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Fascinating San Diego people inspire us with big, bold ideas on everything from genomics to urban planning, art to architecture, food and more
25 BIG Ideas
Jacqueline Campbell 2014
James Brown, principal, Public Architecture + Planning
“For San Diego, the freeway insertion in the early 1960s cut off Balboa Park from our city center and to our bayfront,” says Brown, who also owns and operates the Bread + Salt factory in Barrio Logan. “It also fragmented the bustling communities of Barrio Logan and Little Italy. This kind of idea sounds impossible, but actually it is critical and inevitable.” As the architect behind several structures, large and small, in downtown and uptown, Brown has even sketched out visions for what to do with the space, if I-5 were to end at the current Front Street exit. Think parks and direct access from downtown neighborhoods to Balboa Park. Where would all the traffic shift? He thinks the 805 should be the thoroughfare for shipping from the border. “It is just a question of when we choose to return our city to its full potential.”
Paul Thomas, president/founder, Julian Hard Cider
“A lot of people think Julian is still recovering from the fires, but in the last few years, Julian has really grown in a lot of ways, as far as farm-to-table restaurants, art, and music [are concerned],” Thomas says. “People would be pleasantly surprised to see what Julian has become. It’s reminiscent of Santa Fe—a cool, active mountain community.” Sounds like things are gettin’ hipper already.
25 BIG Ideas
Sam Hodgson
Eric Busboom, director, San Diego Regional Data Library
“A lot of the issues we have now are so fine-grain that you have to have good data to [solve them],” Busboom says. “Our nonprofits and governments simply don’t have access to the skills that are required to do that. The goal is to find volunteers and make connections.” Busboom is at the forefront of the open data movement and encouraging students and professionals to learn the skills to join him. Where do we need bus stops? How can we feed the hungry? He and the Regional Data Library are streamlining that sort of relevant city data in an effort to help government organizations and nonprofits make more informed decisions.
25 BIG Ideas
Susan Lankford, activist
“I’d like to collaborate with the Salvation Army on Park and Broadway,” Lankford says. “We want to expand into city areas and figure out how to do vertical horticulture. When we see children at the gate and walk up our yellow brick road [at the Makers Quarter garden], they leave their troubles behind. They are free.” The activist, award-winning author, and filmmaker has shone a much-needed light on the city’s homeless and their stories. In 2013, she and her nonprofit, Humane SMARTS, launched SMARTS Farm, an abandoned parking lot-turned-community garden in the East Village that has already given more than 600 disadvantaged youth a chance to experience nature. Her latest project, SMARTS Café, will give that same population a creative outlet and place to show off (or maybe even sell) its artwork.
25 BIG Ideas
Craig Venter, Genetic Biologist and founder, J Craig Venter Institute
Venter’s genetics lab was the first to sequence the human genome, back in 1997. After a 15-year period in which he says progress slowed, things are picking up in the genomics sector. “Technology is getting faster and cheaper. Computing has changed. In 1999 I had to build a $50 million computer. Now, for a few hundred dollars, you can make your own computer,” he says. One of his many exciting projects? Changing the genetic code of pigs to create human hearts, lungs, and kidneys inside them that can be harvested for transplants. He says around 1 million people die in America each year because of a lack of organs or failed transplants. “People have thought about this for decades, but what’s making it possible now is genetic tools that we have developed for writing the code,” he says. “It‘s all about how to design new cells and new organisms.” A surfer and regular at George‘s at the Cove, Venter believes the center of genomics is here. “I have the ability to put these institutes anywhere in the world, and I can’t find a place better than here.”
25 BIG Ideas
Flor Franco, chef
We need more organic, biodynamic, and sustainable farming. Franco says: “We’re finally getting that we live in a paradise in terms of cooking. [Now] everybody’s making everything from scratch. It’s a better world. Six, eight years ago, how many farms went down? They couldn’t afford to have their small farms because no one was buying product. Now it’s amazing to see them with double the employees. The more sustainable we become, the better community we are.” And healthier, too. The Mexico-born, San Diego-residing chef has one of the most diverse portfolios in the restaurant biz. She recently opened Zarco Comida de Baja in Chula Vista, and is bringing international attention to the Baja region as chef/partner at Encuentro Guadalupe Antiresort’s Convivia restaurant. Franco also owns San Diego-based Indulge Catering, and recently collaborated with other chefs and farmers to open Back to Roots, an artisan food market in Bankers Hill.
Scott Barton, Principal, THE Preuss School
“If we are going to change the face of this city, state, and world, we have to get everybody an opportunity for a great education,” Barton says. Among other things, the charter school principal thinks a longer school day and school year are necessary to keep our students competitive with the rest of the world. At Preuss, students are in school from 9 a.m. to 4 p.m. daily, and for 18 more days per year than San Diego Unified. Added up, that amounts to almost one full additional year of school for Preuss students by the time they graduate, compared to SDUSD students. And with college placement rates up to about 80 percent, it’s one of many things at Preuss that seems to be working.
25 BIG Ideas
Jacqueline Campbell 2014
Jaime Fritsch, photographer, founder of Death for Food
Fritsch thinks if we want to eat chicken, we should at least know what it’s like to actually kill and cook the chicken. “Death For Food is about going headfirst into reality, even when it’s challenging,” he says. “I take participants in San Diego (and beyond) through the experience of witnessing or taking part in killing for food. This can be done through photography, stories, and direct experience.” And while “people cry and hug me and thank me after,” says Fritsch, you’ll have to wait a bit to experience it yourself. His latest event was canceled under threat of a lawsuit from a local animal rights activist.
25 BIG Ideas
Jacqueline Campbell 2014
Ryan Sisson, CEO, Moniker Group and VP Business Development, Fifty and Fifty Digital Craftsmanship for Social Good
Gotta love the optimism of millennials, eh? The 32-year-old South Bay native runs Moniker Warehouse, a group of makers, artists, digital communicators, and even lawyers that all share space in a two-story building downtown. Sisson also rents the bottom out for weddings and private parties. He invests in every business or person that rents space from him. And then there’s his day job, generating new business for Fifty and Fifty, a digital marketing agency that only works with companies that have a strong charitable component to their business, like Invisible Children, United Way, and the National MS Society. He says the big idea is “focusing on people, not just business.” And then, business booms.
25 BIG Ideas
Mary Walshok, Associate Vice Chancellor for Public Programs and Dean of Extension, UC San Diego
“To sustain well-paid middle-class jobs in America and in San Diego, we need to return to making more things and producing things. It requires skilled workers who can command a skilled wage,” says the popular UC San Diego dean and author. “The whole East Village development, the idea of a maker district where creative people who are contributing to the design and production of products that are useful and needed, I see that as a positive indicator. A second positive indicator is the attention the Chamber of Commerce and the EDC are giving to manufacturing. Particularly in the cross-border region.” She also notes that 40 percent of the contents of goods manufactured in Baja are produced in Southern California, compared to just 5 percent in Texas. “For San Diego that’s a really exciting prospect.”
25 BIG Ideas
Don Norman, Director, the Design Lab at UC San Diego
The famous The Design of Everyday Things author, consultant, and researcher had just settled into retirement in the Bay Area (after a lauded career that spanned Apple, other startups, bestselling books, and lucrative speaking engagements) when the new UC San Diego chancellor, Pradeep Khosla, knocked on his door. They didn’t talk details, just that Norman would return to San Diego, where he started his career, and “he told me whatever we do, it has to be important and it has to be exciting.” He’s just settling into his new creative Design Lab at UC San Diego and has already met with every top design firm in town. Whether it’s cars that drive themselves or redesigning a huge healthcare system, Norman is back at it. “I wake up and if I walk 15 minutes to the west, I’m at the ocean. 15 minutes to the east, I’m in my office,” he says, noting his affection for the La Jolla mesa. Can’t beat that.
Jason Grauten, Co-founder, Rad Lab architecture
This big idea is now a reality. The new 30,000-square-foot Rad Lab Quartyard—complete with a craft beer garden, gourmet sausage restaurant, dog park, public plaza, and more—is set to open this month. It’s the brainchild of Grauten, David Lowenstein, and Philip Auchettl, who pitched the idea as their final thesis at the New School of Architecture & Design, just one block away from the site. The students saw an opportunity among the vacant lots downtown, where they could “actually build something” and show off their skills as emerging architects, while filling a need in the community and helping the city out with property taxes. Everything on the site is temporary and transportable, including the slick, Paul Basile-retrofitted and repurposed shipping containers that double as a coffee shop, kitchen, full-service bar, office space, and more. The Quartyard’s current lease runs through next summer. In the meantime, stop by and check it out at the corner of Market Street and Park Boulevard, between G and 11th streets.
25 BIG Ideas
Jacqueline Campbell 2014
Lori Steele Contorer, founder, chairman, and CEO, Everyone Counts
“A secure software voting solution can increase participation and access to voters. At the same time, it can increase security while cutting the cost nearly in half. If you think about things like the mayoral special election, which cost more than $5 million, there are plenty of reasons for San Diego to move quickly for modernizing voting.” An expert in election modernization, Steele Contorer is at the helm of Everyone Counts, whose software solutions are bringing sophisticated and secure online voting systems to more than 165 countries. In 2014, her company ran more than 600 elections for U.S. governments, continued working with the Oscar ballot system, and launched online voting for the Emmys, all of which saw an increased voter turnout.
25 BIG Ideas
Josh Schneider, managing partner, Cultivaris North America and Global Breadfruit
Schneider and the new San Diego-based plant development company Cultivaris are helping to alleviate hunger in at-risk countries with breadfruit, a potato-like crop grown in tropical regions that yields 700 pounds of fruit per year. Thanks to Schneider’s technologically advanced work with the Breadfruit Institute, the trees can now be grown in a laboratory and shipped to countries for large-scale plantings without any worries of pesticides or disease. “One tree can change the life of a family by giving them food and economic security,” Schneider says. “A $15 donation to the Breadfruit Institute or Trees That Feed Foundation will fund the purchase of a tree, training for farmers, and assistance with bringing their fruits to market. How many times do any of us have the opportunity to feed a family for half a century?”
25 BIG Ideas
25 BIG Ideas
Rob & Chelsea Kaufman, founders, LEARN bootcamp
“At SDRuby, the monthly meet-up for Ruby developers, we regularly see 10 to 15 people trying to hire, and only one or two people looking for work,” says Chelsea, the founder of a new bootcamp, intensive training program to learn Ruby on Rails programming language. “We’ve struggled to find additional developers to work with us. We don’t want companies leaving San Diego in search of talent.” Neither do we! It’s not grad school. The bootcamp is short and intense, with a simpler application process, an extremely efficient way to learn a highly marketable skill. Bonus: Good developers are paid upwards of six figures!
25 BIG Ideas
Jason Russell, Activist, co-founder and creative director, Invisible Children
Russell is a bit of a hero himself, perhaps known best for his film Kony 2012, which went viral with more than 100 million views on YouTube. His nonprofit, Invisible Children, has been fighting since 2004 to help end the war in Central and East Africa, and has launched educational and other protective programs for its citizens. Russell’s influence has virtually rebranded the nonprofit industry, making charity and global activism appeal to a younger generation in a way that few other orgs have been able to. His latest project, a children’s book co-authored by wife Danica called The ABCs of Activism, seeks to further this mission, educating families about the benefits of philanthropy and giving. As for his idea of turning San Diego into a hub for fellow do-gooders? Sign us up!
25 BIG Ideas
Ari Seth Cohen, Blogger and filmmaker, Advanced Style
Cohen has made a name for himself chronicling the older (and surprisingly chic) population of New York City. His blog, Advanced Style, was turned into a book and recently became a documentary. But the Del Cerro native still feels ties to his hometown. He says, “San Diego is such a beautiful place to live, but the reliance on cars for transportation isolates many older people who still want to retain a sense of independence and be part of the world.” Hey, City Hall, can we fix that, please?
25 BIG Ideas
Michael Koh, co-founder, Fypio
What if instead of looking online at little icon clusters with prices and dates attached to them, you could actually browse (or spy, depending on how you look at it!) houses for sale based on design and lifestyle choices like, “Big patio, open kitchen, modern design”? And then, what if you could also incorporate wishes, like “Diverse neighborhood with lots of young parents and kids”? Koh’s new app, Fypio, does just that. His team has gone through and tagged every photo in the Multiple Listing Service for its designs and colors and specific elements, and they’ve also licensed or bought large amounts of demographic data that have been built into the app. “So instead of the daily listing email with prices and whatever photo the realtor chooses to list first, you get things you’re actually looking for.”
25 BIG Ideas
Paul Basile, Design genius, Basile Studio
With limited space to accommodate a growing population, especially in a city like San Diego, Basile envisions a new kind of urban living with customizable, portable units that plug into a ready-made building. Sound complicated? It is. But Basile has thought out all the details, from the plumbing and wiring to the crane that would lift these units onto a steel structure. He’s qualified to do it, too, as his company, Basile Studio (behind hot spots like Ironside Fish & Oyster, UnderBelly, and Polite Provisions), boasts a rare triple-threat license to design, construct, and fabricate. Imagine a box- or pod-like studio apartment with glass windows overlooking the bay. It is self-contained and completely movable, should you need to take an extended vacation or relocate. Before it’s installed, you can load your clothes and bring over your dog. And rest assured—in Basile’s hands, it will be stylish.
25 BIG Ideas
Jacqueline Campbell 2014
Shawn Covell, Vice president, government affairs, Qualcomm
Working her way through the corporate ranks at Qualcomm, Covell was conscious of the need for mentoring women in the tech sector. “Every time I was promoted I made a point to place another capable woman in my previous position,” says the globetrotting exec, who heads Qualcomm’s Wireless Reach program that promotes mobile health and entrepreneurship in developing countries around the world. She took the mentoring a step further this year, launching Q Camp for girls, a two-week camp in which tweens toyed with robots, programmed hats with moving parts, and hung around the labs and other cool places at Qualcomm to ignite their excitement in STEM areas. “If I had my way, we’d be following these girls and supporting their interests through college and re-creating this kind of thing around the country.”
25 BIG Ideas
Paul Harris BWP Media USA
Nuvi Mehta, Classical musician and spokesman, San Diego Symphony
The studied violinist and conductor (hello, Julliard!) longs for the days of old—before TVs and computers were so readily available, “when people actually created.” He envisions a salon-like setting where people can explore good, classical music with wine, food, and professional musicians at the ready to explain and expose different classical pieces. “It starts with a discussion. You give people an exposition and they are hooked,” he explains. “So you close your eyes and know that you’re supposed to feel like ‘this’ when the note changes because the composer did XYZ. We don’t do that in concerts. People are cut off from the artistic expression of it.”
25 BIG Ideas
Don Kent, President, Rose Canyon Fisheries
In an age when we’re importing 90 percent of the seafood we eat in the U.S. (20 years ago, it was around 60 percent, says Kent), and our government is increasing the amount of fish we are supposed to incorporate into our diets, something’s got to give. Kent thinks San Diego can easily be at the forefront of sustainably farming fish in federal waters about 5 miles off our coastline. “If we want sustainable supply grown by acceptable standards, we should do it ourselves,” says Kent, who’s been working on this concept for several years out of the nonprofit Hubbs-SeaWorld Research Institute. Now he’s started Rose Canyon Fisheries and joined with a financial investor who, along with an army of permit-seeking consultants, is starting to really move the needle toward this goal. “So if 65 percent [of seafood] comes from China, what kind of regulations do they use? When I’m in the stores, I’d like to see that it was grown in California by USDA and FDA standards.” A native San Diegan, Kent also supports the idea of resurrecting San Diego’s esteemed commercial fishing industry by putting local fishermen to work on the farms.
25 BIG Ideas
Candice Eley, PR and promotions manager, San Diego Tourism Authority
“Yes, the weather is nice and our beaches are beautiful, but San Diego is so much more than just a sunny beach town,” says Eley, who spearheaded a video project focusing on the best arts and culture in nine San Diego neighborhoods. She wrote the script, produced the shoots, and starred as the on-camera talent guiding you through the hidden gems, in partnership with the City of San Diego’s Arts & Culture Commission. “Art, music, theater, dance, dining, craft beer—it’s all happening here, and happening in big and creative ways.
I want to see a San Diego where every resident sings the praises of our arts and neighborhoods just as much as we do for our weather and beaches.”
Malin Burnham, philanthropist
With today’s mass media mergers and takeovers, it’s hard to imagine a newspaper that puts its community before political or personal agenda. But that is Malin Burnham’s vision. The respected philanthropist and longtime Point Loma resident has assembled a team of investors that have an interest in buying the UT San Diego and turning it into a nonprofit—with a catch. It would still function as a for-profit media outlet, run by the pros, with any residual income being funneled into community charities and projects. According to an article in the U-T, the plan is currently in the approval process with the IRS. And current owner Papa Doug Manchester says there is yet to be a deal on the table. Time will tell if “community before self,” Malin’s personal life mission and motto, will make it to print.
25 BIG Ideas
Jacqueline Campbell 2014
Rob Hutsel, Executive Director, San Diego River Park Foundation
If you’re a member of almost any local service or neighborhood group in central San Diego, you’ve probably heard some version of Hutsel’s presentation before. He’s been making a pretty compelling case for working to restore the length of the river, from way up in the mountains down to the coast. How? By buying up the land in and around it and working with the community, government, and private sectors to develop it in a strategic, sustainable way. So, will we be fishing off our kayaks in Mission Valley someday? If Hutsel has his way, yes!
The Ely Callaway Performance Center is where tour-level fittings, cutting-edge technology, and golf equipment you can’t buy yet all come together
“Come test something.”
Those are quite possibly my three favorite words in the English language—all due respect to “I love you” or the highly underrated “you were right.”
I’ve been a PGA Golf Professional since 1994, and yes, full bias disclosure, a Callaway Golf Ambassador for 18 years. One of the bonuses that comes with that combo is access to the Ely Callaway Performance Center—a place so exclusive it gives “velvet rope” vibes.
Originally opened in 2006 as a highly functional (yet not exactly breathtaking) test facility, the ECPC got a serious glow-up in 2018 when Gil Hanse (along with partner Geoff Shackelford) turned it into what can only be described as a fully engineered golf playground. Hanse is no stranger to golf course renovations. In 2024, he completed an extensive redesign of the Omni La Costa North Course in Carlsbad, so it could host the NCAA Division 1 Golf Championships. He also worked on acclaimed courses like Winged Foot, Merion Golf Club, and Oakmont Country Club.
In just two months, it went from a standard test center and R&D lab to a fully dialed-in golf playground.

