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How the pandemic convinced us all to adopt telehealth, made San Diego's top docs social media stars, and changed healthcare forever
Influencer Doctors-lipstick
Stacy Keck
It was late one night in early March 2020, and Rebecca Fielding-Miller was on her laptop after putting her toddler to bed. As an epidemiologist at UC San Diego who specialized in infectious disease in sub-Saharan Africa, she was paying attention to the early spread of the Covid-19 pandemic and sensed what was coming.
That night, Fielding-Miller took case data from the San Diego County website and made a graph–not for research but simply to see what was going on. Then, she posted the graph on Facebook. A friend tagged Scott Lewis, editor of Voice of San Diego, and the next day Lewis called Fielding-Miller for an interview.
“It just kind of started snowballing from there, which was a little bit surprising and not what I anticipated,” Fielding-Miller says. “I would do an interview, and then somebody would see me or something I said and thought it sounded coherent, and then they would call me up, and I would speak to the next person.”
She had done just one media interview before Covid-19, and now, more than two years later, she’s done more than she can count, with outlets from Voice of San Diego and KPBS to USA Today and The Guardian. “Scientists can’t talk like [the average person],” Fielding-Miller says. “I don’t know what it is, but I understand. I recognize that one of the reasons that people call me up is because I can talk like a person. And that’s just not training that scientists get.”
Influencer Doctors-Phone
Fielding-Miller does talk like an everyday person–she’s lively and engaged and even funny. She’s also an expert in the spread of infectious diseases. The combination has made her into one of several local Covid-19 celebrity health experts–doctors and researchers who journalists call on to share information, give health advice, and generally try to make sense of this truly novel pandemic that has consumed everyone’s lives.
For years, healthcare professionals and insurance companies have been trying to get patients to embrace a certain amount of telehealth or remote consultations. The adoption was slow, and people were understandably reticent. The pandemic changed all that.
For the first time in American medical history, during the pandemic, people began getting their health information not from their own physicians but through doctors speaking via news stories, in soundbites on TV, or in short posts on Twitter. And it changed the lives and practices of those doctors. It exposed weaknesses in government health agencies and our healthcare system, leaving many with lingering misinformation about Covid-19 that has damaged public health on a larger scale.
“The Trump administration really tried to play down the virus, especially in the beginning, and there weren’t good federal guidelines. And so everybody was looking for an expert on something that nobody was an expert in,” Fielding-Miller says.
Doctors in the media have long been a thing. Of course, there are the medical dramas– General Hospital, M*A*S*H, ER, and Grey’s Anatomy–but there have also been several medical TV news shows. In 2003, Dr. Mehmet Oz launched his first TV show Second Opinion with Dr. Oz, and he became a regular TV personality through the 2000s. The Doctors, a news talk show offering medical advice, started in 2008. Then, during Covid-19, as the top news story for the entire planet became health-related, doctors became constant guests on TV news and regular sources in news stories.
Before Covid-19, Dr. Abisola Olulade, a family medicine doctor at Sharp, had done one media interview about vaping for CBS San Diego. Fast forward to February 2020, she was once again tapped as a source regarding Covid-19. Now, she’s done hundreds of interviews for outlets ranging from local TV to national publications, including Forbes, The Atlantic, Cosmopolitan, and NPR.
Influencer Doctors-Chart
“When I look back and think about the fact that I’ve been a full-time practicing physician as well, sometimes it’s been just really crazy,” she says. “There are times when I was interviewed four times in one day by different stations, back to back.”
Dr. Olulade learned how to communicate health information in a way that balances “educating people, not causing them to be panicked, and being reassuring as much as you can, but also being very honest.”
She says she’s always had a good bedside manner, which translates onto the screen. “Next to being competent, a good bedside manner is probably the most important thing for a medical provider to have,” she says. “You can have all the knowledge in the world, but if you can’t communicate it in the right way to your patient, it’s totally pointless. It is important to convey information in a clear and concise manner that is respectful, nonjudgmental, and empathetic.”
She says sometimes she was recognized on the street (other doctors said they weren’t), a new phenomenon in her world which is typically a private, closed-door experience with patients. Anyone who’s been on TV knows it takes a bit of putting together to not look shadowy, ghostly, or wholly unprepared for the on-screen experience.
“I do prefer to wear makeup for interviews,” she says, “but I can’t exactly do it in the morning because it gets ruined by the mask, so I do it immediately prior to interviews. It’s an added time commitment in addition to preparing for what I am going to say in the interviews. Lighting is also important. I have gone through several lighting kits both at home and in my office. I would recommend using one.”
Fielding-Miller also started paying more attention to her appearance–and that of her office–due to TV. “I wore a lot more makeup than I would have otherwise,” she says. “My usual amount is none, but I realized that some mascara and good red lipstick make a difference on camera. I keep an extra tube of lipstick and some eyeshadow in my office at work now in case I get asked to do an interview that I hadn’t planned on.”
She also changed up her office, making it Zoom-ready. She hung a “very cute, bold curtain from Anthropologie” over the window, added throw pillows for the couch and liked to play around with the bookshelf behind her. “There is often a copy of How to Survive a Plague back there, and sometimes the board game Pandemic,” she says.
For Fielding-Miller, another big lesson was learning about the different types of media outlets and what each needed. “Some people do long, thoughtful investigations where they do background reading and they really want to give an accurate portrayal, and some you just have to get news on at 5 o’clock and they want the soundbite, and they’re done,” she says. “Both are valid things, and I get it. People watch the 5 o’clock news, and people hear things in soundbites. And so I want people to hear the clip that says, ‘Hey, maybe wear a mask.’ If that is the sound bite I can get out into the world, then that’s all right.”
Dr. Mark Sawyer, an infectious disease specialist at Rady Children’s Hospital, has done tons of interviews, especially about Covid-19 vaccines, and recalls one interview with a local TV station that was a challenge. “Clearly, the agenda of the person doing the interview was to cast a negative light on immunizations for Covid-19, and they wouldn’t accept my explanations for why I didn’t agree with that approach,” he says. “We ended up agreeing to disagree at the end.”
Meanwhile, Dr. Christopher Longhurst, now the chief medical officer at UC San Diego Health, says he worked with his media relations department to learn how to “frame things” during interviews. Before Covid-19, he had done one interview. Now he averages about five a month. “There were a couple of interviews where I flopped and said things I wish I hadn’t, and our media folks were patient with me,” he says. But, he notes, he never had a bad experience with a reporter editing his soundbites incorrectly, and though he didn’t always get much airtime, he felt the stories were always accurate.
