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Suffering together can be powerful medicine for people who’ve grown up othered
Walking the grounds at The Temple of the Way of Light.
“It’s really hard to be a person,” I heard a voice say as I drifted back toward the present, the dawn beginning to illuminate the alien landscape of the Peruvian Amazon. I had spent the previous night in an ayahuasca ceremony sobbing, writhing in agony, and traveling through time, targeting the sources of deep traumas I carried. Surrounded by 21 other queer and gender-expansive people on their own dark nights of the soul, for the first time in my life, I felt free.
This was the LGBTQ+ Compassionate Inquiry and Ayahuasca Retreat—perhaps the first of its kind for queer people—which took place in Spring 2022. It combined traditional Amazonian medicine with compassionate inquiry (CI), the psychotherapeutic model of trauma expert Dr. Gabor Maté, at The Temple of the Way of Light in Iquitos, Peru. Over 13 days, we rewrote old stories, reframed shame as strength, and surrendered to the care of healers from the Shipibo tribe: an Indigenous people who are among the medicine’s longest keepers.
For those who are unfamiliar, ayahuasca is a powerful hallucinogen and traditional Amazonian brew made from local plants, some of which contain DMT (N, N dimethyltryptamine), a powerful psychedelic. For centuries, Indigenous peoples in the Amazon have used it for visionary and healing purposes. The Global North is now discovering that it can treat trauma-related afflictions that are incurable under the current medical model.
Those are the details—but how do you truly describe the thing that changed your life? Ayahuasca provides a mystical experience, which by definition cannot be put into words. Commonly referred to simply as “the medicine,” it made me question everything I thought I knew about myself, healing, and the nature of reality.
You don’t spend two weeks in the jungle facing your darkest fears on a whim. By the time we arrived, our group had tried everything to heal, from therapy and meditation to other psychedelic medicines and even other ayahuasca retreats. Some of it helped, but nothing resolved the existential pain of growing up othered. The queer retreat, however, was different. The word “compassion” means “suffering together,” and that turned out to be the most powerful medicine.
To get to the Temple, you have to board a rickety wooden boat and trek into the jungle. As my fellow queers and I cruised down a muddy tributary of the mighty Amazon, the known world slipped into the distance, our phones lost service, and the forest took hold. We marveled at massive palms with submarine roots; densely tangled thickets of neon pink and brilliant green; Martian blooms and foliage that recoils at your touch.
The rainforest itself was a presence as participatory as any person. Each night, we fell asleep to croaking frogs, twittering birds, and whispering foliage. With little warning, the sky would dump buckets of rain so unrelentingly that I feared the sheet-metal roofs would collapse on our tambos, the half-exposed wooden huts bound with mosquito grating we slept in. Meals were served in a communal dining hall, and group work took place in the maloca, a traditional, round ceremony house.
Ayahuasca vine growing in the Amazon Jungle near Iquitos, Peru.
By night, we drank the medicine, launching us on meditative journeys that shattered all concepts of space and time and led through individual and collective trauma to the depths of our souls. The next day, we processed our experiences individually and together with facilitators practicing CI. When the cicadas started their nocturnal symphony, we filed into the maloca, and did it all over again: six ceremonies in 12 nights.
There was a lot to work through. As a queer, nonbinary person born into a female body, I was closeted until my mid-30s. Like many, I grew up in a culture where fluidity was a pathology or a punchline, everything was binary, and gay looked a certain way. Also raised in a strict Evangelical environment to believe my body and feelings were betraying me, I spent years trying to unthink my thoughts and deny my soul.
It was a confusing way to come of age.
While nearly everyone has experienced trauma, especially those living under capitalism, underrepresented people suffer most: the LGBTQIA+ community as well as women, racialized groups, differently abled people, the neurodivergent, and the poor. Experiences such as mine become internalized, manifesting in disproportionate levels of anxiety, depression, and PTSD. It can become so overwhelming that we don’t want to live anymore; 82 percent of U.S. transgender individuals have contemplated suicide, and 40 percent have attempted, including me (twice).
Queerness is about building connections, says Justin Natoli, a queer psycho- and ketamine therapist based in California. It involves becoming comfortable in your skin, building networks of mutual support, and reframing heteronormative conceptions of relationships and bodies, which he sees as a spiritual practice.
“In our culture, the other is treated like a problem to be solved rather than a mystery we can learn from,” Natoli says. “Queer spirituality welcomes [the other] back to the table, … where all the parts of ourselves and one another get to belong.”
Leaves used in the making of ayahusca brew.
How do I describe that the second I crossed the threshold into the Temple’s grounds, an overwhelming sense of belonging washed over me? I told retreat founder Publio Valle that I felt I’d been waiting my whole life to arrive. As he smiled and told me, “welcome home,” tears welled in my eyes, and I finally understood what that word actually meant.
How do I convey that when I first locked eyes with the attendees, I knew it was not a meeting, but a reunion? Here, I could finally exhale, like “taking off a tight shoe”: the way Ram Dass described death, the end of something known and another thing beginning.
They say when it’s time to work with ayahuasca, the medicine chooses you: like a calling. Introduced to plant medicine by a therapeutic practitioner, I became interested in the idea of using ayahuasca to unearth my own repressed trauma. Just before lockdown, I met a friend of a friend who said he appeared in people’s lives when they were ready to answer the call. He told me all about ayahuasca, Peru, and the retreat centers he trusted, including the Temple.
