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How Rubio turned a recipe on a scrap of paper into the official dish of San Diego
The billiard-green strips of poblano peppers on the paper plate in front of me are potentially worth millions of dollars. A member of the culinary team has used a black Sharpie to divide the plate into two sections. On one side, the veggies are roasted, on the other they’re sautéed. If the two men sitting at the corners of this table like either option enough, a biblical flood of poblanos will flow into the American marketplace.
One of the men is culinary director Justin Mosel. The other is the snowy-haired version of a college kid who, in the ’70s, returned from a Mexican surf trip with a tan and a recipe. Scribbled on a piece of notebook paper and carried unused in his pocket for years, that recipe would create an empire.
“I like the sautéed peppers better, more vibrancy,” Ralph Rubio says to his team before adding, to me: “We just launched a vegan option. The whole flexitarian thing is growing. You don’t have to be a vegan to want a vegan meal.”
Now 64, Ralph has a preternatural calm usually seen in spiritual leaders or at last call. His cheekbones aren’t merely pronounced, they are geological. So when he smiles, he expresses something both grandfatherly and childlike—a Venn diagram of trust. And he smiles a lot.
“This is Ralph’s seat,” Mosel told me when I entered the test kitchen for Rubio’s Coastal Grill. Having a seat at the table is important to Ralph. Eventually, during the three-to-six-month process of testing each new item, Rubio’s “Beach Club Members” will be invited in to try the dishes and give feedback. The test kitchen has its own Yelp page (five stars).
Rubio’s corporate headquarters is in Carlsbad, at the geographic center of their 117 quick-service restaurants throughout Southern California. (There are 196 Rubio’s total through five states, mostly in the Southwest, but also Florida.) One wall of the waiting room has a blue-lit tank populated with tropical fish. The opposing wall—above lime-green chairs, on brand with Rubio’s color scheme—is one of the world’s most famous recipes on how to batter and fry a fish.
Ralph Rubio fish taco king
One of Ralph’s favorite fish taco stands in San Felipe.
While a freshman in Zura Hall at San Diego State University in 1973, Ralph was invited by some upperclassmen on a trip for spring break. “San Felipe, what’s that?” he remembers saying. “They said, ‘We’re going to camp on the beach in Mexico, drink beer, dance, and party.’ I said, ‘Well, sign me up.’”
When they arrived at a little fishing town outside of San Felipe, makeshift stands everywhere were selling fish tacos—beer-battered and fried whitefish, served in a corn tortilla with cabbage and crema and salsa and lime. Unlike many Americans, Ralph didn’t flinch at the concept. He and his friends ate them for breakfast, lunch, and dinner with ice-cold Corona (whose distributor was four doors down from their favorite stand). Every year they went back and did it again.
“One night in 1975, we took a break about 10 p.m.,” he recalls. “It’s dark, it’s festive, and I go, ‘Why is no one serving these in San Diego like this, with cold beer? Look at all these college students loving the experience.’ That’s when the light bulb went off.”
Ralph Rubio fish taco king
A young Ralph with his dad, Ray.
Ralph felt if he could open a fish taco stand in the US near college kids and the beach, he might not need his backup career plan—becoming a teacher, like many of his relatives. He asked Carlos, the cook at his favorite fish taco stand, if he wanted to come to San Diego. Carlos said no, not really, thanks. “‘Ok, well… then can you tell me what’s in the batter recipe?’” Ralph asked. “All the rest—the crema, the lime, the cabbage, I could figure out—but the batter was the key.”
Carlos gave it to him—flour, mustard, garlic, oregano, pepper, water.
“I carried that piece of paper around with me for eight years,” Ralph says. “Being 28, 30 years old, you’re not too organized. Thank god I kept it. It was obviously important to me.”
Ralph amassed restaurant experience as a busser, waiter, and manager at chains like The Old Spaghetti Factory, Hungry Hunter, and Harbor House. Eventually his dad, Ray (who immigrated to San Diego as a teen, took a job sweeping floors at a plastics factory, and eventually became one of the top plastics industry consultants in the country) offered to give Ralph $70,000 to start his “fish taco idea.”
The Rubios found an ad in the paper for a spot on Mission Bay Drive, a Mickey’s Burgers that had previously been an Orange Julius. Mickey wanted $80,000. Ray said they couldn’t afford it, since they’d need money for improvements and operating capital. He told his son to sit in the 7-Eleven across the street and count the customers at Mickey’s to get a real evaluation of its worth.
Ralph Rubio Is the Fish Taco King
Ralph with his sister, Gloria (left) and dad, Ray (right) at their graduation from SDSU in 1978.