“They were looking for sound bites that would play well, but they also were trying to educate, be accurate,” he says. “Even some of those in the more far-right kind of news were looking for the angles that would help people understand that getting vaccinated could save their life. It’s a tough job, I think, to be fair and balanced for a lot of different audiences. And I just appreciated the role that they played in communicating accurate information as opposed to misinformation.”
Another critic, Longhurst says, kept him humble: his wife.
“We’d flip on the local news, and there I was,” he says. “That got really old for my wife after two or three times, and she’s like, ‘Oh, local Brad Pitt here.’”
As these doctors were getting spun up on how to talk to the press, they also had to navigate where to get their own information about a virus that was so new. Quickly, the CDC began holding regular briefings, as did the California Department of Public Health and San Diego County. The daily press briefings were live streamed, so anyone could watch.
Dr. Ghazala Sharieff, the chief medical officer at Scripps Health, said following instructions and guidance from the different agencies took a whole team–people to listen to briefings, read papers, and then meet with her and other decision-makers to decide what to do.
“Covid-19 was brand new, right? No one knew anything, and there was so much conflicting information. So how do you communicate something when nobody even knows the answer?” she says. “Frankly, that is why our team felt like I should get out in the media. I wanted to be the voice of reason, but also we wanted to be the voice of truth. So, we decided to go with, ‘Here’s what it means clinically, here’s what we are going to do,’ because some of the recommendations that were coming up actually made no clinical sense to anybody, and it was hard to follow some of the guidance.”
Dr. Sawyer says it was a huge challenge simply sifting through the sheer volume of information being dispensed. “There have been thousands and thousands of papers published about Covid-19,” Dr. Sawyer says. It was impossible to read everything, so he had to pick and choose which sources were most useful.
To explain something very simply, you have to understand it very deeply, Dr. Olulade says. “The first step is always to make sure that you are up to date on all the correct information and have the right sources. You also need to stay up to date on what’s coming in terms of research and be able to communicate that on the fly.”
In early Covid-19, the Trump Administration was downplaying Covid-19. (“I think that’s a problem that’s going to go away… They have studied it. They know very much. In fact, we’re very close to a vaccine.”) And there wasn’t enough information to satisfy an increasingly concerned public.
“The federal government was not putting out trustworthy evidence-based guidelines, and we were dealing with a novel coronavirus, so this wasn’t something that anybody had studied for 20 years,” Fielding-Miller says. “The public was watching scientists learn in real-time, and those of us doing science communication were trying to educate ourselves and provide clear information on a topic where the picture was still coming into focus.”
The gaps in information drove some people to the internet to find answers, and the media rose to the demand–some of it fact-based, and some of it wildly not. There were online posts, videos, podcasts, and social media accounts making all kinds of Covid-19 claims—like recommending people take Vitamin D or chloroquine phosphate (a fish tank cleaner) to avoid Covid-19 or claims about why masks do more harm than good. The endless information was overpowering to people like Vicky Sorriso, a 39-year-old pastry chef who lives in San Diego.
“I was obsessed with the county counts, the nation counts,” she recalls. “I do have diagnosed OCD, and one of my things is germs and cleanliness. I wanted to know the numbers everywhere for everyone.” Sorriso follows local news like NBC San Diego on Twitter, plus subscribes to national outlets and constantly watches MSNBC. In early Covid-19, she could not look away, and it affected her mental state.
“It was just like a constant stream of bad information,” she says. “I used to walk my dog every day before work down by the Embarcadero, and they’d have these weekly marches and were so vicious to anybody wearing a mask.” Sorriso also has ADHD and says in the past, she’s fallen victim to social media accounts convincing followers not to take medication. “The best resource for me was getting myself to the doctor,” she says. “That was it. Don’t rely on the internet to diagnose yourself.”
Local doctors had to make their voices loud enough to overpower bad information coming from questionable sources. During this time, there was a considerable increase in telehealth, especially as people were avoiding going into doctors’ offices to risk exposure.
But doctors also saw the importance of putting their voices out on social media as well. While it hasn’t changed his overall clinical practice, Dr. Hardeep Phull, Palomar Health Cancer Institute Director of Oncology, said that he’s “very careful” what he posts, “knowing that a broad audience, including patients, could be reading what I have to say.” To that point, he thinks there are differences between social media platforms: He has recently increased his use of LinkedIn, considered to be a more professional network, where he feels he’s gotten positive responses to his posts. But he completely locked down on Facebook. “I feel I have too much personal stuff there, [like] posts from friends, photos, et cetera.”
Dr. Olulade took another approach. She launched an Instagram account where she recorded videos answering common Covid-19 questions. Fielding-Miller made her graphs on Facebook and spoke out about the virus on Twitter.
Dr. Longhurst had a Twitter account for years but rarely used it. In March 2020, he noted another doctor, Dr. Bob Wachter at UC San Francisco, was tweeting about Covid-19. “I intentionally spoke to our media team about it, and I said, ‘Look, here’s Dr. Wachter sharing a lot of information with the public, and we could do something similar. Can I get your permission to do that?’” Longhurst recalls.
Permission was granted, and soon Longhurst was blowing up. He now has nearly 10,000 followers and regularly makes news with his tweets. “I would sit there in the evenings after the kids went to bed, and I’d think about the data I wanted to share and the message I wanted to send, and I’d hit send,” he says. “Then, the next day, it’s, ‘We saw your tweet, and we’d like to interview you,’ or there’d be even a KPBS article with my tweet embedded in the article.”
Longhurst says his biggest social media moment of fame was getting Mark Hamill to tell his 5.2 million followers to download the CA Notify contact tracing app. “Luke Skywalker used the force to boost public health, definitely a social media highlight for me,” Longhurst says.
Being a warrior against Covid-19 misinformation also sometimes involves personal attacks and even safety concerns. Fielding-Miller says after watching heated San Diego County Board of Supervisors meetings where public commenters hurled insults and threats at officials, she signed up for a service that scrubbed her personal information from the Internet.
“Because, who knows, right?” she says. “I did one interview with an outlet that skews a little bit to an audience that’s a little bit less enthused about Covid-19 regulations, and I did get at least one weird voicemail on my office phone—to the point that my mentors suggested, ‘Maybe we should just get security.’”
Dr. Sharieff says there were times when her hospital altered security because “we’ve got some people that are pretty angry out there— and so they walked me to my car sometimes.” She also received threats and vitriol when vaccines first became available from people who didn’t want to wait in line–especially on one online forum in particular.
“The NextDoor people, they were awful,” she says. “I don’t know why they just start slamming you. Let me explain why we didn’t have things for you. Believe me, as fast as I get it, I get it out to you.”
