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We asked 16 locals—from students to nurses, hoteliers and store owners—how they're working through the pandemic and helping others
Gigi Farrell
As told to Erin Meanley Glenny
I manage San Diego Blood Bank’s main donor center near downtown and the one in El Cajon. I’ve been with the organization for 20 years and thought I had seen it all until COVID-19.
We supply blood to nearly 50 hospitals in the region; including some hospitals in Orange and Los Angeles counties such as City of Hope.
We usually have a general sense of what each hospital will use each week. We have real-time eyes on hospital supply and can see when there is a major drop, perhaps due to an emergency. This is why it is so important to have a 5-to-7-day supply on hand. At times during the pandemic, we’ve had less than a half-day supply of several blood types for several days in a row.
Each month, we typically collect about 2,800 pints of blood at our six centers and more than 5,000 pints from our bloodmobiles. So more than 60 percent of the local blood supply is collected on our bloodmobiles. We normally have six to 10 of them out in the community on any given day.
Around mid-March, our bloodmobile drives began to cancel due to schools closing and companies switching to remote work. We didn’t have enough blood on the shelves, and it was scary. We immediately jumped into sending out the plea—everyone was tweeting. We asked younger donors to step up to allow older donors to stay safe at home. The community answered our call, like they always do.
People were waiting two hours. It got very overwhelming. There was a point when we had an eight-day supply—that was unheard of.
Over my 20 years working at the blood bank, I have found that tragedies bring donors in—I was at SDBB in the days after 9/11. We had donors in lines around the building, waiting hours to donate. I believe people need to be with the community so we can mourn together and support one another. Coronavirus is slightly different, in the sense that there’s so much fear of the unknown out there.
Because a lot of our donors are baby boomers, we really need to bring the younger generation in, the millennials, Generation X. We got a lot of new donors, first-timers coming in, but we need them to come back. It’s not a one-time thing. The blood is only good for 42 days, and it is usually out the door within a few days. The platelets, in the blood plasma, have to be used within five days.
We need more COVID-19 convalescent plasma (CCP), which we collect from donors who have recovered from the illness. One CCP donation can help as many as three or four patients still fighting COVID-19. The demand for convalescent plasma in June was double that of May, and as of July we are starting to see even higher demand—we need more recovered patients to sign up.
Many hospitals have told us that our ability to stand up our CCP program so quickly was almost unheard of.
On a personal note, I reached my 15-gallon milestone recently, and donated in honor of my Uncle Rudy, a regular blood donor who was admitted to the hospital in April for a critical case of pancreatitis. Rudy received eight pints of blood over the course of five surgeries. These units saved his life, and it really hit home for me and reminded me of my purpose.
Dr. Wilma Wooten
San Diego County Public Health Officer
That we all have the power for personal and collective action—and we should use it. The pandemic is not over by any stretch. The virus is still here, and it’s likely to be with us for a while longer. We can’t be complacent and go back to living our pre-COVID lives. We all play a role. The health, and in some cases, life of someone’s child, parent, grandparent, or loved one is at stake. Wearing a face covering, maintaining physical distance from those not in your household, washing your hands frequently, and avoiding gatherings are small steps that can have a big collective impact.
Personally, a challenge I share with public health officials worldwide is not internalizing attacks on my character. I fully understand and appreciate that this is an inordinately stressful time and sympathize with the frustration, hardship, and other complicated feelings around this pandemic’s impact on our lives. Every once in a while, an attack is so personal and so off-base that it can feel unfair, but I take a breath and remind myself that this person is likely struggling and all my actions need to be focused on helping everyone cope with today and prepare for tomorrow.
Elvin Lai
Fourth-generation hotelier, Ocean Park Inn
We closed the hotel for two months. Since we were already in renovation mode before COVID-19, we took the opportunity to move some projects up on the schedule for completion. Adapting to COVID-19 protocols for our guests wasn’t much of a leap. We faced the hepatitis A outbreak just prior and the industry—and we, as independent operators—mobilized to keep our staff and guests safe at that time. That being said, COVID-19 is very different.
Being a small hotel was much more beneficial. We have been able to be more nimble and ready to move fast on the implementation of protocols. But it has been more challenging to source the right materials due to the lack of purchasing power and the lack of a purchasing entity doing it for us. In the end, we found ways to buy directly from out of the country or leaned in hard on our relationships to make plans come through.
Liberty Zabala
Reporter, Fox 5
We’ve had to adapt to this like everyone else, by taking advantage of technology (conducting virtual interviews) and modifying our equipment (using longer stick mics) to maintain six feet of physical distance. We wear masks, disinfect constantly, and have limited the number of people inside the newsroom to a skeleton crew.
Steven Dinkin
President, National Conflict Resolution Center
The underlying concepts between one-on-one conflict resolution and peaceful large group protesting are essentially the same. Will yelling and screaming or violently protesting help an individual or group be heard, or is it just noise and a distraction? Perhaps a more thoughtful, strategic approach might actually get you closer to the finish line.
Shannon Cotton
As told to Marie Tutko
I work at A COVID-designated ICU. When COVID-19 first came to the US—to San Diego specifically—it was people disembarking from flights at the air bases, and they would send them to the hospital. There were military guards and extreme precautions. Now, we still have patients in the ICU, but it’s much thicker than in the beginning. We’re getting patients from all over Southern California. It’s really busy—the patients are extremely sick and require a lot of nursing care. Nurses continue to show up to work every day, for their patients and community, but we have to stay healthy to take care of people.
It’s really hard to see patients through the glass door. Because of the isolation, we have to keep the door shut and watch them. Maybe they’re confused, or are trying to take out their breathing tube, and you have to make that choice: Do I go in without it, stop the patient from doing this, and risk my own health? Or do I put on my PPE* as quickly as I can and pray that I get there in time? It’s a hard choice that we make every day.
Nurses in my ICU were the first ones who asked for, and practiced, universal masking. We wanted to wear surgical masks through the nurses’ station and every single patient room, whether or not they had tested positive. Nurses really led the fight on this. We continued to do it, despite threats of discipline and even discharge from administration. And now we have a universal masking policy.
We are mostly getting patients from Imperial County, where the positive testing rate—last time I checked—was 23 percent. Some of the sickest patients go to UCSD La Jolla to our COVID ICU, where they get ECMO treatment—extracorporeal membrane oxygenation—in which they move the blood out of your body, reoxygenate it, and send it back into your body through a large catheter. The patient is still intubated with a breathing tube, and ventilated.
I was at work on Monday, and the ICU was nearly at capacity when I left that night. It feels—just the heightened level of adrenaline you walk into the unit with—it feels like everyone is sick and needs you. I assume the hospital is not at capacity since we’re still doing elective procedures and surgeries, but as a front-line worker I rely on hospital administrators to monitor that situation and let us know what’s going on with transparent communication to all staff from their bird’s-eye view. Because to me, it feels like we’re on the verge of a surge, and that we need to start preparing our second ICU to take positive COVID-19 patients. The feeling in the unit is that it could come at any minute.
We worry about our patients when we go home. I’m still thinking about the patient I took care of in that room—did they make it through the night? There is that heightened sense of anxiety, at all times. The nursing staff used to be able to have lunch together at a break, talk about our lives, our kids… now it’s a social-distance-mandated break, and you don’t even have that connection with your coworkers. A lot of front-line staff are going through this emotional toll: I want to show up for my patients every day, and I do. But at what point do I have to take a step back and say, “I need a break for my own family or my own mental health”? It can be exhausting. But we show up every day, and/ we just go.
What’s difficult with really sick patients diagnosed with COVID-19 is that our visitor policy is severely restricted, and there’s very few exceptions. I had a Zoom meeting with one of my really sick patients and four of his family members; it’s hard, because they can’t touch him. They can see him, but it’s not the same as being there and being able to hold their hand. The nurse really does become the emotional support for the patient, and the patient’s only contact at the bedside. In my head, I understand and support the restricted visitor policy. But in my heart, I feel that someone has to be there to help you know that we’re watching you, that we love you. That you’re not just a number. We all try to provide that support to our patients, now more than ever.
We all remember the patients who died from COVID-19. Their families are so grateful for the care. It’s heartbreaking, but we know we did our best, and we fought for their lives as hard as we could. We know who they were. We know their names.