“So I did, with a pad and paper on my lunch breaks,” Ralph recalls. “And come to find out, he had no business. The figures he had shown us weren’t real. My dad told me to offer him $15,000 cash. I said, ‘Are you serious? C’mon, that’s insulting.’”
Again, Ralph did as his dad asked. Mickey yelled at him—called him a rude young punk—and hung up. Later that night, Mickey called back in tears. He needed the cash, and agreed to sell.
Next, Ralph met his dad at Spiro’s Greek Cafe and negotiated terms for their new venture. “I just wanted a loan, but my dad said, ‘Oh no, I think equity’s going to be better,’” Ralph laughs. “So I offered 70/30. Nope. 60/40. Nope. He got me down to 50/50.”
Over the next few months, the entire Rubio family—Ralph, Ray, mom Gloria, and siblings Gloria, Robert, Richard, and Roman—painted tables and signs and built a fish taco stand. They didn’t do a soft opening, where you test your concept with a small and forgiving number of friends.
“We just opened the doors and figured we’d let a few people in to test it,” Ralph explains. “Well, turns out all those cars driving by had been watching us. There was a line out the door. None of us had made food to scale. Probably half the orders I made were mistakes. I had to give people money back. It was a disaster. I was almost in tears.”
Ralph Rubio Is the Fish Taco King
The first Rubio’s location, which opened in January 1983 on East Mission Bay Drive.
The initial rush didn’t last. They were only doing $200 a day in the beginning. The idea of a fish taco doesn’t seem strange these days, but in 1983, it sounded pretty weird/gross/oh-hell-no to Americans who hadn’t surfed in Baja (which was almost all Americans).
“If you didn’t go to San Felipe, you didn’t know what it was,” says Ralph’s brother Robert. “A lot of our promotional budget was giving a free fish taco. All the testing we did, 75 percent of people who tried it ordered it again. The whole slogan was ‘One bite and you’re hooked.’”
Slowly, the buzz about Rubio’s and their weird fish tacos grew. Ralph still has the sales charts from that first year, and he says the line goes up steadily every month. Then, after they opened their second store near SDSU around year two or three, Rubio’s exploded.
“We had people drive down from LA and Orange County just to go to Rubio’s,” says Robert. “It was a destination. That first store was like the first Tommy’s burgers in LA.”

Ralph Rubio Is the Fish Taco King
Ralph and his wife, Dione, at the grand opening for Rubio’s Encinitas location, 1989.
To understand the zeitgeist Rubio’s tapped into with its first store in Pacific Beach, we have to imagine a time before the internet—specifically social media. Nowadays, Instagram and Facebook are indexes of what the world eats, shown in high-resolution photos, often with recipes. Food discovery has become a global obsession. This second-by-second archiving means there are very few dishes in the world, even in the most remote villages, without a hashtag.
In 1983, however, the internet was still futurist babble. The only way you could find out about fish tacos in Baja was to get in your car and drive to Baja. In the ’70s and ’80s, Americans viewed Baja as Shangri-La, a dusty, remote otherworld for the bare-chested and free. Surf culture was taking over the American dreamscape, American surfers in Baja became heroes of wanderlust, and what those heroes ate was fish tacos.
Historically few food combos have received such mystique by association. At Rubio’s, Americans could be transported to San Felipe without ever crossing the border.
Had Instagram existed back then, it’s unlikely that Ralph could’ve kept the recipe in his pocket for eight years. Fish tacos would’ve trended. Another entrepreneur would’ve seen how much surfers and travelers romanticized them, and beat him to it. Rubio’s success is in many things—the recipe, the people, a cleanliness not often seen in fast food (“Ralph is a clean freak,” says Robert), marketing, real estate, investors who believed in them (Union Bank, Rosewood Capital, Mill Road). But at least part of their success is because the pre-social-media age allowed fish tacos to remain largely unknown in the US until Ralph was ready to capitalize on them.
Ralph Rubio Is the Fish Taco King
Rubio’s IPO in May 1999.
And boy, did he ever. The plan was always to make a scalable, quick-service restaurant model and replicate it. Ralph mentions McDonald’s as the ideal. Over four years, Rubio’s raised $9.6 million in capital and expanded to 63 locations. Fish tacos became San Diego’s most iconic food, as cheesesteaks are to Philly and pizza is to New York.
