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San Diego's 2019 Horticulturist of the Year walks us through his 100-foot steep backyard and how he built it and maintains it today
Ornamental Landscaping: Wander Through Jim Bishop’s Missions Hills Oasis
Emily Kaszton
It all began in an attempt to carry the style of his 1939 Mission Hills abode to the outdoors, with a few succulents planted in some Spanish Colonial Revival pots. “I was trying to do what they call āsense of place,ā so that the landscape and the house go together,” explains Jim Bishop, a retired software engineer and 2019 San Diego Horticulturist of the Year.
Twenty years later, those original pots are merely the prelude to his .86-acre ornamental oasis, the main show of which is a 100-foot hillside in the back. He and his partner Scott Borden started by filling in their swimming pool and replacing it with a tower leading to a casita for more entertaining space.
Then, when the fire department cited them for having too much brush on their hill, that set everything else in motion. They shredded the majority of their eucalyptus treesā”it was unwalkable ⦠there were hundreds”āto create a mulch pile that was 30 feet wide and eight feet deep, more than enough to cover the entire hillside and to lend Bishop the perfect palette to groom it from top to bottom.
Ornamental Landscaping: Wander Through Jim Bishop’s Missions Hills Oasis
Today, there are 300 stairs that lead from the peak to the base. As for how many plant species you can spot along the trek? “I have no idea,” Bishop says. “I would guess well over a thousand. Iāve never had time to count them up!” Instead, he points out four “collections”āaloes, agaves, Australian, and South Africanāthat thrive in his “climate-appropriate landscaping,” which he claims isnāt really as Mediterranean as people make it out to be.
“Mediterranean climates are way wetter than ours.” He pulls his hydration from a 2,000-gallon rainwater tank that feeds into sprinklers throughout the hill and is also used to hand-water the rest, especially those potted plants. “It takes about eight hours to water them all by hand. We do it once a week.”
Ornamental Landscaping: Wander Through Jim Bishop’s Missions Hills Oasis
“I donāt like to plant anything that doesnāt live seven or more years, because I hate to haul it up the hill,” Bishop says. “Succulents are great to add structureāthey call them the bones of the gardenāthen I use a lot of blooming shrubs for everything else.”
“My mom grew these 60 years ago,” Bishop says, and remembers collecting seeds for her to do so. “She sent me seeds in the ā80s, and I planted them here. Now they just come up.”
Youāll often spot a waste bin tucked into some cranny of the landscape for Bishop to discard weeds or bush. “When I find grass, I have to pull it,” he says. “We fill seven to nine cans a week.”
With an eye for design, Bishop has created mosaics from recycled roof tiling and pebbles in the terraces of the garden and taught his assistant Cathy how to do so, too. “Itās hard to sit on the ground when youāre over 60.”
“The pest control never stops. Thereās three gophers down there right now. They breed like mad when it rains. Thereās also an agave weasel in town who will wipe out all of your agaves, if youāre not careful.”
Ornamental Landscaping: Wander Through Jim Bishop’s Missions Hills Oasis
“Iāve fallen four times in the garden, but Iāve never broken anything,” Bishop says, with crossed fingers. Since he wonāt be getting any younger, he plans to install more handrails.
There are some 10,000 bottles styled throughout the garden as wall faces. Heās gotten bulk donations over the years, but, as of late, the colors skew blue, thanks to a buddy who donates empty Bud Lights, and green, because Pellegrino is Bishopās drink of choice.
When youāve got a 100-foot hill to maintain, the last thing you want to do is climb all the way to the top for something you forgot. Hereās what Bishop brings along for those days whenās heās knuckle-deep in the dirt for hours on end.
“Itās for in case I fall, plus Cathy [his assistant] and I will lose ourselves in the garden. I like to take pictures, too.”
Since heās had a run-in with skin cancer, Bishop has to be extra cautious with his sun exposure. He never forgets his headband, a slather of sunscreen and, for good measure, sometimes a hat.
“Water is a biggie.” To build up his bottle walls, heāll fill an empty Pellegrino and add it to a facade when heās done.
For overgrown vegetation, Bishop always has a pair of clippers in his pocket.
“Iāve got a whole drawer full of these,” Bishop says. Heāll often bring a pair of disposable ones, too, for when heās working with wet foliage.
For all other items he has to carry, Bishop brings along only his chicest toteāa bucket. “Iāve tried other things. This just works.”
As males report fewer close relationships, local meetups are creating spaces for friendship, conversation, and a renewed sense of purpose
You come home from your first day of school and your parents ask, āDid you make any new friends?ā Maybe trading Lunchables or sharing a pack of Oreos helped you break out of your shell to strike up a conversation. Maybe you saw your classmate wearing a Padres hat and asked if his favorite player was also Fernando Tatis Jr. Maybe youāre a natural extrovert who has no problem inviting your entire class to your birthday party.
Making friends is an entirely different beast as an adult. Youāre trying to balance your health, work, finances, family, and your sanity. And on top of that, a social life? Impossible.
Being a part of a bigger communityālike a rec sports leagueāhelps, but we all need intimacy. Witnesses to the exciting, mundane, shameful parts of our lives. Turns out, men donāt have that as much as women do, and the consequences of this are dire. Roughly 1 in 6 men say they have no close friendships, according to a 2021 American Perspectives Survey. Suicide rates in men are nearly four times higher than they are in women, according to the National Institute of Mental Health. Those numbers are even higher for men above 55, according to the U.S. Centers for Disease Control and Prevention (2023).
In Carlsbad, Menās Shed helps older men build friendships as the group contributes to construction projects across North County. āMen get lonely,ā says Glenn Bernard, one of more than 20 members of Menās Shed in Carlsbad. āThis is a good way to bond, socialize, share skills, and have something to do thatās worthwhile. Purposeful.ā
What started in Australia in the 1990s has grown into an international nonprofit with more than 3,000 chapters worldwide, including one that meets at Carlsbad By The Sea Retirement Community. Haley DiDonato, director of life enrichment at Carlsbad By The Sea, established Californiaās first and only public chapter in 2023. Members (aka Shedders) meet twice a month to discuss their projects and get to work.
Theyāve built bikes for the local Boys and Girls Club, a raptor shed at the Agua Hedionda Lagoon, a small birdhouse outside Front Porch Gallery, and a gazebo at St. Michaelās by-the-Sea Episcopal Church, to name a few.
Trade experience isnāt required. David Gilson, the groupās leader, was a pharmaceutical consultant before he retired. Rich Greenamyer is a retired engineering duty officer who built ships in the Navy. When John Gardella wasnāt working sales at Dupont, he woodworked projects for his family at home.
āMen are so tied up in their work all their life,ā Gilson says. āTheir identity was their job. Suddenly, you retire on Friday, and on Monday they donāt remember you. Now what?ā