One patient who really sticks in my heart was on the step-down unit. He was requiring more and more oxygen. The nurse on his unit was really concerned, and the doctors brought him to the ICU. When he arrived, the doctors and I had a serious conversation with him: “Your numbers aren’t good and you’re breathing really fast. We have to put in a breathing tube.”
He said, “I have to call my mom.”
My colleague got on his phone and FaceTimed his mother and sister so he was able to tell them, “I’m sick and I’m in the hospital. I probably won’t be able to talk to you for a while, but I’m going to get through this.”
It was amazing to give him that chance to talk to his family, because you don’t know if you’re going to come out on the other side alive or dead. It’s so unpredictable. Within 30 minutes of him transferring to the ICU and making this phone call, we had him on a ventilator—but he eventually recovered, and was discharged home. He holds a special place in my heart.
It’s great to see someone move out of the ICU. In my unit, we clap and cheer when someone recovers and is wheeled out to the step-down unit. A special chime is played when a COVID patient moves out of the ICU or is discharged from the hospital. Everyone knows something good is happening, because usually those overhead announcements are emergencies. But these special chimes—you look up and you wonder if that’s someone you know. It feels like a victory.
*Our PPE is an N95 respirator, a gown, gloves, and a face shield. The hospital doesn’t require shoe coverings or hair coverings, but most of the nurses on my unit use them, simply because this is a novel virus. We just want total protection.
Nancy Maldonado
CEO, Chicano Federation
We don’t have to look further than the COVID-19 infection rate among San Diego Latinos to know this pandemic has exposed and exacerbated inequities that have existed for far too long. Our community’s greatest challenge right now is ensuring that we answer this call to action so that someday, we may be able to look back and see how this terrible moment in time pushed us to finally address structural inequities that make some communities more susceptible to poverty, disease, and death than others. My biggest fear is that we return to “normal” and miss our opportunity to interrupt the status quo and evolve in ways that can lead to a more equitable future.
Sumit Chanda PhD
As told to Josh Baxt
For a virologist, when a new influenza or coronavirus comes on the scene, it’s just bad news. In contrast to something like Ebola, where you need close contact with bodily fluids, or Zika, where you need a mosquito to transmit it, these respiratory viruses just need one infected person on an airplane.
We knew from experience that coronaviruses could be dangerous: SARS in 2003, MERS in 2012. But no one had ever worked on this coronavirus—SARS-CoV-2—before, because it didn’t exist; we had to figure out how to grow it, how to manipulate it.
These are skillsets that scientists acquire over years. Because we already had those skills, we went from discovering the virus in January to having a screen done by April. If we hadn’t already done the work in influenza and dengue, there’s no way we could have moved so quickly.
We had a variety of tools we’d developed over the years for other viruses that we could adapt to the coronavirus. We didn’t have to build a biosafety level 3 facility in January. That already existed. If we were forced to start from scratch, we’d still be scratching our heads, going: “How do we get this virus to grow in the lab?”
The investments the government and Sanford Burnham Prebys have made in these programs around flu, SARS, and MERS have helped us, and everyone else around the world, move quickly, both in the therapeutic space and the vaccine space. If no prior investments had been made, we’re talking years, if not decades, to do something comparable.
Working with collaborators in San Diego, Kansas, New York, Hong Kong, and elsewhere, the Chanda lab has used SBP’s high-throughput drug screening capabilities (by which scientists can quickly investigate thousands of potential treatments) to identify existing drugs that might work against the coronavirus.
There are only a certain number of labs that can conduct high-throughput drug screening and work with nasty viruses. We have access to a collection of compounds from Scripps Research and, through collaborators in Hong Kong, we had early access to the virus.
We initially tested around 12,000 compounds and found 30 potential candidates, which are now being investigated further. For companies that had antivirals they thought might work against it, we screened those as well. Given our skillsets and resources, we felt it was our obligation to global health to move as quickly as possible.
In May, the Chanda lab received a $10.2 million Department of Defense grant to develop broad-spectrum antiviral therapies—a grant he initially applied for in June 2019, long before the coronavirus hit.
People need to start viewing pathogens, like SARS-CoV2, as existential threats to our health, to our economy, to civilization as we know it. We’ve been saying this as virologists for a long time, and people said, “This is science fiction, it’s the movies, it’s fear mongering.” We didn’t dodge the bullet this time, and I would say the bullet still just grazed us. I think we need to prepare for a much worse scenario.
We feel the best way to combat this threat is to develop broad-spectrum antiviral drugs. The whole premise of the grant is to move away from the “one bug, one drug” paradigm and develop drug candidates that are effective against multiple respiratory viruses—a broad-spectrum approach, which is commonly used to treat bacterial infections.
We can do that with bacteria because their genomes are so big, thousands of genes, and we can target one mechanism that many bacteria use because we have so many choices. Viruses, by contrast, are super compact. Most have just 20 genes, and there are almost no opportunities to find something that works on a broad swath of viruses.
Our strategy is to target the host—in other words, the people being infected rather than the virus infecting them. Our lab focuses on identifying and understanding the specific proteins in our bodies that viruses hijack to help them grow. If we do these kinds of analyses for enough viruses, we can find hijacking mechanisms common between viruses that we can target therapeutically.
If we can develop these broad-spectrum antivirals, we could have them stockpiled and ready. Then if there was a new, emerging virus, we could send them to the source and completely block the worldwide spread. We put out the fire while it’s still in the ashtray, not when it’s consuming the entire house.
Paul VerHoeve
CEO, Mission Healthcare
We recently had a COVID-19 positive patient on our hospice services in a private home. When building a care plan for a patient at the end of his or her life, we normally would have the family be very involved. However, COVID-19 creates a difficult situation that we haven’t previously faced. From top to bottom, we seem to be learning on a daily basis how to stay safe while also being on the front line caring for people who contract the virus.
Drew Koehler
Lifeguard II, City of San Diego Fire-Rescue Lifeguard Division
When it comes to medical aids we definitely have to take a step back and think about things, ask the right questions before we try to help someone. It’s our duty to make water rescues and perform coastal cliff rescues, but it definitely makes you evaluate safer ways to get things done. We have to remember to keep ourselves up to date with department policies so that we are doing the best possible job at keeping each other safe.
Dealing with the large numbers of people on the beach while still maintaining social distance guidelines. Ever since the beaches opened up again the crowds have been massive. It’s been a challenge to still provide the best possible service to the public while keeping our distance, especially when the beaches are as crowded as ever.
Julie Rais Ellis and daughter, Kaia
As told to Sarah Pfledderer
At the beginning of the pandemic, I planted a handful of sunflower seeds at our brick and mortar. It was the day we officially closed, March 16. It’s incredible to watch a seed sprout and turn into a flower, a reminder that we are a part of nature and a cycle. Rais Case is part of a cycle, too—a garden of its own.
We jumped into 2020 with a business plan to promote our new storefront, The Rising Co., and expand our bag line. One hundred percent of our sales came from our bags and accessories. Then in mid-March we had to stop and temporarily change course.
It all started when one of our team members, Avery, spoke with a nurse friend whose hospital was almost out of masks. Avery shared with me: “It would be amazing if we made masks. Maybe we work directly with her hospital and donate them?”
Honestly, I cannot recall wearing a face mask before then. I was overcome with the feeling that we should sew masks, and stayed up well into the night creating prototypes to share with my team. We began by sewing ourselves, driven by the immediate need for essential workers.
It was all-consuming for the first 60 days, working days, nights, and weekends to meet demands. We created a sewing collective. I had to calculate how to source, produce, distribute, and finance making masks with the resources I had in place. We transitioned my garage into our headquarters, creating a shipping station, inventory storage areas, a workshop space with a cutting surface, sewing stations, and other spaces.
Working alone, we couldn’t keep up, and eventually reached out to our handbag production partners. Because we use local manufacturers, we could train our cut-and-sew team in person, get them materials, and get them up and running making eco-cotton twill face masks immediately.
Making masks has carried Rais Case through the past few months. It kept the lights on and allowed us to keep our team together. We have made approximately 10,000 face coverings to date, and customer purchases directly support our ongoing efforts to donate masks to medical staff and other essential workers across the US.
Now, bags and accessories represent 40 percent of our sales, masks and bandanas 60 percent. We feel blessed to have successfully introduced these new products while helping our community stay safe.
Our most important job as human beings is to grow and nurture those around us. Those sunflowers are in bloom right now at the shop, reminding me that we are a part of that natural cycle.
Dr. Nathian Shae Rodriguez
Assistant professor of Digital Media, San Diego State University
When everything closed down physically, the university administration basically said, “Get out, you can’t go back.” You needed permission from the deans to come onto campus. Everything was done in haste.