I was struck by the Temple’s commitment to reciprocity, founding Peruvian nonprofits for environmental justice and human rights and establishing a permaculture center, as well as reverence for the Shipibo people and tradition. It extended to Maté himself: when attending a retreat, the healers had him sit out ceremonies, worried his intense energy might impact others. I also did preparation sessions with one of the facilitators, offered to anyone who is considering a retreat.
The jungle near The Temple of the Way of Light.
When I learned they were planning to host an all-queer retreat after borders reopened, I knew I had to go. A space on the waitlist opened in December 2021, so I drained my savings account and readied my soul. These experiences, to be sure, are expensive; even having an account to drain is a privilege. But to me, it was worth it. The retreat is being held again in November 2023.
For those who hear the call, the most important consideration when choosing a retreat center is a reputation for integrity, safety, and mutual respect. And nothing could have prepared me for the connection I found. Out of hundreds of ceremonies he’d facilitated, “I had never seen a group bond so quickly. That feeling of family, of love, happened so fast,” says Valle, who is from Brazil and also works as an integration therapist. “As queer people, we share the wound of feeling like we are always hiding something. I saw a deep thirst in our community for authentic connection from the heart.”
We hadn’t even realized how desperate we were, and from the moment we emerged from the jungle sweating, mosquito-bitten, and caked to our thighs in mud, we drank up each others’ company like desert wanderers. During sharing circles in the maloca, it became a hall of mirrors where not only our suffering but triumph and joy were reflected back to us.
“What comes with being [queer] are so many deep judgments we hold about ourselves: I’m bad, I’m broken, I’m defective,” explains Tony Hoare, an integration guide and facilitator who led CI sessions with husband Ben Cases. “In each person’s share, … I can appreciate how this person believes they’re not enough. But I see them … without their false beliefs, and maybe I begin considering that the beliefs I have about myself are just as patently false.”
At The Temple of the Way of Light.
People need to create meaning around difficult things that happen, and group rituals provide this, says Cassandra Vieten, executive director of the John H. Brick Foundation and part of the Psychedelics and Health Initiative at the University of California San Diego. In a study of people who had experienced positive transformations, she says, both spirituality and “having a community made it much more likely that an … even shattering experience … would be translated into transformation instead of trauma.”
Queer spirituality involves coming together to make meaning out of shared suffering, and so does compassionate inquiry: looking at painful histories with an empathetic other to place your history in its proper context. Observes Natoli, “having connection with the divine in a group setting seems to be fundamentally healing for people.”
Contrary to popular belief, people don’t act against their own self-interest. The CI framework reveals that even self-harm, addiction, and neuroses started as effective solutions, adopted by our child selves to cope with situations that would have otherwise overwhelmed us. The problem comes when, as adults, something triggers the feelings we once used these behaviors to cope with, and we respond to present situations as if we’re in the past. Ayahuasca and the sharing circles showed us where these patterns came from and what they were covering up—so we could walk back through our memories with the chance to revise.
Ayahuasca is often described as a feminine spirit, the “mother” or “grandmother,” but in the Shipibo worldview, the leaf and vine represent the feminine and masculine energies, respectively; the brew itself both and neither. For me, sometimes she was Kali, the Hindu goddess of creation and destruction; other times, an anthropomorphized tree with creased, kind eyes. Most often, they were an omniscient, invisible narrator, a presence that was the animating force of the multiple dimensions I visited and even consciousness itself. They helped me begin to accept my own androgynous being, this body that never felt like it quite fit.
Every time we have to suppress our feelings for the sake of survival, authentic parts of ourselves fracture off, but they don’t disappear. Ancestral wisdom and modern psychology, from Jungian philosophy to Internal Family Systems, says these parts take on lives of their own, lurking in the shadows of our subconscious until they’re acknowledged and made to feel safe. In my ceremonies, I encountered past versions of myself drinking in alleys, crying in closets, and cowering under the bed. Supported by the spirits of the plants and the people around me, I took them by the hand and led them home.
The author, following the LGBTQ+ Compassionate Inquiry and Ayahuasca Retreat in Peru.
Part of the Shipibo healing process is the purge: often, vomiting during ceremony, something Western medical treatments consider an unwanted side effect. It begins even before the retreat with a strict diet that eliminates pharmaceuticals and processed foods, continued in the ritual through vomit and diarrhea, sobbing and shaking, and singing and laughing.
The purge is occasioned by the icaros, medicine songs that show both us and the maestros/as where we need healing. They learn these songs from the plant spirits after an intensive training process, or dieta, where they eat little, isolate, and build relationships with sacred plants through ingestion, reflection, and ayahuasca ceremonies. It’s the inverse of our medical system: knowledge isn’t memorized, but felt, sensed, and sung; healing doesn’t follow a line from symptom to illness to cure; treatment isn’t prescribed, but experienced, encompassing body, mind, and soul.
Vieten explains that psychedelics are believed to work through neuroplasticity: the brain’s ability to form new connections, creating receptive states that open people to new ideas and insights. “It’s like a loosening of the [mental] hardwiring,” she says, “where the subjective experiences and certain types of learning that you have during those times can be more quickly integrated when the brain rewires.”
