Looking inside the windows of San Ysidro’s Front Arte & Cultura, a hotspot for emerging artists, bright colorful paintings and engaging sculptures by Jon Villanueva immediately catch your eye. Once you are inside, the gallery opens up into a large space where the creativity and craftsmanship of Mariel Miranda are on full display.
Her show El Viento O El Polvo, Tal Vez transforms found objects and collective experiences from her barrio in Tijuana into a grouping of sculptures that champions the power of imagination and solidarity, unseen labor, and joy. When I ask how she felt the first time she saw the show as a whole, her eyes fill with emotion.“
I think it’s my most beautiful show so far,” she says. “I wanted to be braver than ever before.” In the past, Miranda has predominantly worked within the medium of photography, collecting and collaging archival imagery. However, upon completing her Masters of Fine Art, she felt a calling to work with her hands. Her debut in sculpture triumphs—it is colorful, captivating, spilling over with emotion.
Courtesy of Mariel Miranda
The story of this show starts with the community library she and her brother opened in their front yard. One of the first activities they hosted at this library was a science fiction workshop. The siblings invited neighborhood members of all ages to engage in writing, storytelling, collage, drawing, and conversation. They pulled inspiration from their neighborhood, looking within at the challenges it is facing—and beyond, using the framework of science fiction to imagine what the future could look like through collective action and change.
The workshop culminated in a performance, documented in an arresting film on display at the exhibition, where both adults and kids donned homemade armor and marched through their barrio as a guerilla group, one that would guard the neighborhood. Despite the workshop’s science fiction focus, Miranda recounts, “[These kids] were not thinking about time travel machines, but about shields and things they could use to protect themselves.”
In their neighborhood in Tijuana, clean water is not a given and gunshots from narco violence are a regular and life-altering occurrence. At dusk, burning cars release huge plumes of dark black smoke into the sky. Their reality is one in which Miranda and her brother must debate opening the library following a day heavy with the sounds of explosions, concerned about incentivizing people to leave their homes amidst projected violence.
Miranda speaks openly and candidly about these issues, lamenting that, “We’re dealing with a new generation of young boys and girls who are normalizing the fact of living without water in their houses.” Several pieces in her show reference the tongue, paying homage to thirst, to the voice, and to stories.
She also spoke of the dangerous labor conditions in the maquiladora (or factory) in her neighborhood. Miranda, who has a deep background in sociology, points to these as examples of neocolonialism—where American companies come in to cut production costs on the manufacturing of their science-fiction future, often at the risk of those working in the factories.
One piece in Miranda’s show gives tribute to the lost limb of one of these workers and explores conversations around how to sabotage the machines and systems that are devouring her community. Other pieces use assemblage sculpture and the process of weaving, a single repetitive action that grows into an accumulation, to give visibility to this kind of labor.
Accumulation and labor have long been a tool for female sculptors, perhaps in response to the invisible labor women are often called to perform. The desire, then, to be seen, acknowledged, reckoned with, transforms action craft into pieces that consume rooms. Miranda also uses many found and recycled materials from her neighborhood.
One of the standout pieces in her show “Esta criatura oscura y brillante baila y respira” (or “The dark glowing creature dances and breathes”) is a towering, suspended flow of magnetic tapes from old VCRs. Small air currents in the room and slight movements breathe life into it, and it glows eerily with the echoes of a green neon sign sculpture in the corner.
Woven threads and found items come together in a newfound brilliance through reclamation and imagination. Miranda weaves belts with the same authority she weaves threads of hope in her community. She pulls from her background of collage and treats objects as archival pieces of her barrio’s story.
Her show, along with Jon Villanueva’s work, fill Front Arte & Cultura to the brink with color, youth stories, beauty, play, and transformation. The darkness is there, but belief in a better future shines above it. “Work that gains clarity through love, friendship and solidarity,” Miranda emphasizes. “That’s the future.”
El Viento O El Polvo, Tal Vez is open now until August 31 at Front Arte & Cultura. 147 W San Ysidro Boulevard, San Diego, 92173.
If you’re anything like me, you’ve probably been planning your wedding your entire life. The impromptu daydreaming usually comes at the most inconvenient times: during a meeting or right as you’re falling asleep after watching too many episodes of TLC’s Four Weddings.
In those imagined scenes, there is always a sunset. Usually some kind of impossible garden that feels like Alice in Wonderland meets The Secret Garden. There are soft pinks and climbing greens, florals that look like they grew a little too perfectly on purpose, and somewhere in the distance, water that catches the light. It’s dramatic in the best way.
Perched on Harbor Island, Sheraton San Diego Resort feels like a tucked-away bayside escape. But the real centerpiece of its $123 million transformation is the new Garden Terrace, a private green oasis that feels like it was designed specifically for the dream wedding replaying in my head. This is what I had been imagining all those years. White tea roses, lavender, gardenia, jasmine, and magnolia trees line the space, creating a fragrance that feels like it’s part of the architecture.