Marital status also affects how men interact with the community around them. Some Shedders joined because their āwives encourage [them] to be in Menās Shed, to get out of the house for a couple hours every couple of weeks,ā Gardella says. For some widowers in the groupāsuch as Gilson, whose wife passed away eight years agoāMenās Shed provides a sense of purpose and place. The outings Gilson organizes breaks up the monotony of staying at home with his dog. A 2024 study in the National Library of Medicine says widowers feel long-term levels of loneliness (higher levels than widows), and they were less likely than widows to form new connections after loss. This group is changing that.
The appearance and function of male friendships have been spotlighted since the 300s BC, when Aristotle discussed them in Ethics. Fast forward to the 19th century, and these dynamics have transitioned from heroic friendshipsāones built on loyalty and nobilityāto ones that better symbolized the Romantic Age: more affectionate in written language (like writing letters to each other) and body language (like draping their arms around one another). By the end of the 1800s, 1 in 3 American men belonged to a fraternal organization.
But when World War II brought a homophobic āDonāt Ask, Donāt Tellā suspicion around male bonding, friendships between men became more stoic. It wasnāt common for men to talk about their feelings with each other.
In 2026, though, weāre sharing our feelings. Dads Corps, a nonprofit organization through Social Advocates for Youth San Diego, offers classes, resources, and supportive services to fathers. Twice a week for six weeks, fathers practice how to actively listen, learn how to better communicate, and gain more skills that help them in their parenting journeys.
āWhen dads have kids, they lose their friends because itās all about just the baby, the mom, and the family,ā says Dads Corps director Laura Soto. āWhen they come to our classes, they get comfortable being able to share their struggles. It does reduce the isolation and help normalize them in that struggle.ā
For dads who are new to San Diego, the program helps them navigate their way around the city. For single dads, they can meet other fathers who are raising children the same age to set up playdates. Oftentimes, dads graduate from their cohort and return to volunteer and mentor new attendees.
The program is as therapeutic as it is active. Group facilitators teach dads about healthy relationship practices, answer questions about how they can be more consistent in their childrenās lives. It also hosts fishing trips, barbecues, and community service events to let dads practice their learnings with each other outside a classroom.
āItās about acknowledging that we need to be heard about the concerns that we donāt ask help for as fathers,ā says Jorge Narvaez, alumni manager at Dads Corps. āWe live in a society where fathers have to look through crevicesāgo to a bar, go to a barbershop, go to all these different placesājust to have interactions with other people. It feels like we finally, as dads at this program, have a space for us to talk.ā