According to some researchers, they suspend the part of the brain that keeps your model of reality running, which includes old patterns, behaviors, and self-perceptions. They may even temporarily reopen critical learning periods that close when we’re young, allowing new pathways to unfold. But it’s not enough to simply remember what caused our false beliefs—we have to re-experience it, and choose differently this time.
“To heal the root cause [of trauma] usually involves bringing it back … in an embodied way so the person can work through those feelings while still being connected to their present resources,” Natoli says. Psychedelics like ayahuasca and related substances, such as ketamine and MDMA, can help people revisit painful memories from a safe psychological distance, broadening their perspective and training the nervous system to place the event where it belongs—in the past. But even more powerful than the medicine, perhaps, were the other people.
“There’s a reason we do yoga, meditate, and go to church together,” Vieten explains; giving the analogy of bicycle racers, she explains that we can ride in others’ spiritual “draft,” a phenomenon that psychedelics can amplify. “As people move into altered states of consciousness, they find themselves in a realm that’s outside conventional notions of space and time, and the rules are different [there]. With the right set and setting, intention, and people, … there’s a benevolence and real love [that can be healing].”
Maestro Damien Pacaya before ceremony at The Temple of the Way of Light.
We came expecting to face darkness, and found plenty—but what I never expected was the levity and light. What I remember most isn’t the purging or the pain, but rather, a tender hand applying sunscreen to my neck; seeing myself in the infinity of another’s eyes; taking breaks from processing to dance to Shakira.
How do I describe that ayahuasca has a sense of humor? She could be downright hilarious: a gonzo, world-bending trickster who turned your dirtiest secrets and darkest revelations into Saturday morning cartoons, a game where all you have to do to win is to realize you’re playing; where every single instance of pain and joy, sorrow and elation, shame and celebration is revealed as essential for your journey. I remember the cricket that appeared on the bathroom wall to toilet-train me when I was struggling; the game-show vibe that kicked in when I had a breakthrough, literally sending up lights and bells declaring me the big winner.
Even the medicine isn’t activated and administered through solemn oratory, but music and song; before serving, the first thing the maestros and maestras do is whistle softly into the bottle. The ceremony, too, holds this tension between darkness and light, one and many. Sitting in the pitch-black night, barf bucket in front of you, you journey alone into your pain. But on the queer retreat, we were surrounded by family, guided by the healers and supported by the whole living, breathing, ever-loving system.
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But it’s really hard to be a person, so we come to the jungle to drink a wretched-tasting brew that sends us to face our darkest fears and purge in front of one another. In those moments of quiet arrival between when the ceremony ends and the rest of life begins, the sheer ridiculousness of our predicament passes between us, and we laugh.
From San Diego’s coastline to Los Angeles stadium and fan zones across the region, here’s how to experience soccer’s biggest event
When three nations and 16 cities come together to host the FIFA World Cup 2026, the scale stops feeling like a tournament and starts feeling like geography. A continent becomes the stage as borders soften into corridors. And Southern California—shaped by migration, sport, entertainment, and constant movement—sits inside that landscape with all eyes on it.
San Diego and Los Angeles have always felt connected. Hop on the Pacific Surfliner, and the trip unfolds in one continuous stretch of coastline, passing beach towns, neighborhoods, and city centers.
Traveling from San Diego, everything still feels slightly suspended as the Pacific Surfliner follows the coast north with ocean on one side and a slow suburban blur on the other. San Diego stays in exhale. Los Angeles is already building toward something louder.
This summer, Los Angeles will host eight matches of the FIFA World Cup at Los Angeles Stadium, including the US Men’s National Team opener on June 11, while the region stretches into 39 days of programming across stadiums, parks, transit hubs, beaches, and neighborhoods. Instead of one massive fan hub, Los Angeles is embracing a citywide celebration, with fan zones spread across its entirety.
But this pattern has been rehearsed here for decades. In 1994, Southern California became one of the defining stages of the World Cup, when matches at the Rose Bowl placed global attention on the region and turned local stadiums into international landmarks, confirming its ability to hold the world at scale.
What distinguishes Southern California is not just infrastructure, but cultural permeability. Fashion, music, film, art, and sport constantly overlap here, creating an environment where identity is flexible and always in motion. From the Venice boardwalk, where skate culture shaped modern street style, to global soccer stars rubbing shoulders with Hollywood celebs, to authentic Spanish cuisine moving up and down the I-5 corridor, everything circulates.
The World Cup is not introducing anything new here, it’s showing up for the summer and showing out, revealing what this city has always known about itself. What follows is a look at the fan zones and how Los Angeles turns itself into a city-wide stage for the tournament, one neighborhood at a time.

As the heart of Los Angeles, Union Station is an official Fan Zone June 25-28 during the World Cup, but in practice it never really stops being one.
It is the city’s circulation point, its meeting ground, its pressure valve. Commuters, travelers, match-day crowds, and everyday Angelenos all move through the same space, and everything mixes, overlaps, and scales in real time. In a way, this is where the World Cup stops arriving in Los Angeles and starts moving through it.
The Pacific Surfliner from San Diego to Los Angeles makes that shift feel almost too easy. No stress or gridlock anxiety, just a straight line up the coastline with ocean on one side and everything slowly becoming more built on the other. It’s one of the rare ways into LA that doesn’t feel like arrival as friction. You can sit with a laptop, watch the Pacific drift past, grab coffee from the café car, and let the city come to you in pieces.