Courtesy of Sheraton San Diego Resort
Sheraton San Diego Resort has always had the advantage of its location, but what stands out now is how intentionally the indoor and outdoor spaces coexist. Panoramic harbor views stretch across the property, shifting from soft blue mornings to golden-hour glow and a nighttime skyline that feels almost cinematic. Of course, there are other ceremony and event spaces across the resort, too—including the Lanai Lawn, Harbor Vista Lawn, and Eventide Gardens—each offering its own variation of open-air beauty. But the Garden Terrace is the one that feels like it was made for vows.
I arrived on a Tuesday afternoon with a suitcase slightly overpacked, the result of not knowing what to fully expect from a resort doubling as a wedding venue. I tried to cover every possible version of the trip: a handful of summer dresses, a few breezy pants, marina-esque tank tops, sandals for everything, and accessories meant to sparkle in the sun (seven different earring and necklace options was probably unnecessary, though).
I did, however, underestimate the swimsuits, especially once I saw the paddleboards, endless water activities you’d want to try at least once, and pools and jacuzzis practically whispering your name. Business casual never made it out of the suitcase, replaced instead with easy cover-ups, pinks and greens, and airy button-ups that felt more in tune with the setting than structured jackets ever could.
The resort has been reimagined across rooms, dining areas, and outdoor spaces, with thoughtfully layered tile textures, lighting that shifts with the time of day, warm-toned palettes in the dining rooms, and fresh blues in the bedrooms that complement the views pouring in through the windows. The foyer feels expansive, framed by floor-to-ceiling windows and designed to bring a little bit of San Diego inside with you, rather than shut it out.
Courtesy of Sheraton San Diego Resort
By late afternoon, I was sitting by the marina watching the water shift colors in real time, the kind of view that makes everything feel slower without trying. Dinner at Rumorosa brought the first real taste of the resort’s Cali-Baja identity, starting with a trio of margaritas—passion fruit, spicy watermelon, and creamy coconut—that made it impossible to pick a favorite and slightly dangerous to have them all in front of you at once.
The table opened with guacamole layered with spicy cotija, radish, pomegranate seeds, candied serranos, cilantro, limes, duritos, and warm tortilla chips, followed by Mexican street corn with sweet kernels, spiced aioli, cotija, and more candied serranos that hit just enough heat to keep you absolutely addicted.
For my main, I went with the roasted organic chicken breast with buttered jasmine rice, mole negro, and roasted cauliflower, which felt familiar in structure but elevated in small details like the cilantro and pickled onions. And then the Carajillo tres leches cake, a vanilla sponge layered with coffee and Licor 43 mousse, praline, and caramel sauce, arrived and disappeared faster than it probably should have.
What made it feel so curated wasn’t just the menu, but how intentional everything felt without ever feeling fussy: bright flavors balanced against rich ones, heat against sweetness, and plates that arrived right as the light over the marina started to soften. The next morning carried that same energy. Breakfast could unfold at your own pace, whether that meant taking a Zoom call in your room, heading downstairs for a sit-down meal with friends at Rumorosa, or grabbing something quick from Strada Italian Market. I opted for a vanilla latte from La Colombe at Strada before heading out for the morning.
Courtesy of Sheraton San Diego Resort
I made it just in time for the resort’s complimentary morning yoga on the lawn, boats just visible beyond the stretch of green. The Sheraton offers it daily as part of the stay, a low-pressure option for anyone looking for an easy reset rather than a full workout, which I wasn’t expecting to take part in on this trip but ended up glad I did. The class itself was beginner-friendly, with slow flows and a few optional deeper stretches for anyone who wanted to push into more advanced poses.
Afterward, stand-up paddleboarding shifted everything into a different perspective. My small group launched from the resort’s private dock, boards wobbling slightly as we found our balance, then drifted out into the marina where the water opened up in every direction. We paddled past rows of docked boats, slipped alongside houseboats with their shaded decks and string lights, and followed the gentle curve of the harbor as it widened and narrowed again.
The afternoon transitioned into poolside lounging at Sunglow Cabana Bar, where cabanas, cold drinks, and a poolside lunch had me so relaxed I didn’t even realize my phone had died. Sunglow is open to the public, so if you’re looking for a quick day getaway, you can dock and settle in for SoCal-style shareables and frozen drinks.
Courtesy of Sheraton San Diego Resort
Dinner at the Garden Terrace kind of shifted everything for me. In the daytime it just feels like a nice open space, but at night it becomes something else entirely: more intentional, more “put together” in a way I didn’t really clock at first. As the sun went down over the marina, everything turned warm and the garden lit up in this soft glow that was staged under fairy lights. It was as if you were meant to experience it in this very certain way.
It was easy to picture it then: the quiet before guests arrive, the moment someone steps forward, the pause right before “I do.” There’s often a specific kind of silence right before a ceremony begins. And, at the Garden Terrace, that feeling is built into the space itself. You are standing in a garden wrapped in white blooms and soft greenery, with the harbor stretched out just beyond it. The sun is low enough to turn everything gold. Someone is standing across from you, close enough that everything else fades into background noise.
That evolution, according to Sean Clancy, Vice President and General Manager of Sheraton San Diego Resort, has been years in the making. He describes the property as having been “completely transformed,” from the rooms to the restaurants and everything in between, with new spaces like the Garden Terrace designed to highlight the marina backdrop in a way that feels “naturally stunning” and “magical,” not just scenic.