But some men donāt want to only talk about their inner selves; they also want to talk about books. For Ronald Alsop, the New York City Gay Menās Book Club was a place for him to meet local bibliophiles when he lived on the opposite coast. There was no equivalent in San Diegoāuntil he started it in 2019. He created the Mission Hills-Hillcrest Gay Menās Book Club as a way to meet other men and talk about authors like James Baldwin and Edmund White.
Whether itās Andrew Holleranās fictional coming of age Dancer from the Dance (the first book the club read) or George Chaunceyās non-fiction novel Gay New York, the books Alsop chooses share a common thread: Each carries some connection with gay culture.
āTraditionally, gay men were depicted in books in a tragic way,ā says Alsop, who is also a freelance writer. āIn more recent years, thereās been a more positive spin on it, a more wholesome outcome.ā
Alsop initially promoted the group by putting flyers around the neighborhood bars and in Uptown News. He was nervous before the first meeting, afraid no one would show up. Now, there are roughly 35 people on his email blast, and the monthly meetups regularly see 12 to 15 people participate.
āThe discussionās always lively,ā Alsop says. āI think itās a way to get to know people better.ā
Throughout the county, because of these groups, people are reading books (its own win, these days) and creating community. Dads and their children are getting invited to birthday parties from their fellow fathers. And in Carlsbad, some Menās Shed meetings are taking place at Hennesseyās Tavern down the road over brunch. As friends.
Matt Eisenberg is an award-winning writer and photographer based in San Diego. A former ESPN editor, his work has also been published by CNN, Bleacher Report and the New York Daily News.
From moody retreats to income-generating ADUs, San Diego parents are rethinking the rooms their children left behind
What the hell just happened?
That was the question on loop in my head as I sat, nearly catatonic, watching my chickens scratch and crap, from a chair on my patio. It was the first Monday after dropping my one and only at college on the other side of the country. I was tired to the bone and in shock. Eighteen-plus years of permission slips, math homework, Barbie play (ugh), carpoolingāmy God, the carpoolingāand a teenager who, for four years and counting, communicated almost exclusively through side-eye and not-so-under-the-breath clapbacks. Parenting is insanity, and when it stops, it feels so good and so bad all at once.

I wonāt linger on my personal recovery here, except to say: Part of moving on is dealing with that empty room. What do we parents do with the utensil vortex, and more importantly, when do we do it?
My daughterās room sat for two years like a forgotten museum exhibit, preservedānot because I was sentimental, but because my husband was. While he didnāt want her to feel erased when she came home, I wanted to expunge her Totoro-meets-Pepto-Bismol gray-and-pink aesthetic, the sports jerseys, the inspirational stick-on decals from Etsy, the bazillion discarded beauty products that didnāt make it into the blue duffel bags.
But with no will to fight, I focused on myself and let the shrine exist while I worked out some big feelings.
My metamorphosis took a while, but I built a new, brilliantly free, empty-nest life. No more driving hundreds of miles a week, no more bleachers, no more ref whistles reverberating in my dreams. I reclaimed myself, then I hired a professional to help me reclaim my kidās bedroom.
EBSCOās Research Starters series says that āempty nest syndromeā is a real, if not clinical, diagnosisāno chart line, no billing code. Just a recognized experience of grief, loneliness, and diminished purpose that can take up to a year to resolve.

I turned to Treci Smith of Treci Smith Designs because I loved what she did with her sonās bedroom. (Full disclosure: Sheās a friend.) After several interrupted attempts at reimagining the room, she designed a den for her husband, Amir. The couple, married 32 years, raised four kids in their four-bedroom ranch home in Bonita, and over the years, the kids switched rooms and pairings countless times.
The house Tetris continued as each child went off to college. But when their youngest left, his bedroom atrophied. It became a haphazard office and, for one stubborn stretch, nothing at all. A purgatory.
āWe wanted to utilize every room in our house,ā Smith says, ānot letting it be a room that just sits empty.ā She finally made a plan to evict purgatory, but the pandemic hit, and all four kids moved back home. It took a while longer before the room was finally hers to play with.

