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Archive DECEMBER 23, 2015

26 BIG Ideas

The city's leaders in health, science, politics, food, and culture share their game-changing ideas for San Diego in 2016.

26 BIG Ideas
Illustration by Andrew Wagner

San Diego stands on the brink of becoming a leader in genomics, bioethics, public transit, criminal justice, and so much more, improving our daily lives and pushing the boundaries of possibility. For our second annual feature on game-changing ideas, the most innovative thinkers tell us how they would make America’s Finest City a whole lot finer.


Let’s define a regional cuisine.

26 BIG Ideas

Trish in the garden

Cass Greene

Trish Watlington, Owner, The Red Door

“Because we have a year-round growing season and because it’s so easy to ship things in, we haven’t developed the kind of regional cuisine you’d find in European countries,” says Watlington, who co-owns The Red Door restaurant with her husband, Tom. “In the small regions of Europe, you start with what’s available and then you create a cuisine. We don’t do that in the U.S. It’s totally backwards.” Watlington works with local farmers to take advantage of native ingredients, including low-water crops and low-carbon-footprint animals like rabbits. The couple also owns a half-acre farm on Mount Helix that yields up to 7,000 pounds of produce, all used for their Mission Hills restaurant. Cultivating only what our surroundings can grow, she says, means supporting the local economy, eating more flavorful food, and developing a culinary identity anchored by seasonality. “True regional cuisines are made up of recipes that serve the environment and dishes that are byproducts of the primary goal, which is to protect the ecosystem for the long term,” she says. “And that cuisine should be driven by farmers, fishermen, conservationists, and environmentalists, not by the whims of a chef.”

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Let’s host more cross-border events.

26 BIG Ideas

26 BIG Ideas

Denice Garcia, Director of Binational, Affairs, Mayor’s Office 

“I’m a border child,” says the Tijuana-born Garcia. “My family did a constant back and forth and that seemed so normal.” An estimated 50,000 people cross the U.S.-Mexico border daily, making it the busiest port of entry in the Western Hemisphere. Garcia says, “It makes us extremely unique and it’s also a competitive advantage that doesn’t exist anywhere in the world.” Businesses can establish headquarters in San Diego while manufacturing products in Tijuana at a lower cost, with a more efficient supply chain. “You’re not going to manufacture in China to import it back to the U.S.” At the mayor’s office, Garcia is in charge of liaising between San Diego and Tijuana, Rosarito, Ensenada, Mexicali, and Tecate. Last year saw the first ever cross-border TEDx as well as a binational Maker Faire at Balboa Park. She would like to see more of these events, and at next year’s Maker Faire, she hopes to throw a spotlight on Baja’s culinary talents. “I consider myself a border groupie,” Garcia laughs. “I think it’s cool that you can go back and forth.” ¡Bienvenidos!

 

Let’s sequence the genome of every child who needs it. 

26 BIG Ideas

26 BIG Ideas

Dr. Stephen Kingsmore, President and CEO, Rady Pediatric Genomics and Systems Medicine Institute at Rady Children’s Hospital

When a baby is in the NICU, doctors are often treating the symptoms without a diagnosis. If a doc misses the diagnosis in the first week, the consequences could be deadly. Enter Dr. Kingsmore, who came to San Diego in September from Kansas City, where he had been experimenting with genomic sequencing at Children’s Mercy Hospital. Given the nearly 8,000 genetic diseases caused by mutations, Kingsmore sought to make genomic sequencing the standard way of identifying a genetic disease. But testing a child and their parents costs about $22,000. So he spent a year talking to universities and hospitals all around the country, until finally landing at Rady Children’s, where Ernest Rady and his family donated $120 million to establish the institute. By March, the hospital will be sequencing the genome of every child in the NICU and PICU whose condition calls for it. That means receiving a molecular diagnosis in less than a week, sometimes as soon as two days. “Each day of life is not for certain,” Kingsmore says of these babies. “Mortality is high. And complications can be long-term. Every day we can shave off the process is very meaningful.” The project will start in the NICU and PICU, where it’s most urgently needed, but even now Kingsmore’s team is developing strategies for other areas, such as autism and brain cancer.

It will take a decade, but Kingsmore plans to put genomic sequencing into the hands of every child in San Diego who needs it. He is working on the technology with local biotech company Illumina to make the testing faster and cheaper. “Illumina is a big part of the reason I came here. I’ve been working with Illumina for a decade and I knew they were keen to make it happen. Genome sequencing was kind of invented in San Diego. We’re in a position where we can become the world leader,” Kingsmore says. “In a few years, people will fly to San Diego [for treatment] if their child has a genetic disease.”

 

Let’s build a smarter city infrastructure.

26 BIG Ideas

26 BIG Ideas

Kiva Allgood, Vice President of Business Development, Qualcomm

On the Qualcomm campus in Sorrento Valley, you’ll find smart trash cans equipped with garbage compactors as well as detectors that alert maintenance workers—via smartphone app—when the containers are full and need to be picked up. And they determine the worker’s route using real-time data, in order to save time, labor, and gas. The Qualcomm buildings, too, are optimized with wireless products to show where electricity is being used. “We’re trying to live through example,” Allgood says. The campus is also a great lab for testing these ideas before taking them to the real world. Using information, communication, and intelligent connectivity, her department is solving city problems in infrastructure, transportation, building and automation, and energy. That can mean making a single-purpose lamppost multipurpose—it not only lights the sidewalk but is equipped with parking sensors; gunfire, earthquake, and pollution detectors; cellular and Wi-Fi relays; and more. That same concept could also apply to a park bench, trash can, or any type of city fixture. “There is a strong correlation between how the better infrastructure becomes, the better a person’s overall welfare is.” Qualcomm is working with local universities, the mayor’s office, and San Diego planning departments to develop that sort of thoughtful infrastructure. It gives new meaning to the term “street smarts.”

 

Let’s become a major voice on ethical science.

26 BIG Ideas

26 BIG Ideas

Craig Callender, Chair of Philosophy, UC San Diego

Designer babies, driverless cars, and modified mosquitoes—innovations may be boundary-pushing, but the moral quandaries these advances create are raising plenty of controversy. That’s why Dr. Callender, who is launching UC San Diego’s new bioethics minor this month, has big plans to establish the Institute for Practical Ethics.

At the institute, research would identify costs and benefits and, in some cases, influence policy and legislation. “Sometimes the results of research are indirect. Yet ideas have power. Look at the spread of informed consent forms throughout medicine. That idea went from the ivory tower to the hospital wards in my lifetime,” he says. “Scientists, like the rest of us, are well-meaning people and also fear these irresponsible interventions. So perhaps the bigger worry is that not knowing what’s responsible leads to paralysis. The idea is not to slow down science, but rather to figure out what’s responsible, so that we can progress.”

 

Let’s build a design exhibit space in SD.

26 BIG Ideas

26 BIG Ideas

AndreaRaffin

Elena Pacenti, Director, Domus Academy School of Design at NSAD

Coming from Milan, Pacenti has a unique perspective on San Diego. “I see an opportunity to reinforce the importance of design as a promoter of innovation and as a connector between technology, human beings, business, and society.” She would like to see a design exhibit space that would display items like the next GoPro, the next wearable device for preventive health, the next sustainable prefab house, or the next Car2Go. “San Diego is ripe to become part of the international design scene and conversation, but it has to give visibility to local innovations and be exposed to innovation worldwide.” She envisions design awards, satellite event series, and other programming inspired by Design Week in Milan. “The goal would be to show how design can truly innovate the way we live.”

 

Let’s make rugby the new NFL.

