled upon San Diego—I had never been here before, and we were only planning on staying for a few months… but four years later we never left.

It was a pleasant surprise coming somewhere with a year-round window so I don’t have to think about my paint freezing. It was kind of tricky starting over when I got here because I didn’t have a clientele built up. I walked around with business cards throughout Pacific Beach and La Jolla and slowly built a bit of a network. After landing my first project here in California, I remember jumping up and down excited.

Courtesy of Allison Hunsley

How is the painting experience different when you’re working on a massive mural versus a smaller canvas?

You’re watching your hand paint all day without necessarily seeing the full piece always come together. I do a lot of painting and then take 10 steps back to look at the wall, then come back to make a tweak. It’s almost like a fun surprise sometimes because I’m breaking it down into smaller pieces and being more strategic about color blocking, and then standing back and seeing how it’ll all come together. When you’re working small, you’re working the whole scene and it’s a lot more technical.

Certain projects require more manual labor, especially the big outdoor ones. I’ve worked on boom lifts and scissor lifts, which was another fun learning curve that I didn’t expect when I first got into this. I can be navigating a lift, climbing up and down ladders all day, or on a job site fully working in dirt and wearing a hard hat and yellow vest. If I’m wearing a respirator outside working with spray paint, it’s a very intensive process. It’s also a lot of my body being put in positions that it maybe doesn’t want to be in… definitely a lot of arm soreness and back straining.

The largest mural I’ve ever painted was about 1,200-1,500 square feet. Most of my mural projects take between one to seven days, usually about four days depending on how big and detailed they are.

On one of my first-ever jobs when I was about 20 years old, I was working in a dark warehouse so I was super nervous because I was projecting at night before virtual reality was really a thing. So my mom would come and sleep in a lawn chair with me so that I wasn’t out there by myself.

How does live painting with an audience compare to painting in your studio?

When I first started doing murals, I was super anxious about people watching me paint because all paintings go through the ugly phase. I was so embarrassed and would want to tell everyone walking by “It’s going to look so much better when it’s done, I promise!” So it’s funny that now I’m doing live painting. Through murals, I learned that people loved watching them come together. In a way the murals felt like live paintings.

Depending on the event, a live painting can last anywhere from two hours to a multiple-day installation. I’m definitely feeding off the energy of the crowd and I love hearing people’s comments. I think people are a little hesitant and I can see them get confused about why I put a certain color down somewhere, and then slowly they watch it come together. I think it shows people to trust the process and it’s fun because you’re working a lot faster. I find myself being less meticulous, more free-flowing and social. It feels more energetic, quick, and fun versus being a bit more perfectionist in my studio.

Courtesy of Allison Hunsley

What are some of your most favorite projects you’ve worked on recently?

I’ve done a few Boys & Girls Clubs up the coast now. I just got hired for a really big Boys & Girls Club mural in Santa Monica, which was a really fun one because we had the students all help. Murals like that are really fulfilling—directly watching young kids feel inspired and see that art and creativity is a path and can be a career.

When I was younger, I never really saw any muralists or full-time artists. So it’s been really cool to listen to some of the kids tell me they want to be an artist when they’re older. I watch them light up while putting paint on a wall—which is something they’re told not to do in day-to-day life—and then see it come together. They look at the concept at the beginning and it’s super daunting and they don’t think they can do it. But when we do it piece by piece as a group, it’s really cool to see their reactions at the end and know they had a hand in it—and that it’ll live there forever. They’re always so proud to show their parents and friends.

I also did live painting at a Jonas Brothers concert which was awesome. I love live music and was a big concert goer when I was younger. It was really cool to see how art and music can play together. I feel like people at live concerts tend to have an extra appreciation for art and music, so I found that crowd to be really excited and involved. It was definitely one of my favorite projects I’ve ever done.

I did a baby nursery recently, which was a lot of fun. It’s interesting working in people’s homes and going off of the vibe, knowing that they’re going to live with it and be so close to it. I want it to be perfect and feel like it belongs naturally in their space.

Why do you think arts and culture is so important to a city like San Diego?

