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“Come test something.”

Those are quite possibly my three favorite words in the English language—all due respect to “I love you” or the highly underrated “you were right.”

I’ve been a PGA Golf Professional since 1994, and yes, full bias disclosure, a Callaway Golf Ambassador for 18 years. One of the bonuses that comes with that combo is access to the Ely Callaway Performance Center—a place so exclusive it gives “velvet rope” vibes.

Originally opened in 2006 as a highly functional (yet not exactly breathtaking) test facility, the ECPC got a serious glow-up in 2018 when Gil Hanse (along with partner Geoff Shackelford) turned it into what can only be described as a fully engineered golf playground. Hanse is no stranger to golf course renovations. In 2024, he completed an extensive redesign of the Omni La Costa North Course in Carlsbad, so it could host the NCAA Division 1 Golf Championships. He also worked on acclaimed courses like Winged Foot, Merion Golf Club, and Oakmont Country Club.

In just two months, it went from a standard test center and R&D lab to a fully dialed-in golf playground.

What was once purely practical is now intentionally designed to be both precise and inspiring. The targets are staggered with purpose—forcing creative shot-making while also calling you out on your actual distances (no more “that’s my 150-yard club … ish”).

Add a massive hitting area, bunkers and greens that mimic real on-course conditions, a “Himalayas” putting green (named for its roller-coaster undulations), an upgraded indoor putting lab, and a 120-decibel sound system blasting a very golf-appropriate playlist, and suddenly it’s a rare blend of high-performance testing facility and “don’t mind if I stay here all day” energy. Since this isn’t exactly open to the public, SDM asked me to take you behind the curtain.

As the iron gates part, it feels less like arriving at a practice facility and more like being granted backstage access at a rock concert—if the bandmembers were made entirely of launch monitors and perfectly manicured turf.

There are no mats. No guessing. No “I think that one felt good?” Just conditions that mirror exactly what tour players see in competition. Because when you’re testing equipment at this level, accuracy isn’t a bonus—it’s the whole point.

Even the sand matters. Different textures. Different densities. Because bunkers have personalities, too, and they are often unfriendly. And the golf balls? Brand. New. Not the usual “these have seen some things” range balls. New balls mean consistent spin, truer trajectory, and no surprises. The older a golf ball gets—and the more it’s been baked in the sun, scuffed, or generally lived a full and complicated life—the less reliable it becomes. Think of it like this: fresh ball, predictable performance; old range ball, slight chaos with a side of mystery.

I’m escorted to my personal hitting bay—basically a pop-up shaded oasis stocked with enough equipment to make a gear junkie weak in the knees. Shafts in every weight and profile imaginable. Heads lined up like they’re waiting to be drafted by their favorite team.

Toptracer technology was patiently waiting to track every one of my swings, each shot instantly delivering ball speed, launch, spin, carry distance, and dispersion (a polite way of saying consistency, or lack thereof), so there’s no guessing—just data telling the truth, whether I like it or not.

We start with irons. Different heads, different feels, different results. When I miss a shot, the ball tends to leak right, so we check lie angle. A quick adjustment—2 degrees upright—and suddenly the clubface is consistently square at impact like it remembered its job. Effort level: down. Ball flight: improved. Confidence: creeping back.

Next we look at the different shaft options—because nothing says “fun afternoon” like realizing a higher kick point can change your entire golf identity. Shaft flex (how much the shaft bends during your swing) helps determine whether you get more height and distance or more control, while kick point (where the shaft bends the most) influences your ball flight—lower kick point for higher launch, higher kick point for a flatter, more penetrating shot. In other words, one small tweak and suddenly you’re hitting shots you’d normally only describe later, slightly exaggerated, over a glass of wine.

Then we move through the bag: hybrids, fairway woods, drivers, wedges. It’s a full rotation of “try this,” “now try this,” and “okay wait … THAT one.”