What was once purely practical is now intentionally designed to be both precise and inspiring. The targets are staggered with purpose—forcing creative shot-making while also calling you out on your actual distances (no more “that’s my 150-yard club … ish”).
Add a massive hitting area, bunkers and greens that mimic real on-course conditions, a “Himalayas” putting green (named for its roller-coaster undulations), an upgraded indoor putting lab, and a 120-decibel sound system blasting a very golf-appropriate playlist, and suddenly it’s a rare blend of high-performance testing facility and “don’t mind if I stay here all day” energy. Since this isn’t exactly open to the public, SDM asked me to take you behind the curtain.
As the iron gates part, it feels less like arriving at a practice facility and more like being granted backstage access at a rock concert—if the bandmembers were made entirely of launch monitors and perfectly manicured turf.
There are no mats. No guessing. No “I think that one felt good?” Just conditions that mirror exactly what tour players see in competition. Because when you’re testing equipment at this level, accuracy isn’t a bonus—it’s the whole point.
Even the sand matters. Different textures. Different densities. Because bunkers have personalities, too, and they are often unfriendly. And the golf balls? Brand. New. Not the usual “these have seen some things” range balls. New balls mean consistent spin, truer trajectory, and no surprises. The older a golf ball gets—and the more it’s been baked in the sun, scuffed, or generally lived a full and complicated life—the less reliable it becomes. Think of it like this: fresh ball, predictable performance; old range ball, slight chaos with a side of mystery.
I’m escorted to my personal hitting bay—basically a pop-up shaded oasis stocked with enough equipment to make a gear junkie weak in the knees. Shafts in every weight and profile imaginable. Heads lined up like they’re waiting to be drafted by their favorite team.

