In Conversation With Poet Kelsey O. Daniels

Each month in 2023, we’re asking a local artist to recreate one of our iconic covers from the past 75 years. For December, we tapped artist Taylor Chapin to help us recreate San Diego Mag‘s January 1965 cover. Check out her unique translation here and learn more about Chapin in the Q&A below:

Tell us about how you found your distinguished style and how you honed your skills.

The style I’m currently working in was developed during my recent time in grad school at UCSD. I’ve always been fascinated by branding and advertising, and my earlier work explored this very overtly through painting brands and products representationally.

During my time experimenting in school, I was challenged to think of new ways to explore these themes, and I had the idea of very literally covering up the products and brands I was painting with fabric so that their form was obscured. I began painting these covered forms as a way of critiquing how value is represented. This led to my current obsession of covering everything—including the human form. 

I’ve always been really into pattern and detail since I was a kid, and now I’ve found ways to incorporate all the patterns I’m attracted to into my work through this act of covering the form in fabric. I’ve honed my skills over the years through countless hours of painting, and I continue to do so by painting pretty much everyday. Painting never ceases to challenge me, and I love working through the process slowly and methodically and learning more as I go. 

What artists do you admire or look up to?

There’s so many artists I look up to. I’m currently really inspired by the work of Amy Adler, she was one of my advisors in grad school. I’m also really into the work of Jean Lowe, Hilary Pecis, Ken Gun Min, and Ilana Savdie, to name a few.

How do you think your art reflects the Southern California lifestyle or plays a role in the way your art comes to life?

To me, Southern California has such a specific color palette and aesthetic associated with it. I think my palette of bright and contrasting colors is very much inspired by Southern California. I also think my interest in consumption and consumerism is related to my observations and experience of living in Southern California, because it is a capital for conspicuous consumption, entertainment, and the performance of wealth and beauty. I think being in such close proximity to this type of display has heightened my fascination with our culture of consumption.  

What was your big break?

I was in a group show in 2018 at Hill Street Country Club, a nonprofit arts space in Oceanside. Dinah Pollenitz, the cofounder and curator at Hill Street, subsequently offered me a solo show there in 2019. This first solo show has led to so many other amazing opportunities throughout San Diego, and I am forever grateful to Dinah for supporting my work and providing me with one of my first opportunities to show my work in an art space in San Diego. 

What do you have on the horizon workwise?

I have a solo show with Quint Gallery in La Jolla in March of 2024 that I’m currently working on. I will also be doing a public mural in Pacific Beach next year, and I have a few other projects that are currently in their early stages of development.  

Where can people find your work to admire or hire you?

People can check out my work on my website. I have a show up at ICA North through the end of this year. I also have a few murals around San Diego including one on the side of Warren Hall at UCSD, an indoor mural at Corner Pizza in Oceanside, and one on the south-facing side of the Leucadia Donut Shoppe. I am available for hire via the contact form on my website. 

It’s easy to write our city off as merely an always-sunny hub for laid-back beach bums—thus forgetting that culture, innovation, and progress have always been baked into SD’s identity.

This cover from 1956 marries all these values. Bali Hai opened in 1952 at the dawn of tiki culture. Four years later, photographer Paul Oxley shot the three-wheeled Messerschmitt KR200 outside its doors. Designed by a German aircraft engineer, the sleek microcar broke 22 international speed records in 1955. It’s a promise of the auto technology to come, plopped in the middle of San Diegans’ favorite haunt for tiny umbrellas.

In honor of our 75th anniversary, we’re recreating iconic covers from our past. The new cover stars the same beloved Bali Hai and another futuristic, three-wheeled vehicle, the SD-grown, battery-and-sun powered Aptera.

The original cover featured an uncredited model. This time, we chose two unforgettable
locals pushing our city into the future: Shavone Charles, head of global diversity and inclusion communications at TikTok, and chef Claudia Sandoval of cookbook and Master Chef fame.