And yes—the new Quantum driver and fairway woods made an appearance. Without getting too deep in the weeds, they’re faster, more forgiving, and smarter (thanks to AI face mapping) than previous models. Translation: Even your mishits are now slightly less embarrassing. And they were not the only things getting tested. My patience was under attack because the driver and woods would not be available to the public for a good three months.

Watching the fitting team work is like watching a Formula 1 pit crew. Clubs are swapped in seconds. Shafts tightened, adjusted, replaced. One minute you’re swinging something that seems “fine,” and the next, you’re holding a club that feels like it is a part of your DNA.

Then there’s the putter fitting. Drivers are physics. Putters are therapy. Inside the putting lab, sensors track everything—tempo, face angle, path—things you didn’t even know could be measured. Within minutes, my data politely informs me that my putter face is slightly closed at impact. Not shocking, but also not ideal.

A few quick adjustments—different head (with a bit more weight at the toe to discourage the face swinging closed at impact), shorter shaft (so I feel more over the ball, which helps my eyeline)—and suddenly the ball starts rolling exactly where I’m aimed.

Same stroke. Same golfer. Completely different outcome. If only the rest of life worked like that.

And then there’s the part that feels slightly classified. The ECPC isn’t “just” a performance center—it’s also where future equipment lives before the public even knows it exists. I’ve been there when certain clubs were basically under surveillance. Not “don’t touch,” but more “please keep phones in your pocket.”

It’s golf’s version of Area 51. Except instead of aliens, it’s drivers that won’t hit shelves for another year—and like I mentioned, waiting is not my strong suit.

Getting to test the newest equipment isn’t just a perk—it’s part of the job. It’s what allows me to stand in front of students and say, “I’ve tried it. I know what works and what doesn’t. And more importantly, I know why.” And if I happen to sprint to my car every time the phone rings and someone says, “Come test something” … well, that’s just professional courtesy.

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Other Fitting Spots in SD

Callaway isn’t the only place to get your swing analyzed and clubs fitted. You can stroll into big retail spots like The Golf Mart or Golf Galaxy, book a next-level session at a dedicated studio like Club Champion or True Spec Golf, test brand-specific gear at various manufacturing companies (many located in Carlsbad), or even combine a lesson and a fitting at GOLFTEC. And let’s not forget your local golf course, where fittings happen on actual turf, on a driving range you have some history with—many times with the golf professional who is familiar with your swing so they can give you valuable input. With this many options, there’s really no excuse, other than pride, to keep blaming your clubs.

It was the summer of 1999. MTV, The Matrix, and first-generation PlayStation glowed on tube TV sets all over America. What a time to be alive. Smartphones weren’t yet stealing people from the moment. Cultural was a shared reality. During the last few minutes of the monoculture, Tony Hawk executed the first-ever 900 at X Games V in San Francisco. That’s two and a half aerial rotations with a side of the dizzies.

The time had run out on the Vert Best Trick competition long before the 11th attempt when he pulled off the fateful feat. Nobody cared. Not the judges, not the competition, and certainly not the crowd. “Let that bird fly,” they said. Once the trick was landed, they partied like it was 1999 … because it was.

That was the tipping point when the skateboarding world exploded, going from counterculture to a national phenomenon. Shortly after that, “Tony Hawk’s Pro Skater” video game came out, introducing millions of kids to what skate culture looked like. Oh, the game had a killer punk soundtrack, too.

We can all thank Hawk for the globalization of skateboarding. But we can also recognize his local influence and how San Diego County continues to be a hub for skateboarders young and old, for competitors and street skaters. To see it all, go to Park De La Cruz in City Heights—or, heck, any other skatepark in the county—which, at 19,000 square feet, is about twice the size of the average skatepark and has signature features like an M-shaped transition ramp. The amount of talent that continues to evolve in this county is a testament to deep-rooted skate culture and world-class athletes supporting the next generation.