26 BIG Ideas

26 BIG Ideas

Tracy Lamb, Director, Chula Vista Olympic Training Center

Why should the Chargers get all the attention? “Let’s get more people interested in archery, BMX, and rugby,” says Lamb, who notes that right in our own backyard, Olympic hopefuls are training for the Rio 2016 games. Rugby, especially, is having a moment. “It’s one of the fastest-growing sports in the United States. Both the men’s and women’s sevens national teams are based in Chula Vista and will make their Olympic debut this year.” While most rugby games are played internationally, you can check out local rugby clubs like the Old Aztecs, Old Mission Beach Athletic Club, and San Diego Surfers Women’s Rugby. That is, until the sport grows more visible. USA Rugby and World Rugby just announced that a pro rugby league similar to MLS and the NHL will launch in 2016. Beyond rugby, you can watch important meets at the Chula Vista Olympic Training Center this year: The second round of the U.S. Archery Team Olympic trials will be held April 17–22; the U.S. BMX Team Olympic trials are scheduled for June 11–12.

 

Let’s build a downtown for North County.

26 BIG Ideas

26 BIG Ideas

Gary Levitt, Developer, Urban Villages

The planners are calling it North City and likening it to a college town. South of Highway 78 and north of Cal State San Marcos lies space for a 204-acre mixed-use development, with a pedestrian bridge linking to the college. This city will have housing, retail, restaurants, offices, entertainment, and a hotel designed by architects Taal Safdie and Ricardo Rabines (the brains behind Harbor Drive Pedestrian Bridge and Scripps Seaside Forum). The Quad, a student housing building, has already opened and won a 2015 Orchid Award for Architecture. Next up? A mixed-use building with 197 market-rate units above retail and restaurant spaces that will open to an outdoor plaza. “Central to this concept is the need to achieve land use intensities that support smart growth and utilize available mass transit,” Levitt says. The community is highly walkable and also strings together two stations on the Sprinter light rail line. To put the size of North City’s 204 acres in perspective, Carmel Valley’s polarizing One Paseo is 23 acres—a mere shopping plaza by comparison. And the idea of having two downtowns is nothing new—L.A. has a downtown by USC and high-rises in Westwood near UCLA. Hey, if North City provides housing and improves our commute, our only question is: When can we move in?

 

Let’s make San Diego a breeding ground for billion-dollar companies.

26 BIG Ideas

26 BIG Ideas

Greg McKee, CEO, Connect

McKee says San Diego’s vertical industries like agricultural tech, microbiome, genomics, and digital health are popping up quickly, and we should capitalize. “We need to get real and step up our game around how we innovate. We need to be faster and a lot more global,” urges McKee, whose company connects entrepreneurs and CEOs with great talent, capital, and technology. His startup accelerator, Connect, is developing a platform that will track emerging technologies and match teams with capital providers. This past summer the company opened its new Innovation Clubhouse, in University City, where people can meet about ideas as well as sit and work for free. “We don’t ask people to pay. We ask them to pay it forward if they’re successful.” San Diego’s billion-dollar success stories already include Illumina, Ballast Point, and Qualcomm. McKee would like to see the city build ten more billion-dollar companies in the next decade. “Enterprises of this magnitude bring economic vitality, jobs, tax revenues, international recognition and sophistication, and—perhaps most importantly—critical mass. Naturally, highly successful entrepreneurs want to be around other successful entrepreneurs, so the more successful companies we can create, the stronger the gravitational pull to San Diego becomes.”

 

Let’s develop an arts district downtown.

26 BIG Ideas

26 BIG Ideas

Sam Hodgson

David Bennett, General Director, San Diego Opera

New Yorkers love their neighborhoods, and East Coast transplant David Bennett is no exception. The new general director of the opera has been studying San Diego since he arrived last summer and has found that while places like the Gaslamp, East Village, and Little Italy seem to have their own identities, our city lacks an arts district. “The institutions are in place, so why not focus on the strength of what we already have?” To wit: You can walk from the Jacobs Music Center to the Lyceum and Balboa theaters, Spreckels, the Civic, and even MCASD. Bennett adds that the closed rock venue 4th and B would make “a perfect black box theater,” if only the right people would step up. “The arts district would have its own energy. Arts should be what gives this zone its sense of identity, and a developer should build on that.” He pictures retail and restaurants in the first floors of the bank buildings, so that people coming to the theater don’t necessarily have to dine in the Gaslamp. “If you exit the Civic after a show, you’re in a plaza, and if you squint your eyes you can almost imagine you’re in an Italian piazza—but then you open your eyes. It wants to be developed.” Bennett also points out that “traffic is an issue in San Diego County… We have to be mindful and reach audiences where they are in addition to where art is being made.” He has his eye on North County performing arts centers, plus outdoor venues and nontraditional performance spaces. (Bennett once produced an opera in a New York planetarium.) Opera: coming to a theater, warehouse—and possibly our very own version of Times Square—near you.

 

Let’s teach every kid in San Diego County how to swim. 

26 BIG Ideas

26 BIG Ideas

Michael Brunker, Executive Director, Jackie Robinson Family YMCA

There are only three public pools in the Southeastern San Diego community, including the Jackie Robinson Family YMCA where Brunker works. Within its service area, an estimated three-quarters of children ages 5–12 have never taken swimming lessons. “At a time when our kids see loss of life in so many venues, learning how to swim teaches children the value of life—starting with their own,” says Brunker. More pools are needed, as well as more swim instructors, more days and hours of operation, and a way to get the kids to the lessons. “Plus,” says Brunker, “the fear factor of parents who cannot swim themselves.” The San Diego Junior Lifeguard Foundation works with the region’s YMCAs to help fill this gap with its Waterproofing San Diego initiative, running a Junior Guards program, parent-child swim lessons, and more. But statistics show it’s still not enough. “Especially for a coastal region, it’s time to ensure that every child learns how to swim and develops a healthy respect for the water.”

 

Let’s streamline our response to natural disasters.

26 BIG Ideas

26 BIG Ideas

Jo Ann Lane, Co-director, USC Center for Systems and Software Engineering

Floods, fires, earthquakes, tsunamis… Mother Nature could strike here at any moment. When San Diego native Jo Ann Lane was getting her PhD at USC, she studied historical crises like these—and the oftentimes lagged and insufficient responses that followed. With focus, she says, we could prepare better. Lane envisions adaptable and flexible systems, like a network of smart roads to change the direction of traffic flow in case of evacuation. And we should be able to reroute resources—divert water that is flooding, or restore power in areas where it is lost. “El Niño is the potential issue that’s on our doorstep.” She cautions that we will probably struggle with poor drainage, overloaded sewers, and other infrastructure in flood-prone areas. “When systems like that break down, it can affect water supply, our health, and more.” One of Lane’s research areas is “systems of systems,” or how we look at groups of individual systems, whether they’re electronic or bureaucratic. The key is communication and interoperability between agencies so we don’t rely on just one source, which could get overwhelmed and shut down. She recommends studying past mistakes. Looking at how we’ve responded to wildfires, she believes we should use the military sooner. “The marines were sitting there. They wanted to go fight but they weren’t allowed, because it was political.” One system needs to work with another, she says, and we need to improve our “situational awareness”—understanding what is happening and when. Only then we will be a Smart City.

 

Let’s reduce greenhouse gases by going zero waste.

26 BIG Ideas

26 BIG Ideas

Rick Anthony, President, Zero Waste International Alliance

The top three sources of greenhouse gases in the city and county are traffic, farming, and landfills. While lifestyle solutions like carpooling and eating less meat can help with the first two issues, landfills are an increasingly problematic issue. But there’s a plan in place to fix that—so long as San Diegans do their part. Last July, the city approved a zero waste initiative that would first divert up to 75 percent of waste by 2020 and eliminate it by 2040. “In our affluence, we’re not paying attention to what we’re doing to the environment,” Anthony says. “If we don’t, we’re going to lose 10 feet of coastline. What does that mean to Ocean Beach or Pacific Beach or Baja?” While a lack of accessible composting is one of the region’s biggest impediments—Anthony says we’ll see more resources over the next five years thanks to state mandates—it also boils down to smarter consumer decisions now. “Watch what you buy and make sure what you have is recyclable and compostable. If you’re a single family resident, make soil for your garden with compost. It’s more cost effective, and it’s better for quality of life.”

 

Let’s build a bay-to-park skyway.