Since his first investors needed an exit strategy—and the tech boom had made IPOs the sexy business play in the late ’90s—Rubio’s went public in 1999. Buca di Beppo and P. F. Chang’s had recently done it and thrived. Ralph and his family flew to Rosewood Capital’s offices in San Francisco to watch Rubio’s enter the stock ticker. The IPO raised $23 million, allowing them to expand to 204 stores. It provided Ralph with lifelong financial security—and some grand delusions.
“The IPO was a massive thing—my wife, Dione, was there, my kids,” he remembers. “But looking back on it, it was a bad day in another way. I ran into this thing called ‘hubris’ and it knocked me on my ass. I got caught up in the fame and fortune and Rubio’s doing so well. I’m tracking my stock price. You can calculate your net worth every five minutes. I was foolish.”
Ralph Rubio Is the Fish Taco King
The grand opening of Rubio’s third location in Pacific Beach in 1986.
The Rubios all liquidated their shares. Dad’s original $70,000 investment turned into a fairly massive number. Ralph was the last Rubio left standing when things got ugly in 2001. “We hit a wall,” he says. “After a year of underperformance, we had to close 11 restaurants. Harder, we had to let 100 team members go.”
They had grown too fast, venturing into markets they didn’t understand, making poor real estate decisions. Fish tacos sold better closer to the border, where Mexican food is familiar. Ralph even tried franchising, an idea he’d always disliked for quality control reasons. “When things are good, the relationship is great,” he says; “when things go bad, franchisees start cutting corners.”
His trusted friend Kyle Anderson, at Rosewood Capital, advised him to step down as CEO. “Those were dark times emotionally,” says Ralph, sitting in the backyard of his idyllic home in Rancho Santa Fe, which you must admit is a pretty safe place to admit past business faults. “I was full of too much pride. My feelings were hurt. I had some growing up to do. But it didn’t last long. I came around. One of the things that’s served me well is I’m very pragmatic. I was never trained to be the CEO of a publicly traded company. I had a good run.”
Ralph remained as chairman and cofounder, and worked alongside Mark Simon, who’s been CEO for eight years, “was trained to do this, and is a brilliant leader.” The company slowed its growth, massaged its marketing (they’ve gone through four name changes), and “operated our way out of it,” in Ralph’s words. In 2010, they sold for $91 million to Connecticut-based Mill Road Capital, which bought out the remaining public shares and made Rubio’s a private company once again.
Ralph is still a minority owner. He shows up every day, working closely with the culinary department. Half of his week is spent making unannounced visits to stores to inspect quality, to make sure they’re clean and customers look happy, to listen to the managers and inspire them, and to be the face of the brand.
Ralph Rubio Is the Fish Taco King
Ralph serving street tortas and fries at the Mission Bay location.
Rubio’s menu has grown to over 40 items. Though the wild Alaskan pollock fish tacos are still their biggest seller, bowls represent their biggest growth—many Americans have now learned that tortillas, while delicious, are about 270 calories a pop. Two trends in the US—increased seafood consumption, and the better-for-you food movement—are leading more and more customers their direction. In the test kitchen, we try a vegetarian, grainless version of a bestseller, the California Bowl. No one seems especially smitten with it. “This is just a disaster test,” Rubio says. “There’s enough promise there to keep working on it.”
In 2015, Consumer Reports asked over 32,000 readers to name their favorite Mexican fast food chain. Rubio’s came out on top, ahead of Chipotle and Taco Bell. In 2016, the city of San Diego declared April 5 “Ralph Rubio Day.”
“Awards are cool, but I’m just not into it, to be honest,” he says. “I love it more when I walk into a restaurant and they recognize me and say, ‘Hey, Mr. Rubio, I just want to say thank you. Me and my family come here every week.’ That’s what I live for.”
After opening their next location in Las Vegas (No. 196), they plan to pause growth and focus on operations at existing stores, making sure they’re solid. Eventually, Ralph thinks Rubio’s could open 400 stores in the western US. As a private company, they can wait until the timing is right, as opposed to when it’s necessary to meet quarterly forecasts. At some point, as dictated by life and age, the fish taco king will reduce his role—but not until he feels Rubio’s and “the people in the Rubio’s family” are set up for long-term success.
“I stayed for a couple reasons,” he says. “First, our name’s on the building. But really, I just love what I do. Not every day’s amazing, but I love getting up every day and going to work.”
As of print time, Rubio’s has sold 249 million fish tacos.
Ralph Rubio Is the Fish Taco King
Photo by Nate Hoffman
New editor Emma Veidt gives an introduction and her ode to the once-sleepy, now slept-on North County
I am fairly sure they don’t let you graduate from Carlsbad High School without a W-2 from Legoland. Being a Legoland MC (Model Citizen, the employee’s moniker) is a rite of passage for all of us who grew up in North County. If you spent a day at the theme park in the 2010s, I probably pointed you toward the Granny Apple Fries or measured your height at a ride entrance.