I feel like buildings have gotten more muted… everything has turned more beige. We have to actively fight to bring more color, uniqueness, and joy to our spaces. The whole mission of art is to literally bring brightness and leave the world a better, more beautiful place. It directly impacts everyone’s mental health and helps build community. A small community grant is actually how I got my first-ever paid mural (the antique shop I did for free). That grant really kicked off my career and changed the trajectory of things.  

Photos Courtesy of Allison Hunsley

Kai Oliver-Kurtin is a San Diego-based writer who covers travel, dining, events, and culture. Her writing has been published in USA Today, Condé Nast Traveler, Fodor's Travel, Marie Claire, and HuffPost, among others.

Arts & Culture AUGUST 27, 2026

The Best Things to Do in San Diego: September 2026

Whether you’re ready to lean into fall or determined to keep summer going, here are all the best things to do this month

The Best Things to Do in San Diego: September 2026
Courtesy of Oceanside Museum of Art

September is San Diego’s unofficial second summer—the crowds thin, the weather stays warm, and the city’s calendar somehow gets even busier. This month brings stadium-sized rock shows, Broadway’s buzziest comedy, a new anime convention, world-premiere theater, gallery openings, food festivals, and the first signs of spooky season. Whether you’re ready to lean into fall or determined to keep summer going, here are the best things to do in San Diego this September.

Concerts & Festivals | Theater & Art Exhibits | More Fun Things to Do

Courtesy of Kehlani

Concerts & Festivals in San Diego This Month

9/2 

As Guns N’ Roses storm into decade five, their appetite for destruction persists. During their Snapdragon Stadium concert, hear the hard rock anthems, new material and a set from The Black Crowes.

9/23

Kehlani is proof that the romance and earnest sensuality of old-school R&B will never go out of style. Hear her take it back to the aughts at Viejas Arena.

Theater & Art Exhibits in San Diego This Month

9/6-10/11

From the silver screen to The Old Globe stage, John Carney will Begin Again (again) with a world premiere musical adaptation featuring new songs—courtesy of Train—and a story overflowing with hope. 

9/12-10/17 

The concept of work is a guiding principle for San Diego native and multidisciplinary creative noé olivas. Observe his community-informed approach via Tierra y Cielo (Earth and Sky) at Best Practice Gallery. 

9/18-10/25 

Two workers grapple with the weight of their roles at a temporary migrant shelter in Mario Vega’s world premiere play Our Lady of the San Diego Convention Center, set for citywide performances. 

9/26-2/28/2027

Luminous visions of peace and the Punjabi-American roots of Rupinder Kaloti inform The Gathering, a wondrous unification of family foretold via paintings at Oceanside Museum of Art. 

9/29-10/4 

It’s Mary Todd Lincoln’s world and we’re just living in it. See the presidential paramour barrel to her way to stardom at the Civic Theatre during Oh, Mary!, Cole Escola’s political spoof. 

Courtesy of SeaWorld

More Fun Things to Do in San Diego This Month

9/5 & 9/6

Pros and Con(vention)s: Anime San Diego will debut at the San Diego Convention Center with cosplayers, panels and more than 400 vendors well-versed in Japanese animation.

9/11-10/31 

Scaredy cats beware: SeaWorld San Diego’s Howl-O-Scream embraces frights forged in darkness. Enjoy an ominous lineup of live shows, scare zones and bloody bars ahead of Halloween. 

9/12

The best parts of Artivál and the Alley Cat Art Walk have united for the free Alley Cat Art Fest, an all-day outing for live music and immersive artwork in Downtown El Cajon.

9/12 & 9/13 

Take a Grecian vacation for a fraction of the price during the annual Cardiff Greek Festival, two days of immersive cuisine and culture—with plenty of dancing—on the Encinitas coast.

9/13-9/20

Step away from the stove! The California Restaurant Association has eight days of eating experiences with your name on it. During San Diego Restaurant Week, explore by meal, neighborhood or cuisine for your personal dining plan. 

9/16 

Nourish yourself with an all-inclusive spread of Pacific Beach eats and locally-crafted artwork during the HeArt of PB Restaurant Walk on Garnet Avenue.

9/19 

When it comes to stand-up comedy, Chelsea Handler is always ready to roast. See Handler tell anecdotes and skewer an assemblage of victims during her Balboa Theatre performance. 

