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Troy Johnson pulls up a seat for dinner with San Diego's iconic Italian family, the Busalacchis
Joe Busalacchi would like to invite you to his birthday party. All of you. He didn’t, technically. But I feel confident. That’s what Joe does. He invites yous.
On the outdoor grill at his gated Mission Hills home—with a three-point view of downtown, the airport runway, and, most critically, of Little Italy—lies a whole grouper, scored and slathered with salmoriglio sauce (anchovy, capers, garlic, shallots, oregano, parsley, lemon juice, fresh-squeezed orange, olive oil). He’d like to give you the cheeks, a delicacy for people who truly know and love fish. Since you’re not here, he gives it to me. That’s what Joe does. Joe gives the best parts to strangers. Has been for 42 years.
For example: Within 15 minutes of my being in his home for the very first time, he invites me for Christmas. Not a restaurant opening, or something that would benefit his business by having a writer publicize it. With unrestrained earnestness, Joe announces to his entire family that this stranger is invited to the holiday where they all wear pajamas. And no one bats an eye. Yes, they agree, the stranger should come to Christmas in his pajamas.
The Big Family in Little Italy
“The most important thing that you don’t get in a lot of restaurants now is the ‘Hi, how you doin,’ lemme buy you a glass of wine,’” says 61-year-old Joe, as he surveys the dozens of dishes assembled in his kitchen, wearing an apron emblazoned with a Picasso print. “You gotta make people feel like a million dollars. Restaurateurs now are doing so many covers and don’t have time. You should make a friend, then make a customer.”
I feel like a friend. Should I show up on Christmas morning, I have no doubt Joe would answer the door and insist I was late.
About a dozen Busalacchi specialties are being prepared for this family meal tonight, overseen by no fewer than six family members. Joe’s son Michael helps Cousin Nino monitor the squash blossoms, vibrating in hot oil like a Van Gogh painting of flowers. On another burner, Nonna’s Bolognese sauce lightly simmers (always for at least three hours). Joe’s other sons, PJ and Joey Jr., handle the hospitality, making sure cups are filled, introductions are made, and embarrassing stories are given properly mortifying light.
The Big Family in Little Italy
Everyone has brought a plate of food. A typical Busalacchi family meal consists of dishes made by between 20 and 25 Busalacchis. There is someone poking and prodding the spiedini, a Sicilian specialty of ground pork stuffed with bread crumbs, currants, prosciutto, and cheese (“We were the first in San Diego to serve these,” beams Joe’s nephew, Nino, who’s now the chef of their newest Little Italy restaurant, Barbusa). Pendant kitchen lights glint off the fresh orange juice squeezed on razor-thin slices of fennel for the finocchio salad. Sicilian meatballs the size of toddler fists bask in crushed tomatoes flecked with herbs.
An aunt produces a warm basket of her bread topped with sesame seeds, toasted brown as desert dusk. There are layers of zucchini upon layers of eggplant—”blanched first, so they don’t get so oily,” explains Joe. Sfingi, a gossamer Italian donut is made, tonight and always, by Joe’s sister, Anna. And, of course, there’s cannoli. In Italian, a night without cannoli is called a mistake.
As the dishes are finalized, men gather in the TV room to see a football team that used to play in San Diego and then left the city without ceremony, and are therefore watched with a mix of obligation, habit, and derision. In the corner, a door leads to a modest wine room filled with immodest and sentimental reds. Most of the women converse around a large table outside by the pool. It’s there that my girlfriend asks how they’ll know what time is proper and polite to move inside to eat. “Oh, you’ll know,” a woman laughs. Two minutes later, Nino opens the sliding glass door and yells, “LET’S EAT!” The table must be 30 feet long, an Uber-able distance from end to end. Actually, it’s two tables. When you’re a Busalacchi, you own two tables, just in case family happens. And family always happens. Gold crosses glint from almost every open shirt collar. Each seat is elaborately set with wine glasses, each with a specific purpose (an aperitif glass, a dinner-wine glass, a digestif glass). Italians, much like the French and Russians, have an extensive tool set for dinner. I’m sitting in the center. The room is full of Busalacchis. Nearly 20, for sure. There’s Joe’s three sons, PJ, Joey Jr., and Michael. Joe’s brother Frank, his sons. Then nephews and girlfriends and boyfriends. If you ever need to borrow an aunt or uncle for any aunting or uncling scenario, they’ve got extra. They’re all laughing and spilling family secrets and moaning over the fiori di zucca (those fried squash blossoms, stuffed with four cheeses and topped with apricot jam, one of the standouts at Barbusa).
The Big Family in Little Italy
Our family meal begins when Nonna—Joe’s 87-year-old mother, Christina—serves us the pasta course, as she always does. It’s her celebrated Bolognese, which is on the menu at their other Little Italy restaurant—appropriately named Nonna. Forks twirl and voices climb as a flood of family stories come. The table takes on the roar of the stock exchange floor, with less panic and more bonhomie.
After the pasta course, we take our plates, go to the kitchen, and load up. It’s impossible not to be obscene about this, with a tonnage of food that befits Thanksgivings and last meals. Impossible for everyone except Joey Jr., whose plate is virtually empty. “Oh yeah, that,” he says, a little sheepish. “I don’t really eat. I eat fried food and meat and cheeses, but that’s about it. I don’t think I’ve ever had a vegetable. My dad used to get so mad. He once held up a piece of arugula and said, ‘I swear to God if you eat this right now I’ll buy you a car!’ I didn’t eat it.” Before coming to dinner, I called a handful of restaurant people to ask about Joe. They all said the same thing—good restaurateur, and one funny guy. Real funny. People always mentioned the funny.
“C’mon, dad, show him the video!” begs Joey Jr., plate still empty.
The Big Family in Little Italy
Joe does not want to show the video. But soon the cajoling gets him. He stares down to the head of the table, his shoulders sulk, his face flushes. For the first time that night, he doesn’t look like a self-made restaurateur who helped build both Hillcrest and Little Italy into culinary destinations. He looks like a child with a Bic lighter and a bad idea.
“She’s gonna be so mad,” he says, trying to contain the laughter.
“She” is Nonna, dressed tonight in a proper blue sweater with a significant necklace and earrings.
Joey Jr. produces the infamous family video on his iPhone. His father turns his back to Nonna and reluctantly narrates. They’d finally gotten her a flip phone, he explains. She wanted to program it like a smartphone: press one for Joe, two for brother Frank, and so on. Joe, divining rod of funny, convinced her that these newfangled phones can only be programmed by loudly speaking the person’s name and then banging on a cooking pot with a wooden spoon. Joe had helpfully arranged the necessary materials for her on a kitchen table. The video shows this sweet woman almost screaming the names of her beloveds into the phone and banging with shocking authority on the pot. Like a gong.