And now we meet again. I can still point you to quality fries.
This is my first full issue as the new print editor for San Diego Magazine. But it’s not my first time here: I was an editorial intern for these pages back in 2018 (see photo). To be a part of a constant study of the city, its people, its culture, then finding the most compelling stories and bringing them to life—it was incredibly impactful and solidified my decision to pursue all of this (local, print magazine journalism) as a career. Since my internship, I’ve gotten my bachelor’s and master’s degrees from the Missouri School of Journalism and worked for nearly five years at Backpacker magazine. And I’m back at San Diego Magazine, baby. There’s a real magic to narrating the lives lived and dreams dreamt in the place that built me. I am excited to be a part of building the culture of where I’m from. And, born in Tri-City Medical Center and raised in Carlsbad, I can’t think of any other place than our North County issue for me to make my grand entrance as an editor.

To me, North County isn’t just where I’m from; it’s home. Throughout the years, I have run thousands of miles (I did the math) up and down the 101 between Oceanside and Cardiff. I’ve spent thousands of dollars (an estimation, too painful to do the actual math) on BRCs—beans, rice, and cheese burritos—from Lola’s, Juanita’s, and the late, great Pollos Maria.
The stretch of land between Camp Pendleton and the 56 is easy to love. We’re quieter and a little more zenned out than our lower-latitude neighbors, sure, but we’re neither sleepy nor boring.
Do you think Scrojo, the Belly Up’s punked-out poster artist featured on page 68, could last a day somewhere boring?
What I’ve always loved about North County is that the culture shifts every couple of miles as you reach a new town. For years, the media seemed to cast the realm above the merge as a two-toned monolith: sleepy surf towns to the west, suburbs and country living to the east. The nuance of each section seemed flattened or clumped. I think you’ll see the vastly different cultures of North County in this issue—but all distinctly San Diego. Which is to say a little mellower, fewer airs, come as you are.
It’s hard to imagine that the dusty trails and vibrant, muraled alleyways of Escondido are just miles from the barefoot surfers roaming Leucadia. Even though the SDM editorial staff is made up of two lifelong locals and other longtime residents, we don’t pretend to be the experts on every street. What a good city media company does is find the people who are experts, who have a unique hyper-local perspective—and give them the stage.
So we picked six North County neighborhoods—Oceanside, Vista, San Marcos, Leucadia, Rancho Santa Fe, and Escondido—and reached out to artists, community leaders, business owners, anyone making their neighborhood brighter, and we had them describe their perfect day out and favorite things that give their neighborhoods meaning and culture. These itinerary curators included San Marcos’ Patricia Prado-Olmos, Leucadia’s Jeff Schade, Oceanside’s Aaron Crossland, Escondido’s Suzanne Nicolaisen, Rancho Santa Fe’s Charo Garcia-Acevedo, and Vista’s Steve Glaudini. If there’s anyone who lives and breathes North County, it’s them. Check out their recommendations in our feature on page 56.
This month, we’re also going back in time almost 15 years to the Big Bay Boom. Yes, that meme-ified Fourth of July fireworks show where enough pyrotechnics for a 17-minute show went off at once over San Diego Bay. Content Chief Troy Johnson remembers the day and dug back through the story for a hilarious locals’ take on the big debate: Was it the worst fireworks show of all time, or the greatest? (Page 38.)
Before I leave you to our hard work, a sentimental note. When my parents moved from St. Louis to San Diego in the early ’90s, my mom subscribed to San Diego Magazine to learn about her new neighborhood. Now, over three decades later, I’m here—on this planet and in these pages. I thought about my parents a lot as we worked on this issue. Maybe there are a couple new San Diegans reading this magazine for the first time. Maybe that’s you.
Well then, to both of us, I say, “Welcome.” Let’s do this.
Emma Veidt is an editor at San Diego Magazine. She earned her bachelor's and master's degrees from the Missouri School of Journalism. She loves running, hiking, and rock climbing, but really, she mostly loves encounters with the street cats around North Park.
Eighteen seconds, one unforgettable mistake, and a Fourth of July story that somehow gets better with age
There’s a famous video.
“This is insane!” the guy filming it seems to proclaim. “It’s the best fireworks show ever!” a companion confirms, inspiring a debate lasting over a decade.