The Skatepark

I’m a little early for a skate lesson with pro skater Mike Owen when I get to Linda Vista Skatepark. In the 2010s, Owen ranked as one of the world’s top bowl riders. He’s the founder of San Diego Skateboarding and has “helped thousands of kids, teens, and adults learn to skate safely, confidently, and with style,” the company’s site says. And now it’s my turn. We start the lesson on the nearby tennis courts, getting my basic foot mechanics down. Safety before style.

In terms of street plaza features, the massive Linda Vista Skatepark is loaded with rails, stairs, manuals, and ledges. There are more bowls than you can get from Cava: a flow bowl, backyard-style pool, and vert bowl. The main feature is a full pipe for advanced line riders. It’s a hell of a park, even if somebody just wants to watch the action from the 100-foot-long pedestrian skybridge overhead.

Right now, San Diego has over 50 public skateparks scattered throughout the county. “There are now more [skateparks], more resources for them, and more terrain,” Owen tells me. “Now, they’re offering different competitive style skateparks that help for competitions. The best parks have a variety of different terrain where you have things for beginners and bigger transitions. Not every town has that.”

San Diego, luckily, does. But despite the bounty, Owen believes there should still be more—public skateparks are safe spaces for all to learn and develop on-board skills. Without them, a huge portion of San Diego’s culture withers. Encinitas could be the next city to add a skatepark to the county’s roster: In early July, the Encinitas City Council appointed 12 local skaters and community members for the newly established Skate Feature Committee. In partnership with two councilmembers, the committee’s purpose is to design a working skatepark or feature for the city.

But like any big project, Owen says, it’s a long process to add another skatepark to the community.

“I wish it were easier,” he says. “When there are different contractors for different things, [there’s only] a certain amount of time to build. It gets tricky.”

Then there’s the matter of funding the actual construction and development of the skatepark. That usually comes from grants, fundraisers, and donations. For reference, Linda Vista Skatepark was built on a $4.46 million grant from the California Department of Housing and Community Development in 2014. With an additional $40,000 donated by the Tony Hawk Foundation, the park opened in 2018 and is the largest in San Diego’s Parks and Recreation system. The best way to get a skatepark in your neighborhood, Owen says, is to start a petition and reach out to your city.

The Street Skaters

Jordan Thrower’s first street skate sesh at San Diego City College in 2003 ended with a police chase. The campus was swarming with skaters riding rails, jumping stairs, and grinding tricks on benches, curbs, and ledges. When the cops got on their loudspeaker telling them not to run, everyone obviously ran. Back then, cops would give tickets and confiscate boards. The vibe has loosened since. “Now, the police don’t really care,” Thrower says. “They just make you leave. It’s not anything crazy.”

Street skating is when riders use real-world urban obstacles, rather than pristinely designed bowls or ramps—such as in college campuses, downtown areas, corporate buildings, and malls. Abandoned mini-golf courses and construction sites do the trick, too.

Thrower says the street skating hub here isn’t as huge as it once was. Thanks to modern technology and social media, skaters aren’t tied to any certain place to create skate videos. You know, those videos that could have been taken this year but have the low-fi vibe of 2004, where skaters carve down stairwells into parking lots, over mailboxes, or across park benches. The silver lining: Even though there are fewer street skaters than there once was, those who stayed in San Diego are still tight.

“Everyone skates with each other and knows each other here,” Thrower says. “In LA, it’s not really like that. It’s small there, but not everybody knows each other, and they don’t really skate with each other too much. They just have a lot of little crews.”

Back in 2015, Thrower started his own street team and brand that sells boards and shirts called Tantrum. The Tantrum team is split between San Diego and San Francisco. It doesn’t take much to be a part of a skate team. You just have to be a good hang.

“The way I pick people [for the team] is if I can get along with them,” he says. “It doesn’t even really matter if they’re that good. If you’re likable and funny, you can pretty much be on the team.”

The Future

Running it up to North County, a Vista-based nonprofit organization called Exposure Skate has been shaping up the youth since 2012. Its mission is to give more opportunities to otherwise underrepresented women, girls, and non-binary individuals by offering classes and camps. This, to build up confidence and community. We could all use a little bit of that, eh?