By the time I checked out on Thursday, watching the sun rise over the marina, empty in the early light, I understood why someone would choose this exact spot to say something they mean forever.
Isabella Dallas is a freelance writer for San Diego Magazine and the Arts and Culture Editor at The Daily Aztec in her final year at San Diego State University. She previously worked as an editorial intern for SDM, but when she’s not writing, you can find her trying the best coffee spots in SD, devouring the latest rom-coms, and indulging in anything and everything pop culture.
Front yards. They used to be the most controlled part of a home—or not. They could be tidy with manicured lawns, have raised vegetable beds with food for sharing, or act as an overflow of things that didn’t quite make it inside. Thank you, capitalism, and the American habit of endless consumption. In Lemon Grove, where I live, it’s not uncommon to see a mechanic running a business from his front yard or a family selling birria on Saturdays from theirs. The front-yard genre is broad.
But in communities across San Diego County, the most exposed part of a house—the strip between public and private life—is being turned into something eminently usable, visible, and hang-outable. At first glance, this may seem decorative, but in creating an intentional space, particularly one that’s visible to neighbors and passersby, it’s also the release of a pressure valve.
Let’s not gloss it over: American life has taken a hard right at high speed; two wheels have lifted off the pavement as we careen toward who-knows-what, and our nervous systems are making a sound best described as zoinks!
People are trying to (re)build connection in an increasingly isolated culture, (re)find beauty in the midst of endless anxiety, and (re)create a system friendly for critters. Many of us are remembering that, Oh yeah—we’re biological creatures.
Courtesy of Andrea Doonan
San Diego as a “Biodiversity Hotspot”
Landscape designer Andrea Doonan, of Andrea Doonan Horticulture + Design, is a certified arborist with more than 20 years of experience collaborating with homeowners and renters. She rejects sterile, white picket fence designs and places a strong emphasis on edible gardens and usable outdoor spaces. When we speak, she mentions the unusually wide range of plant and animal life in the relatively small size of our region, making us a “biodiversity hotspot.” (San Diego is the most biodiverse county in the Lower 48.) Because of this, we have a unique system of endangered species that rely on plants to survive.
“More and more, people are introducing native landscapes to connect to nature and support birds, butterflies, and bees,” Doonan says. “I’m very passionate about getting people to unplug and ground.”
Whether it’s for a love of all creatures, our climate, or water conservation, Doonan describes a broader shift toward habitat-driven spaces that are both aesthetic and ecological. For her clients, this can mean replacing turf with native planting, adding seating areas, or even rethinking the front walk as an active, planted threshold rather than just a green lawn. “There’s this idea that people want to make a difference,” she says. “But they also want a place to entertain, recreate, and ground.”
At the center of this is a simple but increasingly urgent question: How can small design choices ripple outward into community life?
Courtesy of Andrea Doonan
For Doonan’s client Lee Miller, that shift is fully expressed. After remodeling the interior of his Pacific Beach home, Miller focused on the backyard, thinking that would be the place for his soon-to-be-born daughter to eventually play. The front yard of his corner property was the last detail to be completed.
Miller said he wanted “a very full, very natural look versus having everything measured.” He knew what he liked when he saw it, but it was Doonan who translated his ideas and guided the creation of a wildlife-friendly space with full-grown orange, plum, and pluot trees. “We have lots of birds, lots of bees, lots of lizards,” Miller says. “There’s nothing better than walking outside and eating fruit off a tree.”
The front yard has become where Miller’s family spends time—often more than the backyard. He and his daughter, who’s now 5, explore the space together, checking what’s growing, learning about their little ecosystem, and chasing lizards. It’s where his daughter plays, where she’s built her own fairy garden, and where neighborhood parents and kids tend to gather at the end of the day.
Courtesy of Jenna Gilmer
Building Community by Being Out There
For her own Normal Heights home, Doonan designed a front yard that includes a seed library, raised beds, native plants, and a sitting area where she and her husband spend time. “I’m meeting my neighbors because I put two chairs and some plants in the front yard,” she says. “I’m sharing produce with them.”
That exchange has become part of the landscape itself, and she points to small systems (like seed libraries) as ways of circulating plant material and knowledge directly between people. In real life. Person to person.
More and more, Doonan says, when we’re talking about solving the big problems, it’s important to remember that everything starts local. Even “guerilla gardening”—small acts of informal planting and care in overlooked sections of land, such as parking strips—makes a difference. Tossing some seeds and adding a bench to the sidewalk strip out front can create a “pocket park” or “a mini-mini park.” In that framing, the front yard stops being an ornamental backdrop and starts becoming an infrastructure for connection.
Landscape architect Bret Belyea frames this front-yard movement (my term, not his) as social repair. “It’s a handshake to your neighbors and passersby,” he says. “It says something about who you are.”
Of course, plant choices matter, but not only for ecological reasons. Native and climate-appropriate plantings become part of how neighborhoods re-establish contact with each other, even without formal planning. What he describes is an aesthetic, but it’s also relational in the way a yard can signal openness rather than withdrawal, invitation rather than separation, and connection rather than, “Get off my lawn, ya damn kids!”