What Smith created in its place is magic. It feels like a speakeasy. Dark, moody, and deliberately masculine, the den looks like how sandalwood and musk would smell if they took physical form. Itās got a bar cart, Amirās cigars, a speaker, a desk for his real estate research, and French doors that open to a courtyard and pool.
āWhen we think of meditation, we think of light and airy,ā Smith says, rejecting that thereās only one way to create calm. āItās a sanctuary. Itās a place where the rest of the world doesnāt really feel like it exists.ā
Smith doesnāt talk about trends. āI think everything has to have a purpose, and not just to be magazine-ready,ā she says. āSo I ask clients, āHow do you want to feel in this space?āā
For my project, Smith isnāt interested in erasing the past so much as spotlighting it. As she guides me in reimagining my kidās former room, sheās pushing back on my urge to wipe the kid out of it entirely. āI donāt want her to feel like sheās been pushed out of the house, essentially,ā she says. āThe room is now functioning for other purposes, but itās still hers.ā
She pulls a painting of my daughter off the wall in another part of the house for use in the new space. She also caught sight of a planed section of a pantry door from our last house, which has my daughterās height marks in my handwriting, climbing as she grew. āGrab that,ā she tells me. āIt has to go in.ā
Thatās not just decoration. Itās continuity.
For years, the biggest room in Melissa Gaviriaās Rancho PeƱasquitos house was a shared bedroom and playroom for her two kidsāabsorbing blocks, toys, and balls that, with impressive consistency, never made it into the ball pit. As the kids grew, the room saw less use, then emptied out entirely: Her older child moved out, her younger one moved upstairs.
Gaviria tried turning it into an office, but āthat was just one little corner of a whole big room,ā she says. When a coworker converted part of a house into an Airbnb-ready ADU, Gaviria was inspired.
She hired award-winning designer Jen Guerin of JG Color Studios to create a junior ADU. Itās technically attached to the house but is functionally its own unit, with a French-door entrance on the side so guests never have to walk through the homeās main living space.
Gaviria didnāt wait until both kids were gone to build her nest egg (the unit pays her mortgage, and she rents the whole house in the summer and travels). The kids were 14 and 10 when construction started, and she gave them markers and crayons for one last pass at the walls. I ask whether she left any of their artwork as an homage. She laughs, āI canāt rent with a Godzilla on the wall.ā
I beg to differ there.

Guerin pulled from Gaviriaās Colombian background, incorporating blues and a deep burnt orange as nods to home.
Guerin, whoās designed dozens of these transitions over 20 years, says most parents pivot more slowly than Gaviria. āIt always starts with paint,ā she says, āthen flooring and slowly a replacement of all items.ā But the instinct, fast or slow, is the same: āThis chapter isnāt about erasing the family story. Itās about making room for the next one.ā
Enveloped. Safe. At ease, creative, and a little bit sexy. I wanted an understated drama that didnāt match our minimalist, midcentury design elsewhere in the house, but that matched the inside of my soul. I wanted dark and light, color and whimsy. I wanted to never want to get out of bed, and for guests to feel that too.
Another parameter: I had a tight budget. I mean, letās be real about the economy, right? Smith guided me toward a dark paint my husband and I put on ourselves, then sourced used and vintage pieces to go with the bed and other accoutrements we already had, and mixed in a few new pieces from Ikeaālike the two-tone green speaker lamp. She nudged me not to erase my kid entirely, so I dug through boxes of ephemera in the garage, framed some old artwork, and tucked a few other mementos away for discovery, should someone look closely.
Most guests wonāt notice. Theyāll just sink into the bed and not want to leave, which is the whole point. But if you know where to look, my ladybaby is still in thereāsheās just not running the place.
Aaryn Belfer is a writer and editor specializing in nonfiction across art, architecture, and culture. Once upon a time, she wrote a provocative column for San Diego CityBeat (RIP). She was a runner up in the 2025 Matchbook Stories contest at the San Diego Central Library and is irrationally happy about it. Currently in her Soft Girl Era, Aaryn has expensive taste in (mostly flat) shoes and will choose a great art exhibit or live jazz concert over almost anything else. Except, possibly, Javier Bardem.
The county that helped push skating into the mainstream is now nurturing the competitors, communities, and culture shaping its future
It was the summer of 1999. MTV, The Matrix, and first-generation PlayStation glowed on tube TV sets all over America. What a time to be alive. Smartphones werenāt yet stealing people from the moment. Cultural was a shared reality. During the last few minutes of the monoculture, Tony Hawk executed the first-ever 900 at X Games V in San Francisco. Thatās two and a half aerial rotations with a side of the dizzies.
The time had run out on the Vert Best Trick competition long before the 11th attempt when he pulled off the fateful feat. Nobody cared. Not the judges, not the competition, and certainly not the crowd. āLet that bird fly,ā they said. Once the trick was landed, they partied like it was 1999 ⦠because it was.
That was the tipping point when the skateboarding world exploded, going from counterculture to a national phenomenon. Shortly after that, āTony Hawkās Pro Skaterā video game came out, introducing millions of kids to what skate culture looked like. Oh, the game had a killer punk soundtrack, too.
We can all thank Hawk for the globalization of skateboarding. But we can also recognize his local influence and how San Diego County continues to be a hub for skateboarders young and old, for competitors and street skaters. To see it all, go to Park De La Cruz in City Heightsāor, heck, any other skatepark in the countyāwhich, at 19,000 square feet, is about twice the size of the average skatepark and has signature features like an M-shaped transition ramp. The amount of talent that continues to evolve in this county is a testament to deep-rooted skate culture and world-class athletes supporting the next generation.

