CH Projects x San Diego Magazine Book Club is back, and mutated. Our life goal now: indie bookstores and good, old-fashioned bribery.
SDM’s gonna tell the stories of our city’s indie bookstores. Those fantastic culture beasts. And CH Projects will dole out bribes for you to walk into one of them, browse your brains out, and buy something from a well-read neighbor. Nothing against online supermega retailers and their one-click seducery. We just think local bookstores should be obsessively supported and exalted.
Please visit one of the participating local, indie bookshops listed below. Keep your receipt, snap a photo, and email it to us at [email protected].
We’ll randomly select one member every three months to win a $200 gift card to Craft & Commerce.
Don’t matter if your vice is literary nonfiction or eyelid-sweat romance smut. All books are equal under the eyes of the bribe.
Support indie bookstores. Our holy word churches. Join the club.
Join us for our inaugural Book Club where we'll read, discuss and mull over the books that have shaped our lives—all while supporting our local shops
CH + SDM Book Club
Books are Airbnbs for your brain.
Thanks for wanting to join our literary side hustle: the CH Projects and San Diego Magazine Book Club. It’s a clunky name, but it’s ours.
We created this club because we believe in the regenerative power of independent bookstores. And the power of a well-chosen cluster of words to shift whole lives. The club will be based around the books that shaped our own.
To join this sexy book club, enter your information in the form below. As esteemed members, you’ll be the first to know each month’s selected book. Expect to receive an email soon announcing the October book.
We also announce each month’s pick in San Diego Magazine. We encourage you to subscribe (this is also a scheme to support local media and creatives).
Please visit one of the participating local, indie bookshops listed below to get your copy. Keep your receipt, snap a photo, and email it to us at [email protected].
We’ll randomly select one member each month to win $300 to any Consortium Holdings Projects establishment (Born & Raised, Neighborhood, Polite Provisions, Ironside, Craft & Commerce, Part Time Lover, Fortunate Son, etc.).
More details to come.
A sincere thank you,
Consortium Holdings Project & San Diego Magazine
Enter your information below to sign-up for the CH x SDM Book Club
The Pulitzer-winning author of A Visit from the Goon Squad, Jennifer Egan, joined SDM content chief Troy Johnson for an IG Live to talk about her award-winning novel, which kicked off the CH + SDM Book Club.
We’re kind of geeked.
When we started this book club with Consortium Holdings Projects, we were just two companies with a shared affinity for books that have the power to shape lives. Now, we’re 1,000+ members strong, breaking down a novel’s themes with the author herself.
Jennifer Egan does not like to go backwards in time. She likes to go forward and she has been gracious enough to go backwards 10 years to A Visit From the Goon Squad, which was her amazing, visceral, beautiful book. She’s written a ton.
In fact, she just released a new one, The Candy House, which Obama said was one of his favorite reads of the summer. Watch the full conversation above, or read the condensed transcript below, which highlights some of our favorite moments.
Chief Content Officer, Troy Johnson (TJ):
I wouldn’t say that [Goon Squad] is a rage against the machine, but you show a little trepidation about the machine. And social media…
Pulitzer Prize-Winning Author Jennifer Egan (JE):
I’m kind of an incompetent machine. I think about a new device and I think how long will it take me to be able to use it and how much will I screw it up? But I have nothing inherently against any of it.
TJ:
I was reading about your process of writing, which is fascinating and a bit luddite too.You write everything out by hand?
JE:
I write by hand for fiction [because] fiction requires a connection with my unconscious, with the part of me that is not thinking and not critiquing the part of me that in some ways can surprise myself and handwriting. And by that I really mean cursive because printing doesn’t do it. But cursive seems to activate that part of my brain, and it has some additional advantages. I can’t really read it very well because my writing is appalling. And so again, I don’t have that urge that I think we all have when we look at a screen to like back up and make it better, I can’t do that. And it seems that I get into a less thought driven state of mind in which I can enact a kind of improvisation on the page. And that’s what leads to my best material.
TJ:
Athletes get that way… performers get that way … they talk about it being a flow. Where you’re so engrossed and you don’t have the backspace button, the only way through it is forward, right?
JE:
Absolutely. And what you said about the only way forward is actually really important because I don’t do much editing at all as I write. Most importantly, I don’t read over what I’ve written until the next day, and I do that basically just to reenter that flow.
TJ:
In [the first couple pages of] Goon Squad, Sasha is staring at a purse, which is sitting on the floor in a bathroom… and she’s listening to somebody pee. It’s so imperfectly human… How do you come up with those first [scenes] and how do you know when you found them?