My students were feeling mentally and emotionally drained. A lot didn’t come to class. They were scared. They had to find ways to support themselves; many had lost their jobs. It’s not just teaching, it’s helping support them—finding resources for them, giving them information.
The intersectionality issues brought to light from the Black Lives Matter movement. We’re going into the fall being more aware of intersectional oppressions, and more cognizant of our students’ experiences.
Danny Khairo
Jenny Siegwart
As told to Erin Meanley Glenny
The Alta Dena Drive Thru Market was already an established drive-thru when my family bought it, but it was just a dairy—milk products, cheeses. It’s been there for 71 years. The guy who started it is the landlord; he’s 97.
My dad and my brother and I have owned the drive-thru for 16 years. Sometimes people call and ask for the old Alta Dena ice cream, where it was a powder and you’d do the mixing. I hardly have anybody ask for it, so it’s not worth it to stock.
We expanded the market to alcohol, snacks, soft drinks, a little bit of everything. Apple juice, firewood. We still carry dairy products. You always get people driving through for the first time saying, “This is so cool, wow. How have we never heard of this?” There aren’t other drive-thrus in San Diego because they don’t give the license out; ours is grandfathered in. You can do a drive-thru with a window, like Burger King, but you can’t drive through the building. A lot of mothers like it because they don’t have to get the kids out of the car seats.
At the beginning of the pandemic, milk sales jumped really high. Milk and eggs were the two hot sellers. I’d say 75 percent more milk, so about 100 to 150 gallons a week.
We’ve always carried toilet paper. Whatever we got our hands on, it would sell out immediately. One person came in and bought everything, 15 four-packs of toilet paper, and it was unfair for the rest. So we limited it to one per person.
Business was a lot better. Because of no bars being open and grocery stores closing early, people realized they could save money here. People didn’t have much to do, and collecting an extra $600 a week did good for us. The grocery stores were always packed, so people were coming to us. The line could be 10 cars deep.
People were afraid to get out of their cars. We wear masks for our own safety. We use sanitizer after every customer.
My brother, my dad, and I worked 13, 14 hours every day. My dad is 62. My brother is 30. We have six employees, not including us, between all three stores. Business was good but really exhausting.
Martha Gilmer
CEO, San Diego Symphony
What I love about all of the content we are producing [Symphony Stream virtual performances, podcasts, weekly Lunch & Listen episodes on YouTube] is that it brings the audience closer to our musicians, to music director Rafael Payare, and to each other. The storytelling nature of these productions is something we have talked about for years, and before now had not found a format that worked. The fact that suddenly we all have become adept at using technology to connect makes this communication possible, and I think it will be with us even after we can begin live concerts again. However, the crucial core of the experience remains live performance, and we cannot wait to return to hearing our musicians making music together on our stages with a full audience.
Zara Irshad
Jenny Siegwart
As told to Erin Meanley Glenny
Around mid-March I heard a lot of rumors about the school shutting down, and we kept getting these updates but no one knew what was going on. One by one, classes went online, and then people went on spring break and left all their stuff in the dorm. I had three roommates; one left early and didn’t take her stuff. Her dad came two weeks later to clear out her room.
They kept changing the day when you had to leave. There was a window that kept getting smaller. We had only a few days’ notice. It was overwhelming, stressful, and scary having to leave your friends and not know how long it would be. Everyone was crying. My friends and I had decided to go to Disneyland the weekend before, and we are so glad we did that together.
My parents moved me and my second roommate out at the same time. She stayed with my family for about a week at our house in Rancho Peñasquitos. Then her dad drove down from the Bay Area, but some of her stuff is still in our garage.
It was finals week when we moved out, so the last week of March we had to take our finals online. Professors didn’t have time to construct online plans, and it was very experimental for everyone. That was a challenge—studying for finals in the midst of moving out.
I was taking intermediate Spanish all year; a large part of that is conversation, and it was really hard to facilitate online through Zoom. The teacher did a good job trying to adjust, but I had a lot of frustration because we would be put into Zoom breakout rooms where it’s you and a couple peers on screen with no professor to moderate. I wasn’t getting much out of the conversation.
I was struggling in Spanish and seeing my friends struggle. I was like, I need help. I got an email from the UCSD Communication Department about this mobile app, PEERS edu, that was developed through Connect (a startup accelerator founded at UCSD). I downloaded it and tried it for Spanish. You can have a conversation with a native speaker. My tutor was someone in Spain. You type in what subject you like, it tells you where they’re from and how much they charge. The app uses credits, and the tutor decides the price. You can tutor, be a student, or do both—“earn or learn.”
I thought it really helped, thought it was a cool concept and my friends would benefit from it. The founder, Andres Abeyta, has been working on the concept for four years; I spoke to him and started interning for the company. His goal is to roll it out for college students around California who are trying to adjust.
I’ve learned to be more accountable to myself. It’s very difficult to focus from home—you’re not at a desk in the library. I had to block out times of the day to study each subject. It’s hard not to become discouraged when you’re unable to leave.
I’m excited to see how the school rethinks and restructures, and I’m looking forward to the fall. I wasn’t planning on living on campus for my second year anyway—my plan was always to commute from my parents’ house, but now I won’t have to. I’m hoping to be able to go to my newspaper offices a few times. I recently got promoted to opinion section editor at The UCSD Guardian, so I’m hoping to meet the other editors and writers in person.
Now I appreciate what I had. I look at pictures and wish that was still happening. I was personally so caught up in being busy: going home on the weekends to see my parents, work at a coffee shop, plan things with friends, go to class. I took that chaos as stress. It was really crazy, but honestly, I kind of miss that now.
Paul Downey
President and CEO, Serving Seniors
I am busier than ever and have become a Zoom master! Serving Seniors had to completely reimagine our operating model—akin to building an airplane in-flight. In February, we served 60,000 meals to low-income seniors. We served over 220,000 meals in June. Pre-pandemic, about two-thirds of our meals were served in 15 senior centers throughout the county. Now, almost all are home delivered. We continue to serve homeless seniors “to-go” meals from our Gary and Mary West Senior Wellness Center downtown every day. We also have had to implement an array of safety protocols to ensure the health of our seniors, staff, and volunteers. I’m proud to say we’ve adapted to the new normal and are meeting our mission to help seniors in poverty.
I worry that we have lost our way as a nation. It boggles my mind that we are divided over a basic human right that everyone is equal and should be treated accordingly. Why is wearing a mask to protect yourself and others from a deadly virus a polarizing political issue? Unless we regain our moral compass—including decency, compassion, and empathy for others—we can’t begin to solve our problems and heal our wounds.
No gatekeepers, no creative rules, no perfect definition—the city’s DIY publishing scene makes room for anyone with something to say.
If magazines are like the adultier eldest daughters who know exactly how much anarchy they can get away with, zines are the far less predictable younger siblings going on whim and instinct. Those who draw on the walls around the house, DIY their own piercings, and experiment with different emo/straight-edge/back to emo phases (or not-phases). Boundaries and routines are what zines were created to rail against.
Walk into Verbatim Books’ zine corner, and this rebellion is immediately clear. Zines have no singular form, no clean category or definition. Vintage magazine scraps are collaged into new meaning alongside mini fandom zines. Single sheets of plain white printer paper are covered in nothing but black ballpoint pen. Repurposed hardback book covers are folded into something entirely new. Some are duct-taped together, others stapled. Some glossy, others matte. There are guides to anything and everything, comic panels, photography, hand-drawn cartoons, poetry, recipes, diaries, and ramblings that only make sense to the person who made them—and that’s on purpose.
Zines are creative magic. And with no rules, they’re incredibly accessible. Anyone can zine and have a voice, regardless of artistic training or work life experience.
You are your own Anna Wintour, Graydon Carter, Ruth Whitney.
San Diego–based zine creator Lyssette Williams specializes in mini zines—often limited to eight pages, they’re meditations in abbreviation. Outlining, thumbnailing, and revision all move quickly from idea to page. Larger projects, including Williams’ long-form graphic novel thesis, move at a slower pace. For those, she often returns to pen and ink, a choice that resists the over-editability of digital work.
Raised by a single mother and navigating mixed-race identity in a predominantly white town, she finds a home for processing it all in zines. Her work deals in identity, belonging, self-definition, and punk-rock childhood. But it isn’t always heavy; Williams creates a mini duck-themed zine called Backyard Duck Propaganda that’s hard not to love. “When I create, I think about what would have helped me find the words back then, what my younger self would’ve needed,” Williams says. “[Zines] put the tools in your hands and democratize art. They’re translations of memories and identities.”