The Big Family in Little Italy
When pot banging didn’t work, he convinced her—oh yeah oh yeah sorry Ma I forgot—she has to do it lying down. So the next video is her wearing a conservatively elegant nightgown in bed, loudly proclaiming the names of her grown children into the phone. The poor woman; the good sport. Her fault, though, for raising a Joe.
At this point, Nonna has caught wind that she’s the inspiration for the laughter. She casts a narrow side-eye that is loving and deadly. She quietly mutters something in Sicilian.
No one can hush a roomful of Sicilians like Nonna. With a look or a whisper. Throughout the night, the Busalacchi home is not merely loud, it is a leading cause of tinnitus. Men and women talk over each other, a constant rising and falling of voices. People yell to fill our wine glasses (Joe makes his own wine, called Due Matti). They yell to be heard. In a jumbo-sized family with jumbo-sized personalities, if you don’t yell you might as well be carpet. But when Nonna opens her mouth, the assembled generations zip it. The Busalacchi Earth stops spinning and will return to its regularly scheduled decibels after these important messages.
The Big Family in Little Italy
Someone—an uncle or a cousin or a brother or some stranger who walked in off the street and was welcomed—translates for me: “She said ‘Why you gotta talk about me?” Nonna shakes her head with the kind of annoyed permission parents give when their pride for their children outweighs the crime.
She should be proud. Joe had help from his brother, his ex-wife Lisa (who raised their sons so that Joe could raise the business, often feeding the three young’uns in the restaurants before opening hours), his cousins, aunts, uncles, and eventually his grown sons. But it was mostly Joe who built a restaurant empire that provided for a few generations. And he did it by learning to cook at Nonna’s side when he was knee high.
Nonna and her husband brought the family to San Diego from Sicily when Joe was eight years old. “When I’m telling you they had nothing,” explains PJ, “I mean nothing.”
The Big Family in Little Italy
At age 19, Joe was hired as the chef for one of San Diego’s tuna boats. At the time, the city’s tuna boats were the equivalent of floating Google campuses—more or less economic juggernauts. Usually, boat cooks were ad hoc parents who cleaned, did dishes, mopped, and grunted through the necessary and unwanted work. Joe was so good, his brother explains, the crew didn’t make him do any of that.
“I used to take about 50–60 cookbooks out fishing and read all day,” Joe explains. “All I had to do was make a call and they’d deliver me fish to our house. And they let me have access to the wine locker.”
He opened his first restaurant 35 years ago in La Mesa at Grossmont Center, Casanova’s Pizza. That same year, with his fishing contacts, he opened Busalacchi’s Fish Company. Two years later, in a converted Craftsman home in Hillcrest, he christened the restaurant that would make his name—Busalacchi’s on Fifth. The dishes, largely based on Nonna’s recipes and tweaked with Joe’s expanding talent, were a revelation. But it was bittersweet, because San Diego diners at the time weren’t adventurous. “I used to get so sick of people saying, ‘You make the best fucking lasagna in the world,’” Joe grouses. “I didn’t want to make the best fucking lasagna in the world.” He wanted to serve them Sicilian specialties like calamari, or octopus with lemon (which, at family dinners, is always served as a late-night snack and always, always cut by Uncle Frank Z.). “I couldn’t get fettuccine alfredo off the menu,” he grumbles.
The Big Family in Little Italy
Busalacchi’s on Fifth—which moved one block away and was renamed Busalacchi’s A Modo Mio in 2011—lasted as an icon for 24 years. When the lease was up and the landlord’s new terms were too steep, Joe opted to close it. This became a recurring theme. When faced with a spike in rent, many owners often just pay it, because that particular patch of earth is the birthplace of so many emotions. Joe crunches the numbers. If those numbers don’t pencil out, he cuts bait and opens somewhere they do. He had already made inroads in Little Italy, opening Trattoria Fantastica and a bakery called Cafe Zucchero in 1994 and 1995, respectively. (Joe’s brother Frank went to Sicily, studied Italian pastry, and returned to help open Zucchero). At that time, the price per square foot in Little Italy was 99 cents. Now it’s eight dollars.
“Tell them about the bullet holes, Dad,” urges Joey Jr. as we sit outside after dinner, cigars aflame.
“It was a ghetto,” Joe admits. “Seven thirty, eight o’clock it was dead. I’d love to say I saw what Little Italy would become, but I had no idea. It was just so affordable.”
“We used to have to put things underneath the patio tables because the sidewalks slanted down toward the street,” Joey Jr. remembers.
“You could lay in the middle of India Street and never get hit by a car,” adds Nino. “The lease was a single piece of paper.”
The Big Family in Little Italy
Joe was one of the independent business owners who changed that, by taking a chance on Little Italy. Landlords wanted a Busalacchi joint. Joe’s food and jokes de vivre made people come, which made landlords’ buildings more valuable. They offered him rent for proverbial pennies. At one point he had six concepts in the neighborhood, from Grape Street to Cedar.
“I couldn’t say no,” he says.
Then Little Italy exploded. Craft & Commerce, Prepkitchen, Bencotto, Underbelly, Café Gratitude, Born & Raised, Ironside—all the hip restaurants arrived. Rent went up, way up. Between 2015 and 2017, he sold or reconcepted seven restaurants, five in Little Italy alone. From an outsider’s perspective, the Busalacchi starshine seemed a little dusty.
“It wasn’t that we lost it,” explains Joe. “We were done with the leases. I sold one of them to one of the managers who worked with me. I wanted to give him an opportunity. And so we concentrated on coming back, all hands on the one idea.”
The Big Family in Little Italy
That idea was Barbusa. The lease for his steakhouse restaurant, Po Pazzo, was up. He wanted out. His sons wouldn’t let him, at least not without a fight. PJ and Joey Jr. wanted to take Dad and Cousin Nino’s food and put it in a more modern setting. Ditch the white tablecloths, the formal service, the classic—and possibly outdated—earmarks of restaurant culture Joe made his name on.
“We fought with him over every little thing—decor, music, the food,” says PJ.
“I was coming from the old school with the linens and tiles or carpet,” says Joe in his defense. “They had all these big changes, of concrete floors and no linens, different-style chairs, mix-matched spoons. I was like, ‘Wow, what’s goin’ on here? You guys are crazy.’ But apparently they were right and I was wrong.”
It worked. Barbusa, which opened in 2016, is a hit, arguably Busalacchi’s biggest in a decade. PJ and Joey Jr. run the front of the house, trying their best to make strangers feel the same way I, a stranger, feel in their home tonight. Father Joe oversees it all. There are plans to open more Barbusas outside of Little Italy, maybe even in other cities.
The Big Family in Little Italy
“I’m still at the restaurants at six in the morning,” says Joe. “I still check the sauces and prep some. But I’m all over the place. I’m consulting with my kids, keeping them on their toes, changing menus, and handling the business end of it. You might see us at the edge of a table, fighting.”