All told, 7,000 fireworks exploded in the span of 25 seconds over San Diego Bay on July 4, 2012. A Michael Bay amount of unison. $125,000 worth of shells, cakes, Roman candles, and skyrockets had been placed on a barge—enough for 17 minutes of decorative sky flares—and…
Boom.
The sky looked like someone had set a giant Rorschach test on fire. Or as if whatever we all see in our Rorschachs—butterflies, clowns, tongue kissing, dads—was being electrocuted and lifted heavenward, amen. It was shocking how bright it was, how much it sizzled the local cosmos. Could’ve been one of those sci-fi films where a hole is ripped open between warring universes. But angstier, more metal—the work of some methy creator in a sleeveless concert tee.
The sound?
Lou Reed once released an entire album that contained 64 minutes of mindflaying guitar screeches and machine noises. No regular songs, just a fascinating amount of ear distress. His record label reps no doubt heard the melodic outro of their careers, but everyone else was in pain and stumped. That album still sounded better than the bay did that night. The bay sounded like a god who struggled with emotional regulation had blown his speakers and was working through the anger stage of AV grief.
In the left frame of the video, a middle-aged woman is attempting to drag her husband off by the hand. In no way does he want to go, possibly because he had missed the time Roseanne Barr sung the national anthem at a Padres game, simultaneously disemboweling and amusing America through the power of song. He would not willingly abandon an equally worthy San Diego trainwreck.
Another woman in the video appears to have just filled her beer, rushing to sit down for the show. She pauses mid-sit and returns to the full and upright position to properly bear witness. What was supposed to be prolonged entertainment has been so radically shortened that she will have to find another reason to drink. Lucky for her, drinking will be the only way to adequately process.
Locals remember the conspiracy theories. People wondered if the fuses had been tripped by a saboteur who was sympathetic to dogs, fish, or the growing suspicion that late-stage capitalism is a gorgeously branded but impossible dream sustained by remarkably efficient top-tier wealth retention and the soft compliance of fireworks-watchers who can no longer afford a house, a beer, or the personal impacts of human reproduction.
Speaking of being terrified of babies, babies were terrified. The children who witnessed it probably still can’t go near a candle store. But those kids will be tougher, perfectly scarred kids. They’ll write better songs.
That night helped us absolutely dominate the national news cycle. For a hot minute, we became America’s water-skiing squirrel. Now, years later, when you Google “fireworks gone wrong,” San Diego is always a top contender, along with that poor Nebraska family who nearly wiped out a couple generations in their front yard, their minivan somehow turning into a howitzer of recreational TNT.
There is still debate as to whether Big Bay Boom 2012 is the worst or greatest fireworks show of all time. But the advanced parts of civilization arrived at the truth as quickly as the women in the video did. It was undeniably amazing.
First of all, the point of Fourth of July fireworks isn’t “the intricate choreography of sky fire over a guaranteed amount of show time.” It’s about creating a vivid memory shared with some people you like, love, or would like to love.
BBB2012 used large-scale chemical fire to create the ultimate memory.
Sure, some people who iron their jeans subjected their family to a sermon about how San Diego managed to botch America’s birthday like a Disney princess-for-hire who smelled of quite a few Sauvignons.
The rest of us saw how perfectly it nailed the actual feeling of being an American. Because only a miniscule percentage of us bake postcard apple pies where every inch of crust is perfectly laminated like the wood in an Irish bar. Very few of us can paint on par with Picasso. The rest of us—despite truly believing in our America-activated abilities to achieve greatness in almost any field of our choosing—burn pies. We try to paint only to realize it looks like our fine motor skills have entered active death.
That’s why BBB2012 was the most perfectly American fireworks show ever: A wildly ambitious idea galvanized thousands upon thousands of people to both work on it and come to hold a beer and gawk at it, only to have it fail in the most glorious TMZ-level spectacle.
America isn’t about immaculate, storyless wins. It’s about how the framework of a country is solid enough that we can accidentally detonate our entire lives—a few times—and still probably be OK.
No one has America’d quite like San Diego did on that day. It was performance art. Lou Reed’s heart slow-clapped. Any brief municipal embarrassment quickly became a pride of our people. I can only hope the same for the Nebraskan yard family whose Dodge Aerostar became a hyperactive Death Star.
P.S. Local writer Maya Kroth compiled a quite great oral history of that night for Thrillist. The bottom lines for me were—it took nine months to prepare, no one was hurt, and even though the pyrotechnics company tried to zero out the bill, Big Bay Boom founder H. P. “Sandy” Purdon refused and paid them in full. This year will mark the 25th Anniversary of the yearly Big Bay Boom.