That’s the beauty of arriving at Union Station. Instead of feeling like you’re on the edge of the city, you’re immediately surrounded by it. And, inside, the station already reads like a World Cup nerve center: banners, movement, multilingual energy, the sense that something global is about to funnel through this exact point. The Heart of the City Fan Zone only sharpens that feeling, with simultaneous match screens, DJ sets, meet and greets, and immersive activations built around marquee games like USA vs. Türkiye.
From there, the city splits outward.
ROW DTLA feels like the first exhale after arrival. A converted industrial campus turned creative district where restaurants, retail, and open-air courtyards form a self-contained ecosystem. If you’re looking for the perfect first meal in LA, make it lunch at Pizzeria Bianco. The thin-crust pizza is reason enough to go, but the space leaves just as much of an impression.
What I liked most about ROW DTLA is how quickly it resets you after the train. One minute you are stepping off at Union Station, and the next you are in a space that feels like its own version of LA, a city inside a city with some of the most curated shopping I’ve ever seen.
Bodega hides itself behind a convenience-store front, a sneaker and streetwear space disguised as something ordinary, like LA refusing to make anything feel too obvious. The whole campus moves like that, part retail, part gallery, part neighborhood you are only temporarily inside.
Isabella Dallas is a freelance writer for San Diego Magazine and the Arts and Culture Editor at The Daily Aztec in her final year at San Diego State University. She previously worked as an editorial intern for SDM, but when she’s not writing, you can find her trying the best coffee spots in SD, devouring the latest rom-coms, and indulging in anything and everything pop culture.
Our editors searched out all the new food, drinks, hotels, and attractions along the state’s iconic coastal highways—the 1 and 101
Mad Libs. License plate bingo. The “quiet game,” a universal parent savior. Long live Slug Bug, where kids with zero self-control punched each other in the arm every time they saw a VW Bug in the wild—an activity no doubt invented by some Volkswagen marketing intern who now quietly runs the world. A family that cruises together bruises together.
So many threats to pull the car over and leave unruly progeny on the side road for good. GenXers are such baddies because our parents actually followed through. But we tracked those boomers down—or just walked into the wilderness and formed angsty flannel bands. We survived.
There were no downloaded movies back then. No seatback entertainment. Just a mythical road, a few bug-gutty windows, and the fast-moving summer world beyond. Seatbelts ignored, hot air whipping a frenzy of hair and beef-stick child scent.
Very few chaoses match being trapped in a moving car with your entire bloodline. It’s unimaginable, but we kinda liked it.
The road trip was always about endurance, discovery, adventure, creativity, and memory. Somewhere between gas station hot dogs, the Hollywood Walk of Fame, and musty motels with coin-operated vibrating beds—the bored between moments of mutual expedition sealed our love of the long distance car ride.
To respark road lust, we’ve put together a coastal California run up the 101 and Highway 1. The state’s famed road trip siblings, with ocean on one side and possibility in every direction. We analyzed what’s incoming, just-arrived, compelling, or a classic in need of a reminder in almost every county along the way—the kind of places we’d drag our family (or dog or best friend) to.
We start our trip just outside San Diego County lines and work our way through San Francisco. Because, by then, it’s time to turn the car around and do it all again.
The road is still the main character.

A 90-minute drive from downtown San Diego, Laguna Beach is home to serene coves, big-deal art events, miles of hiking trails, and the greatest number of beachfront hotels in California. Among the latter is the newly revamped icon, Surf & Sand Laguna Beach. Along with tweaks to the guestrooms, pool, and onsite Splashes restaurant, the remodel includes a new spa, Aquaterra. Wake up to ocean views, then get outside: Go tide pooling at Shaw’s Cove, or descend to Thousand Steps Beach and spend the day stretched out with a salacious summer read. For dinner, get fancy at the upscale (no swimwear allowed!) Studio Mediterranean at the Montage Laguna Beach hotel. Led by Greek chef Dennis Efthymiou, it serves feta-, phyllo-, and fish-forward cuisine inspired by his heritage.
Head another 15 minutes up the road to Newport, an unlikely destination for adrenaline junkies both relatively tame (family-friendly thrill rides at the Balboa Fun Zone amusement park) and willing to risk life and limb (30-foot waves at the Wedge surf break). It’s also increasingly a killer place to eat, with Luke’s, of international Maine-lobster-roll fame, having recently opened locations in town. James Beard Award winner Tyson Cole just opened his sleek omakase and sushi restaurant Uchi this year. Once you’re stuffed, lay your head at Bay Shores Peninsula Hotel, a midcentury-inspired, 25-room boutique resort overlooking the sea. Watch the waves from beside the hotel’s rooftop fire pits, or paddle out on surfboards provided free for guests.
Huntington Beach has been an icon of California surf culture since the 1910s thanks to Hawaiian Olympic swimmer Duke Kahanamoku. Surfers still chase waves near his old haunts, including the Huntington Beach Pier, where the aptly named Huntington’s on the Pier is scheduled to arrive this fall in the location of the old Ruby’s Diner (RIP, Ruby). It’ll serve seafood, obviously, plus livestreamed videos of groms wiping out just a few feet away. Sports here don’t always require wetsuits: Mini-golf bar Playground is equipped with the obvious, as well as arcade and pinball games. Or bypass physical exertion en masse at the new Holistic Lounge at Hyatt Regency. It’s packed with newfandangled healing tech that uses light, heat, and electromagnetic fields to allegedly repair stressed skin and muscles tired from lifting mojitos.