It’s 42 years in the making, this Busalacchi thing. And the boy who worked on a tuna boat at age 19, who opened a pizza joint with a few bucks and a dream, is watching the second wave carry the name.
Near the end of the night, I look down at Nonna in her spot at the head of the table. She hasn’t moved. That is her place. The cook who started it all.
San Diego’s first family of Italian food shares three hallmark recipes passed down through the generations, including Nonna’s famous Bolognese. Mangia!
The Big Family in Little Italy
“Squash blossoms are an ingredient that intimidates many people but, in reality, are very easy to work with,” says Barbusa Executive Chef Nino Zizzo. They are a great example of a fresh dish that you can change up by experimenting with different stuffings according to your preference, and they will consistently impress your guests.”
Serves 6
Prep time: 10–15 minutes
Cook time: 2–4 minutes per blossom
Ingredients
Filling:
6 squash blossoms
¼ cup mascarpone cheese (can substitute cream cheese)
2 tablespoons Parmesan cheese
¼ cup mozzarella cheese
1 teaspoon chopped shallots
Pinch of salt
Pinch of pepper
Sauce:
¼cup apricot preserves
½teaspoon Calabrian chilies, minced
½teaspoon serrano chilies, minced
Batter (can substitute store-bought tempura batter):
1 cup flour
¼ cup corn starch
1 egg
Sparkling water to preference
Directions
Filling:
1. Combine all ingredients (except squash blossoms) in a large bowl.
2. Roll into small balls, then stuff each squash blossom to capacity (will depend on blossom size).
Batter:
Combine all ingredients in a bowl, using enough water to achieve preferred consistency.
Sauce:
Combine all ingredients in a bowl and plate under the blossoms.
Blossoms:
1. Once stuffed, pat the blossoms in flour, then dip in the batter.
2. Heat your skillet with oil or heat the fryer to 375ï° F.
3. Fry each blossom until golden brown, about 1–2 minutes on each side.
4. Plate the squash blossoms over the sauce.
The Big Family in Little Italy
“Spiedini are a traditional Italian dish historically reserved for holidays and special occasions,” Zizzo says. “Whether it’s Christmas, Easter, or a family member’s first communion or reconciliation, the whole family gets together and participates in the preparation.”
Serves 4
Prep time: 45 minutes–1 hour
Cook time: Varies according to preference
Ingredients
Stuffing:
½ sweet onion
2 bunches of green onions
½ cup olive oil
â pound salami
â pound prosciutto cotto (ham)
â pound pecorino Romano cheese
â pound mozzarella cheese
1 teaspoon black currants
1 teaspoon pine nuts
½cup tomato sauce
Panko breadcrumbs
1 sprig Italian parsley
Salt and pepper to taste
Meat:
2–2 ¼ pounds pork or veal, cut into 2 ounce medallions (4–5 medallions per skewer)
1 red onion, slivered
20 bay leaves
Extra virgin olive oil
Panko breadcrumbs
Directions
Stuffing:
1. Chop onion and green onion into slices the width of a quarter.
2. Sauté the onion and green onion in olive oil, then transfer to a bowl.
3. Chop the salami, prosciutto cotto, pecorino Romano, and mozzarella and add to mixture.
4. Add in black currants and pine nuts, then mix in tomato sauce.
5. Add Panko breadcrumbs until the mixture becomes doughy.
6. Add parsley and salt and pepper to taste.
Meat:
1. Place meat medallions on plastic wrap and pound until thin.
2. Take a generous dollop of stuffing, roll it up, and place on meat.
3. Using a three-tuck fold, roll the stuffing up in the meat.
4. After they are rolled, place 4 to 5 portions of meat on each skewer, inserting a sliver of red onion and 1 bay leaf between each portion
5. Dip both sides of the loaded skewer in extra virgin olive oil, and roll the skewer in Panko breadcrumbs.
6. Barbecue the skewers on the grill, cooking to preference and until cheese in the middle has melted.
The Big Family in Little Italy
“Our Bolognese aims to instantly bring back the memories of walking into Nonna’s kitchen for Sunday family dinner,” Zizzo says. “The recipe comes directly from our grandmother and serves as a reminder of simpler times with a great meal and family.”
Serves 4
Prep time: 30 minutes
Cook time: 1 hour
Ingredients
1 white onion
1 large carrot
2 stalks celery
¼ pound pancetta
3 garlic cloves
½ cup olive oil
1 ½ pounds ground beef
1 pound Italian pork sausage
2 tablespoons salt
1 teaspoon black pepper
1 cube beef bouillon
24 ounces tomato paste
½ cup whole milk
1 gallon water
2 cups green English peas (sweet peas)
Directions
1. Mince the onion, carrot, and celery in a food processor.
2. Add the pancetta and garlic, then transfer to a large pot and sauté in olive oil.
3. Add the ground beef and sausage, then add salt, pepper, and the beef bouillon.
4. Once the meat has browned, add in the tomato paste.
5. Mix well, then add in milk, water, and peas.
6. Cook on low heat for one hour.
7. Depending on desired consistency, add more water or cook for longer.
The Big Family in Little Italy
After two years of farmers markets and pop-ups, the San Diego baker is bringing its Korean-inspired pastries to University Heights
The folks at Kairoa Brewing Company must never be lonely. It seems like there’s always a local pop-up or event at the University Heights space, from Bincho Taco slinging Japanese coal-fired tacos on the rooftop patio every Tuesday to Yipao Coffee serving coffee from a window on the ground floor. Later this year, the New Zealand-inspired brewery will bring yet another resident into the fold—Mon Chourie is launching its first bakery counter service window along Park Blvd.
Mon Chourie owner and baker Kelly Kim first started selling her Korean-style cream puffs at farmers markets and places like Pizza Kaiju, Pho Ga Go, and Mixed Grounds, collaborating with a myriad of other makers (like Amor ice cream and Ming Oun’s) before nabbing a regular spot at Michi Michi Bakery every Wednesday. San Diego Magazine readers even voted Mon Chourie the Best Pop-Up for 2026.
In French, the word for an airy puff pastry is “choux,” which is pronounced generally the same way as “syu,” the Korean word for the same item. (Both sound like “shoe.”) Mon Chourie plays with both iterations with a dash of whimsy by referencing the song My Cherie Amour by Stevie Wonder, which translates to “my darling love.”
As long as all the permits and inspections move forward without issue, Mon Chourie should open in Kairoa before the busy holiday season. She’ll continue appearing every Wednesday at Michi Michi and other pop-ups in the meantime. Once open, expect best-selling flavors like the savory potato croquette (a collaboration with Karanchi chili crisp) and a sweet Dubai chocolate choux au craquelin, a version of puff pastry with a delicate cookie crust.
Classic cream puffs are fluffy, softs and often filled with custard cream in the United States. “What makes a difference for us is we use a very light version of diplomat cream, which is my mom’s recipe,” she explains. Diplomat cream is a lighter French pastry cream that uses whipped cream for a lighter, airier end result.
Choux au craquelin’s signature crunchy top comes from adding a thin disc of cookie-like dough on top of the pastry, which crackles as it bakes, leaving a thin layer of crispiness atop the final product. “It contrasts with the creamy, fluffy cream inside, so it gets that better, deeper texture experience,” she says.