For Williams, a big reason she keeps creating is being surrounded by other creatives—a scene that extends across the border. She points to Verbatim and Comicbook Artists of San Diego, plus events like Zine Fest (October 17–18 this year at Woo in Barrio Logan) and Black Comix Day at the WorldBeat Cultural Center.
Zines have always been a road for subcultures. During the Harlem Renaissance, Black creatives like Langston Hughes and Zora Neale Hurston self-published one issue of Fire!!, which inspired other Black authors. In the 1930s, zines (then called fanzines) were hubs for sci-fi nerds to write fanfiction, address the fandom, and create new characters. Superman actually made his public debut in a fanzine called Science Fiction (he was originally cast as a villain with a fully receded hairline). A couple decades later, zines about feminism and riot grrrl became subculture de rigueur.
The internet nearly killed zines, of course. But now, people tired of the algorithm’s firehose are finding comfort and renewed inspiration in analog. Zines, a salve for digital fatigue.

A giant figure in San Diego zine culture is Burn All Books. Founded by Amanda and Nick Bernal, BAB started as a risograph (digital screen printing) studio and turned into one of those places that keeps expanding the whole scene around it, even forming its own archive group, SCANNNERS. Since opening in January 2023, it has published over 35 works and collaborated with more than 100 artists, writers, and zinesters.
For Duophobia, the pseudonym for local twin sisters Alora and Kiani Dotson (affectionately known as the “possum twins”), zines make room for experimentation and play that doesn’t fit anywhere else. Room for eclectic cartoons and dirty jokes. For sticker-covered sketchbooks.
It’s that same brand of nostalgia you might feel when, say, you walk past the carcass of an abandoned mall and see a faded cartoon mural. Their work lives somewhere between childhood and adulthood, where being unserious is taken very, very seriously.
“We’re born and raised in San Diego, and the community of artists here is a main reason we started publishing,” Kiani Dotson says. “There are people here like Trixxie Land who run open art gatherings. Show up, and you’re part of it.”
Land, a zinester herself (she made 250 single-page zines during 2020’s lockdown), is all about storytelling over hierarchy. Art shouldn’t be about gatekeeping or intimidation, she says. So she holds open-invite arts shows at Subterranean Coffee.