Amelia Rodriguez is a writer and journalist and winner of the San Diego Press Club's 2023 Rising Star Award and 2024 Best of Show Award, she’s also covered music, food, arts and culture, fashion, and design for Rolling Stone, Palm Springs Life, and other national and regional publications. After work, you can find her hunting down San Diego’s best pastries and maintaining her five-year Duolingo streak.
Explore the latest attractions blooming in these warm-weather destinations near-ish San Diego
From artsy, boutique hotels in New Mexico to a revolutionary restaurant in Baja, explore what’s new in these desert cities around San Diego.
Serenity-seeking guests (and, presumably, the free-spirited ghosts of naked people) roam this 13-room wellness escape that was once a clothing-optional resort. Opened a year ago, it offers exclusive, 24-hour access to a Himalayan salt sauna, cold plunge pool, and rain room. For food and drink, it’s tonics and juice cleanses, plus poolside bites from Michael Beckman, exec chef of the nearby Workshop Kitchen + Bar.
Opened last year on the historic, two-acre Movie Colony neighborhood property originally built by actor Errol Flynn (it was called the Normandy then), this is a micro-hotel for people who love Taschen books. Casa Palma reimagined the place as a minimalist, veneers-white 33-room escape with pickleball; tennis; and a mountain view bistro serving breakfast, salads, and sandwiches.
“Surfing in the desert” sounds like an absurd ayahuasca notion, but the Coachella Valley already has one wave pool (Palm Springs Surf Club), and, soon, a 5.5-acre surf lagoon will anchor DSRT Surf, an incoming resort at the Desert Willow Golf Courses. Planned for completion in mid-2026, it’ll include a 139-room hotel, 57 luxury villas, and restaurants.

Last spring, the Casetta Group (the same folks who own SD’s Pearl Hotel) resuscitated an old motor lodge in Taos, a longtime beacon for creatives, and named it after Willa Cather (who finished her novel Death Comes to the Archbishop in town). The 51-room Hotel Willa has adobe architecture, an artist residency, a pool with a giant weeping willow nearby, and a seasonal restaurant from husband-and-wife duo chef Johnny Ortiz Concha and artist Maida Branch.
Originally built in 1965 as the Downtowner, a classic, six-story inn on the motel-culture strip of Route 66 in downtown Albuquerque cycled through several identities before last year, when Palisociety reimagined it with the Secret Gallery (featuring modern work from Southwest artists), a cocktail bar, a restaurant, and 137 dog-friendly rooms. Like any good desert road trip hotel, Arrive Albuquerque hotel is a cheeky, midcentury affair centered around an umbrella-shaded pool scene and those strappy ’80s patio loungers.

After forming Vital Spaces, an org that leased abandoned warehouses and rented them at a low cost to artists, furniture designer Jonathan Boyd launched Leo’s, a no-signage, no-reservations restaurant last August with James Beard Award–winning chef Zakary Pelaccio. It focuses on Thai and Malaysian dishes—catfish sum tum, pork belly with garlic prik phao, fried chicken with tofu-mustard sauce and jiao chili sauce—plus natural wines and inventive cocktails. It promptly landed on Esquire’s Best New Restaurants of 2025.
Trailborn is the base camp of hotel groups. It’s focused on America’s grand outdoorsy arenas, with spots in the Rockies; the Blue Ridge Mountains; and now, Williams, a mile from the Grand Canyon Railroad Depot. This kitchy, 96-room roadside hotel offers a moody, wood-paneled steakhouse; adventure excursions; free breakfast inside a bustling “camp hall;” and front-row access to the fanfare of Route 66’s centennial celebration this year.
Early this year, Paradise Valley (the mountain-wrapped town neighboring Scottsdale) will welcome the 40-acre Kimpton Miralina, with six pools; more than 400 rooms and villas; and three restaurants, including Hecho Libre, a new Baja-inspired concept from fellow Beard semifinalist Wes Avila (known for Angry Egret Dinette and MXO in Los Angeles).
As cities grow and stargazing becomes an endangered pastime, an org called International Dark Sky Places works to protect the best areas in the world to behold night skies. One of them is Fountain Hills on the outskirts of Phoenix. This summer, it’ll get even better with a $28 million discovery center featuring a massive telescope, a planetarium, science exhibits, and a stargazing terrace.

Cote is the only Michelin-starred Korean steakhouse in the US, an idea from Seoul-born and James Beard nominated chef and restaurateur Simon Kim. Part of The Venetian’s $1.5 billion renovation, it’s a show—18,000 square feet, with stadium seating, VIP skyboxes, a crow’s nest DJ booth, a glowing central bar, 1,200 wine bottles, and the inimitable buzz of energetic impulse spending.
2025 was a big year for Formula 1 racing—the sport celebrated 75 years with a Brad Pitt film (for which Rancho Bernardo–based Sony Electronics created a one-of-a-kind camera that took viewers inside the cockpit), and Caesars Palace welcomed a 21,000-square-foot F1 Arcade where fans can flex their inner Lando Norris with 87 racing simulators.