Along with her popular cream puffs and her bite-sized “mini-choux” options, Kim is also planning on offering more of a newer-to-her item: salt bread, a rich butter pastry topped with sea salt that originated in Japan, but went completely viral in South Korea. There are a few places to get it in Los Angeles and New York, “but I know that a lot of people here are interested in trying out new stuff, or maybe they had it in Korea or Japan, and they came back, but they couldn’t find it anymore,” says Kim. At first, she didn’t really get why it was so popular. Then she tried it in South Korea earlier this year.
“I was in love,” she laughs. “This is what the hype is about.”
Ideally, Mon Chourie will eventually open its own storefront and introduce more events in North County to satisfy demand. “I would also love to have our own drink program that reflects what’s popular in Korea,” she says. And to mark two years of puffy pastry prosperity, Mon Chourie is throwing a two-year anniversary party at Easy Does It (5375 Kearny Villa Rd., Suite 112) on Wednesday, August 25 from 4 p.m. to 7 p.m. with drink specials like a misugaru latte (a Korean roasted multi-grain powder with espresso), a DJ, photo booths, special ceramic merch created by local ceramicist Whale Tran, and a few other vendors. Get there early.
Mon Chourie will open inside Kairoa Brewing Company by the end of 2026 and posts the next week’s schedule of upcoming events and pop-ups on Instagram every Monday.
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Have breaking news, exciting scoops, or great stories about new San Diego restaurants or the city’s food scene? Send your pitches to [email protected].
Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
Bring home a taste of the city with local coffee, conchas, chili crisp, hot sauce, and other suitcase-worthy finds
Snacks are the best vacation souvenirs. You get all the novelty of having something to unwrap without any of the burden of keeping random crap around. I’m always game to try some chips from a place I can’t find on a map with ingredients I can’t identify by taste. Gimme that spice mix from that Southern barbecue pit whose wine list consists of light beers from lesser-known appellations. Don’t think I won’t lick the inside wrapper of some chocolate bar homemade by a grandma at a farmers market you stumbled upon in a small Midwestern town best known for giant yarn balls.
Even though San Diego is best known for our thigh-sized burritos, fish tacos, and craft beers, those travel about as well as room-temp mayo. So we gathered some of the city’s best food souvenirs: snacks, spices, and sauces worth sliding into your carry-on or gifting to a lucky out-of-towner.