Hanging out in the front yard rather than sequestering in the back is a signal to outsiders that they’re really not outsiders at all. Or, at least, they don’t have to remain so.
Courtesy of Andrea Doonan
The Front Yard as Memory
Not every front yard in this shift toward social spaces has a professional’s influence. Some are created through labor, trial and error, and nostalgia. For Grace Wanjiru, the memory of her childhood in Gitaru, Kenya, led her to beautifully DIY the hell out of the front part of her half-acre Encanto property. When she bought her home nearly two decades ago, it was essentially just a little house plunked down on a giant plot of dirt. She had a blank slate and plenty of memories from which to create something that would imbue the space with peace and hospitality.
The designer-led yards are often framed through an academic understanding of ecology, structure, and intentional planting strategies, and Wanjiru did much of the same thing through instinct. When she’d visit her mother, who lives just outside of Nairobi, she was reminded of the abundant beauty and vibrancy of a childhood spent running free, climbing trees, and being connected to nature. It was important to Wanjiru that her then-young daughters, both now in their early 20s, have that experience.
Courtesy of Grace Wanjiru
Wanjiru’s goal was to create the feeling of home, not as replication but as translation. “When you throw a seed in Kenya, something grows,” Wanjiru tells me. “Here, the dirt is horrible for plants. I still wanted green and color. I wanted nature—birds and insects. I grew up with nature, but here: No.”
With an understanding of what would and wouldn’t grow in San Diego, Wanjiru was able to achieve a sense of home with succulents and native plants she purchased at Walmart. She created a large courtyard with a fence built of wood and corrugated metal. Inside, she added a hammock and a bird bath, which Wanjiru settled on after gophers ate through seven different plants; a table with an open cookbook, a bottle of wine, three glasses; a weathered dresser—once in her daughter’s room—that now sits opposite the table and contains Wanjiru’s many seeds. And, of course, strung lights.
Wanjiru likes to host small groups of her friends and family, keeping it intimate but accessible. “This is the kind of house you just call: ‘What are you doing? Are you making your African tea? Can we just come over?’ Because this is what they do [in Kenya],” she tells me. “And so I always want to have that, because I think for foreigners living in America, that’s one of the things we struggle with. We don’t have that kind of community.”
Craving a communal feeling, Wanjiru built it herself. And her kids grew up climbing the jacaranda tree and playing in the garden.
“We still gather out there,” she says. “We read in the hammock, talk, connect.”
Courtesy of Andrea Doonan
Gardens as Points of Connection
Perhaps the most important part of a front yard is a garden, whether it’s a space for entertaining and gathering, retreating and grounding, discovering and playing, resting and people-watching. The science backs up what gardeners have long known: Spending time around plants can be profoundly restorative. A 2024 review of dozens of studies found that gardening is consistently associated with better mental health, greater well-being, and improved quality of life, also linking interaction with plants and green spaces to better nervous system regulation.
For Doonan, this is part of why the conversation around gardens is bigger than aesthetics. “Gardens are for everyone,” she says. “I think it’s a right for all of us to have access to gardens.” “All of us” means homeowners and renters, people with sprawling yards and people with apartment balconies, people with large budgets and people growing herbs in containers from the discount rack at Home Depot.
In my conversation with Belyea, I tell him about a little house I passed in Oceanside this past spring. The owners set out free avocado clippings from their tree for anyone to take. “This is people’s way of putting an olive branch out,” he says. “And it just happens to be an avocado branch.” Maybe that’s what this front-yard shift is really about. Maybe it’s about trying to remember how to live alongside one another again. A hammock beneath string lights. Kids chasing lizards through native plants. Someone slowing to ask what’s growing. A neighbor stopping by and staying longer than they planned to. All of it, a pocket of softness in a culture that’s trying its damndest to make us harden.
Aaryn Belfer is a writer and editor specializing in nonfiction across art, architecture, and culture. Once upon a time, she wrote a provocative column for San Diego CityBeat (RIP). She was a runner up in the 2025 Matchbook Stories contest at the San Diego Central Library and is irrationally happy about it. Currently in her Soft Girl Era, Aaryn has expensive taste in (mostly flat) shoes and will choose a great art exhibit or live jazz concert over almost anything else. Except, possibly, Javier Bardem.
Back when Enrique Espinoza was a student at Southwest High and San Ysidro High, his mom couldn’t afford to buy him the school yearbook. So he made his own. Every spring, he brought a new marbled composition book to pass around, collecting signatures, photos, and messages from friends. By senior year, he was finally able to get his hands on the “real” yearbook, but at that point, he preferred the personal, collaborative project he’d started: a record of how people could come together to create something from nothing.
Espinoza—“Oz” to friends—got serious about photography a couple years later at Southwestern College, shooting for esport leagues and connecting with other artists all the while. Then in 2024, his childhood friend Charlie Knowles, cofounder of Bica Coffee Shop in Normal Heights, got in touch: He was looking to host meetups for creatives at the café, and he remembered how much people enjoyed contributing to Oz’s DIY yearbooks back in high school. Why not make more?