When built in the 1970s as the MGM Grand, the Grand Sierra Resort was one of the biggest hotels in the world with over 1,000 rooms. Almost 50 years later, it’s nearly doubled its occupancy and is undergoing a billion dollar upgrade. The star will be the $435 million, 10,000-seat GSR Arena, which broke ground in September. Once completed (hopefully in fall 2027), it’ll be home to the University of Nevada men’s basketball team.

Utah’s High West Distillery was a groundbreaker, the first legal distillery in Utah when it opened in 2006. Now High West’s master distiller Brendan Coyle has left to open his dream project with his wife, Carly. They purchased 20 acres in Kamas Valley at the foothills of the Uinta mountain range, where they’re growing high elevation apples and flipping them into bone-dry boozy cider with Dendric Estate. You can tour the estate or wait for the onsite tasting room, planned for 2027.
In 2020, Robert Redford sold his famed, conservationist-minded mountain ski resort to Broadreach Capital Partners and Cedar Capital Partners, who promised to keep his “build some, preserve more” vision going. Since, it’s earned a Michelin Key. This month, The Inn at Sundance Mountain Resort—a 63-room, ski-in/ski-out inn—opens with views of the 12,000-foot Mount Timpanagos. Perched right out front, the Outlaw Express chair lift takes you to the Mandan summit in seven minutes (getting there used to take 20). There’s a wrap-around porch, relaxation pools, a sauna, outdoor showers, and a cold plunge at The Springs.
Four years after hosting the Winter Olympics, famed ski-only resort Deer Valley is undergoing a massive expansion of its East Village, including eight new hotels (the Grand Hyatt is already there, and the Four Seasons and others are incoming). Scheduled to open this summer, Canopy will be Hilton’s 180-room, ski-in/ ski-out property with après-ski and rooftop lounges. Deer Valley has also added 2,000 additional acres of skiable slopes, 100 new runs, and 10 new chairlifts.

In the 2010s, Ensenada-born chef Diego Hernández was a headliner in the food-culture revolution in Valle de Guadalupe with Corazón de Tierra—named number 30 in the 2018 “World’s 50 Best Restaurants” list. It closed in 2020 (damn pandemic!). Last January, he returned with an eponymous 40-seat restaurant, Diego, inside Valle’s Museo de La Vid y El Vino, relying on onsite gardens and in-house butchery to prepare seasonal, multi-course tasting menus and à la carte dishes nodding to his Corazón roots.
Over the years, the trend in Cabo resorts has been to get away from the action with secluded beachfront hideouts. Well, not all who travel to Cabo want to be tucked away. Last October, Mexico Grand Hotels (known for elaborate luxury resorts like Marina Fiesta and El Encanto) opened a smaller but still opulent thing: Kadún, a 110-room hotel with a rooftop pool and sundeck. It’s within walking distance to the Cabo Marina (the Vegas of Baja’s southern tip) and Medano Beach (one of the only swimmable beaches in Cabo).

Carnival Cruise Line has a vested interest in building up the ports it parks in. It’s established spots in Grand Turk, Roatan, and Cozumel, and its next elaborate disembarkment project is a $26 million beachside playground in Ensenada, planned for completion in 2027. Expect a sort of Pinocchio’s Island isthmus packed with zip lines, dune buggy rides, river rides, an adult pool, thermal springs, a spa, and wine and cheese pairings from Valle de Guadalupe (the wine region is 15 minutes inland).
Troy Johnson is the magazine’s award-winning food writer and humorist, and a long-standing expert on Food Network. His work has been featured on NatGeo, Travel Channel, NPR, and in Food Matters, a textbook of the best American food writing.
Amelia Rodriguez is a writer and journalist and winner of the San Diego Press Club's 2023 Rising Star Award and 2024 Best of Show Award, she’s also covered music, food, arts and culture, fashion, and design for Rolling Stone, Palm Springs Life, and other national and regional publications. After work, you can find her hunting down San Diego’s best pastries and maintaining her five-year Duolingo streak.
Stake Chophouse & Bar brings contemporary classics and old-school service to the heart of Coronado
Stake Chophouse & Bar isn’t your average steakhouse. Blue Bridge Hospitality’s Coronado outpost is a modern interpretation of a big-city steakhouse nestled in the heart of the small coastal community. The team at Stake has reimagined the whole steakhouse experience. By prioritizing a seasonal farm-to-table sourcing philosophy, a personalized guest experience, and unique service touches, like a formal steak presentation and a bespoke knife selection process, Stake distinguishes itself in a sea of steakhouses.
Exceptional steaks, including Wagyu from Japan, Australia, and the U.S., and fresh seafood flown in daily form the core of Stake’s culinary identity. The menu features a five-course omakase-style steak experience highlighting house favorites, plus an array of cuts, and classic steakhouse staples—think a wedge salad, baked potato, or pasta carbonara—refined for a contemporary palate without losing their traditional appeal. Stake focuses on seasonal sourcing from the region’s best family farms and specialty purveyors, and incorporates intentionally unexpected touches to create something truly unique.
“I challenge our chefs and myself to take it a step further in sourcing,” says Chef Ronnie Schwandt. “It’s important to us to highlight different farms, unique one-off farms—whether it’s cattle, strawberries, a local fisherman or from anywhere in the United States, we’re always trying to find that niche.”
Beyond the menu, Stake emphasizes outstanding service, says Vinny Spatafore, Director of Hospitality Operations. Staff maintains detailed notes, allowing them to remember guests by name, recall previous orders such as a favorite martini (also memorable for the customer since it’s served in an extra tall, distinctly-shaped glass), and celebrate special occasions like birthdays and anniversaries.