Inside Bread & Salt—Barrio Logan’s old Weber Bread Factory turned into one of the city’s most vibrant art, culture, and community spaces—there’s a cafe in front of a giant, now-defunct bread mixer. Mexican-owned specialty brew shop and roastery Provecho! Coffee started as a pop-up in 2020, but its success quickly bricked-and-mortared. Although Provecho! specializes in sourcing and roasting Mexican coffees, its consistency is variety: The lineup changes regularly as Provecho! finds new sources around the world. Get a to-go taste via the coffee bags that range between 250 g and 2 kg.

Superlova!’s Chinese-inspired, seed oil–free sauces are grocery list mainstays for San Diegans. The sesame sauces (Dan Dan is spicy, May May is tame) pair with noodles, dumplings, or any meal that could use a little more oomph. They don’t have tahini, which is de-hulled; they have Chinese sesame paste, which is dark-roasted for a nuttier flavor and packed with fiber and calcium.

San Diego is known for beer, sure. But real locals pour from a different tap. JuneShine’s low-sugar, yet still refreshingly sweet, hard kombucha is an SD favorite. The brand has joined the canned cocktail tidal wave and now sells vodka mules, tequila palomas, and vodka sodas—all with about two shots per can, real juice, and sparkling water. But for a classic food gift, get a variety pack of the booch. Fit it into your checked bag. It’s worth it.

Double entendre is key to hot sauce brand Down To Ferment, aka DTF. (Popular sauces have flavor names like CornHub, Smokin’ Hot Date, and Ghosted.) But it’s no gimmick. The homemade, kombucha-based sauce is seriously good: DTF’s That’s What Shishito Said made it onto Season 30’s lineup on Internet-famous interview show Hot Ones.

As discussed, carne asada burritos travel about as well as a toddler with emotional-regulation issues. But the soul of a truly great, San Diego burrito? It’s not the fillings. It’s the tortilla. You can’t go wrong from any locally owned spots, but our favorites are Tortilleria Los Reyes in Vista, Windmill Farms Market in Del Cerro (which uses Pancho Villa’s old tortilla press), Esperanza’s Tortilleria in Escondido, and Tortilleria Lily in City Heights.

Handcrafted in small batches, Karanchi’s Sichuan peppercorn–packed chili oil comes in two varieties: original and spicy. The original warms your palate and adds depth to your meal, and the spicy is a form of mealtime masochism. Founder Nguyen Le’s favorite way to eat his garlic-studded chili crisp is on avocado toast—which makes an already San Diego meal even more San Diegan—but it’d make old shoes taste pretty good.
Fresh fish ranks low on society’s acceptable realms of carry-on items. But canned fresh fish straight from local fishermen? You’re the best part of a bruschetta. Every Saturday at the docks behind Seaport Village, fishermen step off their boats and sell what they caught as recently as that morning. While getting yourself some fresh sea urchin and squid, grab a couple cans of locally caught albacore tuna for the tinned-fish lover in your life.

Started as a pandemic baking hobby for BFFs Natalie Rodriguez and Lesly Mendoza, Tus Chefs is now a South County favorite spot for conchas with a twist. The menu is expansive enough to get over a baker’s dozen without any repeats—why not get one of each, anyway?—but if you only have enough space in your carry-on for a few, start with popular “chocolate abuelita,” churro, mazapan, horchata, and brownie conchas.
Emma Veidt is an editor at San Diego Magazine. She earned her bachelor's and master's degrees from the Missouri School of Journalism. She loves running, hiking, and rock climbing, but really, she mostly loves encounters with the street cats around North Park.
No gatekeepers, no creative rules, no perfect definition—the city’s DIY publishing scene makes room for anyone with something to say.
If magazines are like the adultier eldest daughters who know exactly how much anarchy they can get away with, zines are the far less predictable younger siblings going on whim and instinct. Those who draw on the walls around the house, DIY their own piercings, and experiment with different emo/straight-edge/back to emo phases (or not-phases). Boundaries and routines are what zines were created to rail against.
Walk into Verbatim Books’ zine corner, and this rebellion is immediately clear. Zines have no singular form, no clean category or definition. Vintage magazine scraps are collaged into new meaning alongside mini fandom zines. Single sheets of plain white printer paper are covered in nothing but black ballpoint pen. Repurposed hardback book covers are folded into something entirely new. Some are duct-taped together, others stapled. Some glossy, others matte. There are guides to anything and everything, comic panels, photography, hand-drawn cartoons, poetry, recipes, diaries, and ramblings that only make sense to the person who made them—and that’s on purpose.
Zines are creative magic. And with no rules, they’re incredibly accessible. Anyone can zine and have a voice, regardless of artistic training or work life experience.
You are your own Anna Wintour, Graydon Carter, Ruth Whitney.
San Diego–based zine creator Lyssette Williams specializes in mini zines—often limited to eight pages, they’re meditations in abbreviation. Outlining, thumbnailing, and revision all move quickly from idea to page. Larger projects, including Williams’ long-form graphic novel thesis, move at a slower pace. For those, she often returns to pen and ink, a choice that resists the over-editability of digital work.
Raised by a single mother and navigating mixed-race identity in a predominantly white town, she finds a home for processing it all in zines. Her work deals in identity, belonging, self-definition, and punk-rock childhood. But it isn’t always heavy; Williams creates a mini duck-themed zine called Backyard Duck Propaganda that’s hard not to love. “When I create, I think about what would have helped me find the words back then, what my younger self would’ve needed,” Williams says. “[Zines] put the tools in your hands and democratize art. They’re translations of memories and identities.”