Ryan Hardison is a freelance arts and entertainment writer and recent graduate of San Diego State. When he's not staring at his laptop, he's likely eating an adobada burrito or getting sunburnt at the beach.

Arts & Culture AUGUST 26, 2026

Best Annual Events in San Diego, 2026

Boredom's not an option. These are a few of the top events in the city each year, including a rodeo, free summertime music festival, and a chili cook-off

Best Annual Events in San Diego, 2026
Photo Credit: Dave McKissick Photography

Ramona Rodeo

Meet some rodeo queens (or be crowned as one yourself) in R-Town’s annual celebration of the Wild West. Three days of mutton bustin’, tie-down roping, and barrel racing are all doing the community some good: Proceeds from the event funnel into local organizations like Ramona Town Hall and the Guy B. Woodward Museum. This month marks the 45th annual Ramona Rodeo, which takes place in the Fred Grand Arena and draws more than 12,000 attendees each year.

Ocean Beach Street Fair & Chili Cook-Off

For nearly half a century, OB has hosted a chili cooking competition that has drawn thousands of hungry locals. (Buzz Cannabis presented this year’s event, so taste testers could have been under the influence of munchies-enhancing drugs.) Non-chili-related street fair festivities include beachfront live music, Fun Zone family-friendly play areas, and a Dirty Birds wing-eating contest.

Photo Credit: Cole Novak

Chicano Park Day

In 1970, Chicano Park was set to become a California Highway Patrol station. The problem: The city had promised a community park in that area. After decades of development fractured Barrio Logan and displaced thousands of families, Chicano locals were tapped out. So, for 12 days, locals occupied the area under the Coronado Bridge, blocking bulldozers and planting cacti. It worked. Construction stopped, and that area is now Chicano Park. Each year, locals celebrate the successful preservation of Chicano Park and the resilience of the Chicano Movement.

Fiesta del Sol

Solana Beach gathers at Fletcher Cove Park at the start of each summer for two days of live music ranging from country to pop to Chicano rock, plus an arts and crafts fair, an international food court, a beer and wine garden, and the Solana Beach Firefighters Association’s pancake breakfast. The event is free, but if you want an elevated experience, grab Seaside Pavilion ($75) or VIP Deck ($160) tickets for reserved seating, private cash bars, exclusive restrooms, and discounted swag.

Courtesy of North Park Music Fest

North Park Music Fest

The entire North Park neighborhood hosts an annual music festival, meaning a dozen venues—from Queen Bee’s to Bacari to North Park Community Park—become live music spaces each June. Some locations are open to the public, but if you’d prefer lounge access at Granada House and line-skipping privileges, check out the $65 VIP passes. General admission otherwise starts at $25.

Lemon Festival

It’s weird if you don’t wear a lemon-themed outfit at Chula Vista’s annual Lemon Festival. For one day each August, Third Avenue pays tribute to the city’s former “Lemon Capital of the World” status with live music, citrus-themed photo ops, arts and crafts vendors, a lemon cook-off competition, and plenty of other food that doesn’t include the famed hesperidium. But who would want that at Lemon Fest?

Studio S AUGUST 10, 2026

The Secret to a Home That Feels Just Right

Behind every beautiful space is a thoughtful process, and ASID San Diego is helping homeowners understand the value of professional design.

The Secret to a Home That Feels Just Right
Courtesy of ASID

A perfectly designed home rarely happens by accident. Those kitchens that feel effortless and rooms that seem to tell a story the second you walk in? They’re usually the work of someone who knows exactly what they’re doing.

It’s knowing which ideas will actually work, which materials will hold up over time, and how to turn a collection of choices into a space that feels intentional. That’s where a professional interior designer comes in.

For the American Society of Interior Designers (ASID) California San Diego Chapter, the goal is to help people see interior design as more than just the finished look. Behind every well-designed space is a process built on technical expertise. Designers are educated in everything from professional software and construction details to building codes, space planning, materials, and functionality.

Courtesy of ASID

“People don’t always realize how much goes on behind the scenes,” Kirsten Recce , current president of the ASID California San Diego Chapter, says. “Our designers are not just doing furniture placement and color selection and picking out new fluffy pillows. That’s not what they’re trained for.”