Duophobia regularly share their work at local galleries like Subterranean, filling that lowbrow space with pieces that answer: “What would’ve made us laugh as kids?” Children are often the first to pick up their zines, unfolding them in every direction while parents briefly panic at the impulsive destruction. The twins always step in. “No, no, it’s okay,” they say, before showing how one sheet of paper folds into an entire little book. “It’s like magic.” More often than not, the kids leave with a tiny zine tucked under a tiny arm, future San Diego zinesters in the making.
When asked what a zine really is, Alora Dotson’s response was simple: “It’s anything. Literally anything. The more genuine you are, the more people are going to hear what you have to say. Your voice matters, even if it’s just a silly joke or story. People want to hear about it.”
Not a perfect definition? Exactly. Zines inherently resist categories. Want to turn a single playing card into a storybook? Do it. What about your favorite graffiti artist’s signature tag at Prince Memorial Skatepark? Turn it into a zine.
Everything’s a zine.
Isabella Dallas is a freelance writer for San Diego Magazine and the Arts and Culture Editor at The Daily Aztec in her final year at San Diego State University. She previously worked as an editorial intern for SDM, but when she’s not writing, you can find her trying the best coffee spots in SD, devouring the latest rom-coms, and indulging in anything and everything pop culture.
From tacos to tailors and trainers to travel, these are the businesses, people, and places that earned San Diego readers' votes
San Diego Aesthetics and Med Spa
Elicia Soltesz, Elicia Marie Beauty
Ashley Fierro, Ashley Fierro Makeup
Michelle Langston, MSN, APRN, FNP-BC, HNB-BC, Starlite Aesthetics
Alysa Espiritu, Afterglo Beauty Lounge
Ronnie Page, Gold Comb Barbershop North Park