Iām a little early for a skate lesson with pro skater Mike Owen when I get to Linda Vista Skatepark. In the 2010s, Owen ranked as one of the worldās top bowl riders. Heās the founder of San Diego Skateboarding and has āhelped thousands of kids, teens, and adults learn to skate safely, confidently, and with style,ā the companyās site says. And now itās my turn. We start the lesson on the nearby tennis courts, getting my basic foot mechanics down. Safety before style.
In terms of street plaza features, the massive Linda Vista Skatepark is loaded with rails, stairs, manuals, and ledges. There are more bowls than you can get from Cava: a flow bowl, backyard-style pool, and vert bowl. The main feature is a full pipe for advanced line riders. Itās a hell of a park, even if somebody just wants to watch the action from the 100-foot-long pedestrian skybridge overhead.
Right now, San Diego has over 50 public skateparks scattered throughout the county. āThere are now more [skateparks], more resources for them, and more terrain,ā Owen tells me. āNow, theyāre offering different competitive style skateparks that help for competitions. The best parks have a variety of different terrain where you have things for beginners and bigger transitions. Not every town has that.ā
San Diego, luckily, does. But despite the bounty, Owen believes there should still be moreāpublic skateparks are safe spaces for all to learn and develop on-board skills. Without them, a huge portion of San Diegoās culture withers. Encinitas could be the next city to add a skatepark to the countyās roster: In early July, the Encinitas City Council appointed 12 local skaters and community members for the newly established Skate Feature Committee. In partnership with two councilmembers, the committeeās purpose is to design a working skatepark or feature for the city.
But like any big project, Owen says, itās a long process to add another skatepark to the community.
āI wish it were easier,ā he says. āWhen there are different contractors for different things, [thereās only] a certain amount of time to build. It gets tricky.ā
Then thereās the matter of funding the actual construction and development of the skatepark. That usually comes from grants, fundraisers, and donations. For reference, Linda Vista Skatepark was built on a $4.46 million grant from the California Department of Housing and Community Development in 2014. With an additional $40,000 donated by the Tony Hawk Foundation, the park opened in 2018 and is the largest in San Diegoās Parks and Recreation system. The best way to get a skatepark in your neighborhood, Owen says, is to start a petition and reach out to your city.

Jordan Throwerās first street skate sesh at San Diego City College in 2003 ended with a police chase. The campus was swarming with skaters riding rails, jumping stairs, and grinding tricks on benches, curbs, and ledges. When the cops got on their loudspeaker telling them not to run, everyone obviously ran. Back then, cops would give tickets and confiscate boards. The vibe has loosened since. āNow, the police donāt really care,ā Thrower says. āThey just make you leave. Itās not anything crazy.ā
Street skating is when riders use real-world urban obstacles, rather than pristinely designed bowls or rampsāsuch as in college campuses, downtown areas, corporate buildings, and malls. Abandoned mini-golf courses and construction sites do the trick, too.
Thrower says the street skating hub here isnāt as huge as it once was. Thanks to modern technology and social media, skaters arenāt tied to any certain place to create skate videos. You know, those videos that could have been taken this year but have the low-fi vibe of 2004, where skaters carve down stairwells into parking lots, over mailboxes, or across park benches. The silver lining: Even though there are fewer street skaters than there once was, those who stayed in San Diego are still tight.
āEveryone skates with each other and knows each other here,ā Thrower says. āIn LA, itās not really like that. Itās small there, but not everybody knows each other, and they donāt really skate with each other too much. They just have a lot of little crews.ā
Back in 2015, Thrower started his own street team and brand that sells boards and shirts called Tantrum. The Tantrum team is split between San Diego and San Francisco. It doesnāt take much to be a part of a skate team. You just have to be a good hang.
āThe way I pick people [for the team] is if I can get along with them,ā he says. āIt doesnāt even really matter if theyāre that good. If youāre likable and funny, you can pretty much be on the team.ā