“When you have those points of topic that you remember about a guest, they appreciate that,” he says. “Our servers are really good with that—we have a couple servers who have been here since the beginning and they’ll remember somebody from years ago, their name, their kids’ names, where they live. I’m really thankful to have a great front of house staff.”
Award-winning wines, rare whiskeys, special events, and a complementary black car service that provides transportation for guests throughout Coronado add to Stake’s appeal.
Schwandt stresses that Stake offers more than a meal; they aim to give patrons something unforgettable.
“It starts when you walk up the stairs and are greeted by the hostess—that sets the tone for the night. Then you’re greeted by a server, who may know you by name, and can guide you through the menu and curate as they get to know you,” says Schwandt. “Most people leave kind of blown away; they leave feeling like they just had an experience. That’s the goal, right? Whether you’re serving smash burgers or high-end steak, you want somebody to leave thinking, Wow, that was awesome.”
A guide to visiting Revel Surf Park—where to stay, eat, and explore in the city of Mesa
What the hell am I doing in Arizona looking for water?
It’s the kind of question that creeps in the moment you step off the plane at Sky Harbor and the dry heat hits like an open oven door. Arizona is famous precisely because it’s unforgiving, a place where the presence of life amid the extreme lack of water is its own marvel. The compelling thing about attractions on this hot moon is the ingenuity behind the fact that they exist at all.
Long before the golf courses and cul-de-sacs, the Indigenous Hohokam people engineered one of the most sophisticated canal systems in the ancient world, diverting water from the Salt River to irrigate crops and sustain entire communities. Built by hand more than 1,000 years ago, portions of those canals still guide water through the Mesa valley today.
Phoenix’s main pockets tell different stories: Scottsdale has its polished, resort-town sheen; Tempe is full of young brains on vices; and Mesa is expansive and quietly strange. The kind of Arizona you think of when someone says Arizona. It’s the state’s third-largest city by population, but it feels like a series of outposts stitched together: historic downtown blocks, desert trailheads, leftovers of the Old West, and now—the improbable thing that brought me here—a surf park.
As I pull into Revel Surf Park, a watery lagoon glows blue against a backdrop of red dirt and distant peaks. The waves come and go like someone endlessly draining and refilling a mirage.
Revel—the centerpiece of Mesa’s Cannon Beach development—opened in late 2024, turning a patch of desert into Arizona’s first full-scale surf park. Roughly 2.2 million gallons of water circulate through the lagoon in an area that averages just over eight inches of rain a year.
It looks excessive, wildly irresponsible. It isn’t.
“We built this very strategically,” general manager Ryan Armstrong explains. “The well is located right here on the property. It’s processed and piped right into the lagoon.”
The pool runs on a closed-loop filtration system, recycling every drop and losing water only to evaporation. Developers say the park uses less water than a single golf hole—and a mere two percent of what the alfalfa field that once occupied the site consumed. Because Revel draws directly from the ground rather than city taps, Armstrong notes, “our water bill is essentially zero.”
Like many of the staff members at Revel, Armstrong is a surfer transplanted from the coast. The wave technology he oversees didn’t come out of a research lab, but a backyard. Matt Gunn, the creator of Swell Manufacturing, built a functional model of the wave in his own yard before partnering with developer Cole Cannon and pro surfer Shane Beschen to bring it to scale. The result is a private ocean—a lagoon where surfers can choose between the sloping lines of Trestles, the hollow barrels of Oahu’s V-Land, or Malibu’s mellow shoulders.
As a surfer spoiled by San Diego’s coastline, I’m equal parts curious and skeptical. Wave pools can feel sterile, stripped of the wild consequence that makes the ocean seem alive. But the sea can’t come close to the constant supply of waves a surf park offers. “We’re running eight hours a day, eight sessions a day, 10 surfers in each session, with waves every minute,” Armstrong tells me. “We have stadium lights, so sometimes we’re out here surfing until midnight.”
I opt for the Trestles setting, expecting smooth sailing. I’m wrong. The drop is quick, the margin for error thin. I get pitched. I recover. I link together a few snaps, then lose it again. Even manufactured waves have a way of humbling you. A few solid rides save the session.
As I dry off, Armstrong walks me through the broader vision. The 44-acre Cannon Beach district surrounding Revel will include roughly 500,000 square feet of retail.
“There are about seven or eight restaurants going in and a super high-end med spa,” he says, pointing toward the construction. Beyond food and surfing, the site is designed as a multi-sport hub. A massive KTR (Kids That Rip) indoor action sports park is in the works, featuring trampolines, parkour obstacles, and a world-class skate park.
This corner of the desert won’t stay quiet for long.
In hindsight, the advantages to Revel Surf Park are obvious: no suffocating crowds, no jockeying for position. Waves arrive every minute, precisely on schedule (if you miss one, that’s on you). There are no flat days at Revel. You don’t have to monitor weather reports and tide charts to know when it might be a good day for a surf. The swell is never not quite right for the break. It’s surfing’s version of shooting fish in a barrel—a strange, athletic fever dream and a convincing way to scratch the surfing itch when the nearest ocean is more than 300 miles away.
Cole Novak is an award-winning writer with a passion for highlighting local figures, small businesses, and nonprofits. Born and raised in San Diego, Cole is passionate about photography, surfing, art, the local food scene, and the great outdoors.