JE:
For me, starting with a physical environment is a crucial part of the process because I want to sort of be in a sensory environment [or] space where someone is observing sensory details of a physical environment. Then the question is, who is making these observations? Who is perceiving the woman peeing or anything else that is the beginning of a character? And then what does that person do or who else is there? And now we have the beginning of more characters and action.
In that particular case… there was a corollary from my own life, which is that I was in a hotel bathroom; I did see a wallet. And what it evoked for me was one of too many memories of having actually been robbed. I saw that wallet and I thought, Oh my God, someone’s gonna take it. And then I thought, Well, I’m the only one here. I’m obviously not gonna take it. But in general, I don’t write about my own life. And what I’m most curious about is a point of view opposed to mine. So if I’ve been robbed… what’s it like to be the one who steals the wallet and my curiosity was provoked.
TJ:
It seems to me you love imperfection [and] fallibility of humanity. Every character lives with myriad flaws in Goon Squad yet they’re not unlovable… you have so much compassion for them.
Troy Johnson is the magazine’s award-winning food writer and humorist, and a long-standing expert on Food Network. His work has been featured on NatGeo, Travel Channel, NPR, and in Food Matters, a textbook of the best American food writing.
A perfectly designed home rarely happens by accident. Those kitchens that feel effortless and rooms that seem to tell a story the second you walk in? They’re usually the work of someone who knows exactly what they’re doing.
It’s knowing which ideas will actually work, which materials will hold up over time, and how to turn a collection of choices into a space that feels intentional. That’s where a professional interior designer comes in.
For the American Society of Interior Designers (ASID) California San Diego Chapter, the goal is to help people see interior design as more than just the finished look. Behind every well-designed space is a process built on technical expertise. Designers are educated in everything from professional software and construction details to building codes, space planning, materials, and functionality.
Courtesy of ASID
“People don’t always realize how much goes on behind the scenes,” Kirsten Recce , current president of the ASID California San Diego Chapter, says. “Our designers are not just doing furniture placement and color selection and picking out new fluffy pillows. That’s not what they’re trained for.”
ASID members bring formal education, continued learning, and industry knowledge to their projects, helping create spaces that are not only beautiful, but designed to work. A paint color that changes completely depending on the lighting. A material that looks beautiful in a showroom but doesn’t make sense for everyday life. A layout that photographs well but doesn’t function for the people living there. These are the details where professional guidance can make all the difference.
Still, one of the biggest misconceptions about hiring an interior designer is that it’s reserved for massive renovations, luxury homes, or people who already know exactly what they want. The process can feel intimidating. Where do you begin? Is a designer worth the investment? What if you only need help with one room?
ASID’s answer: start with one hour.
ASID’s Spruce Up events break down one of the biggest barriers between homeowners and professional design: knowing where to begin. Held twice a year, the community program gives homeowners the chance to work directly with an ASID designer through a one-hour, $125 consultation in their own home. Whether you’re looking for advice on furniture placement, window treatments, kitchen and bath updates, remodeling ideas, vacation rentals, color selections or something else entirely, the upcoming September 2026 event offers an approachable way to get expert guidance before committing to a full project. Signups are open through Sept. 7, with consultations taking place Sept. 21 through Oct. 31. Proceeds benefit ASID San Diego’s educational and community programs. Register here!
Courtesy of ASID
“It’s a great opportunity for people who are in that exploratory phase,” Recce says. “Maybe they’re not sure they want to hire an interior designer yet, or they think it sounds daunting or expensive. This gives them a chance to discover what working with a designer is actually like.”
Design is personal. A good designer isn’t just creating a beautiful room; they’re helping create a space that fits the way someone lives.
“We’re a resource to all of San Diego County,” Recce says. “It doesn’t cost anything to pick up the phone and call and ask. We’ll answer.”
Chemotherapy and radiation have long been considered gold standards of cancer treatment, but they can cause severe side effects. A promising new approach called theranostics—a combination of “therapeutics” and “diagnostics”—could offer patients with certain types of metastatic cancers new hope. It’s a two-step process that uses a drug that binds to specific receptors on cancer cells. Advanced imaging detects this radioisotope, allowing doctors to then use a second radioisotope that binds to the cancer cells and destroys them. Click here to learn more about how specialists at Scripps Cancer Center are using theranostics.
For more nutrition, wellness, and healthy living tips, sign up for the San Diego Health newsletter here.