Running it up to North County, a Vista-based nonprofit organization called Exposure Skate has been shaping up the youth since 2012. Its mission is to give more opportunities to otherwise underrepresented women, girls, and non-binary individuals by offering classes and camps. This, to build up confidence and community. We could all use a little bit of that, eh?
Thanks to Exposure Skate, 13-year-old Joey Yarbrough has found herself competing in the LA Olympic trials. (Her first time on a skateboard came at just 18 months old at an Exposure Skate Rising event.)
While competing for Team USA in Rome in June of this year, she finished 13th at the first Olympic qualifier for LA28. Currently ranked 21st in the world and 5th among American women, the young prodigy is blooming. And sheās in good company and mentorship from her biggest influence, Bryce Wettstein.
āShe taught me at the first Exposure Skate Rising when I was little,ā Yarbrough recalls. āI compete and skate with her all the time now, and itās super fun. [At Exposure,] it feels so good to have someone there to help me whenever I need it. Theyāre like my family, always encouraging me and always there for me.ā
Yarbrough will be just 15 years old when the Olympics go down in LA. Sheās following the Olympic torch carried by other locals such as Wettstein, Ruby Lilley, Jordyn Barratt, and Exposure Skateās Amelia Brodka.
āIām working my hardest to get there,ā she says. āIāll also work my hardest to go higher in the Olympics, maybe on podium. Thatās just my dream. So, hopefully itāll come true.ā
Jake Peterson is a San Diego-based journalist and culture writer. His work explores the cityās music scene, sports, local characters, and the offbeat corners of San Diegoās subcultures.
At Vi at La Jolla Village, residents don't have to choose between security and adventure, connection and independence. They get all of it.
Today’s seniors are more connected than ever, with a renewed focus on retirement as a time of discovery and enriching experiences. The ultimate reward for a retirement well-earned is the wisdom to appreciate it all, and what better place to enjoy that unique perspective than Vi at La Jolla Village, in the heart of San Diego.
All-access pass to good living.
As a Continuing Care Retirement Community (CCRC), Vi provides access to a connected and fulfilling community while making it easy to plan for future care, should the need ever arise. With a care plan in place, residents enjoy greater financial predictability and long-term value, freeing them to focus on making the most out of retirement.
Resort-style amenities at the epicenter of a cultural hub like San Diego offer a retirement experience unlike any other. Paired with exceptional dining, spacious accommodations and dedicated staff, the best of maintenance-free living is all around. And with the introduction of Vista 360 Well-Being, Vi’s panoramic approach to wellness, there are more ways than ever for residents to access it all.
The harmony of mind, body and community.

The key to longevity is striking the right balance in maintaining an active lifestyle with an active mind in a fulfilling community. With newly renovated community spaces and restaurants, Vista brings a variety of opportunities for residents to elevate their well-being through Vi-exclusive “Signature Experiences.”
Vista Enrich takes an evidence-based approach to brain vitality, keeping residents at the forefront of cognitive health through exergaming (exercising + gaming), nutritional plans and informative workshops. It is also home to The Brain Vitality Studio, an innovative facility dedicated to cognitive fitness that has garnered national recognition.
Vista Discover invites residents into stimulating educational experiences, from chef-led cooking demos and guided wine tastings to lectures at local universities and intimate lectures following cultural outings.
While Vista Enrich focuses on brain health and Vista Discover engages residents intellectually, Vista Explore cultivates a sense of adventure through curated travel and local excursions. But broadening one’s horizons doesn’t always require a plane ticket. One recent event brought a taste of the world right to the community: an onsite “jazz cruise” featuring live music and global cuisine served at a series of themed “ports” all within the community’s own ballroom.
“Location, location, location”

One of the biggest perks of life at Vi at La Jolla Village is its proximity to just about everything. With easy access to transportation and local attractions just steps away, residents can explore and engage with their community at their own pace.
“There are trolley and bus stops within a 5-minute walk that will get you to the beach, UCSD Campus, medical appointments, downtown La Jolla or San Diego, et cetera. We rarely use our car,” said resident Tom Yager.
With the best of San Diego just steps away, residents don’t just live in the city, they live within reach of everything that makes it special.
The best of all worlds.