Thanks to Exposure Skate, 13-year-old Joey Yarbrough has found herself competing in the LA Olympic trials. (Her first time on a skateboard came at just 18 months old at an Exposure Skate Rising event.)

While competing for Team USA in Rome in June of this year, she finished 13th at the first Olympic qualifier for LA28. Currently ranked 21st in the world and 5th among American women, the young prodigy is blooming. And she’s in good company and mentorship from her biggest influence, Bryce Wettstein.

“She taught me at the first Exposure Skate Rising when I was little,” Yarbrough recalls. “I compete and skate with her all the time now, and it’s super fun. [At Exposure,] it feels so good to have someone there to help me whenever I need it. They’re like my family, always encouraging me and always there for me.”

Yarbrough will be just 15 years old when the Olympics go down in LA. She’s following the Olympic torch carried by other locals such as Wettstein, Ruby Lilley, Jordyn Barratt, and Exposure Skate’s Amelia Brodka.

“I’m working my hardest to get there,” she says. “I’ll also work my hardest to go higher in the Olympics, maybe on podium. That’s just my dream. So, hopefully it’ll come true.”

After 10 years of rooftop dining and brewing award-winning beers, OB Brewery is for sale. A local fixture on Newport Avenue, OB Brewery owner Mike Tajran is ready to retire and hand over the reins. “It’s got so much potential,” he says, pointing to the accolades the brewpub has collected throughout the last decade (it’s more than a few).

At the 2017 Great American Beer Festival, OB’s Hidden Gem Dunkelweizen won silver in the German-Style Wheat Ale category, followed by a World Beer Cup silver medal as a South German-Style Dunkel Weizen in 2026. In 2018, GABF named OB Brewery Small Brewpub of the Year, brewer Jim Millea earned Small Brewpub Brewer of the Year, and the B. Right On pale ale nabbed a gold medal in the American-Style Pale Ale category. The Elevator Red IPA also took bronze that year at the San Diego International Beer Festival, and earlier this year, they won gold for Couple’s Therapy chili beer and silver for Rauch Me smoked beer at San Diego County Fair Craft Brew Competition.

It’s a solid foundation for the right buyer, he says—someone with brewing and business chops ready for a turnkey operation in a favorable location a block from the beach on Ocean Beach’s busiest street. (And while he’s letting go of the brewpub business, he’s also open to selling the building as part of the deal.)

Originally from Iraq, Tajran’s family ran restaurants in Baghdad, but “they were decimated by Saddam Hussein,” he explains. Once in the United States, he launched Giant New York Pizza at 5050 Newport Avenue in 1984, which eventually became Newport Pizza & Ale House. Newport Pizza felt long ahead of its time, proudly proclaiming they served “no crap on tap” years before the craft beer craze caught fire in San Diego. 

When the building’s owners passed away and their son cut his lease short in 2020, Tajran says he was disappointed, but he had a nagging feeling that would happen eventually—which is why he already purchased 5041 Newport Avenue back in 2009 and opened Ocean Beach Brewery in 2016.

“For 42 years, I have been in this location in this area, the same block,” he says with pride. Ocean Beach has gone through some changes since 1984 (the OB farmers market launched in 1992, Starbucks came in 2001 and left in 2022, ADUs crept in, and the iconic OB Pier closed in 2023), but Tajran says the heart of the beachside town has remained the same. 

So has most of his staff. Millea has been brewing since day one, and longtime manager Megan Schuster has worked for Tajran for 19 years, first at Newport, then at OB Brewery. Most of the employees are locals, and Tajran says he doesn’t plan on closing the business until he finds the right buyer to carry on the baton. 

The property itself comes with some unique features for the area—three stories with a rooftop deck and ocean views from every level. And if you’re wondering if those uninterrupted views will remain that way, Tajran assures me they will. Part of his original building purchase included language that prohibits the three buildings between him and the ocean from building up. He also leases space next door, which would allow a new owner to expand brewing capacity with more tanks and fermenters. 