So Yearbook Creative Club launched on November 23, 2024, at Bica, with the goal to connect local artists, and ultimately make a book showcasing one another’s work. Since that first meeting, the club has become a social hub for creatives, also running art shows, galleries, a holiday toy drive, and a booth at the inaugural San Diego Bazaar winter marketplace. Yearbook also often collaborates with Camera Exposure, Southern California’s largest used camera store and photo studio, which has been a nexus for San Diego photographers in Normal Heights for nearly 40 years.
And though Oz provided the spark, he emphasizes that the club is, at its heart, a group endeavor: six photographers form the “Yearbook Committee”—including entrepreneur baker Samra Lovelady and Brian Eastman, chief experience designer of San Diego hospitality collective CH Projects—but everyone with an artistic eye is welcome. In Camera Exposure’s blog, Developing Stories, writer Austin Siragusa characterized Yearbook as “a community-first collective that deters gatekeeping and neutralizes imposter syndrome in favor of an open-door policy to foster trust and skill-sharing, regardless of follower count and portfolio length.”
The club published Yearbook Vol. 1—a limited-edition, entirely self-funded, 170-page glossy hardcover with the same spirit as Oz’s high school books—last April, celebrating with a launch party and gallery at the headquarters of Tribal Streetwear in San Diego’s East Village. About half of the 30 artists represented in the book are local; the rest are extended contacts from New York, Miami, and San Francisco. “Yearbook is San Diego-based,” Oz says. “San Diego is the home, but art is everywhere, and I want to be sure that San Diego is in that conversation of bringing artists together.”
The cover artist for Vol. 1, Gary Lockwood, gave a copy to Dante Rowley, manager of retail and visitor experience at the Museum of Contemporary Art San Diego (MCASD). Turns out, Rowley knew Oz from his days running the gallery and streetwear store Rosewood in the East Village, and he promptly reached out to see how MCASD and Yearbook could collaborate.
The museum began hosting a series of bimonthly photo walks around La Jolla in partnership with Yearbook.
Anyone interested in improving their camera skills is invited: Rowley says they always have a good mix of beginners and more experienced photographers, which leads to helpful conversations about how to get one’s aperture settings just right, or tips on how to compose the best shot.
The museum began hosting a series of bimonthly photo walks around La Jolla in partnership with Yearbook. Anyone interested in improving their camera skills is invited: Rowley says they always have a good mix of beginners and more experienced photographers, which leads to helpful conversations about how to get one’s aperture settings just right, or tips on how to compose the best shot. The walks are scheduled to end at the museum in time to segue into another event: March’s walk led into a live jazz band performance; May’s led into the museum’s entry-fee-free Second Sunday.
Yearbook Vol. 2 came out in late May 2026 with a release party of over 300 attendees and a partnership with 100 Thieves. This volume features a greater variety of media, including digital illustration, graffiti, and tattoo art. The club is also planning to publish an additional book in partnership with MCASD, composed exclusively of work taken during this year’s photo walks—anyone who participates is welcome to submit. Rowley says he hopes to celebrate that book’s launch with a community gallery, as part of an ongoing effort to show that art museums are not just reserved for the great, dead Old Masters. There’s space for you and me, too.
Courtesy of Yearbook Creative Club
Yearbook meets several times a year at Bica, and Oz says there are always new faces and drop-ins from other local photography groups, such as Girls on Film and Beers and Cameras. Several lapsed amateurs have told him that simply showing up and feeling welcome has inspired them to pick up their camera again.
As more people seek a digital detox by turning back to screen- or AI-free art forms—Talker Research reported this January that 50 percent of adults are turning to a more analog life via paper books, vinyl records, and actual cameras (not the one in your phone)—Oz says that most people he knows still shoot on film, which has a relatively low barrier to entry. “A film camera is a lot friendlier on your wallet,” he says. “For, like, $150 you can get something comparable to a $900 digital camera.”
And though he admits he’s usually “a digital guy,” Oz notes that working with film is an antidote to digital fatigue and endless scrolling. “A lot of people like that process,” he says. “There’s a philosophy that comes with shooting on film that makes you want to slow down and appreciate the shot.”
The next Yearbook Creative Club photo walk is July 12 at 1 p.m. at MCASD in La Jolla, led by Enrique Espinoza and Brian Eastman.
Dan Letchworth is the copy chief of San Diego Magazine. His print column Dansplaining explores San Diego trivia, and his theater review blog Everyone’s a Critic was a finalist for best online column in the 2019 National City & Regional Magazine Awards.
Finding a gift that feels truly personal can be surprisingly difficult. In a sea of generic options — flowers, gift cards, candles, and the like — Xplosion Box offers something more lasting: a customized keepsake built around the photos, messages, and memories that matter most.
Founded by Southern California entrepreneur Jay Vijay, Xplosion Box LLC creates fully customized explosion gift boxes that arrive professionally designed, printed, assembled, and ready to gift. Each box opens layer by layer to reveal personal photos, heartfelt messages, pull-out albums, origami-style photo pockets, and hidden notes, turning a simple gift into an emotional reveal.
The brand was built for people who want to give something meaningful without spending hours printing photos, cutting paper, folding cardstock, or assembling a DIY project. Customers simply choose a box, upload their favorite photos, add personal messages, and the Xplosion Box team transforms those details into a polished keepsake that feels thoughtful, personal, and beautifully made.