At Vi at La Jolla Village, retirement isn’t a chapter to slow down; it’s an invitation to discover more. Tailored community experiences created by Vista, paired with the vibrant pulse of San Diego just outside the door, mean that residents don’t have to choose between security and adventure, connection and independence. They get all of it.
This is what an all-access pass to good living looks like: the comforts of an elevated lifestyle, a community built for growth and a city made for discovery ā all in one place.
To learn more about Vi at La Jolla Village or for details on available floor plans, visit ViatLaJollaVillage.com/SDM.
From tacos to tailors and trainers to travel, these are the businesses, people, and places that earned San Diego readers' votes
San Diego Aesthetics and Med Spa
Elicia Soltesz, Elicia Marie Beauty
Ashley Fierro, Ashley Fierro Makeup
Michelle Langston, MSN, APRN, FNP-BC, HNB-BC, Starlite Aesthetics
Alysa Espiritu, Afterglo Beauty Lounge
Ronnie Page, Gold Comb Barbershop North Park

Ryleigh Hunter, Headbang Salon
Ann Teresa Degischer, Maen the Salon
Lindsay Axelrod, Pixiedot Salon
Lauren Skinker, Lucky Cat Tattoo

Father Joeās Villages Turkey Trot
The Camp Transformation Center, West Chula Vista
Singing Hills Golf Club at Sycuan

Camila Casanueva, The Yard Gym

Austin Harrington, Captainās Quarters
Bivouac Ciderworks, Savoy Dry Apple Cider

Missi Burns, Et Voila

Prospera Internal Medicine and Aesthetics
The Ely Callaway Performance Center is where tour-level fittings, cutting-edge technology, and golf equipment you canāt buy yet all come together
“Come test something.ā
Those are quite possibly my three favorite words in the English languageāall due respect to āI love youā or the highly underrated āyou were right.ā
Iāve been a PGA Golf Professional since 1994, and yes, full bias disclosure, a Callaway Golf Ambassador for 18 years. One of the bonuses that comes with that combo is access to the Ely Callaway Performance Centerāa place so exclusive it gives āvelvet ropeā vibes.
Originally opened in 2006 as a highly functional (yet not exactly breathtaking) test facility, the ECPC got a serious glow-up in 2018 when Gil Hanse (along with partner Geoff Shackelford) turned it into what can only be described as a fully engineered golf playground. Hanse is no stranger to golf course renovations. In 2024, he completed an extensive redesign of the Omni La Costa North Course in Carlsbad, so it could host the NCAA Division 1 Golf Championships. He also worked on acclaimed courses like Winged Foot, Merion Golf Club, and Oakmont Country Club.
In just two months, it went from a standard test center and R&D lab to a fully dialed-in golf playground.

What was once purely practical is now intentionally designed to be both precise and inspiring. The targets are staggered with purposeāforcing creative shot-making while also calling you out on your actual distances (no more āthatās my 150-yard club … ishā).
Add a massive hitting area, bunkers and greens that mimic real on-course conditions, a āHimalayasā putting green (named for its roller-coaster undulations), an upgraded indoor putting lab, and a 120-decibel sound system blasting a very golf-appropriate playlist, and suddenly itās a rare blend of high-performance testing facility and ādonāt mind if I stay here all dayā energy. Since this isnāt exactly open to the public, SDM asked me to take you behind the curtain.
As the iron gates part, it feels less like arriving at a practice facility and more like being granted backstage access at a rock concertāif the bandmembers were made entirely of launch monitors and perfectly manicured turf.
There are no mats. No guessing. No āI think that one felt good?ā Just conditions that mirror exactly what tour players see in competition. Because when youāre testing equipment at this level, accuracy isnāt a bonusāitās the whole point.
Even the sand matters. Different textures. Different densities. Because bunkers have personalities, too, and they are often unfriendly. And the golf balls? Brand. New. Not the usual āthese have seen some thingsā range balls. New balls mean consistent spin, truer trajectory, and no surprises. The older a golf ball getsāand the more itās been baked in the sun, scuffed, or generally lived a full and complicated lifeāthe less reliable it becomes. Think of it like this: fresh ball, predictable performance; old range ball, slight chaos with a side of mystery.
Iām escorted to my personal hitting bayābasically a pop-up shaded oasis stocked with enough equipment to make a gear junkie weak in the knees. Shafts in every weight and profile imaginable. Heads lined up like theyāre waiting to be drafted by their favorite team.