“I just wanted to make sure this goes in good hands,” he says. He and his wife both hope to retire soon in order to spend time with their children. But he’ll make sure his other baby is taken care of first. 

“I love Ocean Beach,” he says. “I can say nothing but thank you, OB.”

OB Brewery is still open at 5041 Newport Avenue. Hours are Sunday through Thursday, 11 a.m. to 9 p.m.; Friday, 11 a.m. to 10 p.m.; and Saturday, 10 a.m. to 10 p.m. Interested parties should contact Next Wave Commercial.

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San Diego Restaurant News & Food Events

Beth’s Bites

• Along the same vein of iconic businesses, Tribute Pizza is celebrating 10 years in North Park this week with different events every night. Good luck getting a reservation if you haven’t already, but you can still take part in the silent auction on behalf of Feeding San Diego. Owner Matt Lyons’ goal is to raise $100,000 for the nonprofit and is offering some pretty sweet stuff to do so—think a full weekend buyout of Tribute, a private event with Lyons and chef Travis Swikard of Callie and Fleurette, a year of access to a VIP hotline for reservations, and even more. Time is ticking away on your chance to bid, so be sure to make your best offer before time runs out.
• La Corriente continues its expansion across San Diego with lucky number three coming to Oceanside. Located next to Tanner’s Prime Burgers and PopUp Bagels, a restaurant rep says that at the rate the restaurant is opening new spaces, it wouldn’t be wild to see a few more pop up along the coast in the future. 
• Kitchens for Good has big plans on the horizon, including their sprawling new Culinary Impact Center coming to Bankers Hill next year. Now, it should be a bit easier to accomplish their (many) goals with the help of a $50,000 grant from the Jacques Pépin Foundation. Kitchens for Good is one of four awardees this year and will receive the funds over the next two years, allowing them to launch their Market Cafe initiative in the new center and continue their mission of hospitality training programs and ending food insecurity across the city. It’s a pretty awesome award, given by a pretty awesome group to another pretty awesome group, so it’s just mega-awesome all the way around. 

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My 15-year-old daughter tried to steal our car this week, so I’m ready to become a NASCAR dad. It would be appropriate discipline. We just relocated to a nice suburb within walking distance of her high school. The suburbs are like living in a Tesla commercial. I am pretty far from the wealthiest dad in this neighborhood (I am the least wealthy dad in this neighborhood), more than a few engineering degrees short of being in the running.

I’m fairly certain watching NASCAR is a violation of our HOA and a violation of my daughter’s emotional HOA. But NASCAR hits San Diego this weekend and I have a fever I’ve never felt before. I want to watch 111 drivers do dangerous things in cars and trucks on an active military base in the ocean. Since my lifelong exposure to NASCAR is limited to Talladega Nights and every single iteration of the movie Cars, I can only base my plan of attack on oafish stereotypes.

So while other neighbor dads are sizing bubble jackets for their golf simulators, I’m gonna grow a Ricky Bobby, run the extension cord for the TV out into the carport we share with six other condos, fill a cooler with a proper 80-20 split of Hamm’s and Mountain Dew, treat a lawn chair like an ADU, and spend a few hours yelling ohsheeeit as if it’s a single, nine-syllable word.

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The quality parents in our neighborhood seem highly attuned to the sound of any vehicle breaching the 6 MPH threshold, so I should gather a crowd pretty fast. They may come over with strongly worded emails in their hearts, but one glimpse of Shane van Gisbergen and hometown hero Jimmy Johnson guzzling the last remaining drops of gasoline on the planet in a dazzling display of carmanship—they’ll join my NASCAR pop-up party.

By the time my daughter brings her friends over, we’ll have a real welcoming committee.

Because, like I said, my daughter tried to steal my car.

She wasn’t going to Mexico. But while Claire and I were off doing businessy stuff to afford my teen’s skincare rituals, she and a friend decided to teach themselves stick shift. She’s never driven a stick before. I’m not saying she has, but if she has driven a vehicle at all—it would have been done in a remote, abandoned parking lot where the only possible thing she could destroy was the concept of driving itself.