Along with safety concerns, Dr. Sharieff worried about looking like a hypocrite–not wanting to be in a Governor Gavin Newson eating indoors at the French Laundry situation. “I think I went to my first outside restaurant just last week with a friend because I have not done that,” she says. “So I have to learn myself. How do I reemerge back into society? I’m not going to go to the restaurant and tell everybody else not to do it. And so it’s taking a personal toll.”
The fact that anyone was looking to Dr. Sharieff or any of these doctors to answer their questions about when to eat at a restaurant, or any other Covid-19-related question, is somewhat strange in actuality, though it’s become part of everyday life. The most privileged members of society have doctors they’d normally turn to for health advice and pay for anytime access. But during Covid-19—when everyone had questions at the same time, and everything was so new—the country’s health system didn’t have the capacity for individualized attention, and not everyone has good access to quality care.
“People don’t have health coverage that good,” Fielding-Miller says. “There’s not a number that you can just call and get advice.” Most doctors’ offices didn’t usually provide Covid-19 vaccines or testing, and doctors didn’t have information beyond the little that was coming from government agencies. They’re also not trained in public health, biology, and immunology, “and all of the different things they would need to be an expert in to be able to give up-to-the-minute advice,” she adds. So media, and social media, became the doctor’s office that gathered all the various specialists under one virtual roof.
Research consistently shows people are more likely to listen to their primary care doctors, with whom they feel more comfortable, about things like masking and vaccines, Dr. Olulade explains—and that’s a bad thing when it comes to a crisis like Covid-19. “[Having a primary care doctor] is not available to a lot of people, and we really saw the impact of that during the pandemic,” she says.
Influencer Doctors-Spine
Stacy Keck
Dr. Sharieff says she was aware of the weight of her messages and would choose the timing of her media appearances judiciously as a result. When case counts were lower, she’d be more likely to turn down an interview because she didn’t want to wear out her message.
“I don’t want to be that lady that tells everybody they can’t have fun because there was a trust that was developed. I don’t want it to pivot to the point where people don’t listen to me anymore,” she says. “So [my media team] and I kind of go back and forth sometimes, and I’m like, ‘I don’t think the time is right. We’ll do it when the surge comes.’”
Doctors communicating about Covid-19 through the news created an unusually symbiotic relationship between journalists and doctors who wanted to get information out there, and journalists wanted that information plainly, with very little spin. All the local doctors interviewed for this story say they had largely positive experiences with reporters– the facts were usually right, and the message was rarely skewed. And the experience of communicating life-or-death health information to as many people as possible left them with a new appreciation for the media.
“I have felt a real sense of responsibility to try and get information out that can help keep people healthy,” Fielding-Miller says. “And if I can do an interview right before New Year’s reminding people to be a little bit extra careful and provide information that can prevent an infection or can prevent somebody from getting very ill, that has been really amazing and just something that I don’t take for granted.”
Dr. Longhurst says he appreciates the role of journalism far more now, from KPBS to print media like The New York Times and The LA Times and “even [San Diego Union Tribune health reporter Paul] Sisson.”
Dr. Sharieff says she has gotten to know several local TV newscasters. “We know who the friendlies are, and they do such a good job of getting the word out there,” she says.
On a larger scale, she says Covid-19 made Scripps Health see the importance of engaging not just with their patients but the community as a whole. “Really, we have to have an impact on our community which does, of course, benefit our patients in the long run,” she says.
Now, as Covid-19 seems to drop on the list of pressing concerns for many people, the question will be whether they still pay as much attention to health news and these celebrity doctors. Signs point to yes. Some news organizations have expanded their health coverage, and these doctors are now out there in the media and on social media and aren’t likely to lose their followings. For example, Dr. Sharieff says there is much more attention to monkeypox and demand for vaccines than there might have been pre-Covid-19.
Meanwhile, Dr. Olulade says she’s finding patients are asking more questions about the risks versus benefits of medications and interventions, “and that is a very good thing.”
“When patients can understand things, it makes it easier for them to make healthcare decisions. They often feel more empowered,” she says. “Overall, patients seem to be doing more of their own research into health topics, and it’s obviously an opportunity for us in the medical community to corner that space with the right information.”
Dr. Longhurst says the question of whether people will be more likely to listen to medical advice about things other than Covid-19 is a double-edged sword. “People who were looking for a trusted source followed doctors and other experts on social media, but social media also clearly exacerbated misinformation,” he says.
One change he is confident will last and have a positive impact: the rise of telehealth.
“Three years ago, telehealth visits accounted for less than 0.1 percent of our visits, and now account for an average of 15 percent to 17 percent,” hesays.
At Sharp, the experience with media during Covid-19 has led to a systematic change. Dr. Olulade has been promoted to Chief Impact Officer, with a focus on how to better communicate and engage with the larger community, not just individual patients, and that will include engaging with the media.
“Public health messaging has to improve, and that is going to have to be done in partnership with the media, and I think it should be a partnership,” she says. “Of course, Covid-19 has created the rise of the celebrity healthcare professional in a way. There are lots of talking heads on cable news, TikTok, Instagram, and those types of things, but it’s just so time-consuming. And so that’s why the health care systems and organizations have to buy into it and support providers in doing that.”
Claire Trageser has been writing for San Diego Magazine for 10 years. She also is a reporter at KPBS and writes for The New York Times, National Geographic, Marie Claire, Elle and Runner's World.
We take a look at how the use of AI, hospital openings, and new advancements are shaping shape one of the largest healthcare companies in the United States
In Kaiser Permanente‘s hospital exam rooms, artificial intelligence is listening—and that’s a good thing. “It brings the joy back into… getting to know a patient,” says Assistant Area Medical Director Dr. William Tseng. “It restores the connection between doctor and patient, allowing us to actually see each other during the exam.” AI is now a routine part of patient care at Kaiser’s Southern California facilities, where it’s replacing “COWS,” computers on wheels, that can act as a physical barrier between physicians and their patients. Ambient AI functions as a scribe, listening to the exam room conversation (with patient permission), taking notes, and later transcribing everything to the medical record.
In collaboration with generative AI platform Abridge, Kaiser’s San Diego facilities have rolled out the region’s biggest deployment of “assisted clinical documentation” technology, and Tseng is excited about its potential for the entire healthcare industry.