Xplosion Box offers personalized gift boxes for birthdays, anniversaries, weddings, graduations, Mother’s Day, Father’s Day, Valentine’s Day, Christmas, proposals, bridesmaid gifts, long-distance relationships, and thoughtful “just because” moments.
Customers can choose from flexible customization options starting at $27. The Mini Surprise Box includes 10 photos, three message cards, and one hidden secret note, while the Mega Surprise Box offers a fuller keepsake experience with 40 photos, three message cards, and one hidden secret note.
What sets Xplosion Box apart is its high level of customization combined with convenience. Filled with personal photos, custom text, decorative details, and layered surprises, each box gives customers the freedom to create a gift that feels one-of-a-kind — without having to make it themselves.
At its core, Xplosion Box helps people turn favorite photos, stories, and words into something tangible: a keepsake that can be opened, revisited, and remembered long after the occasion has passed. asion has passed.
If you’ve ever wondered what it would feel like to perform on one of San Diego’s most iconic stages, here’s your shot. The Old Globe is looking for local singers, songwriters, and musicians to take the spotlight before performances of its upcoming musical Begin Again—and the gig comes with a chance to perform on the theater’s main stage and at a new community music event, Begin Again: San Diego Sessions.
Inspired by the opening scene of Begin Again, which makes its pre-Broadway premiere at The Old Globe this fall, the open mic–style performances celebrate local talent while giving audiences a taste of San Diego’s music scene before the curtain rises.
Solo artists and duets ages 18 and older can submit video entries here through Friday, July 10. Selected performers will be notified by July 14.
The public is also invited to Begin Again: San Diego Sessions, a free event on Monday, July 20, at 7 p.m. in the Globe’s Copley Plaza. Attendees can catch performances from top contest participants while enjoying discounted drinks from the theater’s pub.
“Begin Again is a story about hope and someone finding their light,” says Adena Varner, Director of Arts Engagement at The Old Globe. “The opening moment, which is what we’re excited about with this contest, is about an artist who’s unknown taking a chance at an open mic night—and then their life changes.”
“What I love about San Diego is it’s a space where hopes and dreams seem to actually be able to come true, and people get to find themselves, find their light and their voice, so I think the spirit of the show really resonates with who we are as San Diegans,” she says.
For director Lorin Latarro, the pre-show performances are a chance to weave San Diego into the production. While the musical has been developed in New York with New York–based musicians and actors, these performances create a direct connection between the show and the city’s local music community.
“One of the things Lorin is passionate about is wanting these performances to feel like San Diego, so we want them to be diverse,” Varner says. “We want these moments to look like us and all that that means… We have submissions from artists based in Tijuana, North County, and East County, so it’s geographically diverse, ethnically diverse, and we’re looking at age diversity as well.”
The Old Globe has hosted community engagement opportunities tied to past productions—including an art contest and walk-on performances—but nothing quite like this.
“We’ve also never had an open mic night on the plaza, so we’re excited, and we really want the music community to know that they’ve got a place at The Old Globe, too,” Varner says. “We’re getting in the practice of making sure our community feels connected to our shows and have an opportunity to contribute in a way that’s meaningful and impactful for them.”
Begin Again is based on the 2013 film starring Keira Knightley and Mark Ruffalo, with a book by Jenna Clark Embrey and Molly Beach Murphy and music and lyrics by Pat Monahan of Train. Performances run September 6 through October 11, with opening night on September 17.
At the time of publication, The Old Globe had received nearly 100 video submissions.
Kai Oliver-Kurtin is a San Diego-based writer who covers travel, dining, events, and culture. Her writing has been published in USA Today, Condé Nast Traveler, Fodor's Travel, Marie Claire, and HuffPost, among others.
The weekend forecast predicts mid-70s temperatures, lots of sun and a high likelihood of fun happening all over San Diego. Those looking to have a sporty outing can head to Petco Park to watch the Padres, support the Bombers arena football team in Oceanside or see the first-place San Diego Wave take on Angel City FC. Free receptions for The Studio Door’s annual PROUD+ exhibition, Oriana Poindexter: Field Notes at The Photographer’s Eye, and Best Practice Gallery’s …And love dares you to care for [a michelada with San Miguel] mean a myriad of ways to indulge in local artwork. As for the culinary scene, Trattoria Don Pietro has a stacked evening planned for its grand reopening and the Candy Land Café pop-up will begin its three-month run at Bayside Kitchen + Bar.
Trattoria Don Pietro invites all—in the tradition of Joe Busalacchi—to dig in during the Old Town eatery’s grand reopening this Thursday from 6 p.m. to midnight. As with many spots in the local Busalacchi culinary empire, Trattoria Don Pietro pays gastronomic homage to Sicily, and it boasts both an updated space and a new menu premiering Thursday. Patrons can enjoy a DJ (beginning at 6:30 p.m.), a cocktail hour (6-7 p.m.), passed appetizers, a complimentary welcome cocktail or glass of champagne, and seated reservations (7-10 p.m.) To cap off the celebration, the restaurant will transition to party mode with a late night social (10 p.m. to midnight).