26 BIG Ideas

26 BIG Ideas

Ron Roberts, San Diego County Supervisor

Most people have heard of Roberts’s passion for adding aerial gondolas to our growing mass transit system, and now, thanks to a vote for an initial engineering study, the bay-to-park skyway is starting to take off. The first line would be a two-mile stretch up Sixth Avenue from the 12th & Imperial trolley station to Spreckles Organ Pavilion in Balboa Park. Think of moving not just the occasional cyclist, but all the crowds during December Nights and Comic-Con. “What’s not to love about a project that can fly a busload of people per minute, be powered by a 500-horsepower electric engine, pay for its operations with fares, and be fun for transit riders?” asks Roberts. The county supervisor has been enamored with aerial gondolas ever since he rode the zoo’s Skyfari in 1969, when it opened. In 2006, he was equally impressed when he rode a cable car line in Singapore that passed through the top floor of a high-rise. “Once San Diegans use this, I think they’ll find places to add more, as will other cities now considering skyways.” In fact, a federal or state grant may help fund the $75-million skyway, in the interest of beta testing it for other cities. San Diego seems to be an ideal place for a gondola network, given our unique topography. Where a trolley can’t climb a hill or descend a canyon, the gondola flies right over. Roberts envisions a system that connects our trolley, Coaster, and Sprinter stations, alleviating some of the tourist and commuter traffic into places like Pacific Beach or Sorrento Valley.

 

Let’s use data to cure San Diego’s social ills.

26 BIG Ideas

26 BIG Ideas

Kevin Crawford, CEO, United Way

The nonprofit world has long been missing the mark with redundancies and overlapping services. For instance, a mom might be given clothes when her child needs food and health care instead. “With the old model, a lot of good work was done but not in a coordinated fashion,” says Crawford. But United Way is changing all that. In City Heights, the organization collaborates with the Hoover Cluster of schools, which tracks and shares attendance records and reading scores. After identifying kids who are frequently absent, United Way places social work and public health interns from SDSU and Point Loma Nazarene into the classroom, who in turn reach out to the kids’ families. The interns then refer those families to area nonprofit programs and services that specifically address the issues causing the absenteeism. “They’re not just passing along a phone number, but developing a relationship,” Crawford explains. Later, they follow up to see if attendance and scores have improved. “Before, a lot of the effort was motivated by the heart, and the measuring of success was not as critical. But we’re in a day and age where we need to be more shrewd about outcomes and the cost of those outcomes.” The San Diego County chapter is just one of nine that are incorporating what they call the “collective impact model,” aligning resources among universities, school districts, and nonprofits. Here’s to United Way helping us make a united effort.

 

Let’s put a farm in every community.

26 BIG Ideas

26 BIG Ideas

Daron Joffe, Director of Agricultural Innovation and Development, The Leichtag Foundation

When Joffe dropped out of the University of Wisconsin–Madison to buy a 175-acre farm, he got another education altogether. While he was successful in turning the land into a community-supported farm, he was living and working two hours from the nearest place where he could sell the produce and have a social life. That’s when Joffe, also known as “Farmer D,” quit and began consulting on community farms and agrihoods—housing developments built around crops instead of a golf course or pool. Joffe believes agriculture shouldn’t have to compete with urban sprawl. “There is still time to shift the paradigm to a symbiotic relationship where the land, people, and business all win,” he says. “Growing food closer to where people live helps to reduce its carbon footprint and increase freshness and nutrition, while connecting people to where their food comes from.” A community farm, he reminds us, can take root anywhere—rooftops, prisons, schools, corporate campuses, military bases, and hospitals. It provides education, a social platform, and more. In 2012, the Leichtag Foundation purchased the Ecke Ranch in Encinitas, a 67.5-acre, independently run, nonprofit community farm. About a dozen farmers live on site. “We’re creating a community farm in a really large neighborhood—the City of Encinitas—to engage community in the same way you would if you were designing an agrihood. It’s a somewhat reverse approach. We’re kind of retrofitting and preserving the presence of farmland in the area.”

 

Let’s get next-gen technology in the hands of the next generation.

26 BIG Ideas

26 BIG Ideas

Katherine Stuart Faulconer, Honorary Chair, One San Diego

“Imagine showing up to work and your computer has vanished. Your boss expects you to complete your assignments, but without an Internet connection you’re going to fall behind,” says Faulconer, wife of Mayor Kevin Faulconer. “This is the reality for many San Diego children in struggling communities who don’t have the technology at home they need to do homework and keep up in class.” Faulconer wants to fix that. In its first year of operation, the nonprofit One San Diego provided more than 100 laptops for kids to use in libraries in Logan Heights, Southeastern San Diego, San Ysidro, and Linda Vista, courtesy of local organizations and businesses like the San Diego Library Foundation, Cox Communications, Wal-Mart, and Hewlett-Packard. “Imagine a city where everyone has the opportunity to succeed, no matter which neighborhood they call home.”

 

Let’s reuse every cardboard box.

26 BIG Ideas

26 BIG Ideas

Eaman Talai, Founder and CEO, BoxedGreen

Given our transient population—Veterans! Students! Beach-loving nomads!—it’s no surprise that every year roughly half a million people in the county move. But that also means more than 12 million boxes are needed annually to accommodate those moves. Add to that the millions of boxes that stores and companies go through, and that’s a lot of cardboard waste. Though most gets recycled, local startup BoxedGreen is shifting people’s habits toward reusing before they recycle. “Recycling a cardboard box takes 70 percent of the energy needed to create a new box,” says Talai. “People sometimes forget about the ‘reuse’ in ‘reduce, reuse, recycle,’ but most boxes can be reused up to three more times.” His company’s website connects people who are moving with stores that have gently-used cardboard boxes. Customers buy the boxes, starting at $1 per box, and pick them up at retail stores and storage facilities in San Diego. Talai, who plans to expand to North County, got the idea after seeing stacks of perfectly usable cardboard at a neighborhood store. “It’s easy, good for the environment, and saves you money. No-brainer,” he explains. “We need to get to a point where anytime we discard something, we ask ourselves, ‘Can someone else reuse this?’ One man’s trash can really be another man’s treasure.”

 

Let’s encourage more women to become entrepreneurs.

26 BIG Ideas

26 BIG Ideas

Lada Rasochova, Director, mystartupXX accelerator program at UCSD

​Why aren’t there more female entrepreneurs in San Diego? Rasochova says she constantly meets women who don’t think their ideas are ready. “They typically do not want to participate in startup competitions, apply for various accelerator programs, or pitch to potential investors,” she says. “They think they need to work on their startup more before they are ready and before they can be competitive. Because of that, they miss opportunities.” In 2012, Rasochova co-founded mystartupXX (“XX” as in the female chromosome) to build confidence in female entrepreneurs. At their space in UCSD’s Rady School of Management, mystartupXX holds biweekly workshops where guest speakers help teams with all aspects of building a startup, such as legal, accounting, human resources, and IT. They also host “mentor mixers,” sponsor pitch competitions and conferences, and connect entrepreneurs with potential investors. “An important part of mystartupXX accelerator is creating a community of female startup founders so they can support each other.” Rasochova and her cohorts are succeeding in their mission. Case in point: the annual UCSD startup competition, E-Challenge. “Typically, women don’t participate and the finalists are very often 100 percent males. This year, for the first time in E-Challenge history the gender ratio was 50:50, with two female-led teams from mystartupXX competing in tech track finals out of four finalists.” Now that’s a ratio we can get behind. 

 

Let’s banish stereotypes of Latinos in American pop culture.