ASID members bring formal education, continued learning, and industry knowledge to their projects, helping create spaces that are not only beautiful, but designed to work. A paint color that changes completely depending on the lighting. A material that looks beautiful in a showroom but doesn’t make sense for everyday life. A layout that photographs well but doesn’t function for the people living there. These are the details where professional guidance can make all the difference.

Still, one of the biggest misconceptions about hiring an interior designer is that it’s reserved for massive renovations, luxury homes, or people who already know exactly what they want. The process can feel intimidating. Where do you begin? Is a designer worth the investment? What if you only need help with one room?

ASID’s answer: start with one hour.

ASID’s Spruce Up events break down one of the biggest barriers between homeowners and professional design: knowing where to begin. Held twice a year, the community program gives homeowners the chance to work directly with an ASID designer through a one-hour, $125 consultation in their own home. Whether you’re looking for advice on furniture placement, window treatments, kitchen and bath updates, remodeling ideas, vacation rentals, color selections or something else entirely, the upcoming September 2026 event offers an approachable way to get expert guidance before committing to a full project. Signups are open through Sept. 7, with consultations taking place Sept. 21 through Oct. 31. Proceeds benefit ASID San Diego’s educational and community programs. Register here!

Courtesy of ASID

“It’s a great opportunity for people who are in that exploratory phase,” Recce says. “Maybe they’re not sure they want to hire an interior designer yet, or they think it sounds daunting or expensive. This gives them a chance to discover what working with a designer is actually like.”

Design is personal. A good designer isn’t just creating a beautiful room; they’re helping create a space that fits the way someone lives.

“We’re a resource to all of San Diego County,” Recce says. “It doesn’t cost anything to pick up the phone and call and ask. We’ll answer.”

Follow ASID San Diego on Instagram, LinkedIn, and Facebook for updates on upcoming events, or connect with the chapter directly at [email protected] or 619-548-8847.

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Everything SD AUGUST 26, 2026

Your Kid’s Old Bedroom Is Ready for Its Next Chapter

From moody retreats to income-generating ADUs, San Diego parents are rethinking the rooms their children left behind

Your Kid’s Old Bedroom Is Ready for Its Next Chapter
Photo Credit: Hali Makanah

What the hell just happened?

That was the question on loop in my head as I sat, nearly catatonic, watching my chickens scratch and crap, from a chair on my patio. It was the first Monday after dropping my one and only at college on the other side of the country. I was tired to the bone and in shock. Eighteen-plus years of permission slips, math homework, Barbie play (ugh), carpooling—my God, the carpooling—and a teenager who, for four years and counting, communicated almost exclusively through side-eye and not-so-under-the-breath clapbacks. Parenting is insanity, and when it stops, it feels so good and so bad all at once.

Photo Credit: Aaryn Belfer

I won’t linger on my personal recovery here, except to say: Part of moving on is dealing with that empty room. What do we parents do with the utensil vortex, and more importantly, when do we do it?

My daughter’s room sat for two years like a forgotten museum exhibit, preserved—not because I was sentimental, but because my husband was. While he didn’t want her to feel erased when she came home, I wanted to expunge her Totoro-meets-Pepto-Bismol gray-and-pink aesthetic, the sports jerseys, the inspirational stick-on decals from Etsy, the bazillion discarded beauty products that didn’t make it into the blue duffel bags.

But with no will to fight, I focused on myself and let the shrine exist while I worked out some big feelings.

My metamorphosis took a while, but I built a new, brilliantly free, empty-nest life. No more driving hundreds of miles a week, no more bleachers, no more ref whistles reverberating in my dreams. I reclaimed myself, then I hired a professional to help me reclaim my kid’s bedroom.

EBSCO’s Research Starters series says that “empty nest syndrome” is a real, if not clinical, diagnosis—no chart line, no billing code. Just a recognized experience of grief, loneliness, and diminished purpose that can take up to a year to resolve.

Creating a Sanctuary

Courtesy of Treci Smith

I turned to Treci Smith of Treci Smith Designs because I loved what she did with her son’s bedroom. (Full disclosure: She’s a friend.) After several interrupted attempts at reimagining the room, she designed a den for her husband, Amir. The couple, married 32 years, raised four kids in their four-bedroom ranch home in Bonita, and over the years, the kids switched rooms and pairings countless times.