But a couple TikTok videos later, she and her friend felt a certain level of mastery had been achieved, and they gave it a go. They backed our VW Bug out of the garage with a series of stalls and transmission seizures, and managed to get it into the carport, attempting to do “donuts.” That’s when I got a call from a resident, who had taken an active interest in this experiment.

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Which got me wondering about the power and might of vehicles. Turns out, even at carport speeds there exists a bit of potential fireworks. A garage door could become not a garage door anymore. At 145 MPH on Naval Base Coronado this weekend (don’t worry, they slow down to 100 MPH for turns), NASCAR drivers are essentially doorbell ditching gods. I didn’t register the temperature after my daughter’s trial run, but the track at NASCAR races usually hits a cool 130-150 degrees, enough to lightly sear some Nikes (the tires themselves hover in the 200 degree range).

And that is at least part of our fascination with NASCAR (the other fascination is the legendary pit parties, which either set humanity back a few evolutionary links, or advance it by the same amount of links). These drivers do something all of us do every day in a very efficient, boring way—drive a car—and take it to its extreme impulse. Grace and precision at the thunderous edge of shit going terribly wrong. Most of us have looked at San Diego home prices and felt a burning desire to see how fast our Honda Pilot could make it to our new home in Vegas. So NASCAR drivers are acting on our own wildest impulse.

As the clock wound down on August 23, 2025, San Diego FC had one thing on their mind: clinching the postseason for their new hometown. It wasn’t a night of dramatic late goals or last-second strikes—it was a steady, controlled run against the Portland Timbers. Snapdragon Stadium roared with the hopes of 35,000 locals, who’d spent years waiting for a championship team to call their own.

When the referee blew the whistle at the end of the game, the scoreboard remained at a draw, 0-0. But history had been made nonetheless—SDFC became the first team in the league to lock up a 2025 Audi MLS Cup Playoffs berth, securing their place with six matches still to play in their inaugural season.

A month later, after nabbing a Wild Card spot, the Padres punched their ticket to the postseason with catcher Freddy Fermin delivering an RBI single in the 11th inning. The 5–4 walk-off win over the Milwaukee Brewers marked the team’s fourth postseason appearance in six seasons (and the second straight season that San Diego reached October baseball). This was a new team, the kind the franchise hadn’t seen in decades.

Finally, in October, the Wave FC reminded us why it only took them a matter of months to build a record-breaking NSWL fanbase. In the first 18 minutes of the game, the team struck three goals (the fastest trio of goals in club history) and continued the momentum throughout the game against the Chicago Stars. Their 6–1 victory that night landed them in the postseason.

If last year’s playoffs run didn’t convince you that San Diego is a sports town once again, you weren’t paying close enough attention. Now, with the 2026 baseball and soccer seasons kicking off, we break down what to expect from the Padres, San Diego FC, and the Wave FC this year and ask their coaches to give us an insider’s sneak peek.

San Diego Padres

Freddy Fermin nearly did it. Down to the last out of the wildcard playoff series—the last chance for the Padres’ 2025 season—he put a charge into a fly ball that made all of Wrigley Field hold its breath. Of course, the potential game winner fell into the glove of the Cubs’ center fielder. Season over. So close. Less than two weeks later, manager Mike Shildt announced the stress was getting to him and retired.

To many fans, Fermin’s flyball felt like a metaphor. The late Peter Seidler had put a charge into the franchise, investing in the team like no Padres owner ever had. The Padres’ lease agreement with Petco Park runs through 2033. But every season, the team falls just short. With a 2027 lockout looming, was 2025 the final year of the Padres’ window to finally bring a World Series championship to the city? Or does it remain open for 2026?