Toptracer technology was patiently waiting to track every one of my swings, each shot instantly delivering ball speed, launch, spin, carry distance, and dispersion (a polite way of saying consistency, or lack thereof), so there’s no guessing—just data telling the truth, whether I like it or not.
We start with irons. Different heads, different feels, different results. When I miss a shot, the ball tends to leak right, so we check lie angle. A quick adjustment—2 degrees upright—and suddenly the clubface is consistently square at impact like it remembered its job. Effort level: down. Ball flight: improved. Confidence: creeping back.
Next we look at the different shaft options—because nothing says “fun afternoon” like realizing a higher kick point can change your entire golf identity. Shaft flex (how much the shaft bends during your swing) helps determine whether you get more height and distance or more control, while kick point (where the shaft bends the most) influences your ball flight—lower kick point for higher launch, higher kick point for a flatter, more penetrating shot. In other words, one small tweak and suddenly you’re hitting shots you’d normally only describe later, slightly exaggerated, over a glass of wine.
Then we move through the bag: hybrids, fairway woods, drivers, wedges. It’s a full rotation of “try this,” “now try this,” and “okay wait … THAT one.”
And yes—the new Quantum driver and fairway woods made an appearance. Without getting too deep in the weeds, they’re faster, more forgiving, and smarter (thanks to AI face mapping) than previous models. Translation: Even your mishits are now slightly less embarrassing. And they were not the only things getting tested. My patience was under attack because the driver and woods would not be available to the public for a good three months.