Troy Johnson is the magazine’s award-winning food writer and humorist, and a long-standing expert on Food Network. His work has been featured on NatGeo, Travel Channel, NPR, and in Food Matters, a textbook of the best American food writing.
From surprise revivals to changing dining habits, these are the shifts redefining the local culinary landscape
If absence makes hearts (and stomachs) grow fonder, then shuttered restaurants quickly become the hottest tickets in town—something a number of iconic institutions found out after taking very public hiatuses after historically long runs. For instance, following a lengthy (and extremely flip-floppy) closing process after 92 years in business, Las Cuatro Milpas reopened two blocks away in Mercado del Barrio. Similarly, Carlsbad butcher shop Tip Top Meats reopened in the same location (albeit a smaller space) after the death of founder Joachim “Big John” Haedrich in 2023. Finally, after a whopping decade out of business, Sami Ladeki and chef Alfie Szeprethy brought back Roppongi to its original Prospect Street space, where it was the talk of the town in the late ’90s. All came back under the same proprietors, so they weren’t third-party nostalgia-licensing deals. The algorithm may have ravaged our attention spans away from all but the newest and shiniest, but this proves there’s still hope for our collective prefrontal cortex.
Other local eateries honored their pasts by bringing in new perspectives. The Lion’s Share in Embarcadero, Milton’s Deli in Del Mar, Dudley’s Bakery in Santa Ysabel, and J-K’s Greek Cafe in La Mesa handed over the keys to new owners willing to take on a big task: maintain the soul of icons through particularly rough economic circumstances for restaurants, navigate big feelings from longtime regulars (who often don’t take kindly to change), and make some necessary changes to keep going for another few decades. Taking over a project in process can be a lot harder than starting from scratch. But building that feel-good nostalgia doesn’t happen overnight, so it sure helps to have a well-established playbook of success passed down from those who came before.

It wasn’t just restaurant groups from Los Angeles that decided to put down roots en masse, although San Diego saw plenty of LA transplants recently (Sugarfish, Mr. Charlie’s, For the Win, Katsuya Ko, Bacari). Global brands like Chef Fei, Zuma, and Pepper Lunch have locations of their own on the way, and upscale Canadian eatery Joey joined to the inescapable gravitational pull of Westfield UTC’s culinary cosmos for its first spot in America’s Finest City. Good to see the rest of the world is catching up with what we’ve been seeing the last few years—San Diego is a dining destination already on the rise.
Between the never-ending news cycle of doom and perimenopause brain fog, I’m at the stage in life where I’m more than happy to let someone else make a decision for me, especially when it comes to what’s for dinner. And based on the way a lot of menus look right now, I’m not alone. It seems like half the places I visit offer some version of a prix fixe, omakase, or tasting menu. Restaurants are embracing the curated experience to solve the problem of affordability (a fixed menu reduces food and labor costs, guarantees an acceptable check average, etc.) and critical thinking in one fell swoop. Omakase (meaning “I leave it up to you”) is far from a new concept in high-end Japanese sushi culture, but now that it’s popping up everywhere from coffee experiences to grab-and-go sushi and sandwiches, it’s gone from somewhat niche to nearly omnipresent.

The world got an up-close look at San Diego’s coffee industry when we hosted the premier specialty coffee expo World of Coffee for the first time this April. San Diego’s long and rich coffee history stretches back to the late 19th century. Things percolated fairly quietly for around a century before really picking up steam. Today, there are nearly 200 specialty roasters and cafes across the county, with many earning national accolades like the Good Food Award (Steady State Roasting, 2020; Bird Rock Coffee Roasters, 2023, 2021, 2019, 2017, 2016), Roaster of the Year by Roast Magazine (Mostra Coffee, 2020; Bird Rock Coffee Roasters, 2012), and the Specialty Coffee Association Coffee Design Award for packaging (Rikka Fika, 2026). Now that we’ve moved past the comically insufferable coffee snob era of the early 2000s, even java newbies can feel comfortable walking into pretty much any coffee shop in San Diego, asking questions, trying a few things, and feeling confident they’re going to get great service and a great beverage.
Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
A customized memory-filled explosion gift box is a creative way to show someone you care
Finding a gift that feels truly personal can be surprisingly difficult. In a sea of generic options — flowers, gift cards, candles, and the like — Xplosion Box offers something more lasting: a customized keepsake built around the photos, messages, and memories that matter most.
Founded by Southern California entrepreneur Jay Vijay, Xplosion Box LLC creates fully customized explosion gift boxes that arrive professionally designed, printed, assembled, and ready to gift. Each box opens layer by layer to reveal personal photos, heartfelt messages, pull-out albums, origami-style photo pockets, and hidden notes, turning a simple gift into an emotional reveal.

