The Goldberg Variations: San Diego Early Music Society welcomes back Nevermind

The Goldberg Variations: San Diego Early Music Society welcomes back Nevermind
Celebrated harpsichordist Jean Rondeau returns to San Diego, this time with his ensemble Nevermind, to present their brand-new transcription of the Goldberg Variations, BWV 988, by Johann Sebastian Bach. With Anna Besson on flute, Louis Creac’h on violin, and Robin Pharo on viola da gamba, the ensemble worked extensively on the transcriptions, shining new light on Bach’s masterpiece and unveiling new possibilities within the music. The concert will be held at St. James by-the-Sea Episcopal Church on March 14th at 7:30 PM. Tickets and additional information are available on the society’s website.
Founded in 2013, Nevermind champions and transcends the quartet repertoire (flute, violin, viola da gamba and harpsichord) of the seventeenth and eighteenth centuries.
Nevermind have showcased their virtuosity at prestigious venues across Europe including the Auditorium of the Louvre, Wiener Konzerthaus, Wigmore Hall and the Barbican in London, Amsterdam’s Muziekgebouw, Elbphilharmonie Hamburg, Konzerthaus Dortmund, Alte Oper Frankfurt, Centra Nacional de Difusión Musical in Madrid, the Théâtre des Champs-Elysées in Paris, Concertgebouw Brugge, and the Salle de Musique in la Chaux-de-Fonds.
Their international tours have also taken them as far afield as the United States, Canada, Russia, Iceland, and the Far East; notable highlights include the Boston Early Music Festival, Oberlin Conservatory in Ohio, Hong Kong City Hall, and a highly successful tour of Australia in 2019 with visits to Melbourne, Sydney, Canberra, Adelaide, Newcastle and Brisbane. A typical Summer season will also see them perform at numerous festivals, with past appearances at the Rheingau Musik Festival, Utrecht Early Music Festival, the Schleswig-Holstein Musik Festival, Prague Spring Festival, Festival Ravel, Festival of Saintes, Bel-Air Claviers Festival, and Gstaad Menuhin festival in Switzerland. (Harrison Parrott)