Toptracer technology was patiently waiting to track every one of my swings, each shot instantly delivering ball speed, launch, spin, carry distance, and dispersion (a polite way of saying consistency, or lack thereof), so thereās no guessingājust data telling the truth, whether I like it or not.
We start with irons. Different heads, different feels, different results. When I miss a shot, the ball tends to leak right, so we check lie angle. A quick adjustmentā2 degrees uprightāand suddenly the clubface is consistently square at impact like it remembered its job. Effort level: down. Ball flight: improved. Confidence: creeping back.
Next we look at the different shaft optionsābecause nothing says āfun afternoonā like realizing a higher kick point can change your entire golf identity. Shaft flex (how much the shaft bends during your swing) helps determine whether you get more height and distance or more control, while kick point (where the shaft bends the most) influences your ball flightālower kick point for higher launch, higher kick point for a flatter, more penetrating shot. In other words, one small tweak and suddenly youāre hitting shots youād normally only describe later, slightly exaggerated, over a glass of wine.
Then we move through the bag: hybrids, fairway woods, drivers, wedges. Itās a full rotation of ātry this,ā ānow try this,ā and āokay wait … THAT one.ā
And yesāthe new Quantum driver and fairway woods made an appearance. Without getting too deep in the weeds, theyāre faster, more forgiving, and smarter (thanks to AI face mapping) than previous models. Translation: Even your mishits are now slightly less embarrassing. And they were not the only things getting tested. My patience was under attack because the driver and woods would not be available to the public for a good three months.

Watching the fitting team work is like watching a Formula 1 pit crew. Clubs are swapped in seconds. Shafts tightened, adjusted, replaced. One minute youāre swinging something that seems āfine,ā and the next, youāre holding a club that feels like it is a part of your DNA.
Then thereās the putter fitting. Drivers are physics. Putters are therapy. Inside the putting lab, sensors track everythingātempo, face angle, pathāthings you didnāt even know could be measured. Within minutes, my data politely informs me that my putter face is slightly closed at impact. Not shocking, but also not ideal.
A few quick adjustmentsādifferent head (with a bit more weight at the toe to discourage the face swinging closed at impact), shorter shaft (so I feel more over the ball, which helps my eyeline)āand suddenly the ball starts rolling exactly where Iām aimed.
Same stroke. Same golfer. Completely different outcome. If only the rest of life worked like that.
And then thereās the part that feels slightly classified. The ECPC isnāt ājustā a performance centerāitās also where future equipment lives before the public even knows it exists. Iāve been there when certain clubs were basically under surveillance. Not ādonāt touch,ā but more āplease keep phones in your pocket.ā
Itās golfās version of Area 51. Except instead of aliens, itās drivers that wonāt hit shelves for another yearāand like I mentioned, waiting is not my strong suit.
Getting to test the newest equipment isnāt just a perkāitās part of the job. Itās what allows me to stand in front of students and say, āIāve tried it. I know what works and what doesnāt. And more importantly, I know why.” And if I happen to sprint to my car every time the phone rings and someone says, āCome test somethingā … well, thatās just professional courtesy.
Callaway isnāt the only place to get your swing analyzed and clubs fitted. You can stroll into big retail spots like The Golf Mart or Golf Galaxy, book a next-level session at a dedicated studio like Club Champion or True Spec Golf, test brand-specific gear at various manufacturing companies (many located in Carlsbad), or even combine a lesson and a fitting at GOLFTEC. And letās not forget your local golf course, where fittings happen on actual turf, on a driving range you have some history withāmany times with the golf professional who is familiar with your swing so they can give you valuable input. With this many options, thereās really no excuse, other than pride, to keep blaming your clubs.
Laika Nur, MD, takes her love of volleyball from the court to the clinic as team physician for the San Diego Mojo
Growing up, Laika Nur, MD, Scripps Clinic sports medicine specialist, loved watching beach volleyball when the Association of Volleyball Professionals tour came to her hometown of Chicago. A talented volleyball player herself, she remembers sitting in the stands all day, and once, even got a couple autographs. Years later, Dr. Nur was attending a professional event focused on womenās sports, and the discussion turned to a new professional womenās volleyball league. The general manager and coaching staffĀ for San Diegoās team, the Mojo, happened to be in attendance, and Dr. Nur took the opportunity to ask them if they needed a team doctor. Flash forward to the Mojoās inaugural 2024 season, when Dr. Nur officially became the team physician. Click here to read more about Dr. Nur and how she incorporates lessons she learned on the court into her practice.Ā
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