With hometowners making the Coachella Valley their own, some desert cities are building an identity beyond the area’s famous music festivals
A group of teenagers is taking selfies outside of Saguaro Coffee in downtown Indio, California. One adjusts her sunglasses on her nose and holds up her spiced pear matcha latte, and I can picture the shot: This smiling young woman in the foreground, largely unnecessary cardigan (it’s a textbook-perfect 76 degrees) laid just so over her shoulders; the green expanse of a community park in the background. Makers’ market booths dot the grass, with the angular new public library (opened in October 2025) beyond.
In other words, downtown Indio is a cool neighborhood for cool young people.
It wasn’t always so. Though I grew up minutes away, I seldom visited this place, except to buy my school uniforms at Yellow Mart—a cluttered sort of “general store” with firearms behind the counter and mechanic coveralls on offer in the back—and attend rehearsals at a warehouse-like community theater then surrounded by empty storefronts.

Yellow Mart and the theater have endured, and while unused buildings still dot the area, those teenagers can now make a loop between businesses that will look great on their Instagram stories: a few bustling cafés; Urban Donkey vintage store; Gabino’s, a Guy Fieri–approved spot for savory crepes. At night, locals flock to Rosemary HiFi, a listening lounge and wine bar owned by Adrian Romero, a Coachella Valley–raised kid whose first business, Hermano, was a florist’s shop turned if-you-know-you-know apparel brand. In glass windows, each storefront hangs posters promoting other local businesses and events. One beckons visitors to Field Day, Rosemary HiFi’s free, outdoor gathering of vendors, DJs, chefs, wine and beer makers, and activations.
“We’re continuing to grow at a higher pace than everybody else [in the valley],” says former Indio mayor Glenn Miller (late last year, he passed the head honcho role to Elaine Holmes, a requirement of the city’s rotating, one-year mayoral terms for all city council members). He and I are sitting in the recently opened downtown location of Everbloom Coffee, owned by Indio hometowners Efrain Mercado and Matthew Ortega. Their first outpost, off the nearby Highway 111, was sunny but cramped, with zero indoor tables and terrible parking. People came anyway, and now they have this 2,800-square-foot space busy with patrons working and chatting. The city of Indio helped make it happen.
“When land becomes available [in downtown], we purchase it,” Miller explains. The city council put a program in place to help entrepreneurs like Mercado and Ortega become tenants in city-held properties. “They have to come in with a full-fledged business plan and a proposition for tenant improvements. Then we say, ‘We’ll give you’—for example—‘a dollar per square foot to make those improvements.’ We’re keeping rents low, being partners with business owners, and then also investing back into the space, because we actually own it.”
The program’s capital comes out of Indio’s $141 million annual general fund. A one-cent city sales tax brings in another $18 to $20 million a year, funding one-time projects like Center Stage, an outdoor venue in the center of downtown. “That’s really our focal point,” Miller says. Honing in on entertainment makes perfect sense in Indio, considering it’s home to some of the most iconic music fests in the world, Coachella Festival among them.
But so far the stage—opened in April 2024—has taken some time to get off the ground, mostly hosting occasional community events and classic rock cover bands.
Miller has bigger dreams for the venue. “We’re going to use it for nonprofits to have events there,” he says. “We’re going to have acoustic guitar performances, yoga, other things.”
The city also hopes to bring in affordable housing, boutique hotels, and a train stop connecting Indio to the rest of the valley (like the town of Coachella to the east and the fairly orderly line of other desert cities—La Quinta, Indian Wells, Palm Desert, Rancho Mirage, Cathedral City, Palm Springs—stretching to the west) and beyond, accommodating the city’s growing number of tourists and transplants.

Among them is Nicole Massoth, who runs a downtown marketplace simply called The Place. At a staggering 15,000 square feet, The Place, opened last August, is a living catalog of local creative entrepreneurship. More than 100 small businesses have displays inside, many immersive enough to feel like their own tiny stores within the concrete-floored space. In a mini ’70s-style living room, you can sniff the candles of Mijo Co.—a husband-and-husband team who make scents inspired by the tangerines their mothers used to pack in their school lunches and the aroma of fresh-cut grass that emanated from family members who worked as gardeners.
Amelia Rodriguez is a writer and journalist and winner of the San Diego Press Club's 2023 Rising Star Award and 2024 Best of Show Award, she’s also covered music, food, arts and culture, fashion, and design for Rolling Stone, Palm Springs Life, and other national and regional publications. After work, you can find her hunting down San Diego’s best pastries and maintaining her five-year Duolingo streak.
Scripps study shows that some patients may be able to taper their dose and maintain results
While glucagon-like peptide-1 (GLP-1) receptor agents have been used to treat Type 2 diabetes for more than 20 years, their recent emergence as weight-loss wonder drugs marked a new frontier in medicine. But their effectiveness has left some patients wondering what to do once they’ve reached their goal. Stopping the medication could mean regaining some, if not all, of the weight. A Scripps Clinic internal medicine physician recently conducted a small study of whether GLP-1 patients who had reached their goal weight could maintain that weight by taking their regularly prescribed injection every other week instead of weekly. Spoiler alert: 30 of 34 patients did. Read more about the study here and what that may mean as pharmaceutical companies roll out oral GLP-1s.
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