His AI assistant, he says, “[doesn’t] miss things. It improves quality and efficiency.” AI has applications for diagnosis, as well. For example, “in radiology, we can use it to pick up diseases earlier by analyzing images of potential strokes and [helping doctors prioritize which scans they review,] based on severity,” Tseng explains.
Kaiser Permanente also rolled out two new hospitals in San Diego County in recent years. The latest, San Marcos Medical Center, opened in August of 2023. It has a labor and delivery ward, a neonatal ICU, a 24-hour emergency department, and 206 single-patient rooms.
Like many health systems in the area and the nation, Kaiser Permanente is no stranger to struggles with staffing. In late 2023, San Diego Kaiser workers went on strike as part of walkouts across four states to protest exhausting working conditions related to labor shortages and pay that didn’t cover the current cost of living. The walkouts resulted in a new contract that led to what President Biden called “historic” increases in healthcare worker wages.

Two of Kaiser’s San Diego medical centers nabbed a top-60 spot on US News and World Report’s 2023 list of the best hospitals. The publication named Zion Medical Center in Mission Valley and San Diego Medical Center in Kearny Mesa (both Kaiser facilities) among the best hospitals for maternity care this year. Contrasting a recent trend in maternity ward closures across California, the new San Marcos maternity ward opened shortly after two local facilities shuttered L&D services.
Additionally, the organization’s cancer survival rates consistently beat the National Cancer Institute’s SEER (Surveillance, Epidemiology, and End Results) averages. A study published in 2024 showed Kaiser patients with colorectal, breast, and lung cancers have better survival rates after five years than other patients tracked in SEER data.
Tseng attributes this to Kaiser Permanente’s integrated model, where members have access to preventive care, smoking cessation programs, and cancer screenings—along with a national referral system providing regional Kaiser doctors with a comprehensive database related to cancer treatment, to ensure they’re delivering the most up-to-date and effective therapies.
Leorah Gavidor won her first essay contest at age 5. She writes features, news, and non-fiction in San Diego.
Established in 1924, the health system remains a medical leader while tackling healthcare's emerging challenges
It’s a big year for Scripps. The healthcare institution is celebrating its 100th birthday, and in its century in SD, it’s racked up its fair share of accolades: US News and World Report has named Scripps in the top 50 hospitals for cardiology and orthopedics for 19 and 11 years running, respectively.
And it’s not letting age slow it down.
At Scripps Clinic’s Shiley Center for Orthopaedic Research and Education (SCORE), scientists are currently in the discovery phase of developing tissue from human stem cells to use in rotator cuff treatment. The eventual goal is to create a biologically engineered tendon to replace or repair the patient’s torn rotator cuff.
“This is a common injury, and as our population ages, there’s a pressing need to find new solutions,” says lead researcher Darryl D’Lima, MD, PhD, and director of orthopedic research for SCORE at Scripps Clinic.