The brand was built for people who want to give something meaningful without spending hours printing photos, cutting paper, folding cardstock, or assembling a DIY project. Customers simply choose a box, upload their favorite photos, add personal messages, and the Xplosion Box team transforms those details into a polished keepsake that feels thoughtful, personal, and beautifully made.
Xplosion Box offers personalized gift boxes for birthdays, anniversaries, weddings, graduations, Mother’s Day, Father’s Day, Valentine’s Day, Christmas, proposals, bridesmaid gifts, long-distance relationships, and thoughtful “just because” moments.

Customers can choose from flexible customization options starting at $27. The Mini Surprise Box includes 10 photos, three message cards, and one hidden secret note, while the Mega Surprise Box offers a fuller keepsake experience with 40 photos, three message cards, and one hidden secret note.
What sets Xplosion Box apart is its high level of customization combined with convenience. Filled with personal photos, custom text, decorative details, and layered surprises, each box gives customers the freedom to create a gift that feels one-of-a-kind — without having to make it themselves.
At its core, Xplosion Box helps people turn favorite photos, stories, and words into something tangible: a keepsake that can be opened, revisited, and remembered long after the occasion has passed. asion has passed.
Jeff Russell traded dreams of SNL for bee rescues, building a social media following of more than 4 million people along the way
The Groundlings improv theater has churned out world-famous comedic talents like Will Ferrell and Maya Rudolph. And in San Diego, a former Groundling has used that training to campaign for a higher power. The power to protect bees.
“The goal was to try and get on SNL,” says Jeff Russell of his time in the improv troupe. “[But now], I have an audience, and I get to crack jokes and be silly and entertain and educate.”
That audience? The over 4 million people who follow Mr. and Mrs. Bee Rescue in the socialmediaverse. Jeff and his wife, Julie, operate the business, which means they remove unwelcome bees without harming them and rehome them to apiaries throughout the county. Their social media is a hub of videos of Jeff peeling open car trunks, flooring, barbecues—any cozy spot for a bee to set up shop—and using smoke to coax them out of the hive (sometimes working sans gloves or protective gear).
Bees in a hive will follow their queen, so finding and moving her helps speed along the relocation process. It’s “a really hard game of Where’s Waldo,” Julie says. But there’s a secret to it: “If the bees start running completely in some random opposite direction in a hurry, then we know that the queen is probably that direction,” says Jeff. Their social videos document this process in a way that turns a reasonable nightmare (being swarmed by bees) into a form of entertainment and advocacy. The Russells spread the apian gospel, sharing why relocating bees is the only option to consider.
Since the 1960s, bee populations across the US have shrunk drastically for a slew of reasons—habitat loss (postwar industrialization led to fewer farms and crops), climate change (petulant temps affect blooming schedules), and pesticides (when used improperly, they can be toxic for bees).
Bees are also responsible for up to 75 percent of all flowering plants; 35 percent of food crops rely on animal pollinators to reproduce. So, basically, we’d be living in a flowerless world fueled by a diet of wind-pollinated oats and Red Dye 40 without them.
Jeff and Julie met on Tinder in 2016. “It would have been more appropriate if we met on Bumble,” Julie says. A photographer and graphic designer, she had no experience in a swarm of stingers before 2018. When Jeff broke his back surfing, she had no choice but to step in. Later, when she was laid off from her job in 2020, she focused on growing Mr. and Mrs. Bee Removal’s social media accounts. That’s when their business took off. These videos work. People are learning.
“Quite a lot of my customers were [initially] like, ‘Why don’t we just kill?’” Jeff says. “Now, the vast majority are like, ‘You take them alive, don’t you?’”
Emma Veidt is an editor at San Diego Magazine. She earned her bachelor's and master's degrees from the Missouri School of Journalism. She loves running, hiking, and rock climbing, but really, she mostly loves encounters with the street cats around North Park.
Jordan Glazier's Wildfire Systems is reinventing loyalty rewards for some of the world's biggest brands
You visit your favorite ancient Egyptian merchant, and as you’re buying some papyrus to hieroglyph your way to the 3000 B.C. version of a Pulitzer, he slips you a special token as a thank you for being so loyal. It’s the least he can do for keeping him in business, and you can use that reward to barter for anything you want—like beer.