There’s still massive, all-star talent on the team—Manny Machado, Jackson Merrill, Fernando Tatís Jr., Mason Miller, Michael King, Joe Musgrove, Adrian Morejon, Nick Pivetta (who surprised everyone by becoming a legitimate ace last year). After a few down years, Xander Bogaerts showed flashes of the elite talent that inspired his hefty contract.

Everyone knows general manager AJ Preller is a maverick who loves to make blockbuster moves. But to fill the managerial role, he only had to make a call down to the bullpen to Craig Stammen—a former Padres relief pitcher who’d been working as a special assistant, mentoring players.

“If I said it was going to be easy, I’d be lying to myself,” Stammen admits. “My whole life there have been different things that prepared me for what I’m about to do. Obviously playing gave me a lot of experience, and the special assistant role gave me a lot of knowledge of what it’s like behind the curtain—what the front office is thinking about, what the coaches are all trying to accomplish during the season. I feel like I got a taste of a little bit of everything.”

As manager, Stammen is going to be leading guys who used to be his teammates. Much like when a colleague gets promoted above you at work, there’s uncertainty around how team dynamics will shift. But Stammen believes it’s going to be a positive.

“At this point, I haven’t had to make very many tough decisions with those guys, but there may come a time during the season where that may happen,” he says. “If it does, I just have to be very up front and honest and be the same person I’ve always been. We’ll do our best to keep our friendship [what it is] and use that to our advantage as much as we can.”

Stammen has a reputation as a calm, supportive leader who can connect with players. And the move for an internal hire makes sense with such a turbulent offseason (they lost headlining players Dylan Cease, Luis Arráez, and Robert Suárez, and retirement rumors swirl around Yu Darvish). Bringing continuity, he’s somebody the Padres think can keep the clubhouse steady and focused. “There’s a trust level between AJ Preller, [Assistant General Manager] Josh Stein, and me,” he says. “They’ve seen my leadership qualities up close and personal.”

One of the biggest strengths of the team remains the pitching. “Great pitchers make a manager look really good,” Stammen says.

Then, there’s the fans. The Padres sold out 72 of 81 games last season, making them number-two in attendance behind only the Dodgers. Petco Park is a layer of hell for opposing teams. “When the fans show up to the ballpark,” Stammen says, “they’re helping our ball club win a baseball game. Without our homefield advantage, it would be very difficult to get to the playoffs and accomplish our goals.”

Those team goals? “To reach our potential,” Stammen confirms. “We obviously have a team we think can compete for a division championship and compete in the National League and have a chance to bring something to San Diego that’s never happened before. But you can’t think about that stuff right now. Right now, we’ve just got to be able to focus on reaching our potential.

San Diego Fútbol Club

It’s hard to imagine a dreamier kickoff to the MLS era in San Diego. In their debut year, San Diego FC broke multiple league records for an expansion team—most points (63), most wins (19), fastest to clinch a playoff berth. They won the Western Conference and came one victory away from the MLS Cup.

Near perfection. Now, can they follow it up?

The biggest headline entering year two is the end of “Chuckymania.” Mexican national star Hirving “Chucky” Lozano was supposed to be the face of the franchise, but it didn’t pan out. After he experienced some injuries and well-documented internal conflicts with the coach and team, SDFC decided to part ways with their original headliner.

Instead, the team invested in the vision of coach Mikey Varas, extending his contract by multiple years.

“They could see that the project was moving in the right direction,” Varas says. “When I was signed [last year], there had to be some question marks. I hadn’t been in this role before. Fortunately, everyone saw the alignment was 100 percent in sync. Our visions and values align. It’s where I’m supposed to be.” Any questions were answered when the franchise burst out of the gates winning.

In 2026, “it’s about asking ourselves individually and collectively: Now what?” Varas says. The answer shapes this year’s vision.

With their superstar departing and forward Marcus Ingvartsen coming off an injury-plagued season, the club wants people who have a point to prove—and, just as important, players and staff who push team chemistry. “We really do believe our collective is our superpower,” Varas adds. “That means having people who care about understanding how to play better with and for their teammates.”