Ryleigh Hunter, Headbang Salon
Ann Teresa Degischer, Maen the Salon
Lindsay Axelrod, Pixiedot Salon
Lauren Skinker, Lucky Cat Tattoo

Father Joe’s Villages Turkey Trot
The Camp Transformation Center, West Chula Vista
Singing Hills Golf Club at Sycuan

Camila Casanueva, The Yard Gym

Austin Harrington, Captain’s Quarters
Bivouac Ciderworks, Savoy Dry Apple Cider

Missi Burns, Et Voila

Prospera Internal Medicine and Aesthetics
From handmade goods to one-of-a-kind finds, these local shops prove the best souvenirs are the ones with a story
Almost everything in this Oceanside shop is made by local artists and independent weirdos, and almost none of it requires a gallerist’s budget. Goblin Shark Emporium rotates a new featured artist every month between the vinyl crates, blacklight posters, and hilariously specific stickers, so you can walk out with original work and a tarot reading to contemplate as you sip your Banana Dang Coffee from a couple storefronts down.
Tucked within the potting tables and ferns of Mission Hills Nursery, the oldest nursery in Southern California and a Kate Sessions original, sits Through the Fold, the sweet indie bookstore that mother-daughter team Gail Levine and Jennifer Medeiros hand-built and opened in late April. Two retired educators and lifelong bibliophiles run it like a neighborhood living room: three book clubs, toddler story time, and a summer camp for the 7-to-12 set. It’s the rare retail run that smells like soil and new paperbacks, which is to say, like a very specific kind of heaven.
Open since 1993 under the unbeatable tagline “Books of Martians, Murder, Magic, and Mayhem,” this Rosecrans Street institution is the city’s portal for anyone who would rather be on a different planet. Load up on sci-fi, horror, and fantasy, then stick around for the weekly Dungeons & Dragons campaign, because the only thing better than reading about another universe is rolling a d20 inside one.
On the ground floor of the downtown Central Library, tucked into the Joan and Irwin Jacobs Common, sits the Library Shop, a tightly curated gift store stocked with presents and trinkets you didn’t know you needed: wind-up kitchen timers, specialty pencils, felt coasters in colors cheerful enough to overcome the first half of the Padres’ season—you get it. Every dollar funds the San Diego Public Library system, which makes the shop’s official “Guilt-Free Shopping” motto the rare slogan that holds up. Come for a paperback, leave having formed a genuine emotional attachment to a $4 pencil.
The window at this North Park shop is alive: a front-of-house catio where adoptable rescue cats audition for your heart while you pretend to be just browsing. From there, a literal catwalk runs along the ceiling to a back resting room (because existing around inferior beings is exhausting for cats). Owner Vera Blatchley of Purrgatory stocks the full cat-lover arsenal, plus a wall of gifts for the feline who already has nine of everything. Fan favorite: a retro-style, bubblegum-pink Kit-Cat Clock.
Surf art’s everywhere, but it’s somehow always a little kooky. Painter Andy Davis’ style captured that elemental soul, making him one of the most successful surf artists of the last few decades (check his giant mural at Town and Country Resort). His tiny Encinitas storefront, Club Paradise, is a gallery-slash-gift shop that stocks his paintings and prints—and he’s using the space as a culture club for local and touring creatives.
Tulux is the Pacific Beach swimwear label out of Cass Street, where designer Yamhed Torres turns the whole Tulum fantasy into bold, limited-run bikinis. This year, Vogue México y Latinoamérica named her one of just 10 emerging designers to watch, so each suit comes with the kind of credentials that practically books its own sunset getaway. Everything is one and done: When a piece sells, it’s gone for good, which is either smart scarcity or the universe telling you to commit.
Free lotto tickets at crystal shops? Yes, please. Pacific Beads owner Shlomo Gruer greets you at the door of this Clairemont Mesa warehouse with 4,000 square feet of crystals, geodes, and beads by the bin. You come for wholesale amethyst and sterling findings; you leave holding a fistful of healing stones and a statistically remote shot at early retirement. Need another reason to visit? Owner Gruer has his own line of jewelry, and Pacific Beads also hosts jewelry-making classes.
El Cajon’s Parkway Plaza could look radically different in the near future, as city officials are hatching plans to reinvent the one-time community and commercial center. Inflection points of iconic structures are always compelling times to visit and tabulate your own urban-planning daydreams. As you do, hit the first NAMA-certified automatic cotton candy vending machine in the country. Push a button, and 123 Sweetsss spins you a fresh cloud of childhood in under a minute. No carnival, no county fair admission, no sweaty teenager in a paper hat required.
Behind every beautiful space is a thoughtful process, and ASID San Diego is helping homeowners understand the value of professional design.
A perfectly designed home rarely happens by accident. Those kitchens that feel effortless and rooms that seem to tell a story the second you walk in? They’re usually the work of someone who knows exactly what they’re doing.
It’s knowing which ideas will actually work, which materials will hold up over time, and how to turn a collection of choices into a space that feels intentional. That’s where a professional interior designer comes in.
For the American Society of Interior Designers (ASID) California San Diego Chapter, the goal is to help people see interior design as more than just the finished look. Behind every well-designed space is a process built on technical expertise. Designers are educated in everything from professional software and construction details to building codes, space planning, materials, and functionality.