Watching the fitting team work is like watching a Formula 1 pit crew. Clubs are swapped in seconds. Shafts tightened, adjusted, replaced. One minute you’re swinging something that seems “fine,” and the next, you’re holding a club that feels like it is a part of your DNA.
Then there’s the putter fitting. Drivers are physics. Putters are therapy. Inside the putting lab, sensors track everything—tempo, face angle, path—things you didn’t even know could be measured. Within minutes, my data politely informs me that my putter face is slightly closed at impact. Not shocking, but also not ideal.
A few quick adjustments—different head (with a bit more weight at the toe to discourage the face swinging closed at impact), shorter shaft (so I feel more over the ball, which helps my eyeline)—and suddenly the ball starts rolling exactly where I’m aimed.
Same stroke. Same golfer. Completely different outcome. If only the rest of life worked like that.
And then there’s the part that feels slightly classified. The ECPC isn’t “just” a performance center—it’s also where future equipment lives before the public even knows it exists. I’ve been there when certain clubs were basically under surveillance. Not “don’t touch,” but more “please keep phones in your pocket.”
It’s golf’s version of Area 51. Except instead of aliens, it’s drivers that won’t hit shelves for another year—and like I mentioned, waiting is not my strong suit.
Getting to test the newest equipment isn’t just a perk—it’s part of the job. It’s what allows me to stand in front of students and say, “I’ve tried it. I know what works and what doesn’t. And more importantly, I know why.” And if I happen to sprint to my car every time the phone rings and someone says, “Come test something” … well, that’s just professional courtesy.
Callaway isn’t the only place to get your swing analyzed and clubs fitted. You can stroll into big retail spots like The Golf Mart or Golf Galaxy, book a next-level session at a dedicated studio like Club Champion or True Spec Golf, test brand-specific gear at various manufacturing companies (many located in Carlsbad), or even combine a lesson and a fitting at GOLFTEC. And let’s not forget your local golf course, where fittings happen on actual turf, on a driving range you have some history with—many times with the golf professional who is familiar with your swing so they can give you valuable input. With this many options, there’s really no excuse, other than pride, to keep blaming your clubs.
The county that helped push skating into the mainstream is now nurturing the competitors, communities, and culture shaping its future
It was the summer of 1999. MTV, The Matrix, and first-generation PlayStation glowed on tube TV sets all over America. What a time to be alive. Smartphones weren’t yet stealing people from the moment. Cultural was a shared reality. During the last few minutes of the monoculture, Tony Hawk executed the first-ever 900 at X Games V in San Francisco. That’s two and a half aerial rotations with a side of the dizzies.
The time had run out on the Vert Best Trick competition long before the 11th attempt when he pulled off the fateful feat. Nobody cared. Not the judges, not the competition, and certainly not the crowd. “Let that bird fly,” they said. Once the trick was landed, they partied like it was 1999 … because it was.
That was the tipping point when the skateboarding world exploded, going from counterculture to a national phenomenon. Shortly after that, “Tony Hawk’s Pro Skater” video game came out, introducing millions of kids to what skate culture looked like. Oh, the game had a killer punk soundtrack, too.
We can all thank Hawk for the globalization of skateboarding. But we can also recognize his local influence and how San Diego County continues to be a hub for skateboarders young and old, for competitors and street skaters. To see it all, go to Park De La Cruz in City Heights—or, heck, any other skatepark in the county—which, at 19,000 square feet, is about twice the size of the average skatepark and has signature features like an M-shaped transition ramp. The amount of talent that continues to evolve in this county is a testament to deep-rooted skate culture and world-class athletes supporting the next generation.