Building off last year’s roster, the team snatched up versatile forward/ winger Lewis Morgan off waivers in December. The move will add front-line depth to supplement their other star forward Anders Dreyer, who was given a guaranteed contract extension through the 2028–2029 season—deservedly so, since he scored 19 goals and was named 2025 MLS Newcomer of the Year. On a planet without Lionel Messi, Anders Dreyer would arguably be the reigning league MVP.

“We’re also really excited about [developing] guys that started with us at ground zero and seeing what kind of steps they take,” Varas says. “The Luca Bombino who was playing for us last year can’t be the Luca Bombino who shows up this season. He’s got to be a better version of himself. There’s freshness coming from all different angles.” Bombino was also awarded a contract extension through the 2028–2029 season.

And now that the team isn’t surprising anybody with their pressing style of play, being overlooked by other clubs will no longer be an advantage going into this season. “That’s okay,” Varas says. “We like that kind of challenge.”

There’s already a resounding buzz coming from fans, supporters, staff, and players for 2026. When a team gets within striking distance of the MLS Cup (they lost 3-1 to Vancouver in the Western Conference final), the audience only gets hungrier to smell more Snapdragon fireworks.

Wave FC

In the final game of last year’s regular season, the San Diego Wave held their fate in their own hands: win or watch the playoffs from home. They responded, blowing away Chicago FC 6-0 and setting a club record for goals in a single game.

The offensive hangover came quick—they lost 1-0 in the first round to Portland. But our rose-tinted glasses are squarely on, so, as far as we’re concerned, just being back in the playoffs after missing out in 2024 was a good sign for a team that has been one of the country’s biggest stories in women’s sports since its inception four years ago.

“I think there were a lot of learnings during the season,” says head coach Jonas Eidevall, who is beginning his second year leading the Wave. “There were parts of last season that were really successful. I think we established an identity and a way of playing that was clear and a good fit for the club and the players: [We’re] creative. We want to express that on the pitch.”

During the offseason, December was a volatile month for the Wave. They started it off by capturing gold at the World Sevens tournament. On the tournament’s reduced-size pitch, they outscored the other teams 14-3. With midfielders playing forward early and burners playing wide, speed was the attacking tool that overwhelmed their opponents’ defenses.

More importantly, it allowed the team to step into an unknown together. Instead of 11 players per side, there were just seven. The format encourages a high-tempo style of play where every possession is threatening. “It helped us understand what we need to learn, change, and adapt [for regular-season play],” Eidevall says. “We did that well in the Sevens tournament, and that’s a mindset we can keep on going with in the season.”

Shortly following the team’s victory in Sevens, offseason moves started. Roster shakeups always cause some broken hearts—but fans were particularly shocked when the team abruptly announced in late December that goalkeeper and captain Kailen Sheridan’s contract would be terminated. (Along with Kristen McNabb, Sheridan was one of just two remaining players from the franchise’s original team.) As of press time, the Wave hasn’t announced who will take the captain’s reins from Sheridan.

With the team’s esteemed back-line leader out, the Wave signed goalkeeper Leah Freeman to a one-year contract. Last year, Freeman spent her rookie season with Bay FC after a decorated collegiate career playing for both University of Oregon and Duke. While at Oregon, she earned Pac-12 Goalkeeper of the Year honors in 2022. At Duke, she nabbed the same Atlantic Coast Conference honor in 2024.

Among returning members, “one player who was making a good impact for us already with limited time with the team was Dudinha,” Eidevall says. “I’m really excited to see what she can do in the league here with a full preseason.” The Brazilian forward netted five goals in just 12 games. In rare company with former Wave legends Alex Morgan and Jaedyn Shaw, Dudinha matched a club record by scoring in three consecutive games last fall.

Even with the loss of a face of the franchise like Sheridan, “going into the season, both expectations and the know-how of what it takes to achieve what we want to achieve is much clearer,” Eidevall says. “We laid the foundation last season, which we now need to build upon. Players we’re bringing in can be picked to fit into that [creative] identity.”