“People don’t always realize how much goes on behind the scenes,” Kirsten Recce , current president of the ASID California San Diego Chapter, says. “Our designers are not just doing furniture placement and color selection and picking out new fluffy pillows. That’s not what they’re trained for.”
ASID members bring formal education, continued learning, and industry knowledge to their projects, helping create spaces that are not only beautiful, but designed to work. A paint color that changes completely depending on the lighting. A material that looks beautiful in a showroom but doesn’t make sense for everyday life. A layout that photographs well but doesn’t function for the people living there. These are the details where professional guidance can make all the difference.
Still, one of the biggest misconceptions about hiring an interior designer is that it’s reserved for massive renovations, luxury homes, or people who already know exactly what they want. The process can feel intimidating. Where do you begin? Is a designer worth the investment? What if you only need help with one room?
ASID’s answer: start with one hour.
ASID’s Spruce Up events break down one of the biggest barriers between homeowners and professional design: knowing where to begin. Held twice a year, the community program gives homeowners the chance to work directly with an ASID designer through a one-hour, $125 consultation in their own home. Whether you’re looking for advice on furniture placement, window treatments, kitchen and bath updates, remodeling ideas, vacation rentals, color selections or something else entirely, the upcoming September 2026 event offers an approachable way to get expert guidance before committing to a full project. Signups are open through Sept. 7, with consultations taking place Sept. 21 through Oct. 31. Proceeds benefit ASID San Diego’s educational and community programs. Register here!

“It’s a great opportunity for people who are in that exploratory phase,” Recce says. “Maybe they’re not sure they want to hire an interior designer yet, or they think it sounds daunting or expensive. This gives them a chance to discover what working with a designer is actually like.”
Design is personal. A good designer isn’t just creating a beautiful room; they’re helping create a space that fits the way someone lives.
“We’re a resource to all of San Diego County,” Recce says. “It doesn’t cost anything to pick up the phone and call and ask. We’ll answer.”
Follow ASID San Diego on Instagram, LinkedIn, and Facebook for updates on upcoming events, or connect with the chapter directly at [email protected] or 619-548-8847.
From getting your sweat on at hip-hop class to celebrating with a zero-proof cocktail, here are San Diego's top fitness and wellness spots
For thousands of years, the Kumeyaay who lived in this area called a mountain south of Julian Cush-pii, meaning “sharp peak.” Then, after the Civil War, Confederate sympathizers saw that same mountain and decided to rename it Stonewall Peak—after General Stonewall Jackson. The name stuck for nearly a century and a half, until Cuyamaca Rancho State Park announced earlier this year that the name will return to its original, Cush-pii. Hike to the summit for expansive views of the Coronado Islands to the west and Mexico to the south.

In 1993, Angie Bunch gathered a group of hip-hop dancers—called Culture Shock Dance Troupe—and gave them a space to practice and perform. As hip hop grew through the ’90s, so did Culture Shock. It has since become a nonprofit, a space for young and old, beginner and expert dancers. Culture Shock has also expanded to Los Angeles, Oakland, Las Vegas, Chicago, Atlanta, New York City, and Washington, D.C., as well as Ottawa and Toronto, Canada.
In 2019, Amanda Leach created the Yoga Box method, which takes high-energy flows and adds strength-building poses in heated, vibey, lava-lamp-lit studios. What started on Grand Avenue in Pacific Beach has spread to 15 locations across the county, with even more trickling into Denver, Chicago, and Brooklyn. The best part? Mindfulness newbies who can’t touch their toes and six-packed contortionists can hang in the same class. You can customize each session based on your ability and fitness level.

A gym taking over a historic beachfront pool sounds like the setup for a new season of Love Island, but Fit Mission Beach operating the nearly 100-year-old Plunge at Belmont Park is real. The independent fitness brand has spent the past several years building a loyal following through group fitness classes, community events, and a members’ social club overlooking the ocean. Upstairs, members can work remotely, meet friends, or hang out long after their workout ends. Between the Plunge, the coworking-style lounge, and a packed calendar of events, Fit has evolved into something bigger than a gym. It’s a clubhouse for San Diego’s fitness crowd.
The wellness world is finally transitioning away from HIIT workouts and cult-like spin classes, where your heart rate hits Zone 5 within minutes and stays there until cooldown. Good. At Breathe Degrees, wellness takes the form of zenned-out communal breathing sessions or vagus nerve–activating cold plunges. Breathwork is said to boost your mood in the short term and improve your heart health in the long term, and maybe that’s why everyone’s coming back for more. You can’t run into someone in Carlsbad who hasn’t dropped into at least one breathwork session, and now the studio has opened a second location in Liberty Station.