I’m a little early for a skate lesson with pro skater Mike Owen when I get to Linda Vista Skatepark. In the 2010s, Owen ranked as one of the world’s top bowl riders. He’s the founder of San Diego Skateboarding and has “helped thousands of kids, teens, and adults learn to skate safely, confidently, and with style,” the company’s site says. And now it’s my turn. We start the lesson on the nearby tennis courts, getting my basic foot mechanics down. Safety before style.
In terms of street plaza features, the massive Linda Vista Skatepark is loaded with rails, stairs, manuals, and ledges. There are more bowls than you can get from Cava: a flow bowl, backyard-style pool, and vert bowl. The main feature is a full pipe for advanced line riders. It’s a hell of a park, even if somebody just wants to watch the action from the 100-foot-long pedestrian skybridge overhead.
Right now, San Diego has over 50 public skateparks scattered throughout the county. “There are now more [skateparks], more resources for them, and more terrain,” Owen tells me. “Now, they’re offering different competitive style skateparks that help for competitions. The best parks have a variety of different terrain where you have things for beginners and bigger transitions. Not every town has that.”
San Diego, luckily, does. But despite the bounty, Owen believes there should still be more—public skateparks are safe spaces for all to learn and develop on-board skills. Without them, a huge portion of San Diego’s culture withers. Encinitas could be the next city to add a skatepark to the county’s roster: In early July, the Encinitas City Council appointed 12 local skaters and community members for the newly established Skate Feature Committee. In partnership with two councilmembers, the committee’s purpose is to design a working skatepark or feature for the city.
But like any big project, Owen says, it’s a long process to add another skatepark to the community.
“I wish it were easier,” he says. “When there are different contractors for different things, [there’s only] a certain amount of time to build. It gets tricky.”
Then there’s the matter of funding the actual construction and development of the skatepark. That usually comes from grants, fundraisers, and donations. For reference, Linda Vista Skatepark was built on a $4.46 million grant from the California Department of Housing and Community Development in 2014. With an additional $40,000 donated by the Tony Hawk Foundation, the park opened in 2018 and is the largest in San Diego’s Parks and Recreation system. The best way to get a skatepark in your neighborhood, Owen says, is to start a petition and reach out to your city.