2415 San Diego Avenue, Old Town
Candy Land Café
July 9–October 4
In 1948, Eleanor Abbott, a hospitalized San Diego school teacher, created a candy-coated board game to entertain young polio victims. Candy Land’s local legacy will add another chapter with the opening of Candy Land Café pop-up at Bayside Kitchen + Bar on Thursday, where guests can decorate gingerbread cookies, share sweet treats and walk the colorful path of King Kandy in life-sized form. Tickets start at $25 and come with 90-minute seating, a $10 food credit and a $5 merchandise credit; kids younger than two years old don’t require a ticket.
2137 Pacific Highway, Little Italy
Hash House a Go Go Brunch at The Nat
July 12
Indulge in smoked salmon and focaccia, wild boar chilaquiles or biscuits with sausage gravy with a side of rooftop views during this Sunday’s pop-up brunch atop the San Diego Natural History Museum. General seating is first-come, first-served from 10 a.m. to 2:30 p.m. with museum admission ($25 for adults and $17 for youth). The VIP experience ($144), open to 12 guests, comes with a tapas-style brunch, two beverages and a one-hour guided tour of The Nat’s most exclusive sections; VIP seatings are available at 10:15 a.m., 11:45 a.m. and 1:15 p.m.
The 2010s revival of the ‘boy band’ sparked many acts, the most notable being One Direction, BTS and Australian pop-punk quartet 5 Seconds of Summer. Though it can be hard for groups to shake off that adolescent label, 5SOS have made a valiant effort with Everyone’s a Star!, their most fully-formed and, dare I say, grown-up album yet. This Thursday (8 p.m.) at Viejas Arena, hear the new 5SOS record and an opening set by indie rock group The Band CAMINO, who dropped their fourth album, NeverAlways (Vol. 2), in May. Tickets start at $42 for this concert.
5500 Canyon Crest Drive, Rolando
San Diego Black Pride
July 10–12
This Friday-Sunday, San Diego Black Pride returns “Unbound & Unlimited” with a ballroom event, a yacht party (sold out) and an all-day community celebration. The festivities will begin with the Mini Ball on Friday (8 p.m.) at Liberty Station’s Chapel and conclude Sunday from 1-9 p.m. with live performances, DJs and Black queer owned vendors at The Soap Factory during Sunday Service.Ticket options (18-plus) include admission to Sunday Service ($35-$50), the Mini Ball ($30-$60) and the Day & Night Pass ($50), which comes with entry to both events.
Citywide
Marine Band San Diego Summer Concert at Piazza della Famiglia
July 11
Fresh off their 4th of July performance at the San Diego County Fair, Marine Band San Diego’s 35-piece ensemble will return to the Piazza della Famiglia for their free annual summer concert this Saturday at 7 p.m. During their performance, Marine Band San Diego will pay tribute to famed American composers like George Gershwin, John Williams and John Philip Sousa, whose catalog of military standards includes the official U.S. Marine Corps march, “Semper Fidelis.”
West Date Street between India Street & Columbia Street, Little Italy
Encanto Block Party Music Festival at Marie Widman Park
Ryan Hardison is a freelance arts and entertainment writer and recent graduate of San Diego State. When he's not staring at his laptop, he's likely eating an adobada burrito or getting sunburnt at the beach.
If you’re anything like us, it can be easy to get so caught up in taking care of everyone else, that your own needs get lost in the ether. But while this may be a cliché, that doesn’t make it any less true: You can’t give your best self to other people unless you’re taking care of yourself.
Sometimes, that looks like stopping in for your regular acupuncture or chiropractic appointment. Other days, it means giving your body the fresh, organic fuel it needs to truly feel and function at its best. And some other times still, it involves leaving your responsibilities behind for a weekend to pamper yourself at an incredible resort and spa.
Only you can decide what your truly need. We’re just here to help you find the best ways to get it.
Tommy Bahama Miramonte Resort & Spa
Island living meets desert luxury at the Tommy Bahama Miramonte Resort & Spa in Indian Wells. When you step onto the 11-acre property, you’ll be surrounded by sweeping view of the Santa Rosa Mountains with olive trees and fragrant citrus groves decorating the grounds. In other words, everything about this relaxed but refined resort is primed to help you let go of the stress from home and enjoy easy sun-soaked days and gorgeous starry nights.
The rooms blend calming, woven textures with Tommy Bahama’s signature tropical prints and feature private lanais, making it easy unwind the moment you walk in the door. If you book one of the four Villa Suites, you’ll be treated to exclusive Tommy Bahama furniture and unique personal touches to further that feeling of instant ease.
At the award-winning Spa Rosa, the expert team will help reset and recharge your body and mind using methods and rituals inspired by the desert. The 12,000-square-foot retreat includes outdoor soaking pools, eucalyptus steam rooms, and outdoor cabanas, as well as massages, facials, and body masks—all aimed at creating a day dedicated to you. We’re particularly partial to the Day Long Escape, an indulgent all-day affair of CDBs soaks, renewing scrubs, life changing massages, and transformative facials.