This year also marked 40 years of the Mohs Micrographic Surgery and Dermatologic Oncology Fellowship, led for all four decades by Dr. Hubert Greenway. Dr. Greenway teaches doctors a technique pioneered by his mentor, Dr. Frederic Mohs, who developed a method of removing skin cancer layer by layer, checking for cancer cells along the way and preserving healthy tissue in the process. Dr. Greenway has performed 45,000 Mohs surgeries and trained 68 physicians to disseminate the technique as skin cancer cases increase each year.
Aside from treating formidable health issues, Scripps Health faces a growing, industry-wide challenge: violence against healthcare workers. Workplace violence at all five Scripps hospital campuses jumped by 31 percent in 2023, reaching 2,335 total incidents. Healthcare staff experience demeaning comments, verbal abuse, and assaults on a regular basis.
Scripps Health President & CEO Chris Van Gorder is part of a countywide task force addressing the problem, and the organization recently hired a retired FBI special agent to enhance staff security and safety training.

Next up for Scripps Health? A new, 227,000-square-foot, three-story building that will expand acute care services and increase the number of hospital beds. Lusardi Tower at Scripps Encinitas is scheduled to open in 2025, housing private inpatient rooms, operating facilities, intensive and progressive care units, and a pulmonary institute.
Leorah Gavidor won her first essay contest at age 5. She writes features, news, and non-fiction in San Diego.
After Captain Keno's closed, pro surfer Benji Weatherley gave its tables, dishes, and memories a second life at Breakers Cafe Bar & Grill
Captain Keno’s No. 8 special—pancakes, sausage, toast, home fries, and eggs for $2.99—was the fuel that powered Benji Weatherley for surf competitions as a teenage pro. A couple decades later, tears were shed when the Coast Highway dive-slash-eatery called it a day after 54 years. Usually, the guts of a shuttered restaurant go to liquidation auctions or straight to the dump to decompose along with its legend. Instead, Weatherley took in Keno’s spare parts—plus other relics from Encinitas’ past—and used them to build the newest community hangout.
Every single piece in the place is from somewhere in this town,” Weatherley says about Breakers Cafe Bar & Grill. “I’m not going to settle for anything less.”
Breakers is a Hawaiian hideout in an uncool part of the coastal surf town, but it’s got the set design of an Encinitas superfan. The plates, silverware, and coffee mugs are from Keno’s. So are the tables and booths. There’s a bench made from the last table preserved in The Derby House (a building that, for over a century, was a hotel, then became a hospital, a religious retreat, and a private home). Weatherley’s not performing CPR on old upholstery because he’s a fan of antique furniture. It’s a method to bring people together.
“Representing nostalgia in this town is the only way to grasp a hold of the community,” Weatherley says. “Everyone wants to touch and feel something different from what they’re experiencing on their phones.”

Every week, locals bring him photos, artifacts, and bits of paraphernalia from Encinitas’ past and ask Weatherley to give them a new home. “I’ve had ladies who were there when [Captain Keno’s] opened cry in my arms and say, ‘This table is where I had my second birthday with my grandma,’” he says. “They tell me these stories, and I tell them I have all the same stories about my mom.” (Weatherley’s mom first brought him to Keno’s and helped raise the young surfers from the Momentum Generation documentary—Weatherley, Taylor Steele, Rob Machado, Kelly Slater, etc.—as they surfed some of the world’s most dangerous waves at Pipeline in Hawaii. Back then, she owned Breakers Restaurant & Bar in Haleiwa. Name sound familiar?)
Weatherley has always been the funniest man in the room. He calls Breakers “the Chuck E. Cheese of Encinitas.” The restaurant hosts hula dancing classes, open-mic comedy nights, and evenings bartended by longtime Captain Keno’s barkeep Vaka Kaufusi. Cult-loved reggae band Steel Pulse hit the Breakers stage recently to perform a new song that Weatherley also helped write. His longtime friend Jack Johnson has dropped by to sing a few, too.
Despite not having a fancy location along the 101, people are catching on. Fire stations and hospitals have held staff parties there. Weatherley also currently sponsors four sports teams.
“Last night, I had a girl say, ‘I want my birthday party at Breakers,’” he says. “That, to me, is community in a nutshell.”
Emma Veidt is an editor at San Diego Magazine. She earned her bachelor's and master's degrees from the Missouri School of Journalism. She loves running, hiking, and rock climbing, but really, she mostly loves encounters with the street cats around North Park.
A customized memory-filled explosion gift box is a creative way to show someone you care
Finding a gift that feels truly personal can be surprisingly difficult. In a sea of generic options — flowers, gift cards, candles, and the like — Xplosion Box offers something more lasting: a customized keepsake built around the photos, messages, and memories that matter most.
Founded by Southern California entrepreneur Jay Vijay, Xplosion Box LLC creates fully customized explosion gift boxes that arrive professionally designed, printed, assembled, and ready to gift. Each box opens layer by layer to reveal personal photos, heartfelt messages, pull-out albums, origami-style photo pockets, and hidden notes, turning a simple gift into an emotional reveal.

The brand was built for people who want to give something meaningful without spending hours printing photos, cutting paper, folding cardstock, or assembling a DIY project. Customers simply choose a box, upload their favorite photos, add personal messages, and the Xplosion Box team transforms those details into a polished keepsake that feels thoughtful, personal, and beautifully made.
Xplosion Box offers personalized gift boxes for birthdays, anniversaries, weddings, graduations, Mother’s Day, Father’s Day, Valentine’s Day, Christmas, proposals, bridesmaid gifts, long-distance relationships, and thoughtful “just because” moments.