The house Tetris continued as each child went off to college. But when their youngest left, his bedroom atrophied. It became a haphazard office and, for one stubborn stretch, nothing at all. A purgatory.

“We wanted to utilize every room in our house,” Smith says, “not letting it be a room that just sits empty.” She finally made a plan to evict purgatory, but the pandemic hit, and all four kids moved back home. It took a while longer before the room was finally hers to play with.

Courtesy of Treci Smith

What Smith created in its place is magic. It feels like a speakeasy. Dark, moody, and deliberately masculine, the den looks like how sandalwood and musk would smell if they took physical form. It’s got a bar cart, Amir’s cigars, a speaker, a desk for his real estate research, and French doors that open to a courtyard and pool.

“When we think of meditation, we think of light and airy,” Smith says, rejecting that there’s only one way to create calm. “It’s a sanctuary. It’s a place where the rest of the world doesn’t really feel like it exists.”

Smith doesn’t talk about trends. “I think everything has to have a purpose, and not just to be magazine-ready,” she says. “So I ask clients, ‘How do you want to feel in this space?’”

For my project, Smith isn’t interested in erasing the past so much as spotlighting it. As she guides me in reimagining my kid’s former room, she’s pushing back on my urge to wipe the kid out of it entirely. “I don’t want her to feel like she’s been pushed out of the house, essentially,” she says. “The room is now functioning for other purposes, but it’s still hers.”

She pulls a painting of my daughter off the wall in another part of the house for use in the new space. She also caught sight of a planed section of a pantry door from our last house, which has my daughter’s height marks in my handwriting, climbing as she grew. “Grab that,” she tells me. “It has to go in.”

That’s not just decoration. It’s continuity.

From Playroom to Paycheck

For years, the biggest room in Melissa Gaviria’s Rancho Peñasquitos house was a shared bedroom and playroom for her two kids—absorbing blocks, toys, and balls that, with impressive consistency, never made it into the ball pit. As the kids grew, the room saw less use, then emptied out entirely: Her older child moved out, her younger one moved upstairs.

Gaviria tried turning it into an office, but “that was just one little corner of a whole big room,” she says. When a coworker converted part of a house into an Airbnb-ready ADU, Gaviria was inspired.

She hired award-winning designer Jen Guerin of JG Color Studios to create a junior ADU. It’s technically attached to the house but is functionally its own unit, with a French-door entrance on the side so guests never have to walk through the home’s main living space.

Gaviria didn’t wait until both kids were gone to build her nest egg (the unit pays her mortgage, and she rents the whole house in the summer and travels). The kids were 14 and 10 when construction started, and she gave them markers and crayons for one last pass at the walls. I ask whether she left any of their artwork as an homage. She laughs, “I can’t rent with a Godzilla on the wall.”

I beg to differ there.

Photo Credit: Hali Makanah

Guerin pulled from Gaviria’s Colombian background, incorporating blues and a deep burnt orange as nods to home.

Guerin, who’s designed dozens of these transitions over 20 years, says most parents pivot more slowly than Gaviria. “It always starts with paint,” she says, “then flooring and slowly a replacement of all items.” But the instinct, fast or slow, is the same: “This chapter isn’t about erasing the family story. It’s about making room for the next one.”

Enveloped. Safe. At ease, creative, and a little bit sexy. I wanted an understated drama that didn’t match our minimalist, midcentury design elsewhere in the house, but that matched the inside of my soul. I wanted dark and light, color and whimsy. I wanted to never want to get out of bed, and for guests to feel that too.

Another parameter: I had a tight budget. I mean, let’s be real about the economy, right? Smith guided me toward a dark paint my husband and I put on ourselves, then sourced used and vintage pieces to go with the bed and other accoutrements we already had, and mixed in a few new pieces from Ikea—like the two-tone green speaker lamp. She nudged me not to erase my kid entirely, so I dug through boxes of ephemera in the garage, framed some old artwork, and tucked a few other mementos away for discovery, should someone look closely.

Most guests won’t notice. They’ll just sink into the bed and not want to leave, which is the whole point. But if you know where to look, my ladybaby is still in there—she’s just not running the place.