They (and the other movers and shakers sprinkled throughout this issue) are proof that San Diegans are always headed towards the next big thing—we’re just doing it in better weather than most.

As fall approaches, it’s a good time to pause and savor the mellow of summer. Night comes quicker with each day that passes. Soon, quiet afternoons in the backyard will give way to dark evenings by the fire. Now is a time to slow down.

Nobody takes it all in quite like San Diego’s slow-rolling, suntanned philosopher, John Kitchin, aka SloMo, who you can generally find floating one rollerblade at a time down the Pacific Beach Boardwalk. A neurologist and psychiatrist, SloMo took up skating in retirement as a way to mellow out.

“Since then, I’ve been living freely,” he says. “And skating literally everyday on the boardwalk for 24 years.”

As we celebrate San Diego Magazine’s 75th anniversary, we’re reflecting on our history—blading the boardwalk down memory lane, ontology. (Though we’re doubtful that pipe will looking to past covers for inspiration and putting a modern shine on them. This month, we peek back at our August 1972 cover, an homage itself to Lippencott Magazine’s 1895 cover, dubbed “Tennis.” Here, a stately gentleman finds a moment of repose on his way to a friendly game. We assume he’s mulling over his own thoughts on the state of being, how to unravel his personal elevate his tennis skills.)

In our new version, SloMo pauses in his garden—reading, daydreaming, hidden away like the San Diego treasure he is.

“There are two things that we all have,” he says. “One is the world of objectivity. What’s back in the other world, that of subjectivity, is where dreams are.”

Each month in 2023, we’re recreating one of our iconic covers from the past 75 years. For August, we asked the National Women’s Soccer League and Wave FC’s youngest player, 15-year-old Melanie Barcenas, to help us re-shoot San Diego Mag‘s June 1959’s cover. Check out the recreation here and learn more about Melanie in the Q&A below:

What does being part of this cover recreation mean to you?

Being part of this cover recreation is an honor. The cover is iconic and I’m grateful that I’m a part of a historic recreation in my hometown of San Diego. Not everyone gets that opportunity, especially at my age.

What was it like growing up playing soccer in San Diego? What does it mean to you to play for your hometown team?

Growing up playing soccer in San Diego is special. There’s a special fútbol culture here in every part of San Diego and that culture brings out the best in everybody and unites everyone. I’m excited to continue to see soccer/futbol grow here in San Diego and feel lucky to be part of that.

Who are your soccer idols and why?

My soccer idols have always been Neymar and Alex Morgan. I’ve always loved the way Neymar has played, his creativeness on the ball is something I want my game to replicate, and his skill set is amazing. I’ve also always looked up to Alex as she is a female athlete and has accomplished some amazing things in her career. I also admire the off-the-field things she has done for communities and young girls. I hope I can inspire and be someone for young athletes to look up to, like how Alex was for me.

What’s next for you with the Wave?

Things have been going really well with Wave. I made my debut back in April and have been getting more playing time and even got my first start recently. I’m looking forward to the rest of the season with the team. I’m loving every second of it.

How was the shoot and wearing your wave jersey in the pool?

The shoot was very fun, I had a blast in the pool! It felt a little more relaxed and comfortable since I love being in the pool in the summer. It was super cool to wear the jersey in the pool, I mean anytime I wear the jersey it’s an amazing feeling. I’m proud to represent my home, San Diego.

Each month in 2023, we’re asking a local artist to recreate one of our iconic covers from the past 75 years. For July, we tapped celebrated binational artist Panca to reimagine San Diego Mag‘s February 1965 cover. Check out the recreation here and learn more about Paris in the Q&A below:

Tell us about how you found your distinguished style and how you honed your skills. 