Customers can choose from flexible customization options starting at $27. The Mini Surprise Box includes 10 photos, three message cards, and one hidden secret note, while the Mega Surprise Box offers a fuller keepsake experience with 40 photos, three message cards, and one hidden secret note.
What sets Xplosion Box apart is its high level of customization combined with convenience. Filled with personal photos, custom text, decorative details, and layered surprises, each box gives customers the freedom to create a gift that feels one-of-a-kind — without having to make it themselves.
At its core, Xplosion Box helps people turn favorite photos, stories, and words into something tangible: a keepsake that can be opened, revisited, and remembered long after the occasion has passed. asion has passed.
The San Diego designer has created more than 3,000 concert posters over nearly 40 years for artists including the Rolling Stones and the Red Hot Chili Peppers
Let’s start with his name.
No, not his birth name, Craig McKenzie Haskett.
Scrojo.
When he was in high school, he and his friends were trying to come up with the perfect name for their punk band that would encapsulate all their personas. Nicaragua. The Freds.
One of his friends said he was going to go by Jimmy Stacks and called it “the perfect rock and roll name.” Their names changed so much that Haskett erupted: “Fine, I’m f—ing Scrotum Joe, the true defender of the Open West.”
Their response: Wow, that’s a great name.
As a teenager, he drew chalkboards for Del Mar’s Pannikin coffee shop and would design T-shirts for surf/skate brand Life’s a Beach. He signed the shirts with his moniker, but even in punk rebellion, who wants a shirt with the words Scrotum Joe on it? “They just cut out the ‘t-u-m,’ and the next thing you know, a client referred to me as that, and it stuck,” he says.

Scrojo could have been part of a band as iconic as The Misfits—had he been able to learn the famously cumbersome bassline to The Kingsmen’s “Louie Louie.” Becoming one of the most renowned concert poster designers—someone who quite literally designed the cover of Art of Modern Rock: The Poster Explosion—is a pretty good Plan B.
“To my knowledge, he’s done more rock posters than anybody else alive,” says Dennis King, whose D. King Gallery in Berkeley, California, serves as one of the largest private rock poster collections in the world. “He’s the hardest-working guy in the poster business.”
King not only co-authored the sequel to music historian Paul Grushkin’s The Art of Rock, but he also handles distribution and sales for all of Scrojo’s work. That’s more than 3,000 different posters over nearly 40 years. (That’s over one poster each week. For four decades straight.)
For anything from boxing matches to rodeos, posters have long been used as promotional items. Toulouse-Lautrec’s famous lithographs advertised Moulin Rouge in the late 1800s. Around the same time, Hatch Show Print in Nashville was making handbills for the Grand Ole Opry.
“I propose this: Cave paintings are the first poster art,” Scrojo says.

Rock and roll posters took off in the 1960s, when the hippie counterculture era replaced conformity and suburbia. Artists like Jimi Hendrix and the Grateful Dead used their vibrant, psychedelic prints as a form of rebellion from the mainstream. Posters were promotional, commemorative, collectible, and especially expressive.
If the name Scrojo is any indication, he doesn’t shy away from imagery that toes the line of being too provocative. He focused more on what inspired him instead of trying to be offensive for the sake of getting attention.
“Didn’t want to show it to my grandmother, but my parents were fine with it,” Scrojo says with a laugh.
“We’ve had to ask him to put a Band-Aid over a nipple every now and then,” says Chris Goldsmith, president of Belly Up Tavern in Solana Beach, where Scrojo started out and hundreds of his posters currently line the walls.
Scrojo spent six weeks at Otis College of Art and Design for a summer semester before drugs, alcohol, and a self-described lack of discipline prevented him from enrolling full time. Still, he taught himself concepts like text hierarchy and later found his niche at the Belly Up and in the surfing and skating world, working with brands like Quiksilver, Rip Curl, Scorpion Bay, and DGK.
His first concert poster was for North County band Borracho y Loco, of which Goldsmith was bass guitarist. Scrojo drew an abstract version of the Belly Up’s iconic shark with colorful calypso and tiki themes.
Early on, he would craft using a pencil, pen, non-reproduction blue pencil, X-Acto knife, rubber knife, and proportion scale to create each poster, and the finished product could take a week or even longer.

“I recommend every artist coming up to do that for like six weeks,” Scrojo says. “It forces you to think about every design decision as you’re going along.”
He has since mastered vector imagery through Adobe Illustrator to the point where, depending on the level of detail needed, he could finish two projects in a day. Still, he fills sketchbook after sketchbook to blueprint.
“I liked his line in particular, and he knows how to draw, which a lot of people don’t really know how to do these days,” King says.
Scrojo would research what each musician’s merchandise looks like to get a feel for each artist’s tone and voice. Once he has his central image in mind, he focuses on what and where to place the text.
He doesn’t have one specific style, ranging his talents from art deco to psychedelic and everything in between (and outside the lines). Want a pop surrealist comic book cartoon devil with splattered paint textures, halftone dot patterns, and pure chaos? Red Hot Chili Peppers, February 1986. Want a minimalist graphic portrait with bold strokes and graffiti text? P!nk, October 2023. Want a carnival sideshow style piece with a tasteful caricature of Jeff Bridges? The Big Lebowski, August 2011.
Scrojo calls himself a jack of all trades because he can create posters for all music genres. King calls him a chameleon for his ability to adapt his voice to new eras.