Following your treatment, continue the experience with a meal on the patio at Grapefruit Basil. We love the Hamachi Crudo, a light, citrus-forward dish featuring premium yellowtail, house-made ponzu, creamy avocado, and fresh seasonal garnishes.
Whether you’re strolling the gardens, relaxing beside its saltwater pools, or indulging in a restorative treatment, you’ll be able to escape in style and relax in luxury at the Tommy Bahama Miramonte Resort & Spa.
Healcove Chiropractic
There’s no shortage of ways to stay active in San Diego—but if you really want to enjoy everything the city has to offer, you’ve got to make sure you’re giving your body its tune-ups. Enter: Healcove Chiropractic. The board-certified chiropractors and wellness professionals at Healcove are experts at addressing that stage where you’re not injured, exactly, but you’re not at 100%, either. Maybe you’re feeling a bit tense or stressed out. Or it could be that you’re not quite moving the way you want to. Sometimes, it’s just that the accumulation of days, weeks, or even years of daily strain is starting to take a toll. No matter what stage you find yourself at, the Healcove Chiropractic team can provide integrated, preventative care centered on long-term, science-backed approaches that ensure you can always stay active and live the life you want to live pain-free.
This starts by providing truly individualized care. Every patient can expect a thorough 60-minute consultation session that includes a posture and movement screening. This allows the team to develop a completely personalized plan. That plan might include chiropractic care, acupuncture, or massage therapy, as well as functional fitness training, vibration and sound therapy, and Dynamic Neuromuscular Stabilization, a clinical rehabilitation method that retrains the body’s stabilization systems. Whatever the team recommends, you can be sure that it’s tailored to meeting your body’s needs today and the future.
There’s a reason that San Diego Magazine named Healcove the “Best Chiropractor in San Diego”—don’t wait until you’re struggling with an injury to find out why. Book an appointment today for holistic, integrated care that helps ground and heal your body before it reaches a crisis point.
Juice Holler
West Coast wellness culture meets the community feel of Southern Appalachia at Juice Holler. Juice Holler’s menu consists of made-to-order smoothies and smoothie bowls, as well as grab-and-go cold-pressed juices, wellness shots, salads, and more. It operates from the blissfully simple premise that fueling up with food and drink that’s guilt-free and good your body should be simple, accessible, and, above all else, delicious. And if you haven’t yet made it out to the Encinitas café, which opened just this year, let us be the first to tell you: Juice Holler delivers on each and every of these fronts.
We love the Supercharger smoothie, a mood-lifting and body-fueling option made with banana, almond butter, blue spirulina, maca, grass-fed whey protein, raw cacao nibs, medjool dates, and coconut milk. We’re also partial to the Thrive Alive smoothie bowl, where avocado, mango, sea moss, spirulina, mint, coconut milk, and agave are mixed and topped with coconut, chia seeds, strawberry, mango, and chocolate drizzle. The wellness shots include the Detoxifier, a cleansing blend of kale, cucumber, lemon and spirulina, plus a shot specially designed to fight inflammation (named, fittingly, Anti-Inflammation). Probiotic overnight oats, lemon turmeric bars, and strawberry shortcake chia pudding are other standouts on the grab-and-go menu.
Much of the vibe feels beachy North County chic—think green tile with orange and pink accents, grounded with greenery and natural wood—but Juice Holler founder Kelly Sergott, a longtime Encinitas local, has also enfused the space with her Kentucky roots. In Appalachia, a holler is small valley between hills and mountains, where nature reigns, community is king, and nourishment comes right from the land. At Juice Holler, Sergott has created a holler for the busy modern times, using local ingredients to create a spot for people to come together and enjoy fresh, fast, feel-good fuel for their day.
Everwell Acupuncture
We’ve all had that experience with a medical professional where we’ve felt rushed, ignored, or misunderstood—and ultimately, like we didn’t get the answers that we needed. But at Everwell, the holistic acupuncture practice located in Solana Beach, the care team wants to transform your understanding of what healthcare can look like.
Patients at Everwell experience care rooted in intentional listening and radical empathy—and trust us, those aren’t just corporate buzzwords. This place actually puts those ideas into practice. You will always be given the time you need to tell your story— initial in-take appointments are two hours long—and you can rest assured that your story will be believed. Every single question and concern will be addressed by a dedicated practitioner who wants to find the specific solutions that work best for you, and you’ll receive care that’s aimed at healing the body, mind, and spirit.
Everwell’s highly trained, doctorate-level practitioners blend evidence-based acupuncture with the practice of classical Chinese medicine. (If you’ve never tried acupuncture before or aren’t sure if the team will be a fit, we’d highly recommended Everwell’s complimentary 20-minute consultations.) Research shows that by stimulating specific points on the body, acupuncture activates a natural healing response in the body, helping to restore balance, regulate the nervous system, and improve overall wellbeing. This allows the practice to address an incredibly wide range of conditions from chronic pain and autoimmune disorders to digestive issues, from stress and burnout to headaches migraines, fertility and postpartum struggles, hormonal imbalances, sleep concerns and more.
At Everwell, you can expect to feel heard, trusted, respected, and cared for. This is a space that doesn’t want to be just another healthcare provider you visit; it wants to provide patients with dedicated partner who will be there for their entire health journey.
