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And don't miss her upcoming concert with the San Diego Symphony's Summer Pops, August 26 and 27
Bernadette Peters performs August 26 and 27
sandiegosymphony.org
Behold Broadway’s finest. No one can belt a Sondheim ballad quite like her. That voice is unmistakable; so are those bouncy red curls. On August 26 and 27, the three-time Tony Award winner and current star of Amazon’s critically acclaimed Mozart in the Jungle will perform with the San Diego Symphony’s Bayside Summer Nights, formerly known as the Summer Pops. We chat with the beloved songstress about Broadway, the Hamilton phenomenon, and whistling in the dressing room.
I do Rodgers and Hammerstein, and I sing Peggy Lee’s “Fever” on the piano. I don’t play the piano—I lie on it. And I sing Sondheim, and “When You Wish upon a Star.” I do all kinds of things. Basically, I’m there to entertain.
They are usually things I connect to—thoughts that I like to be reminded of, like “No One Is Alone,” and “Children Will Listen,” and “With So Little to Be Sure Of.” It’s just so good to hear those things, and I love for the audience to hear them.
I usually go to the gym first, and then I wash my hair. So I wake up my body and wake up everything, and I vocalize before I get to rehearsals. And then there’s two or three hours where I’m getting ready and getting my hair and makeup done, and I’m thinking about the show and focusing on the show.
I’m sure I have. But not really in concerts. Usually it’s when you’re rehearsing and in previews, where you’re working so hard and you don’t get enough sleep. And you’re trying to get the songs and the character in your body. There might be some yelling in the show, and you have to figure out how to do it so you don’t hurt yourself.
No; I mean, I don’t really allow whistling in the dressing room and things like that. But why put so many roadblocks?
Usually I say it’s the one I’m doing right now. I pick very carefully and I’ve been very lucky. I’ve had some really great roles. Dot in Sunday in the Park With George, the witch in Into the Woods, and Rose in Gypsy—I adore that role. Those are some of my favorites.
No. That’s why I pick carefully.
I did see it. I was so happy that it did so well. I enjoyed it. I have to say, I missed some of the comedy that I think they changed for the movie because they’re two different mediums. It didn’t lend itself to the same kind of down-in-front banter that they do in a show. I missed some of that. But I thought, as a musical film, it was pretty good.
That could have been my quote! I totally think it’s best to sing live, because you’re in a box, so you’re once removed, and then if you’re lip syncing to something you sang earlier, you’re removed again. Sometimes you have to sing to a track, but at least if you’re singing live to the track, there’s room for spontaneity. That’s why they did Tom Hooper’s Les Misérables totally live.
Oh yeah. I definitely do. Of course it’s expensive to do things live, but when I did Smash on television, I totally said I’m singing live. I sang with a piano and then they orchestrated it afterward.
It’s just so well written. I’m so proud of it. It’s not dark, first of all, and nothing is thrown in arbitrarily for effect. It’s original, the comedy is original, the ideas are original. Our star, Gael García Bernal, is so spontaneous and fabulous and he’s great to watch because of that. I talk about spontaneity, you know. So he’s one of those examples. Malcolm McDowell is in it, and Saffron Burrows, and Lola Kirke. It’s a great cast and we all like each other a lot. And we won two Golden Globes! I sang last year and I think we found a way for me to sing again this year.
It’s a new paradigm, a new format, but your ear very quickly adapts to it. Meanwhile, you have all these young people who are learning about history and loving the way it’s done. It’s a phenomenon, and that’s such a wonderful thing. And this was the first time the Tony ratings were terrific. They’ve been trying to get the ratings up for years.
They can donate on the website. But more importantly, they should support their local rescue groups, because there’s such an overpopulation. What we have to remember about dogs in shelters is that they’re just homeless. So if you’re thinking of getting a dog, please adopt, and please spay or neuter them.
I’m there two nights, and it’s such a pretty place. I have friends and relatives there, and I’m looking forward to seeing everybody.
I’ve always loved that zoo. It’s a remarkable zoo. The first one in the country, really, that was so unique, and I think the first one that was so spacious with all the open enclosures. So I might try and get there. I’ll still be shooting Mozart, so I’ll be flying across the country, doing the two nights, and then flying back and shooting again.
No, I actually haven’t.
So what’s in a fish taco? Is there mayonnaise in it?
That sounds great. I’ll be looking for them.
Bernadette Peters Talks Hamilton, Sondheim, and Fish Tacos
Tony Award winner Bernatte Peters
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