Pilates wasn’t just popular this year; it was practically a requirement for maintaining your San Diego residency. New studios seemed to appear weekly across San Diego, each promising stronger cores and better posture, but Soul Pilates and Care found a way to stand out by addressing a challenge many parents know well: finding time to exercise at all. Fitness doesn’t have to compete with parenting responsibilities. Parents can drop their kids off with trained caregivers while they head into reformer classes, eliminating one of the biggest barriers to working out. The studio has earned strong reviews for both its instruction and family-friendly approach.
The Hotel del Coronado’s sweeping $550 million restoration touched nearly every corner of the historic resort, but one of the most anticipated unveilils was the debut of its redesigned spa. The oceanfront wellness destination now features 21 treatment rooms, a relaxation lounge, a sauna, steam room, and a treatment menu inspired by the coastal environment just steps away. The redesign blends the Del’s Victorian legacy with a cleaner, more contemporary aesthetic, creating a space that feels distinctly SoCal rather than generic luxury hotel. For locals who don’t have time for a vacation, it’s the next best thing.
As non-alcoholic beverages continue their meteoric rise, Good News Bar has become one of San Diego’s most compelling arguments for a booze-free evening. The University Heights hotspot serves a menu of carefully crafted zero-proof cocktails that borrow techniques and ingredients from traditional cocktail programs (it’s not just fancy juices and soda water), minus the hangover. The space also hosts regular community events and has quickly become a gathering place for everyone from sober San Diegans to the merely sober-curious. In a nightlife industry built around alcohol sales, Good News proved there’s plenty of demand for connection without the buzz.
From elephant encounters to escape rooms, these are the adventures that kept San Diego families busy all year long
If you can’t quite swing the cost of a trip to the African outback, the Safari Park’s new Elephant Valley is a pretty convincing Plan B. The 13-acre immersive habitat—the largest project in the San Diego Zoo Wildlife Alliance’s 109-year history—is home to eight African elephants, but it’s the thoughtful details that steal the show. Keep your eyes open for intricate Kenyan-inspired artwork, native landscaping, and stop by the Mkutano House, where you can grab lunch with a front-row view of the herd.
Pepper Park became the emotional anchor of the bayfront overhaul when the National City park reopened this March with a 2.5-acre expansion. Hopefully that’s just the start. The California Coastal Commission also approved the city’s ambitious waterfront plan, clearing the way for a long-envisioned 77-acre bayfront makeover with more green space, better bike paths, and improved waterfront access. Money still has to be raised, but head to Pepper Park, sit on a brand-new bench, and gaze out at the future of the South Bay.
Not every family destination comes with roller coasters—sometimes, they have paint rollers. The Willie Henderson Sports Complex in southeast San Diego recently received a new paint job and major facelift (courtesy of San Diego FC, the Prebys Foundation, and community advocates), giving thousands of kids a safer, smoother, and more colorful place to play basketball or soccer. If your weekends revolve around sports gear, folding chairs, and orange slices, you’ll definitely appreciate the upgrade.
Parents come for the pizza. Kids come for the games. Sci-fi nerds come for it all. Killer Pizza From Mars is an Oceanside mainstay for families who love arcades, vintage Star Wars memorabilia, and piled-high pizzas with outrageously silly names like the “Mars”gherita pizza. Order a basket of Killer Fries, sink your teeth into a Martian Melt sandwich, and don’t be surprised if your kids clamor for a return mission.
After what must have felt like an eternity for Pacific Beach families, Fanuel Street Park’s playground is finally back. The old play structure got the heave-ho nearly two years ago, but this spring, the community raised enough donations to replace it with modern climbing structures, new swings, and better accessibility. It’s finally back to being a low-key locals spot perfect for picnicking, splashing around, and letting the kids burn off some energy.

If screen time has obliterated your attention span, try giving your brain a workout at an escape room. Lara’s Labyrinth provides a few options ranging from kid-friendly to “try not to pee your pants in fright,” where participants can attempt to escape an enchanted forest or decipher clues left by Leonardo da Vinci. (Some rooms have G, PG-13, and R-rated versions for your family’s comfort level, but maybe save the “Cannibal” room for an adults-only excursion.)
Birch Aquarium has always made a splash, but the $18.7 million Living Seas exhibit is a tidal wave of awesome. The immersive exhibit features different marine ecosystems throughout the Pacific Ocean, from the warm aqua waters of tropical zones to the frigid (but nourishing) Pacific Northwest. Bigger is better here: There are areas designated for the gigantic sunflower sea star and giant Pacific octopus, so prepare for oceanic marvels to wow you.
Forget “don’t touch the art.” At Artopia, touching, building, climbing, experimenting, and making a colorful mess are all exactly the point. Created by the museum’s in-house Creative Studios team, the interactive space invites kids to become artists through hands-on projects like weekend ceramics workshops and after-school programs. When creativity gets a little chaotic is when it’s at its most fun.
The Fairmont Grand Del Mar used to feel like someplace you admired from afar. Grand Social changed that. Three levels of outdoor space are now home to a bar and grill, bocce courts, and other lawn games, as well as a summertime concert series and other family-friendly events that welcome locals just as much as overnight guests. It’s proof that one of San Diego’s fanciest addresses also knows how to have a little fun.
You don’t need a cage to come face-to-face with sharks anymore. SeaWorld’s revamped Shark Encounter lets you get startlingly close to species like reef sharks, massive sand tigers, and endangered Australian leopard sharks, all inside newly redesigned habitats. It’s equal parts adrenaline and education, and a good reminder that these misunderstood predators are closer to Bruce in Finding Nemo than Jaws in… well, Jaws.

Houston, we have a new reason to visit LEGOLAND California. LEGO Galaxy is the plastic-brick haven’s biggest in-park investment ever, including the first new roller coaster in 20 years. Between the customizable Galacticoaster experience, build-your-own spacecraft stations, and interactive space adventures, aspiring astronauts can easily spend hours exploring this brick-built universe.
Laika Nur, MD, takes her love of volleyball from the court to the clinic as team physician for the San Diego Mojo
Growing up, Laika Nur, MD, Scripps Clinic sports medicine specialist, loved watching beach volleyball when the Association of Volleyball Professionals tour came to her hometown of Chicago. A talented volleyball player herself, she remembers sitting in the stands all day, and once, even got a couple autographs. Years later, Dr. Nur was attending a professional event focused on women’s sports, and the discussion turned to a new professional women’s volleyball league. The general manager and coaching staff for San Diego’s team, the Mojo, happened to be in attendance, and Dr. Nur took the opportunity to ask them if they needed a team doctor. Flash forward to the Mojo’s inaugural 2024 season, when Dr. Nur officially became the team physician. Click here to read more about Dr. Nur and how she incorporates lessons she learned on the court into her practice.
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