It developed just as I did, quietly waiting to be found. Growing up during the ’80s-’90s with Gen X around me I, was exposed to weird MTV cartoons quite young as well as having frequent visits to museums in Mexico City when we would visit family. Films from the golden era of cinema in México with my parents very-much influenced me as well.My life came to a cathartic point where I was forced to look inward and I realized it was the one constant thing I really enjoyed and I could express myself with much more clarity and depth, it clicked. Once I accepted that my style was weird, imperfect, and raw, I was able to accept it as my own so it was easier to lean into it. It felt right. The environment I was in was quite bizarre so it allowed me to mirror my surroundings. It gave me the same comfort I longed for as a bored child surrounded by adults. Now as an adult myself I realize it’s part of many things much deeper than my personality, so I am happy to embrace it. Style is everything.

What artists do you admire or look up to?

I really admire artists who chase their dreams with genuine love. I’m devoted to being present and being supportive of them. I’m in awe of women confronting stigma related to dealing with generational trauma and also cultural or social dynamics. Some female artists that I constantly refer to creatively are Susan Sontag, Patti Smith, Diane Arbus—she went there; she saw a side that was also beautiful but not photographed, and she made it poetic and raw. It inspired my “Los Perdidos” series. Éric Rohmer; these films feed my soul. Lady Pink, Maya Hayuk, Miss Van, Mab Graves, Camille Rosé Garcia.

Well, these women made me think, “Wow, such strength,” and they inspired me greatly. Representation matters. When I started it was a boys club so I have nothing but respect. Goya! David Alfaro Siqueiros has always been a master as well as that generation of painters during that time in Mexico. Sofia Coppola, I saw her films during my teens and it was really impactful to me. It allowed me to see that pain could be made into something quite brilliant and beautiful.Nina Simone (I mean wow), Amy Winehouse (I feel you), Flor Garduño…a photographer that has work [that is] so dreamlike and ahead of her time. Mr. Rogers, I mean this list could be epic and never ending. The Golden Girls. But Keith Haring was an artist I was able to learn about before his death and it really spoke to me. The more I grew up, I really have just learned that I follow the same idea that the art is for everyone and along with Jean-Michel Basquiat. I also saw that grit was the secret ingredient.

How do you think your art reflects the southern California lifestyle? 

I think that my art strongly reflects the Southern California experience but also that of a binational person living, creating, working between the border or frontera. I grew up here, went to surf camps as a kid, had skateboarding posters all over my walls and especially the colors, raw in your face images from skateboard culture totally influenced my style. The color palette alone from then is very much in my work. Those neons pop out and the fact that I grew up close to IB and now that I am back and I live closer to Barrio Logan-Sherman Heights, it’s a very different experience and don’t have a specific style that can be categorized. Yet the people of the community spill into my work and it’s the same as when I was in Tijuana. I just embrace it. It’s real and beautiful.

What do you have on the horizon work-wise?

Right now I am doing a pop up with Modelo beer and that will happen this summer. That is a big one! I am going to be finishing the new phase of El Más Allá which will open this summer to kids and complete my installation there which is a big deal because I started during the pandemic and it’s been a hard process for me.

Where do you like to go to get away and relax? 

At one point I had this ritual of after a show or big mural taking the red eye from Tijuana to Yucatán-Quintana Roo and just disconnecting for a week but it’s just a whole thing nowadays and I am enjoying going to Valle de Guadalupe for a nice day or weekend trip. I miss living in Baja, but I am reconnecting with San Diego and finding a nice day at Lafayette or just the beach is relaxing. I’m walking the harbor and enjoying that.I’m a fan of taking the train to LA to just have a museum day or go see a show and then come back. It’s close and I get to relax seeing the ocean along the way. Also, home. I am a big hermit who really enjoys being home and I get to be with my senior pets and recharge by watching a film, gardening or going for a walk. It’s the little things.

Where can people find your work?

Right now mostly around San Diego and the Tijuana/Baja region. Places like The New Children’s museum. Bread and Salt, Mujeres Brew House, Holy Paleta, La Dona in OB, The new MCASD shop, Mortis Studio in Golden hill and a solo pop up show at Mi Vida Logan this summer. I’m excited that this summer I’m working with Modelo beer on several pop-up events in the community.