26 BIG Ideas

26 BIG Ideas

William Anthony Nericcio, Director, SDSU’s Master of Arts in Liberal Arts and Sciences program 

In 2007, Dr. Nericcio published a well-received book called Tex[t]-Mex: Seductive Hallucinations of the “Mexican” in America, which later led to an art exhibit featuring many of the artifacts—such as stereotypical magazines and advertisements—that appeared in his book. Two years ago, a producer from Mexico City and another from Madrid approached him to ask if he’d ever considered doing an Anthony Bourdain–style TV show. They got a $750,000 deal from a Mexican production company and began filming Mextasy in San Diego, Los Angeles, and Mexico, with Nericcio as head writer and host. “If you see Latinos on TV, they’re crooked or naked or both,” he says. “My show is the flip side. It’s about all the smart people, the artists, the intellectuals, the restaurateurs—my friends and the people in my network. I never see these people on TV.” With several episodes in the can, he has been trying to sell Mextasy for a year. “The Mexican cable networks said it was too American, and the American cable networks said it was too Mexican.” It was recently screened alongside Bordertown, Fox’s new “Simpsons meets San Ysidro” animated series. But as for distribution, it’s hard to say what the future holds. “Mextasy is the greatest unsold project that’s ever been made.” We’re looking at you, Netflix and Amazon!

 

Let’s require San Diego’s athletic trainers to get certified before working with our kids. 

26 BIG Ideas

26 BIG Ideas

Christina Scherr, Region 6 Director, California Athletic Trainers’ Association

If your son or daughter is a student athlete, heads up: California is the only U.S. state that does not require athletic trainers to have certification. Scherr and her organization recently tried to pass a bill that would require trainers to take a “rigorous national certification exam” and earn a bachelor’s degree from an accredited university program. “Despite unanimous, bipartisan approval in the state legislature,” she says, “the bill was vetoed by Governor Jerry Brown this past September.” Thankfully, more than 70 percent of the country’s certified trainers have at least a master’s degree—and by the year 2022, it will be a requirement. But in the meantime, ATs are providing emergency care and rehab in our schools, among other services, and their expertise is critical. It’s not just footballers who are at risk for injury. According to the American Journal of Sports Medicine, football results in the most concussions, followed by soccer and lacrosse. Student athletes are also in danger of spine, growth plate, and overuse injuries, as well as sudden cardiac arrest. What’s a parent to do? Scherr, who is the only trainer serving all 23 of Torrey Pines High School’s sports teams, advises: “Verify if your high school’s athletic trainer is actually certified by searching his or her name on bocatc.org. If the person is not a certified athletic trainer, contact your school district and ask why they haven’t made student athlete safety a priority.”

 

Let’s apply our beach density to places beyond the beach.

26 BIG Ideas

26 BIG Ideas

Howard M. Blackson III, Urban Designer, Michael Baker International

“The San Francisco Bay Area’s housing disaster tells us that our housing crisis will only get worse,” warns Blackson, “and doing nothing is not an option.” He proposes modeling our neighborhoods after San Diego’s beach areas, where “mixed-use walkable urbanism” rules the scene. “Our beach density model is essentially a residence or shop with three to five units that are no more than two or three stories on each lot.” This kind of development would support public transportation and small businesses “without dramatically altering our city’s character.” It would also instill a healthy, pedestrian-friendly lifestyle, and bolster local developers. Existing urbanized areas such as Southeastern San Diego, Golden Hill, and South Park are perfect candidates, as well as Bay Park, City Heights, and neighborhoods along our major corridors like El Cajon Boulevard and University Avenue. Unfortunately, there’s a fear of change. “‘Density’ is a polarizing term that eventually turns either to demands for no new growth or to building tall towers,” Blackson says. “Our home values are a major part of our personal wealth. Therefore, we are leery of any change that may affect any of that value. That’s why using a local model makes sense—as opposed to an imported Portland or Vancouver model.”

 

Let’s develop a model criminal justice system.

26 BIG Ideas

26 BIG Ideas

Justin Brooks, Director, California Innocence Project at California Western School of Law

When an innocent person goes to prison, the cost is high—not just to the accused, but to all taxpayers. Take into account the time spent by police pursuing a case, the use of prosecutors and defense attorneys (whom are paid by the county), and the expense of keeping the wrong person incarcerated. “All while the guilty person is walking the streets committing more crimes,” says Brooks. Since 1989, 1,702 wrongful convictions have been documented in the U.S., and according to Brooks, whose organization has exonerated 19 San Diegans so far, at least 6,000 of California’s 150,000 inmates shouldn’t even be in custody (most recently including Luis Vargas, who spent 16 years doing time for three sexual assaults that—according to new DNA evidence—were actually committed by the “Teardrop Rapist,” who is still at large).

“The leading causes of wrongful convictions are witness misidentification, false witness testimony, false confessions, bad police work, and bad lawyering,” Brooks explains. He’d like to probe deeper and do the kind of investigating that happens after a plane crash. “Law enforcement, prosecutors, and defense attorneys should come together and study the cases where people were wrongfully convicted.” San Diego is in a good position to set an example. “We already have a great public defender’s office and prosecutor’s office. The D.A. cooperates on exonerations in ways very few others do in the U.S. Our chief of police is open to reform. We now have body cameras and a low crime rate.” But to raise the bar, we should perform identification procedures based on the latest science. We should record all interrogations and use best practices to lessen the likelihood of false confession, throw out unreliable informant testimony, hire independent labs rather than police crime labs, and provide full discovery and maximum transparency in every case. How to fund these extra steps? He says we could stop pursuing costly death penalty cases, and use those resources to investigate uncharged rape and murder cases. To get the ball rolling, firsthand experience would be a great motivator for change. “I’d like to see every police officer, prosecutor, defense attorney, and judge spend one day in jail, so they have at least the slightest idea what people go through when the system gets it wrong.”

 

Let’s raise the next generation of groundbreaking scientists. 

26 BIG Ideas

26 BIG Ideas

Ellen Potter, Director of Educational Outreach, Salk Institute for Biological Studies

The Salk Institute is best known for its groundbreaking scientific research, but few know the prestigious organization has been bringing science to the masses for decades. Dr. Potter’s department runs several programs that expose kids to genetics and biotechnology, subjects San Diego schoolteachers have requested because they lack experience with them. One such program is a mobile science lab that travels to middle schools and provides a three-day curriculum. “We’re not teaching content as much as awareness,” says Potter, who’s met kids in San Ysidro who have no concept of where La Jolla is, nor any clue about the breakthrough science being done on the mesa. “We want to show them that this work is fun and you can have a career and it’s close to home,” she says. “We want them to look at science as something they can understand. That’s our real mission.” Salk recently invited 300 girls from the San Diego Unified School District for a Women in Biotech presentation. And this year, Salk will begin SciChats—Skype tours and talks between researchers and students—as well as video curriculum for teachers. Sounds like science just got a lot cooler.

 

Let’s make our neighborhoods about community and connection, not about isolation and consumerism.

26 BIG Ideas

26 BIG Ideas

© weheartphotography.com

Nathan Cadieux, Vice President, The Corky McMillin Companies

In 2016, Liberty Station is set to unveil a brand new look, particularly in its north end Arts District, with more pedestrian-friendly access and new boutiques and restaurants. The makeover will define Liberty Station as its own neighborhood and redefine what it means to be a community. “Our communities and shopping centers are very car-focused and consumerist. And technology means we’re hyperconnected but disconnected personally,” Cadieux says. “We’re creating a space that you can experience by foot, which is more intimate than driving around at 65 miles per hour from one place to the next. We’re pushing against societal laziness.” While Buona Forchetta, Liberty Public Market, and luxury cinema venue The Lot are set to open in the first quarter, the next phase of development will focus on utilizing even more outdoor space. That means less screen time, more sunshine.

 

Let’s make SDSU a top 50 public research university.

26 BIG Ideas

26 BIG Ideas

Lauren Radack

Elliot Hirshman, President, SDSU

Coming to the Aztec mesa in 2018: a $90-million, five-story, 85,000-square-foot Engineering and Interdisciplinary Sciences Complex. Bring on the engineers, biologists, climatologists, and entrepreneurs who will work together within its viromics, nanotechnology, and wireless technology labs; brain imaging center; and more. “It will provide unprecedented opportunities for our students, faculty, and staff to collaborate and learn at the cutting edge of discovery,” says Hirshman. It will stand next to the current engineering building with a quad in the middle, adding “a literal crossroads for our scientists, engineers, and entrepreneurs to gather, create, and innovate.” Go, Aztecs!