Jordan Thrower’s first street skate sesh at San Diego City College in 2003 ended with a police chase. The campus was swarming with skaters riding rails, jumping stairs, and grinding tricks on benches, curbs, and ledges. When the cops got on their loudspeaker telling them not to run, everyone obviously ran. Back then, cops would give tickets and confiscate boards. The vibe has loosened since. “Now, the police don’t really care,” Thrower says. “They just make you leave. It’s not anything crazy.”
Street skating is when riders use real-world urban obstacles, rather than pristinely designed bowls or ramps—such as in college campuses, downtown areas, corporate buildings, and malls. Abandoned mini-golf courses and construction sites do the trick, too.
Thrower says the street skating hub here isn’t as huge as it once was. Thanks to modern technology and social media, skaters aren’t tied to any certain place to create skate videos. You know, those videos that could have been taken this year but have the low-fi vibe of 2004, where skaters carve down stairwells into parking lots, over mailboxes, or across park benches. The silver lining: Even though there are fewer street skaters than there once was, those who stayed in San Diego are still tight.
“Everyone skates with each other and knows each other here,” Thrower says. “In LA, it’s not really like that. It’s small there, but not everybody knows each other, and they don’t really skate with each other too much. They just have a lot of little crews.”
Back in 2015, Thrower started his own street team and brand that sells boards and shirts called Tantrum. The Tantrum team is split between San Diego and San Francisco. It doesn’t take much to be a part of a skate team. You just have to be a good hang.
“The way I pick people [for the team] is if I can get along with them,” he says. “It doesn’t even really matter if they’re that good. If you’re likable and funny, you can pretty much be on the team.”

Running it up to North County, a Vista-based nonprofit organization called Exposure Skate has been shaping up the youth since 2012. Its mission is to give more opportunities to otherwise underrepresented women, girls, and non-binary individuals by offering classes and camps. This, to build up confidence and community. We could all use a little bit of that, eh?
Thanks to Exposure Skate, 13-year-old Joey Yarbrough has found herself competing in the LA Olympic trials. (Her first time on a skateboard came at just 18 months old at an Exposure Skate Rising event.)
While competing for Team USA in Rome in June of this year, she finished 13th at the first Olympic qualifier for LA28. Currently ranked 21st in the world and 5th among American women, the young prodigy is blooming. And she’s in good company and mentorship from her biggest influence, Bryce Wettstein.
“She taught me at the first Exposure Skate Rising when I was little,” Yarbrough recalls. “I compete and skate with her all the time now, and it’s super fun. [At Exposure,] it feels so good to have someone there to help me whenever I need it. They’re like my family, always encouraging me and always there for me.”
Yarbrough will be just 15 years old when the Olympics go down in LA. She’s following the Olympic torch carried by other locals such as Wettstein, Ruby Lilley, Jordyn Barratt, and Exposure Skate’s Amelia Brodka.
“I’m working my hardest to get there,” she says. “I’ll also work my hardest to go higher in the Olympics, maybe on podium. That’s just my dream. So, hopefully it’ll come true.”
Jake Peterson is a San Diego-based journalist and culture writer. His work explores the city’s music scene, sports, local characters, and the offbeat corners of San Diego’s subcultures.
Outside the Lens puts cameras in the hands of local youth, giving them the tools to capture their communities from the inside
Big feelings hit us all. Younger populations—or those who haven’t yet developed their own language of expression—outsource angst through external means. That’s where homemade haircuts, studded belts, and musicians like The Cure, Elliott Smith, or Phoebe Bridgers come around. In San Diego, though, there’s a nonprofit that gives youth a way to feel not only heard, but also understood, through photography and digital storytelling.
Outside The Lens’ mission is to amplify the voices of systemically marginalized young people and help them develop the confidence (and artistry) to tell their stories and shape their communities. OTL just celebrated its 25th anniversary earlier this year with dual exhibitions of student work at San Diego Central Library and Museum of Contemporary of Art San Diego. Since 2001, more than 30,000 students have completed programs at OTL, getting their hands on industry-respected DSLR cameras (no shade to iPhone photographers), editing files and images with Adobe Creative Suite, and recording podcasts. Participants explore their worlds through the lens and on the mic.
“Our biggest opportunity, and what’s really needed, is to bridge the understanding between the youth and their communities and how people are seeing what youth are going through right now,” says OTL Executive Director Sarah Beckman.
OTL’s participants, Beckman explains, are young people navigating systems that never gave them access to the tools and mentorship that inspire creative expression, financial mobility, and civic engagement. The nonprofit offers support—in the form of meals, transportation, and healing-centered educators—and a creative outlet for exploring and coping with those challenges.
OTL’s in-school programs meet California core standards for arts and partners with at least 37 schools and community sites throughout San Diego, including the Monarch School in Barrio Logan, East County Community School in El Cajon, and Creative Performing and Media Arts School in Clairemont Mesa. The nonprofit doesn’t just work within the school system. Its Media Makers program invites young adults with intellectual and developmental disabilities to express their place and purpose in the world through film, photography, animation, design, and entrepreneurship.
“We’re always asking the question, and we’re engaging youth in our civic discussions [of], ‘How can we make this city somewhere youth want to be?’” Beckman says. “‘How can we make San Diego somewhere for young people to build a future?’”
This year OTL’s annual Voice Out celebration event spotlighted student work that hung on gallery walls beside “Giants,” the Dean Collection at MCASD. The Voice Out contest is open to all San Diego youth ages 8 to 25; all submissions are published in a catalogue and displayed in a public exhibition. These are some of the students’ works, and their words, from the past three years of Voice Out.