“The variety of his skillset makes it possible for us to put 50 of his posters on a wall next to each other and have it look compelling, not just a bunch of the same thing over and over,” Goldsmith says.
Some of Scrojo’s favorite posters are when he feels a personal connection to the artist or the album. He has a vivid memory as a child of being trapped in a closet filled with marijuana leaves while playing hide and seek and staring at Jimmy Cliff’s “The Harder They Come” LP. “For whatever reason, as a kid, that sparked a desire to do graphic design,” Scrojo says.
Fast forward to February 2012, Cliff is performing at Belly Up. Scrojo decided to modify Cliff’s original album cover from rainbow gradient fills to classic reggae psychedelia while preserving Cliff’s striped pants and bold hat. Cliff’s manager called him and said they wanted to use it for the rest of their tour.
“We always get artists requesting that he does their posters,” Goldsmith says. “A lot of artists don’t want venues to go all rogue because they want to control how they’re being presented. With him, they’re like, ‘Let him go nuts.’”
Matt Eisenberg is an award-winning writer and photographer based in San Diego. A former ESPN editor, his work has also been published by CNN, Bleacher Report and the New York Daily News.
New editor Emma Veidt gives an introduction and her ode to the once-sleepy, now slept-on North County
I am fairly sure they don’t let you graduate from Carlsbad High School without a W-2 from Legoland. Being a Legoland MC (Model Citizen, the employee’s moniker) is a rite of passage for all of us who grew up in North County. If you spent a day at the theme park in the 2010s, I probably pointed you toward the Granny Apple Fries or measured your height at a ride entrance.
And now we meet again. I can still point you to quality fries.
This is my first full issue as the new print editor for San Diego Magazine. But it’s not my first time here: I was an editorial intern for these pages back in 2018 (see photo). To be a part of a constant study of the city, its people, its culture, then finding the most compelling stories and bringing them to life—it was incredibly impactful and solidified my decision to pursue all of this (local, print magazine journalism) as a career. Since my internship, I’ve gotten my bachelor’s and master’s degrees from the Missouri School of Journalism and worked for nearly five years at Backpacker magazine. And I’m back at San Diego Magazine, baby. There’s a real magic to narrating the lives lived and dreams dreamt in the place that built me. I am excited to be a part of building the culture of where I’m from. And, born in Tri-City Medical Center and raised in Carlsbad, I can’t think of any other place than our North County issue for me to make my grand entrance as an editor.

To me, North County isn’t just where I’m from; it’s home. Throughout the years, I have run thousands of miles (I did the math) up and down the 101 between Oceanside and Cardiff. I’ve spent thousands of dollars (an estimation, too painful to do the actual math) on BRCs—beans, rice, and cheese burritos—from Lola’s, Juanita’s, and the late, great Pollos Maria.
The stretch of land between Camp Pendleton and the 56 is easy to love. We’re quieter and a little more zenned out than our lower-latitude neighbors, sure, but we’re neither sleepy nor boring.
Do you think Scrojo, the Belly Up’s punked-out poster artist featured on page 68, could last a day somewhere boring?
What I’ve always loved about North County is that the culture shifts every couple of miles as you reach a new town. For years, the media seemed to cast the realm above the merge as a two-toned monolith: sleepy surf towns to the west, suburbs and country living to the east. The nuance of each section seemed flattened or clumped. I think you’ll see the vastly different cultures of North County in this issue—but all distinctly San Diego. Which is to say a little mellower, fewer airs, come as you are.
It’s hard to imagine that the dusty trails and vibrant, muraled alleyways of Escondido are just miles from the barefoot surfers roaming Leucadia. Even though the SDM editorial staff is made up of two lifelong locals and other longtime residents, we don’t pretend to be the experts on every street. What a good city media company does is find the people who are experts, who have a unique hyper-local perspective—and give them the stage.
So we picked six North County neighborhoods—Oceanside, Vista, San Marcos, Leucadia, Rancho Santa Fe, and Escondido—and reached out to artists, community leaders, business owners, anyone making their neighborhood brighter, and we had them describe their perfect day out and favorite things that give their neighborhoods meaning and culture. These itinerary curators included San Marcos’ Patricia Prado-Olmos, Leucadia’s Jeff Schade, Oceanside’s Aaron Crossland, Escondido’s Suzanne Nicolaisen, Rancho Santa Fe’s Charo Garcia-Acevedo, and Vista’s Steve Glaudini. If there’s anyone who lives and breathes North County, it’s them. Check out their recommendations in our feature on page 56.
This month, we’re also going back in time almost 15 years to the Big Bay Boom. Yes, that meme-ified Fourth of July fireworks show where enough pyrotechnics for a 17-minute show went off at once over San Diego Bay. Content Chief Troy Johnson remembers the day and dug back through the story for a hilarious locals’ take on the big debate: Was it the worst fireworks show of all time, or the greatest? (Page 38.)
Before I leave you to our hard work, a sentimental note. When my parents moved from St. Louis to San Diego in the early ’90s, my mom subscribed to San Diego Magazine to learn about her new neighborhood. Now, over three decades later, I’m here—on this planet and in these pages. I thought about my parents a lot as we worked on this issue. Maybe there are a couple new San Diegans reading this magazine for the first time. Maybe that’s you.
Well then, to both of us, I say, “Welcome.” Let’s do this.
Emma Veidt is an editor at San Diego Magazine. She earned her bachelor's and master's degrees from the Missouri School of Journalism. She loves running, hiking, and rock climbing, but really, she mostly loves encounters with the street cats around North Park.
It’s a Self-Care Summer. Because your best self is our favorite self.
If you’re anything like us, it can be easy to get so caught up in taking care of everyone else, that your own needs get lost in the ether. But while this may be a cliché, that doesn’t make it any less true: You can’t give your best self to other people unless you’re taking care of yourself.
Sometimes, that looks like stopping in for your regular acupuncture or chiropractic appointment. Other days, it means giving your body the fresh, organic fuel it needs to truly feel and function at its best. And some other times still, it involves leaving your responsibilities behind for a weekend to pamper yourself at an incredible resort and spa.
Only you can decide what your truly need. We’re just here to help you find the best ways to get it.