A few thousand years later, those tokens would evolve to copper coins that American retailers handed out so you could spend. The Sperry & Hutchinson company introduced its groundbreaking “Green Stamps” program in the late 1800s. Today, your sandwich shop’s loyalty card is one hole punch away from giving you a free sub. And you’ve surely justified some extravagant purchases in the name of airline miles.
Point is: Free stuff has always been a compelling way to earn human loyalty. And with his Solana Beach–based company Wildfire Systems, Jordan Glazier has built one of the city’s biggest tech companies by modernizing that simple, ancient idea.
“Being able to save money when you shop is nice to have when times are good,” Glazier says. “When you have periods of inflation or financial stress, that nice-to-have becomes a must-have.”
He launched Wildfire in 2017. It’s essentially a white-label platform that builds and operates programs for enterprise brands across most industries—from banking (Visa, Citi) to travel (TravelArrow) to fintech (Sezzle, Acorns), to rewards (Shop Your Way, KashKick), you name it. Customers of, say, RBC (also a client), can install a browser extension or enable a feature on a mobile app that activates savings and cashback offers. Wildfire has now spent three straight years on Inc. 5000’s list of the fastest-growing private companies.
Glazier’s no stranger to scaling new ideas. As one of the early executives at eBay, he built and ran the consumer electronics, computer, and industrial equipment verticals. Later he turned San Diego tech company Eventful into the world’s largest online calendar and events discovery platform (CBS acquired it in 2014).
“Part of being an entrepreneur is building things and solving for things that haven’t been solved before,” he says.
It’s a lesson he learned early on. His grandparents started a women’s clothing manufacturing company in Chicago in the 1910s, and it remained a family business for over seven decades. Preteen Glazier would punch in as a stock boy and sit with the sales team making phone calls.
“That was my very first paycheck,” he says with a smile.
Now he and his own team of 70 have grown Wildfire’s revenue 721 percent over the past three years.
“I want to make sure we are building a business that’s built to last,” he says. “We are eight years in, and I feel like we’re just getting started.”
Glazier named the company because of how people recommend products and services to each other. Great shirt, where’d you get it? Anyone know of a good sushi spot? “Word of mouth,” he says, “spreads like wildfire.”
San Diego’s tech industry seems to come and go. There were predictions that the post-pandemic, remote work world would see all luminous brains migrating south to our famous clime, but that has been only partially the case. As tides turn, big names like Glazier’s hold anchor.
“San Diego is such a great place to live and to build a business,” he says. “I always feel sorry for people who don’t live here.”
Matt Eisenberg is an award-winning writer and photographer based in San Diego. A former ESPN editor, his work has also been published by CNN, Bleacher Report and the New York Daily News.
The Unconscious Moderation app is helping health-conscious professionals take an honest look at their drinking, without pressure, and without quitting as the only option.
San Diego runs on optimization. Early mornings, clean eating, training logs, sleep scores. The people here take their health seriously and the results usually show. Most of them also have two drinks most nights, not because anything is wrong, but because the day was long and the glass is right there and it has always been right there.
That routine doesn’t get the same scrutiny as the rest of the stack. It doesn’t feel like something to examine. It feels like a reward.
Which is exactly what your brain has decided it is. When something reliably moves you from one state to another, your brain files it under things to repeat. Do it consistently enough and the cue stops requiring a decision. It’s 6pm, the laptop is closed, and some part of your brain has already placed the order.
Most habit-change tools work on the number. They count drinks, set weekly targets, send check-in texts. That’s useful for seeing what the pattern looks like. It doesn’t tell you where the pattern came from, or change it at that level.
Unconscious Moderation works underneath the habit. The app uses guided hypnotherapy sessions, structured journaling, and daily movement to address the subconscious associations that make reaching for a drink feel like the obvious next thing. The journaling isn’t a diary. It’s built to surface what your brain is actually reaching for, so you can meet that need directly rather than through a substitute.
The program runs 90 days. At day 30, you choose your own direction: cut back, drink more intentionally, or stop altogether. The app treats both as equally valid outcomes. The point isn’t to follow a rule you set on a Sunday. It’s to understand the pattern well enough that whichever path you choose, you’re choosing it clearly.
The people who tend to get the most out of it are not in crisis. They’re the ones who have tried tracking apps and found the count drifting back up regardless. They know exactly how much they drink and why. The awareness just hasn’t moved the habit. At some point, the work needs to happen somewhere the count sheet can’t reach.
San Diego’s wellness culture already knows that surface numbers tell only part of the story. What you eat matters, but so does why. How much you sleep matters, but so does the quality. The same logic applies here.
Learn more at um.app, or download the Unconscious Moderation app on the App Store or Google Play.