“I wonder how the architect decided to connect the beams [at Del Norte High School] by creating repetition. Without color [in the photo], the structure becomes the focus of the image.” –Monroe S., 15

“Every day, time slips forward, whether we notice it or not, and life can feel overwhelming in its constant motion. In this long-exposure photograph, the blurred train rushes past, symbolizing the speed of life, while the still subject remains grounded and aware. It’s easy to become tangled in society’s expectations: what to wear, what grades to earn, what future to chase. In that rush, we forget to pause. The stillness in this image becomes a breath, a moment of reflection. Through it, I hope to show that wonder lives in slowing down, in watching the world blur while choosing, even briefly, to stand still.” –Leo N., 15

“Teenagers constantly wonder if they will ever be enough. I wrote words on the mirror that might represent what a teenager thinks about when it comes to being ‘enough’ for the people around them. They might wonder if they are pretty, smart, or good enough. I wanted to bring attention to what thoughts teenagers struggle with in everyday life.” –Illiana I., 16

“I took this picture during Go Skate Day in 2023 or 2024 I think … but who cares? It’s sick! Keep riding!” –Danny I., 18

“This was taken at an all-women’s retreat in the mountains to heal inner trauma, at the end of the trip where we all hugged each other and healed. My mother is the one being hugged and one of her friends is embracing her. Place is somewhere you belong, somewhere you feel comfortable in, and somewhere you can be yourself. I believe womanhood and friendship is not only a place but home.” –Michelle G., 16
Leorah Gavidor won her first essay contest at age 5. She writes features, news, and non-fiction in San Diego.
Behind every beautiful space is a thoughtful process, and ASID San Diego is helping homeowners understand the value of professional design.
A perfectly designed home rarely happens by accident. Those kitchens that feel effortless and rooms that seem to tell a story the second you walk in? They’re usually the work of someone who knows exactly what they’re doing.
It’s knowing which ideas will actually work, which materials will hold up over time, and how to turn a collection of choices into a space that feels intentional. That’s where a professional interior designer comes in.
For the American Society of Interior Designers (ASID) California San Diego Chapter, the goal is to help people see interior design as more than just the finished look. Behind every well-designed space is a process built on technical expertise. Designers are educated in everything from professional software and construction details to building codes, space planning, materials, and functionality.

“People don’t always realize how much goes on behind the scenes,” Kirsten Recce , current president of the ASID California San Diego Chapter, says. “Our designers are not just doing furniture placement and color selection and picking out new fluffy pillows. That’s not what they’re trained for.”
ASID members bring formal education, continued learning, and industry knowledge to their projects, helping create spaces that are not only beautiful, but designed to work. A paint color that changes completely depending on the lighting. A material that looks beautiful in a showroom but doesn’t make sense for everyday life. A layout that photographs well but doesn’t function for the people living there. These are the details where professional guidance can make all the difference.
Still, one of the biggest misconceptions about hiring an interior designer is that it’s reserved for massive renovations, luxury homes, or people who already know exactly what they want. The process can feel intimidating. Where do you begin? Is a designer worth the investment? What if you only need help with one room?
ASID’s answer: start with one hour.
ASID’s Spruce Up events break down one of the biggest barriers between homeowners and professional design: knowing where to begin. Held twice a year, the community program gives homeowners the chance to work directly with an ASID designer through a one-hour, $125 consultation in their own home. Whether you’re looking for advice on furniture placement, window treatments, kitchen and bath updates, remodeling ideas, vacation rentals, color selections or something else entirely, the upcoming September 2026 event offers an approachable way to get expert guidance before committing to a full project. Signups are open through Sept. 7, with consultations taking place Sept. 21 through Oct. 31. Proceeds benefit ASID San Diego’s educational and community programs. Register here!

“It’s a great opportunity for people who are in that exploratory phase,” Recce says. “Maybe they’re not sure they want to hire an interior designer yet, or they think it sounds daunting or expensive. This gives them a chance to discover what working with a designer is actually like.”
Design is personal. A good designer isn’t just creating a beautiful room; they’re helping create a space that fits the way someone lives.
“We’re a resource to all of San Diego County,” Recce says. “It doesn’t cost anything to pick up the phone and call and ask. We’ll answer.”
Follow ASID San Diego on Instagram, LinkedIn, and Facebook for updates on upcoming events, or connect with the chapter directly at [email protected] or 619-548-8847.
No gatekeepers, no creative rules, no perfect definition—the city’s DIY publishing scene makes room for anyone with something to say.
If magazines are like the adultier eldest daughters who know exactly how much anarchy they can get away with, zines are the far less predictable younger siblings going on whim and instinct. Those who draw on the walls around the house, DIY their own piercings, and experiment with different emo/straight-edge/back to emo phases (or not-phases). Boundaries and routines are what zines were created to rail against.
Walk into Verbatim Books’ zine corner, and this rebellion is immediately clear. Zines have no singular form, no clean category or definition. Vintage magazine scraps are collaged into new meaning alongside mini fandom zines. Single sheets of plain white printer paper are covered in nothing but black ballpoint pen. Repurposed hardback book covers are folded into something entirely new. Some are duct-taped together, others stapled. Some glossy, others matte. There are guides to anything and everything, comic panels, photography, hand-drawn cartoons, poetry, recipes, diaries, and ramblings that only make sense to the person who made them—and that’s on purpose.
Zines are creative magic. And with no rules, they’re incredibly accessible. Anyone can zine and have a voice, regardless of artistic training or work life experience.
You are your own Anna Wintour, Graydon Carter, Ruth Whitney.
San Diego–based zine creator Lyssette Williams specializes in mini zines—often limited to eight pages, they’re meditations in abbreviation. Outlining, thumbnailing, and revision all move quickly from idea to page. Larger projects, including Williams’ long-form graphic novel thesis, move at a slower pace. For those, she often returns to pen and ink, a choice that resists the over-editability of digital work.
Raised by a single mother and navigating mixed-race identity in a predominantly white town, she finds a home for processing it all in zines. Her work deals in identity, belonging, self-definition, and punk-rock childhood. But it isn’t always heavy; Williams creates a mini duck-themed zine called Backyard Duck Propaganda that’s hard not to love. “When I create, I think about what would have helped me find the words back then, what my younger self would’ve needed,” Williams says. “[Zines] put the tools in your hands and democratize art. They’re translations of memories and identities.”