 

26 BIG Ideas

Illustration by Andrew Wagner

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Arts & Culture SEPTEMBER 4, 2026

What’s Next for Arts and Culture in San Diego?

Artists and advocates are building a more sustainable creative future through public funding, political organization, and cross-border collaboration

What’s Next for Arts and Culture in San Diego?
Photo Credit: Katie Gardner & Matt Furman

This is part of a three-part series. This is Act III. See Act I and Act II here.

The Future

We’ve been here before.

In 2012, city funding for the arts and culture in San Diego had eroded. As a corrective, the city council unanimously approved “Penny for the Arts”—a promise to dedicate roughly one penny of every dollar spent on hotel rooms (the Transient Occupancy Tax, or TOT).

The logic was fair and sound: Cultural institutions and events help attract visitors. Those visitors pay hotel taxes. So, the people agreed, some of that hotel-tax revenue should go back into maintaining the cultural ecosystem that helps bring those visitors and that money.

Projected as a five-year plan, the measure was supposed to increase funding to $17.9 million by 2017.

It never did. The penny was never guaranteed, so each year the city used part of it for other priorities. By 2023, the money going to arts and culture was up to about a half a penny. Even as TOT revenue has gone up significantly.

In 2019, TOT revenue was $245 million.

In 2025: $325 million.

One fix would be to guarantee the penny. Not simple, given San Diego’s financial woes. But the alternative—eroding the culture that makes San Diego San Diego, give it its identity—also doesn’t feel wise. Plus, even a locked percentage still rises and falls with tourism, which is why culture advocates want a guaranteed floor on top of it.

Another solution would be to give the arts commission actual authority.

“It’s an advisory body,” says arts commissioner Kamaal Martin. “You’d be hard-pressed to find anybody who takes our advice.”

Photo Credit: Katie Gardner & Matt Furman

He described the commissioners debating real, consequential questions this year, like whether and how to divide the cuts between funding pools. But those conversations “don’t connect to whoever’s actually deciding,” Martin says. “We haven’t been entrusted with decision-making about relevant things nearly enough.”

Christine Martinez is building political infrastructure through her organization Arts+Culture:San Diego—which is starting a 501(c)(4) lobbying structure not unlike police and fire unions. Martinez is also keeping her community actively engaged. “We won’t be caught off guard next year like we were this year,” she tells me.

Then there’s the evergreen issue of affordability and accessibility. Kiplinger’s most recent report ranks San Diego as the 11th most expensive city in the US, based on cost of living. The average home value is $980,700 (the US median is $540,000), but San Diego’s median household income is only one-third greater than the national level. Rent is also 66 percent higher than the national average ($2,716 vs. $1,636).

This is why San Diego has long suffered from the creative brain drain—creatives leaving for more affordable cities. “Artists are free to live wherever they want, and they will go where the rent is affordable,” says Jennifer de Poyen of Space 4 Art. “When they leave, they take their gifts with them, and their contributions, and their economic impact.”

One saving grace is the presence of Tijuana, where the cost of living is about 60 percent lower than San Diego, per Numbeo. Tijuana has long functioned as an affordable neighborhood for many in San Diego’s creative culture. It’s part of the reason why the binational identity is such a constant in our galleries, music, theater, murals, and culture. While that cross-border blood flow is one of San Diego’s most compelling attributes, few artists living that life would call it convenient or easy. A city is at a disadvantage when its culture creators have to cross a border to go home at night, and cross again the next morning to work.

In May, San Diego County Board of Supervisors approved a $2.75 million arts initiative of its own. It includes an Artist Space Grant Program aimed directly at the affordability crisis, as well as an artist-in-residence program, a dedicated Binational Creative Economy Investment, and a one-time investment in the Black Arts and Culture District in Encanto.

Bob Lehman of San Diego Art Matters has been doing county-level, binational organizing for years; in 2023, he helped get the county’s arts commission reestablished after 30 years of defunctness. That’s important because it gives arts and culture an official seat in county government, advising the County Board of Supervisors on arts and culture policy. He also brought in consultant Laura Zucker, who ran LA County’s arts program for three decades, to build a real regional plan.

“I really believe we’ll have something set up here that other communities come and look at,” he told me. “A national template other cities come to learn from.”

When asked who decides which artists will get the new grant money, county arts commissioner and executive director of the Chicano Park Museum and Cultural Center Monica Delgadillo Hernandez doesn’t hedge.

“That’s part of the infrastructure we’re going to be building,” she says. “What should a panel of reviewers look like? Should it be the commissioners? Should it be other folks? A supervisor?” She was just as candid that the commission itself doesn’t reflect San Diego’s population—Chicano communities are roughly a third of the city, she tells me, “and that’s not represented at the table yet.”

Photo Credit: Katie Gardner & Matt Furman

What Other Cities Prove Is Possible

The great news is that none of these solutions have to be invented from scratch. Numerous cities serve as examples of what’s possible—if we have the will.

Jonathon Glus—Prebys Foundation Senior Fellow for Art & Design, the Executive Director of the Art + Design District, and board president for California for the Arts—worked in Houston before coming to San Diego. The Texas city dedicates 74.5 percent of its hotel tax to arts grants by formula, and that support is guaranteed. Washington, DC locked in dedicated arts funding in 2019. Salt Lake City, my hometown, has run a voter-approved arts tax for almost 30 years, most recently reauthorized through 2034. And just this summer, New York City pushed cultural funding to a record $323.8 million, even incorporating an emergency fund.

Denver’s model is interesting because instead of a city-dependent funding model, theirs is a 0.1 percent regional sales tax. In place since 1988 and renewed by voters three times, their Scientific & Cultural Facilities District has distributed between $54 million and $85 million to arts, culture, and scientific orgs—each of the last 12 years.

This is part of a three-part series. This is Act III. See Act I and Act II here.

None of these cities got there by accident. They decided, on purpose, that arts and culture were worth protecting from politics—and, in some cases, worth building an entire identity around.

“That’s how Miami has flipped the switch,” says Glus. “People go to Miami for culture as much as they do the beach.”

San Diego has spent decades selling itself backward: Beach and weather first, culture as an afterthought you might stumble into. Glus would love to see the strategy flipped: Visitors should come for the art, “and then, by the way, you’re on the beach.”

Photo Credit: Katie Gardner & Matt Furman

So What Happens From Here?

“I do think it was a wake-up call for the community,” de Poyen says of the budget fight. “People understand that our funding is vulnerable. It was a lesson in how much power people have when they coalesce. But wow, is it painful.”

Glus says he’s genuinely optimistic. “The players have all changed seats, but the work is moving forward.”

“I believe optimism is a moral duty,” says Martin, who’s both power-fist and polite.

In eight months, there will be another budget fight. Everyone I talked to expects it will be worse. But something happened this spring that can’t be undone.

“I hope this rupture has brought us together in a moment of self-realization,” says Leticia Gomez Franco of the Balboa Art Conservation Center. “I hope we stop being so transactional; we begin to see ourselves and each other as partners in this work.”

That’s the whole ask, really. And it’s on all of us.

This is part of a three-part series. This is Act III. See Act I and Act II here.

A

About Aaryn Belfer

Aaryn Belfer is a writer and editor specializing in nonfiction across art, architecture, and culture. Once upon a time, she wrote a provocative column for San Diego CityBeat (RIP). She was a runner up in the 2025 Matchbook Stories contest at the San Diego Central Library and is irrationally happy about it. Currently in her Soft Girl Era, Aaryn has expensive taste in (mostly flat) shoes and will choose a great art exhibit or live jazz concert over almost anything else. Except, possibly, Javier Bardem.

Art Arts & Culture
Arts & Culture SEPTEMBER 4, 2026

How San Diego Became a City of Art and Culture

The history, communities, and creative movements behind a cultural scene that extends far beyond the city’s postcard image

How San Diego Became a City of Art and Culture
Photo Credit: Katie Gardner & Matt Furman

This is part of a three-part series. This is Act II. See Act I and Act III here.