Island living meets desert luxury at the Tommy Bahama Miramonte Resort & Spa in Indian Wells. When you step onto the 11-acre property, you’ll be surrounded by sweeping view of the Santa Rosa Mountains with olive trees and fragrant citrus groves decorating the grounds. In other words, everything about this relaxed but refined resort is primed to help you let go of the stress from home and enjoy easy sun-soaked days and gorgeous starry nights.
The rooms blend calming, woven textures with Tommy Bahama’s signature tropical prints and feature private lanais, making it easy unwind the moment you walk in the door. If you book one of the four Villa Suites, you’ll be treated to exclusive Tommy Bahama furniture and unique personal touches to further that feeling of instant ease.
At the award-winning Spa Rosa, the expert team will help reset and recharge your body and mind using methods and rituals inspired by the desert. The 12,000-square-foot retreat includes outdoor soaking pools, eucalyptus steam rooms, and outdoor cabanas, as well as massages, facials, and body masks—all aimed at creating a day dedicated to you. We’re particularly partial to the Day Long Escape, an indulgent all-day affair of CDBs soaks, renewing scrubs, life changing massages, and transformative facials.
Following your treatment, continue the experience with a meal on the patio at Grapefruit Basil. We love the Hamachi Crudo, a light, citrus-forward dish featuring premium yellowtail, house-made ponzu, creamy avocado, and fresh seasonal garnishes.
Whether you’re strolling the gardens, relaxing beside its saltwater pools, or indulging in a restorative treatment, you’ll be able to escape in style and relax in luxury at the Tommy Bahama Miramonte Resort & Spa.

There’s no shortage of ways to stay active in San Diego—but if you really want to enjoy everything the city has to offer, you’ve got to make sure you’re giving your body its tune-ups. Enter: Healcove Chiropractic. The board-certified chiropractors and wellness professionals at Healcove are experts at addressing that stage where you’re not injured, exactly, but you’re not at 100%, either. Maybe you’re feeling a bit tense or stressed out. Or it could be that you’re not quite moving the way you want to. Sometimes, it’s just that the accumulation of days, weeks, or even years of daily strain is starting to take a toll. No matter what stage you find yourself at, the Healcove Chiropractic team can provide integrated, preventative care centered on long-term, science-backed approaches that ensure you can always stay active and live the life you want to live pain-free.
This starts by providing truly individualized care. Every patient can expect a thorough 60-minute consultation session that includes a posture and movement screening. This allows the team to develop a completely personalized plan. That plan might include chiropractic care, acupuncture, or massage therapy, as well as functional fitness training, vibration and sound therapy, and Dynamic Neuromuscular Stabilization, a clinical rehabilitation method that retrains the body’s stabilization systems. Whatever the team recommends, you can be sure that it’s tailored to meeting your body’s needs today and the future.
There’s a reason that San Diego Magazine named Healcove the “Best Chiropractor in San Diego”—don’t wait until you’re struggling with an injury to find out why. Book an appointment today for holistic, integrated care that helps ground and heal your body before it reaches a crisis point.

West Coast wellness culture meets the community feel of Southern Appalachia at Juice Holler. Juice Holler’s menu consists of made-to-order smoothies and smoothie bowls, as well as grab-and-go cold-pressed juices, wellness shots, salads, and more. It operates from the blissfully simple premise that fueling up with food and drink that’s guilt-free and good your body should be simple, accessible, and, above all else, delicious. And if you haven’t yet made it out to the Encinitas café, which opened just this year, let us be the first to tell you: Juice Holler delivers on each and every of these fronts.
We love the Supercharger smoothie, a mood-lifting and body-fueling option made with banana, almond butter, blue spirulina, maca, grass-fed whey protein, raw cacao nibs, medjool dates, and coconut milk. We’re also partial to the Thrive Alive smoothie bowl, where avocado, mango, sea moss, spirulina, mint, coconut milk, and agave are mixed and topped with coconut, chia seeds, strawberry, mango, and chocolate drizzle. The wellness shots include the Detoxifier, a cleansing blend of kale, cucumber, lemon and spirulina, plus a shot specially designed to fight inflammation (named, fittingly, Anti-Inflammation). Probiotic overnight oats, lemon turmeric bars, and strawberry shortcake chia pudding are other standouts on the grab-and-go menu.
Much of the vibe feels beachy North County chic—think green tile with orange and pink accents, grounded with greenery and natural wood—but Juice Holler founder Kelly Sergott, a longtime Encinitas local, has also enfused the space with her Kentucky roots. In Appalachia, a holler is small valley between hills and mountains, where nature reigns, community is king, and nourishment comes right from the land. At Juice Holler, Sergott has created a holler for the busy modern times, using local ingredients to create a spot for people to come together and enjoy fresh, fast, feel-good fuel for their day.

We’ve all had that experience with a medical professional where we’ve felt rushed, ignored, or misunderstood—and ultimately, like we didn’t get the answers that we needed. But at Everwell, the holistic acupuncture practice located in Solana Beach, the care team wants to transform your understanding of what healthcare can look like.
Patients at Everwell experience care rooted in intentional listening and radical empathy—and trust us, those aren’t just corporate buzzwords. This place actually puts those ideas into practice. You will always be given the time you need to tell your story— initial in-take appointments are two hours long—and you can rest assured that your story will be believed. Every single question and concern will be addressed by a dedicated practitioner who wants to find the specific solutions that work best for you, and you’ll receive care that’s aimed at healing the body, mind, and spirit.
Everwell’s highly trained, doctorate-level practitioners blend evidence-based acupuncture with the practice of classical Chinese medicine. (If you’ve never tried acupuncture before or aren’t sure if the team will be a fit, we’d highly recommended Everwell’s complimentary 20-minute consultations.) Research shows that by stimulating specific points on the body, acupuncture activates a natural healing response in the body, helping to restore balance, regulate the nervous system, and improve overall wellbeing. This allows the practice to address an incredibly wide range of conditions from chronic pain and autoimmune disorders to digestive issues, from stress and burnout to headaches migraines, fertility and postpartum struggles, hormonal imbalances, sleep concerns and more.
At Everwell, you can expect to feel heard, trusted, respected, and cared for. This is a space that doesn’t want to be just another healthcare provider you visit; it wants to provide patients with dedicated partner who will be there for their entire health journey.