For Williams, a big reason she keeps creating is being surrounded by other creatives—a scene that extends across the border. She points to Verbatim and Comicbook Artists of San Diego, plus events like Zine Fest (October 17–18 this year at Woo in Barrio Logan) and Black Comix Day at the WorldBeat Cultural Center.
Zines have always been a road for subcultures. During the Harlem Renaissance, Black creatives like Langston Hughes and Zora Neale Hurston self-published one issue of Fire!!, which inspired other Black authors. In the 1930s, zines (then called fanzines) were hubs for sci-fi nerds to write fanfiction, address the fandom, and create new characters. Superman actually made his public debut in a fanzine called Science Fiction (he was originally cast as a villain with a fully receded hairline). A couple decades later, zines about feminism and riot grrrl became subculture de rigueur.
The internet nearly killed zines, of course. But now, people tired of the algorithm’s firehose are finding comfort and renewed inspiration in analog. Zines, a salve for digital fatigue.

A giant figure in San Diego zine culture is Burn All Books. Founded by Amanda and Nick Bernal, BAB started as a risograph (digital screen printing) studio and turned into one of those places that keeps expanding the whole scene around it, even forming its own archive group, SCANNNERS. Since opening in January 2023, it has published over 35 works and collaborated with more than 100 artists, writers, and zinesters.
For Duophobia, the pseudonym for local twin sisters Alora and Kiani Dotson (affectionately known as the “possum twins”), zines make room for experimentation and play that doesn’t fit anywhere else. Room for eclectic cartoons and dirty jokes. For sticker-covered sketchbooks.
It’s that same brand of nostalgia you might feel when, say, you walk past the carcass of an abandoned mall and see a faded cartoon mural. Their work lives somewhere between childhood and adulthood, where being unserious is taken very, very seriously.
“We’re born and raised in San Diego, and the community of artists here is a main reason we started publishing,” Kiani Dotson says. “There are people here like Trixxie Land who run open art gatherings. Show up, and you’re part of it.”
Land, a zinester herself (she made 250 single-page zines during 2020’s lockdown), is all about storytelling over hierarchy. Art shouldn’t be about gatekeeping or intimidation, she says. So she holds open-invite arts shows at Subterranean Coffee.

Duophobia regularly share their work at local galleries like Subterranean, filling that lowbrow space with pieces that answer: “What would’ve made us laugh as kids?” Children are often the first to pick up their zines, unfolding them in every direction while parents briefly panic at the impulsive destruction. The twins always step in. “No, no, it’s okay,” they say, before showing how one sheet of paper folds into an entire little book. “It’s like magic.” More often than not, the kids leave with a tiny zine tucked under a tiny arm, future San Diego zinesters in the making.
When asked what a zine really is, Alora Dotson’s response was simple: “It’s anything. Literally anything. The more genuine you are, the more people are going to hear what you have to say. Your voice matters, even if it’s just a silly joke or story. People want to hear about it.”
Not a perfect definition? Exactly. Zines inherently resist categories. Want to turn a single playing card into a storybook? Do it. What about your favorite graffiti artist’s signature tag at Prince Memorial Skatepark? Turn it into a zine.
Everything’s a zine.
Isabella Dallas is a freelance writer for San Diego Magazine and the Arts and Culture Editor at The Daily Aztec in her final year at San Diego State University. She previously worked as an editorial intern for SDM, but when she’s not writing, you can find her trying the best coffee spots in SD, devouring the latest rom-coms, and indulging in anything and everything pop culture.
From tacos to tailors and trainers to travel, these are the businesses, people, and places that earned San Diego readers' votes
San Diego Aesthetics and Med Spa
Elicia Soltesz, Elicia Marie Beauty
Ashley Fierro, Ashley Fierro Makeup
Michelle Langston, MSN, APRN, FNP-BC, HNB-BC, Starlite Aesthetics
Alysa Espiritu, Afterglo Beauty Lounge
Ronnie Page, Gold Comb Barbershop North Park

Ryleigh Hunter, Headbang Salon
Ann Teresa Degischer, Maen the Salon
Lindsay Axelrod, Pixiedot Salon
Lauren Skinker, Lucky Cat Tattoo

Father Joe’s Villages Turkey Trot
The Camp Transformation Center, West Chula Vista
Singing Hills Golf Club at Sycuan

Camila Casanueva, The Yard Gym

Austin Harrington, Captain’s Quarters
Bivouac Ciderworks, Savoy Dry Apple Cider

Missi Burns, Et Voila

Prospera Internal Medicine and Aesthetics
A new program guides new moms through high-risk pregnancy and into the “fourth trimester”
Mai Vue was just 34 weeks pregnant when she delivered her baby. Her pregnancy had been complicated, and she’d had a recent second trimester pregnancy loss, which led to her receiving specialized care from Sean Daneshmand, MD, a Scripps Clinic perinatologist who oversees high-risk pregnancies. Dr. Daneshmand and his team took care of Mai during her pregnancy, through the birth of her healthy baby girl and beyond. Mai was part of a program Scripps launched to provide support to new moms in the weeks and months after delivery. The postpartum program, known as Scripps Health’s Fourth Trimester Continuum of Care, provides care for women with high-risk pregnancies to optimize their health after childbirth and reduce the risk of complications in future pregnancies. Click here to learn more.
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