Without concrete, wildflowers are just weeds. Any honest history of San Diego art and culture is tension and its reckonings. It begins before the name existed, with the Kumeyaay. It must pass through the Panama-California Exposition, one hell of a county fair that conjured Balboa Park as our grand cultural stage. It pays tribute to the lights of La Jolla, where the donor pool helped realize unrealizable things. It should mention names like Marston, Scripps, Ochoa, DeWitt, Lopez, Klauber, Baldessari, Torres… so many.

In short spaces like this, long histories like that become roll calls. So this is more of a walk through pressure points, notes on recurring forces and regional oddities.

Border life is key to understanding the here of here. Art without dialogue is just decoration. At its best, that dialogue should be a tad muddy, emotionally gassed. In other words, it should be in need of art—to widen perspective, parse meaning, see the unseen.

San Diego’s central dialogue—the magic and the stressor—is being flatmates with Mexico’s second-largest city by population. That makes San Diego a swing-gate of shared and vastly different perspectives, both its own place and something larger. And in no other major city in the US do the fresh flow of ideas from two countries—different governments, laws, mores, expressions, arts, cultures, traditions, economies, loves, and resentments—mingle at such a constant daily rate (due respect to El Paso).

That binational steam created Chicano Park, one of the most uniquely San Diegan contributions to national and international culture. When construction of the I-5 and Coronado Bridge divided Logan Heights, neighbors protested by transmuting prejudicial concrete into redwoods of Chicano art. Turning a civic wound into a beautiful and enduring landmark that expressed and preserved a core identity—like East Side Gallery in Berlin or Constitution Hill in Johannesburg—is damn near the core of what art is supposed to do.

Like any city, the underground-overground friction is crucial in San Diego. Our culture is headlined by institutions that lift creative work onto national and international stages: MCASD, The Nat, SDMA, Centro Cultural de la Raza, the Symphony, WorldBeat Center, The Old Globe, La Jolla Playhouse, Mingei, Museum of Us, Stuart Collection, Timken, ICA, Comic-Con, etc. The next mutations grow in the seams: street murals, music dives, tattoo shops, wheatpasted walls, graffiti, lowriders, surf and skate art (though in San Diego, this is mainstream), pop-up shows, backyard shows, beach raves, any place with room for people and a loose relationship with regulations.

Photo Credit: Katie Gardner & Matt Furman

Both art and culture get their power from power. They’re fundamentally a conversation with and retort against dominant structures. San Diego’s most pervasive structure is arguably the most rigid form: the military. Its presence is heavy in the southern tip (Border Patrol), the middle (Navy and MCAS Miramar), and northern edge (Camp Pendleton). The military is San Diego’s largest employer, by a long shot.

Within this plus-sized environment of order and hierarchy, it’s understandable that Shepard Fairey’s “OBEY” posters in the late ’90s struck such a potent chord. The most compelling punk rock is often outside a strong governor’s window. (The “OBEY” series featured an ominous, propaganda-style André the Giant wheatpasted on random ugly surfaces across San Diego—launching Fairey’s style that he eventually used for Obama’s “HOPE” poster.)

Armed forces are often viewed as the absence of creative culture—understandably so, since rogue individual expression feels like a pretty sure way to sink a war effort.

But in San Diego, the Navy’s unsuspecting role as art creator—directly or indirectly—is hard to ignore. Tattoos are a dawn-of-time practice of many early cultures, including the Kumeyaay. But Polynesia was a core realm. Sailors were exposed to it on deployment in the Pacific Rim, inking their arms with the names of loved ones and unit insignia. Back in San Diego, they’d flaunt those tats in the beaches and bars of Mission Beach or PB (Marines did the same in Oceanside.) Enlistees were the muscular flesh galleries that helped turn skin art into one of the city’s most widespread modern art forms.

During WWII, the military also trained huge legions of San Diego laborers how to build war machines. Those mechanics, engineers, machinists, welders, painters, and metal fabricators used those skills for creative good in their neighborhoods—especially in custom car culture, which took off in the post-war ’50s and ’60s. Mexican-American vets helped develop the lowrider scene, a deeply rooted part of San Diego creative expression. Galleries on slow-moving wheels.

Tourism is the other mainstream force ripe for creating against. It is both critical to San Diego’s economy, and one of the greatest barriers to deeper, more nuanced expressions of what and who San Diego is. The industry of selling our city to passers-through creates a gigantic tarp of cultural tropes. It reinforces the most obvious charms—cute zoo animal takes in an epic sunset with a giant margarita—and doesn’t yield much airspace to the thrilling micro-cultures that live and breathe where locals live and breathe. Nothing against watercolors of dolphins, but much against the hegemony of watercolors of dolphins.

Maybe because of these dominant forces, San Diegans especially tend to force underground and institutional art into a needless cage match. It’s human instinct to champion the underdog as more worthy, but that has always felt like a form of articide.

Photo Credit: Katie Gardner & Matt Furman

It’s like saying the only good food is made by gritty upstarts who crafted their own whisks from discarded shopping carts. Most of those plucky whisk-makers would love to eventually be paid properly, would love a stage, a grant, a building, a donor, a lighting rig, health insurance, maybe even one chair that doesn’t threaten the spine.

That’s what the major institutions do. Both stages—the duct-taped and the donored—serve vital roles and deserve commensurate support if we care about the entire lifespan of creative expression and not just its first exciting steps. Championing the starving artist exclusively just secures an enduring poverty for the creative class at large.

I’ve often theorized it’s harder to create great art and culture in cities like San Diego, where the climate is supernaturally pleasant. In colder/hotter/rainier/less beautiful cities, people are forced indoors to fabricate their own beauty (the grunge music of Seattle, the obscene creative output of Reykjavík). San Diego’s eternally mild sunshine tends to make the human body our art medium of choice. But scratch the surface of that surf poster (and I’ve only scratched a miniscule percent here), and this city’s far from the cultural shallows it gets accused of being.

Addendum: A Personal Agenda. In scouting the route of art and culture across San Diego county through history, two areas come up again and again: La Jolla and Barrio Logan. So I propose a collaboration between two icons of artful concrete—Chicano Park and Salk Institute (one of the world’s great examples of brutalism architecture). Let Barrio Logan’s muralists go nuts on that coastal science fortress, unite the realms for a moment in time.

This is part of a three-part series. This is Act II. See Act I and Act III here.

Troy Johnson

About Troy Johnson

Troy Johnson is the magazine’s award-winning food writer and humorist, and a long-standing expert on Food Network. His work has been featured on NatGeo, Travel Channel, NPR, and in Food Matters, a textbook of the best American food writing.

Arts & Culture SEPTEMBER 4, 2026

San Diego Restored Arts Funding—But the Crisis Isn’t Over

The city’s cultural sector regained millions after a proposed 85 percent cut, yet nonprofits, youth programs and major institutions still face painful losses

San Diego Restored Arts Funding—But the Crisis Isn’t Over
Photo Credit: Katie Gardner & Matt Furman

This is part of a three-part series. This is Act I. See Act II and Act III here.

Every spring, Christine Martinez reaches out to the arts community to explain what’s on the line, hoping they’ll engage with the city’s budget process. Cultural funding, she constantly reminds, is almost always strapped to the guillotine. Especially in a city strapped for cash.

“It’s not an easy ask,” says Martinez, manager of Arts+Culture:San Diego. “Showing up is a real cost for small, volunteer-run groups that can’t spare half a day at City Council without possibly having to close their doors.”

Then, last April—with one day’s notice to arts leaders—Mayor Todd Gloria proposed a budget that didn’t trim arts funding; it eviscerated it, from $13.8 million to $2 million. An 85 percent slash. Other city departments faced cuts of about 7 percent.