A

About Aaryn Belfer

Aaryn Belfer is a writer and editor specializing in nonfiction across art, architecture, and culture. Once upon a time, she wrote a provocative column for San Diego CityBeat (RIP). She was a runner up in the 2025 Matchbook Stories contest at the San Diego Central Library and is irrationally happy about it. Currently in her Soft Girl Era, Aaryn has expensive taste in (mostly flat) shoes and will choose a great art exhibit or live jazz concert over almost anything else. Except, possibly, Javier Bardem.

Everything SD AUGUST 13, 2026

A Rare Look Inside Callaway Golf’s San Diego Test Center

The Ely Callaway Performance Center is where tour-level fittings, cutting-edge technology, and golf equipment you can’t buy yet all come together

A Rare Look Inside Callaway Golf’s San Diego Test Center
Courtesy of Ely Callaway Performance Center

“Come test something.”

Those are quite possibly my three favorite words in the English language—all due respect to “I love you” or the highly underrated “you were right.”

I’ve been a PGA Golf Professional since 1994, and yes, full bias disclosure, a Callaway Golf Ambassador for 18 years. One of the bonuses that comes with that combo is access to the Ely Callaway Performance Center—a place so exclusive it gives “velvet rope” vibes.

Originally opened in 2006 as a highly functional (yet not exactly breathtaking) test facility, the ECPC got a serious glow-up in 2018 when Gil Hanse (along with partner Geoff Shackelford) turned it into what can only be described as a fully engineered golf playground. Hanse is no stranger to golf course renovations. In 2024, he completed an extensive redesign of the Omni La Costa North Course in Carlsbad, so it could host the NCAA Division 1 Golf Championships. He also worked on acclaimed courses like Winged Foot, Merion Golf Club, and Oakmont Country Club.

In just two months, it went from a standard test center and R&D lab to a fully dialed-in golf playground.

Courtesy of Ely Callaway Performance Center

What was once purely practical is now intentionally designed to be both precise and inspiring. The targets are staggered with purpose—forcing creative shot-making while also calling you out on your actual distances (no more “that’s my 150-yard club … ish”).

Add a massive hitting area, bunkers and greens that mimic real on-course conditions, a “Himalayas” putting green (named for its roller-coaster undulations), an upgraded indoor putting lab, and a 120-decibel sound system blasting a very golf-appropriate playlist, and suddenly it’s a rare blend of high-performance testing facility and “don’t mind if I stay here all day” energy. Since this isn’t exactly open to the public, SDM asked me to take you behind the curtain.

As the iron gates part, it feels less like arriving at a practice facility and more like being granted backstage access at a rock concert—if the bandmembers were made entirely of launch monitors and perfectly manicured turf.

There are no mats. No guessing. No “I think that one felt good?” Just conditions that mirror exactly what tour players see in competition. Because when you’re testing equipment at this level, accuracy isn’t a bonus—it’s the whole point.

Even the sand matters. Different textures. Different densities. Because bunkers have personalities, too, and they are often unfriendly. And the golf balls? Brand. New. Not the usual “these have seen some things” range balls. New balls mean consistent spin, truer trajectory, and no surprises. The older a golf ball gets—and the more it’s been baked in the sun, scuffed, or generally lived a full and complicated life—the less reliable it becomes. Think of it like this: fresh ball, predictable performance; old range ball, slight chaos with a side of mystery.

I’m escorted to my personal hitting bay—basically a pop-up shaded oasis stocked with enough equipment to make a gear junkie weak in the knees. Shafts in every weight and profile imaginable. Heads lined up like they’re waiting to be drafted by their favorite team.

Courtesy of Ely Callaway Performance Center

Toptracer technology was patiently waiting to track every one of my swings, each shot instantly delivering ball speed, launch, spin, carry distance, and dispersion (a polite way of saying consistency, or lack thereof), so there’s no guessing—just data telling the truth, whether I like it or not.

We start with irons. Different heads, different feels, different results. When I miss a shot, the ball tends to leak right, so we check lie angle. A quick adjustment—2 degrees upright—and suddenly the clubface is consistently square at impact like it remembered its job. Effort level: down. Ball flight: improved. Confidence: creeping back.