For Williams, a big reason she keeps creating is being surrounded by other creatives—a scene that extends across the border. She points to Verbatim and Comicbook Artists of San Diego, plus events like Zine Fest (October 17–18 this year at Woo in Barrio Logan) and Black Comix Day at the WorldBeat Cultural Center.
Zines have always been a road for subcultures. During the Harlem Renaissance, Black creatives like Langston Hughes and Zora Neale Hurston self-published one issue of Fire!!, which inspired other Black authors. In the 1930s, zines (then called fanzines) were hubs for sci-fi nerds to write fanfiction, address the fandom, and create new characters. Superman actually made his public debut in a fanzine called Science Fiction (he was originally cast as a villain with a fully receded hairline). A couple decades later, zines about feminism and riot grrrl became subculture de rigueur.
The internet nearly killed zines, of course. But now, people tired of the algorithm’s firehose are finding comfort and renewed inspiration in analog. Zines, a salve for digital fatigue.

A giant figure in San Diego zine culture is Burn All Books. Founded by Amanda and Nick Bernal, BAB started as a risograph (digital screen printing) studio and turned into one of those places that keeps expanding the whole scene around it, even forming its own archive group, SCANNNERS. Since opening in January 2023, it has published over 35 works and collaborated with more than 100 artists, writers, and zinesters.
For Duophobia, the pseudonym for local twin sisters Alora and Kiani Dotson (affectionately known as the “possum twins”), zines make room for experimentation and play that doesn’t fit anywhere else. Room for eclectic cartoons and dirty jokes. For sticker-covered sketchbooks.
It’s that same brand of nostalgia you might feel when, say, you walk past the carcass of an abandoned mall and see a faded cartoon mural. Their work lives somewhere between childhood and adulthood, where being unserious is taken very, very seriously.
“We’re born and raised in San Diego, and the community of artists here is a main reason we started publishing,” Kiani Dotson says. “There are people here like Trixxie Land who run open art gatherings. Show up, and you’re part of it.”
Land, a zinester herself (she made 250 single-page zines during 2020’s lockdown), is all about storytelling over hierarchy. Art shouldn’t be about gatekeeping or intimidation, she says. So she holds open-invite arts shows at Subterranean Coffee.

Duophobia regularly share their work at local galleries like Subterranean, filling that lowbrow space with pieces that answer: “What would’ve made us laugh as kids?” Children are often the first to pick up their zines, unfolding them in every direction while parents briefly panic at the impulsive destruction. The twins always step in. “No, no, it’s okay,” they say, before showing how one sheet of paper folds into an entire little book. “It’s like magic.” More often than not, the kids leave with a tiny zine tucked under a tiny arm, future San Diego zinesters in the making.
When asked what a zine really is, Alora Dotson’s response was simple: “It’s anything. Literally anything. The more genuine you are, the more people are going to hear what you have to say. Your voice matters, even if it’s just a silly joke or story. People want to hear about it.”
Not a perfect definition? Exactly. Zines inherently resist categories. Want to turn a single playing card into a storybook? Do it. What about your favorite graffiti artist’s signature tag at Prince Memorial Skatepark? Turn it into a zine.
Everything’s a zine.
Isabella Dallas is a freelance writer for San Diego Magazine and the Arts and Culture Editor at The Daily Aztec in her final year at San Diego State University. She previously worked as an editorial intern for SDM, but when she’s not writing, you can find her trying the best coffee spots in SD, devouring the latest rom-coms, and indulging in anything and everything pop culture.
Behind every beautiful space is a thoughtful process, and ASID San Diego is helping homeowners understand the value of professional design.
A perfectly designed home rarely happens by accident. Those kitchens that feel effortless and rooms that seem to tell a story the second you walk in? They’re usually the work of someone who knows exactly what they’re doing.
It’s knowing which ideas will actually work, which materials will hold up over time, and how to turn a collection of choices into a space that feels intentional. That’s where a professional interior designer comes in.
For the American Society of Interior Designers (ASID) California San Diego Chapter, the goal is to help people see interior design as more than just the finished look. Behind every well-designed space is a process built on technical expertise. Designers are educated in everything from professional software and construction details to building codes, space planning, materials, and functionality.

“People don’t always realize how much goes on behind the scenes,” Kirsten Recce , current president of the ASID California San Diego Chapter, says. “Our designers are not just doing furniture placement and color selection and picking out new fluffy pillows. That’s not what they’re trained for.”
ASID members bring formal education, continued learning, and industry knowledge to their projects, helping create spaces that are not only beautiful, but designed to work. A paint color that changes completely depending on the lighting. A material that looks beautiful in a showroom but doesn’t make sense for everyday life. A layout that photographs well but doesn’t function for the people living there. These are the details where professional guidance can make all the difference.
Still, one of the biggest misconceptions about hiring an interior designer is that it’s reserved for massive renovations, luxury homes, or people who already know exactly what they want. The process can feel intimidating. Where do you begin? Is a designer worth the investment? What if you only need help with one room?
ASID’s answer: start with one hour.
ASID’s Spruce Up events break down one of the biggest barriers between homeowners and professional design: knowing where to begin. Held twice a year, the community program gives homeowners the chance to work directly with an ASID designer through a one-hour, $125 consultation in their own home. Whether you’re looking for advice on furniture placement, window treatments, kitchen and bath updates, remodeling ideas, vacation rentals, color selections or something else entirely, the upcoming September 2026 event offers an approachable way to get expert guidance before committing to a full project. Signups are open through Sept. 7, with consultations taking place Sept. 21 through Oct. 31. Proceeds benefit ASID San Diego’s educational and community programs. Register here!