The scheduled date of the cuts was just three months away (beginning of the fiscal year). Organizational leaders have to plan months if not years ahead to run their organizations. They had made hires, dedicated spending, and programmed their seasons based on a reasonable expectation that support for the arts would be somewhat in line with previous years. (The City has allotted at least $7 million a year to arts every year for the last 20 years, and the last four years have ranged between $13.8 and $18.2 million.)

The day felt even more existential given the national and international climate around the arts: namely, the federal government’s repeated proposal to eliminate the country’s two biggest cultural foundations (NEA and NEH), and the global trend of AI replacing more costly human creatives.

“It shocked everybody,” says Kamaal Martin, arts commissioner and co-founder of Art Power Equity. “If the message had been, ‘Times are tough, everybody tighten their belts a little,’ it would have landed differently. But there was no vision offered for the future, no parity in the cut. It was just, essentially, ‘Fuck you.’”

Among things I’m good at—sleeping late, low bidding for expensive shoes on Poshmark, parallel parking on either side of the street—budget analysis isn’t among them. In trying to understand how bad the finances were for San Diego to propose this drastic cut, I found myself drowning in numbers, pie charts, and politi-speak.

In his April 27 newsletter, Gloria explained that balancing the budget means “asking hard questions about every single dollar this city spends: Is this a core responsibility of city government, or is it something we do when we can afford to?”

Fair enough—if he were to ask those hard questions about every single dollar this city spends. It also makes his conclusion clear: The City of San Diego does not view supporting arts and culture as a core responsibility.

Which begs more than a few questions: Should the City be responsible? If not, then who? How crucial are arts and culture to a city? And since this is a budget discussion, how much revenue does the arts and culture industry generate for San Diego? What’s the ROI?

Photo Credit: Katie Gardner & Matt Furman

The Impact of Arts & Culture

$1.2 billion.

That’s how much economic activity San Diego’s arts and culture nonprofits generated in 2022, according to the City’s latest Arts & Economic Prosperity 6 report. The industry created nearly 17,000 jobs and generated $878 million of personal income for local residents. About 15 percent of the people showing up to arts events in San Diego are tourists, so money was raised through TOT (Transit Occupancy Tax). The activity generated $275.7 million in tax revenue to the city.

In other words, the ROI seems to be ROI-ing.

Still, there have been signs that cuts were coming. In 2025, the City demoted the Department of Cultural Affairs to a division, folding it into the Economic Development Department (EDD). That meant Cultural Affairs no longer had independence, nor its own leader sitting at the same organizational level as departments like parks and recreation, library, police, and fire. It lost institutional leverage and would now have to compete with other EDD priorities—real estate, airport operations, business development, etc.—for budget allocation.

To be clear, few arts administrators and leaders I spoke with are interested in the either/or false choice of funding law enforcement or after-school programs; the fire departments or libraries. They’re sincere in looking for solutions that don’t leave any single group with a greater burden of righting a long-out-of-balance budget.

Jennifer de Poyen, executive director of Space 4 Art, says Gloria had long been a supporter of the arts, which made his attempted Red Wedding especially upsetting.

A

About Aaryn Belfer

Aaryn Belfer is a writer and editor specializing in nonfiction across art, architecture, and culture. Once upon a time, she wrote a provocative column for San Diego CityBeat (RIP). She was a runner up in the 2025 Matchbook Stories contest at the San Diego Central Library and is irrationally happy about it. Currently in her Soft Girl Era, Aaryn has expensive taste in (mostly flat) shoes and will choose a great art exhibit or live jazz concert over almost anything else. Except, possibly, Javier Bardem.

Art Arts & Culture
Studio S SEPTEMBER 9, 2026

Meet ArtsConnect, UC San Diego’s Invitation to SoCal Arts Lovers

ArtsConnect brings those experiences into view, helping residents discover what they can see, hear and create at UC San Diego while experiencing the campus in a new way.

Meet ArtsConnect, UC San Diego’s Invitation to SoCal Arts Lovers
Courtesy of UC San Diego

Ask most people what UC San Diego is known for, and the arts may not be the first answer. Yet this fall, San Diegans can watch Ghostbusters with a live orchestra, try their hand at glassmaking and wander among more than 20 works of public art woven throughout the university’s La Jolla campus.

ArtsConnect brings those experiences into view, helping residents discover what they can see, hear and create at UC San Diego while experiencing the campus in a new way.

Courtesy of UC San Diego | Photo Cred: Erik Jensen

“The arts are at the heart of UC San Diego’s student-centered mission and vision,” says Alysson Satterlund, Vice Chancellor for Student Affairs and Campus Life. “Whether creating, participating in, or experiencing performances, the arts are essential to a healthy and truly fun Triton student experience.”

That invitation often begins where the arts intersect with other fields.

“Some of the most innovative work and discovery happen where disciplines don’t usually share a stage,” says Cristina Della Coletta, Dean of the UC San Diego School of Arts and Humanities. “So through our unique intersection of the arts with science, technology, and medicine, we are improving lives, physically and emotionally.  

Take The Inaudible Ocean, a collaboration between Department of Music Professor Lei Liang and Scripps Institution of Oceanography Assistant Project Scientist Josh Jones. Over eight years, the pair recorded earthquakes, ship noise, whale songs and other sounds in remote underwater locations. They transformed those recordings into a live music experience that allowed audiences to hear the ocean in an entirely new way. The work premiered on campus in May and continues to evolve.

The arts also connect the campus to the global art world and diverse perspectives. Chief Campus Curator Jessica Berlanga Taylor recently curated the Mexico Pavilion at the 61st Venice Biennale, featuring RojoNegro, the collective formed by Noé Martínez and María Sosa. The collective will unveil a compelling new permanent installation for UC San Diego’s celebrated Stuart Collection later this fall. 

ArtPower offers another easy entry point, bringing touring performers to venues including the outdoor Epstein Family Amphitheater and the intimate Loft. The nearly three dozen performances featured through its 2026-2027 season span music, dance, film, theater and conversation. 

Among the fall highlights is Ghostbusters in Concert on Sept. 25, pairing the beloved 1984 film with a live performance of Elmer Bernstein’s score. Tickets start at $35, and the amphitheater is located next to the UC San Diego Blue Line trolley station.

“Every member of our community should have access to world-class art, so we work hard to remove the barriers that stand in the way,” says Colleen Kollar Smith, executive artistic director of the Campus Performances and Events Office. “That means affordable ticket prices, and performances, voices and experiences where people see themselves reflected on stage and know they belong.”

The arts at UC San Diego are not only something to watch. The Craft Center offers public classes and workshops in ceramics, jewelry, woodworking, culinary arts and even surfboard shaping. At the new Glass Center, beginners and experienced makers can explore glassmaking through classes, demonstrations and studio experiences.

Whether you want to attend a performance, make something yourself or spend an afternoon exploring public art, there is an easy way in. And the invitation extends well beyond students and alumni.

Kollar Smith says it best: “Visit, participate, spectate or create. You’re invited, and we hope you’ll connect with us soon.”

Explore upcoming experiences at ucsd.edu/artsconnect.

Partner Content
Arts & Culture SEPTEMBER 2, 2026

31 People Shaping San Diego’s Creative Scene

Meet the artists, makers, and advocates whose work shapes how the city looks, sounds, gathers, and connects

31 People Shaping San Diego’s Creative Scene
Photo Credit: Katie Gardner & Matt Furman

San Diego is full of people who deserve a few thousand words on what they make, who they bring together, and how their work changes the city around them. The artists, makers, advocates, and behind-the-scenes talent below are a small part of that larger ecosystem.

To help us narrow our list, we looked for names that kept coming up, work that reflects the diversity of our region, and people building something bigger than themselves.

Jackie is a long-time freelance journalist covering cannabis, food/restaurants, travel, labor, wine, spirits, arts & culture, design, and other topics. Her work has been selected twice for Best American Travel Writing, and she has won a variety of national and local awards for her writing and reporting.