Next we look at the different shaft options—because nothing says “fun afternoon” like realizing a higher kick point can change your entire golf identity. Shaft flex (how much the shaft bends during your swing) helps determine whether you get more height and distance or more control, while kick point (where the shaft bends the most) influences your ball flight—lower kick point for higher launch, higher kick point for a flatter, more penetrating shot. In other words, one small tweak and suddenly you’re hitting shots you’d normally only describe later, slightly exaggerated, over a glass of wine.

Then we move through the bag: hybrids, fairway woods, drivers, wedges. It’s a full rotation of “try this,” “now try this,” and “okay wait … THAT one.”

And yes—the new Quantum driver and fairway woods made an appearance. Without getting too deep in the weeds, they’re faster, more forgiving, and smarter (thanks to AI face mapping) than previous models. Translation: Even your mishits are now slightly less embarrassing. And they were not the only things getting tested. My patience was under attack because the driver and woods would not be available to the public for a good three months.

Courtesy of Ely Callaway Performance Center

Watching the fitting team work is like watching a Formula 1 pit crew. Clubs are swapped in seconds. Shafts tightened, adjusted, replaced. One minute you’re swinging something that seems “fine,” and the next, you’re holding a club that feels like it is a part of your DNA.

Then there’s the putter fitting. Drivers are physics. Putters are therapy. Inside the putting lab, sensors track everything—tempo, face angle, path—things you didn’t even know could be measured. Within minutes, my data politely informs me that my putter face is slightly closed at impact. Not shocking, but also not ideal.

A few quick adjustments—different head (with a bit more weight at the toe to discourage the face swinging closed at impact), shorter shaft (so I feel more over the ball, which helps my eyeline)—and suddenly the ball starts rolling exactly where I’m aimed.

Same stroke. Same golfer. Completely different outcome. If only the rest of life worked like that.

And then there’s the part that feels slightly classified. The ECPC isn’t “just” a performance center—it’s also where future equipment lives before the public even knows it exists. I’ve been there when certain clubs were basically under surveillance. Not “don’t touch,” but more “please keep phones in your pocket.”

It’s golf’s version of Area 51. Except instead of aliens, it’s drivers that won’t hit shelves for another year—and like I mentioned, waiting is not my strong suit.

Getting to test the newest equipment isn’t just a perk—it’s part of the job. It’s what allows me to stand in front of students and say, “I’ve tried it. I know what works and what doesn’t. And more importantly, I know why.” And if I happen to sprint to my car every time the phone rings and someone says, “Come test something” … well, that’s just professional courtesy.

Other Fitting Spots in SD

Callaway isn’t the only place to get your swing analyzed and clubs fitted. You can stroll into big retail spots like The Golf Mart or Golf Galaxy, book a next-level session at a dedicated studio like Club Champion or True Spec Golf, test brand-specific gear at various manufacturing companies (many located in Carlsbad), or even combine a lesson and a fitting at GOLFTEC. And let’s not forget your local golf course, where fittings happen on actual turf, on a driving range you have some history with—many times with the golf professional who is familiar with your swing so they can give you valuable input. With this many options, there’s really no excuse, other than pride, to keep blaming your clubs.

Partner Content AUGUST 21, 2026

This Scripps Clinic Physician is Serving Up Care

Laika Nur, MD, takes her love of volleyball from the court to the clinic as team physician for the San Diego Mojo

This Scripps Clinic Physician is Serving Up Care
Courtesy of Scripps Health

Growing up, Laika Nur, MD, Scripps Clinic sports medicine specialist, loved watching beach volleyball when the Association of Volleyball Professionals tour came to her hometown of Chicago. A talented volleyball player herself, she remembers sitting in the stands all day, and once, even got a couple autographs. Years later, Dr. Nur was attending a professional event focused on women’s sports, and the discussion turned to a new professional women’s volleyball league. The general manager and coaching staff  for San Diego’s team, the Mojo, happened to be in attendance, and Dr. Nur took the opportunity to ask them if they needed a team doctor. Flash forward to the Mojo’s inaugural 2024 season, when Dr. Nur officially became the team physician. Click here to read more about Dr. Nur and how she incorporates lessons she learned on the court into her practice. 

For more nutrition, wellness, and healthy living tips, sign up for the San Diego Health newsletter here.

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