“It’s a great opportunity for people who are in that exploratory phase,” Recce says. “Maybe they’re not sure they want to hire an interior designer yet, or they think it sounds daunting or expensive. This gives them a chance to discover what working with a designer is actually like.”
Design is personal. A good designer isn’t just creating a beautiful room; they’re helping create a space that fits the way someone lives.
“We’re a resource to all of San Diego County,” Recce says. “It doesn’t cost anything to pick up the phone and call and ask. We’ll answer.”
Follow ASID San Diego on Instagram, LinkedIn, and Facebook for updates on upcoming events, or connect with the chapter directly at [email protected] or 619-548-8847.
SDM's staff shouts out our favorite food finds this month including bites from Glass Box, Pete's Seafood, Kimochi, and Immersion Coffee
It’s August. Corn season—that hallowed dental flossian time—is upon us. Peak summer means the fruits from local farms are downright NC-17. It’s also hot-adjacent, so we search out top-notch sashimi and interesting fruit punches. And because we’re contrarians, we also find ourselves tucking into a warm lobster roll in North Park, vying for a father’s love. Anyway, these are the stories behind the best things we found this month—things we’d recommend to friends who didn’t owe us money. Salamat.

Chef Ethan Yang grew up folding dumplings in his dad’s San Diego restaurants—such as the former Fortune Cookie in Rancho Bernardo, which drew on the family’s Taiwanese and Chinese roots. So the Taiwanese beef noodle soup on the menu at Glass Box (a lovely glass-enclosed sushi and pan-Asian spot at Sky Deck in Del Mar) is a family pride—the result of Ethan, dad, and his brother tinkering endlessly with various bones (they finally found the perfect bone, only sold by one butcher in LA).
But the dish that shows off his raw fish skills is the albacore—lightly cured in soy, mirin, and toasted sesame oil, flame-torched to caramelize, and finished with smoked shoyu, chive oil, shiso oil, house-pickled sweet peppers, and crispy rice pearls. —Troy Johnson

“Wait, where is it?” I hear this a lot when suggesting Luce for drinks or a bite. The Bay Park restaurant is smack dab in a part of the city that isn’t conventionally attractive: on the side of the 5 freeway, next to a bevy of service-looking storefronts. To be in this area, you either live here (homes here are fairly excellent with that bay view) or are getting a muffler fixed. A better reason to be in Bay Park: An evening at Luce, a locals’ haunt. Get the Duroc pork chop (the chefs’ chop, with darker meat, higher fat content, better marbling) with collard greens, toasted grits (toasting anything results in a better version of that anything), and a mustard glaze that makes you feel like you’re in the South enjoying sweet tea with friends. —Nicolle Monico

Ever walk into your kitchen during the afternoon feeling recklessly free and decide the time is exactly right for a glass of Champagne? Maybe you crushed a work project or navigated a 4-year-old’s meltdown with the elegance of a global diplomat. You ever then pour that glass and are immediately pulled away by other demanding life errata—and by the time you eventually return to celebrating being alive, you find the remaining victory-juice sits in the popped bottle, losing its steam, and serving you a metaphor for your day?
Hilary Cocalis solved this for me with Carlsbad-based Sipwell. Tiny Victories is a Champagne-style sparkling white in a 250ml can (a glass and a half—the correct amount), the first can-conditioned sparkling wine on the market, fermented with true Champagne yeast. Crisp apple, a little citrus, that biscuity thing good bubbles do, zero sugar. It’s also the first canned wine to crack Wine Enthusiast’s Top 100, so now there’s no excuse not to celebrate all of life’s tiny victories. —Claire Johnson

If my dad were to rank his favorite things, I think I’d make the podium, but there’s no way I’m outperforming this lobster roll. And why would I? We went to Pete’s on Father’s Day, and Peter DeCoste brought out 5 ounces of Maine lobster smothered in warm butter, tucked haphazardly into a grilled New England–style roll, served with a simple coleslaw and basic fries (no need to overshadow the star). Pete’s has a cold version with mayo, too, but there’s something about warm lobster that really wins over dads and their lobster-jealous daughters. –Lili Kim

Valerio’s 1979 is a quintessential San Diego family story. In the 1950s, the grandparents opened their first bakery in the historic Philippines city, Cavite. Their son, Jimmy, would bake and sell bread before school. After enlisting in the Navy and being stationed in San Diego, Jimmy and his wife, Gloria, opened his own version of the family bakery in National City in 1979—a huge hit and home-away-from-home spot for the city’s massive Filipino community.
Four-plus decades later, with four locations across SoCal, it’s on the third-gen of Valerios. The new blood is reviving the name and place with all kinds of Filipino comfort food, and the turon is a star. The classic Filipino treat is a ripe, sweet saba banana and jackfruit, rolled in lumpia wrapper, deep-fried, and covered in sticky, caramelized brown sugar. “Dessert lumpia” is a phrase to live a life by. —Troy Johnson