Isabella Dallas is a freelance writer for San Diego Magazine and the Arts and Culture Editor at The Daily Aztec in her final year at San Diego State University. She previously worked as an editorial intern for SDM, but when she’s not writing, you can find her trying the best coffee spots in SD, devouring the latest rom-coms, and indulging in anything and everything pop culture.

Matt Eisenberg is an award-winning writer and photographer based in San Diego. A former ESPN editor, his work has also been published by CNN, Bleacher Report and the New York Daily News.

A

About Aaryn Belfer

Aaryn Belfer is a writer and editor specializing in nonfiction across art, architecture, and culture. Once upon a time, she wrote a provocative column for San Diego CityBeat (RIP). She was a runner up in the 2025 Matchbook Stories contest at the San Diego Central Library and is irrationally happy about it. Currently in her Soft Girl Era, Aaryn has expensive taste in (mostly flat) shoes and will choose a great art exhibit or live jazz concert over almost anything else. Except, possibly, Javier Bardem.

Leorah Gavidor won her first essay contest at age 5. She writes features, news, and non-fiction in San Diego.

Lili Kim

About Lili Kim

Lili Kim is a content coordinator and writer for San Diego Magazine, with experience highlighting local businesses and communities. When not writing or shooting film, she is likely brewing her seventh cup of tea of the day or strolling along Sunset Cliffs.

Emma Veidt

About Emma Veidt

Emma Veidt is an editor at San Diego Magazine. She earned her bachelor's and master's degrees from the Missouri School of Journalism. She loves running, hiking, and rock climbing, but really, she mostly loves encounters with the street cats around North Park.

Gail Czyszczon is owner/copywriter at Z3 Writing and best-selling author of a children’s book series. As a strategic communications professional and editorialist, she's passionate about discovering untold stories and themes that ignite fresh conversation and true change in communities.

Everything SD SEPTEMBER 1, 2026

Guest Publisher’s Note, September 2026: The Arts Edition

For Jonathon Glus, San Diego’s next chapter begins with the artists who help us understand where we’ve been

Guest Publisher’s Note, September 2026: The Arts Edition
Photo Credit: Katie Gardner & Matt Furman

Some ancient philosophers believed that humans experience seven-year life cycles or phases of life. Some went so far as to believe that every cell in the body regenerates every seven years.

Much later, in the 1800s, Austrian philosopher, architect, and social reformer Rudolf Steiner developed anthroposophy—an integration of science, art, and spirituality—into his understanding of the human experience. Steiner believed that each of us changes every seven years—from spiritual beliefs to physical evolution—and art is the connective tissue through each of these cycles. Still today, Steiner’s teachings are foundational to the principles of Waldorf education.

While I’ve certainly experienced more than a few human life cycles of my own, I believe that, just like us, cities have their own life cycles.

Cities are living organisms, regenerated every day by the people that live, work, and gather there. Environmental changes, human migration, economic shifts, technological advances, politics, and public policy—they all inform a city’s evolution, sometimes intentionally and sometimes by forces outside of our control. But ultimately, we as humans respond, adapt, and sometimes make our most important new advances.

Photo Credit: Matt Furman

In the aftermath of World War II, in 1947, the Edinburgh International Festival was established to promote international peace through the performing arts. Today, that festival continues as a global gathering place to experience some of the world’s most innovative dance and theater.

In post-revolution Mexico, that country’s government launched a monumental muralism program to celebrate the history of its Indigenous cultures. Today, that tradition still informs the way Mexico tells its stories and how we understand its history.

Here in the US, the National Endowment for the Arts was established in 1965, at a time when the arts were seen as part of our national strength and resilience. For the first time, federal funds were directed to communities across the country to invest in the arts at a local level.

San Diego may be relatively young as a major American urban center, and even younger on the world stage, but our region as home to humans is ancient. Today, we love a San Diego that is built on roads and traditions of the Kumeyaay Nation, where we share a modern mega-region with our sister city and cultural twin, Tijuana, on unceded Kumeyaay land.

History has shown us that the arts generate the very human connection and understanding that allows our politics, policies, technological advances, and human migration to move forward. In that way and more, the arts are the very heartbeat of our city.

In this issue of San Diego Magazine, we celebrate the artists, creatives, culture bearers, and workers who keep our region connected and in conversation as we take on challenges big and small—internationally as well as on our own neighborhood streets.

Artists are our storytellers. They respond to and chronicle the best and the worst of us—our foibles and weaknesses, our struggles, and, undeniably, our successes.

Now: a look back into the past seven years in history. They have not been a walk in the park, with a pandemic, global unrest, and shifting domestic politics as only a few forces that have challenged our lives and our region. Together, we experienced some of our greatest struggles and witnessed tremendous resilience.

That’s exactly why this is an exciting time for the arts in San Diego. We are on the precipice of an even more fertile, sustained, and inclusive time for the arts in our region.

In some ways, Covid seems like an eternity ago. I remember all too well the massive economic impact on our cultural institutions, some of which have never fully recovered. I remember the mass layoffs of the workers who keep our arts institutions going and the teaching artists who were suddenly out of work.

I also remember the poets, filmmakers, actors, and musicians who helped us grapple with the disruptions of the pandemic. Our communities became virtual, and artists gave us the space to make sense of it all.

In fact, a common phrase emerged from the Covid: artists as second responders.

Still today, I think about the short film made by San Diegans Susanna Peredo Swap and Gill Sotu called History of Joy, which captured so brilliantly what we were experiencing during those days of lockdown.

Since then, as an arts community, we’ve pushed forward transformational work that we will continue to build upon in this next seven-year cycle and well beyond.

Hundreds of artists and culture bearers have spent the past several years going to work with community groups across the region as part of Far South/Border North, our region’s component of the California Arts Council’s groundbreaking artist work program, Creative Corps. The impact resonated so deeply that local government and philanthropy partnered for a second iteration, Artist Count, this time a binational initiative launched just a few months ago.

We’ve invested mightily in cultural infrastructure. Need some examples? There’s the reimagined Jacobs Music Center and Museum of Contemporary Art San Diego, the Black Arts & Culture District, the state designation of Arts District Liberty Station, and now the burgeoning Art + Design District downtown.

World Design Capital San Diego Tijuana 2024 elevated what we already knew—that the two neighboring cities are culturally and creatively intertwined as one region—and boosted our global presence as a creative juggernaut. Artists, designers, and community leaders worked together to produce more than 600 events across our region that year, and the impact continues.

And “Creative City,” the City of San Diego’s first cultural plan that incorporates arts and culture advancements in the city’s development, was crafted by thousands of San Diegans as a roadmap to take us into the future.

Here’s what I know about the past seven years: San Diego’s artists, creatives, and culture bearers showed up for our region as our storytellers, second responders, and creative workforce.

And for the next seven? San Diego will morph and change, as every city does. Sometimes because of us, sometimes in spite of us. But our city’s creative community has a solid foundation on which to build, led by the artists who witness and tell our stories each and every day.

Jonathon Glus, Conrad Prebys Foundation’s Senior Fellow for Art and Design in Residence at the Downtown San Diego Partnership

Partner Content AUGUST 21, 2026

This Scripps Clinic Physician is Serving Up Care

Laika Nur, MD, takes her love of volleyball from the court to the clinic as team physician for the San Diego Mojo

This Scripps Clinic Physician is Serving Up Care
Courtesy of Scripps Health

Growing up, Laika Nur, MD, Scripps Clinic sports medicine specialist, loved watching beach volleyball when the Association of Volleyball Professionals tour came to her hometown of Chicago. A talented volleyball player herself, she remembers sitting in the stands all day, and once, even got a couple autographs. Years later, Dr. Nur was attending a professional event focused on women’s sports, and the discussion turned to a new professional women’s volleyball league. The general manager and coaching staff  for San Diego’s team, the Mojo, happened to be in attendance, and Dr. Nur took the opportunity to ask them if they needed a team doctor. Flash forward to the Mojo’s inaugural 2024 season, when Dr. Nur officially became the team physician. Click here to read more about Dr. Nur and how she incorporates lessons she learned on the court into her practice. 

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