The contemporary Japanese restaurant lands in San Diego as part of its global expansion
For years, writers (even me, I’ll admit) have spilled gallons of ink lauding San Diego’s up-and-coming dining scene. No, we’re not Los Angeles’ little sibling. Yes, we’re more than fish tacos—and have been for a while. We hosted this year’s California Michelin Guide ceremony. Southern California’s first three Michelin-starred restaurant (Addison by William Bradley) calls San Diego home. I think it’s safe to say we’re not on the way—we’ve arrived.
If anyone needs more proof that San Diego has truly made it to the world’s stage, all you need to do is look toward downtown’s newest arrival: Zuma, the globally-acclaimed contemporary Japanese restaurant and izakaya.
Located inside The Guild Hotel, Zuma San Diego is the sixth US outpost of the London-born brand, which now includes restaurants in destinations like Bangkok, Thailand; Ibiza, Spain; and Cannes, France. And there are on the way, including Saint Barth in the Caribbean; Los Cabos, and Mexico.
Each Zuma outpost has its own local flair, but share a few key elements no matter where it is in the world: a large, energetic bar area; an open sushi counter; and Zuma’s signature robata grill.
Rainer Becker and Arjun Waney founded Zuma in Knightsbridge, London, in 2002 after Becker spent six years cooking in Tokyo, connecting Japanese elegance with vibrant design. After opening locations in Miami, New York City, Las Vegas, Boston, and Vail, vice president of operations Nick Fielding says San Diego felt like a natural fit.

“There’s something uniquely special about San Diego in terms of energy and culture,” he says. “You’ve got a city that is extremely, extremely well versed in culture, in food, in hospitality, in luxury. It’s a quiet luxury, which is very much in keeping with what we believe in.”
The Guild Hotel makes sense as the host location. The historic Italian Renaissance property dates back to 1924, featuring a European-style courtyard, plush lobby, and an abundance of restored original details, like 1920s-era tilework.
One important note: while guests can access Zuma via the hotel lobby, the restaurant has its own dedicated entrance located on Columbia Street. And if you want the full Zuma experience, that’s where you’ll want to start, promises Fielding.

“The entrance is a big part of the arrival experience,” he says. Upon entry, guests walk through an elongated tunnel made from solid teak before arriving at an oversized boulder wall. Each stone has been hand-cut and carved by a team of artisans in Mexico, with a design meant to reflect the rugged California coastline. Next steps guide you across a Japanese garden–style walkway among a Zen pebble garden (inspired in part by the Japanese Friendship Garden in Balboa Park) straight to the indoor-outdoor bar made with hand-cast resin panels designed to emulate the sunset over the ocean.
As for the patio, it’s a jungle out there—literally. Luscious greenery and towering palms drape across the space to create a secret tropical garden framed by hand-carved, uplit teak screens from Indonesia. By design, there’s no question it’s a Zuma restaurant, but the San Diego location’s style rotates around five pillars, according to the restaurant group’s head of design, Lucy Robinson.

One: embracing a sense of understated luxury. Two: highlighting the year-round climate with a 50/50 indoor/outdoor split of the space. Three: blending local architectural details (like the botanical garden references) with Japanese aesthetics. Four: creating a bespoke palette of bold pinks, oranges, and yellows inspired by minerals found in coastal stones along the coast. Five: Creating a vibrantly energetic space (a goal for every Zuma location).
Inside, the robata grills crowns the center of the dining room, featuring a Japanese paper hood and fire element-inspired resin wainscot base to create a striking tower of red, yellow, and orange. “We always try to bring the four elements into our projects, which are fire, water, wind, and earth,” explains Robinson. San Diego also features Zuma’s first ice box centered on the sushi counter. “It’s almost like on an island—a big lit-up ice block, which will be chipped down to make the base of our sushi platters.”
The 6,600-square-foot dining space seats 221 guests, with a natural flow between the two—another nod to the nearby coast. From hand-woven details by an artist in Germany to the granite tiles on the walls, scale, pattern, texture, and color are everywhere.
That’s true for the plates as well. Head chef Briant Arciniega says to recognize all Zuma’s big hits—spicy beef tenderloin, saikyo miso-marinated black cod, barley miso-marinated baby chicken, as well as signature sushi and sashimi options, and robata dishes like grilled scallop skewers, beef with shishito pepper and smoked chili soy, jumbo tiger prawn with yuzu pepper, and ribeye with wafu sauce and garlic crisps.

Beverage-wise, the menu follows the same diversity of flavors and price points to offer high-end staples, but remain approachable, says Fielding. Expect concoctions like a Japanese margarita made with Mijenta blanco tequila, mezcal, yuzu, orange, and yuzu koshu, opt for an easy-drinking Sapporo pale lager, ask the lead bartender Eric Howell for a wine recommendation, or explore the sake selection.
At minimum, expect vibes. Robinson says the Zuma team has watched certain San Diego restaurant groups go all-in on experiential, eye-popping, energetically-designed spaces. “We wanted to make sure we stood out when coming into the area,” she says. When you have to compete with things like speakeasies-within-speakeasies and man-made barside beaches of imported Turkish sand, you better bring it.
Zuma San Diego opens at The Guild Hotel (500 West Broadway) on August 10. Initial operating hours are seven days a week for dinner service. Reservations are now open.
Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
Circadian Sleep Clinic Helps Reset the Body Clock
Nearly everyone experiences a sleepless night once in a while. But for those with a circadian sleep disorder, being well-rested can feel out of reach. A circadian sleep disorder occurs when a person’s internal clock doesn’t align with their desired or socially required sleep schedule. This can significantly impact quality of life, mental health and physical well-being. Scripps Circadian Sleep Disorders Clinic, launched in 2019, was the first of its kind in the state. Its specialists diagnose and treat conditions like delayed sleep phase disorder, shift work sleep disorder and non-24-hour sleep-wake disorder. Many patients have spent years—or even decade —thinking there was no hope for their sleep behavior. A solution can be life-changing. Read more about the Scripps Circadian Sleep Disorders Clinic here.
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