You come home from your first day of school and your parents ask, “Did you make any new friends?” Maybe trading Lunchables or sharing a pack of Oreos helped you break out of your shell to strike up a conversation. Maybe you saw your classmate wearing a Padres hat and asked if his favorite player was also Fernando Tatis Jr. Maybe you’re a natural extrovert who has no problem inviting your entire class to your birthday party.
Making friends is an entirely different beast as an adult. You’re trying to balance your health, work, finances, family, and your sanity. And on top of that, a social life? Impossible.
Being a part of a bigger community—like a rec sports league—helps, but we all need intimacy. Witnesses to the exciting, mundane, shameful parts of our lives. Turns out, men don’t have that as much as women do, and the consequences of this are dire. Roughly 1 in 6 men say they have no close friendships, according to a 2021 American Perspectives Survey. Suicide rates in men are nearly four times higher than they are in women, according to the National Institute of Mental Health. Those numbers are even higher for men above 55, according to the U.S. Centers for Disease Control and Prevention (2023).
In Carlsbad, Men’s Shed helps older men build friendships as the group contributes to construction projects across North County. “Men get lonely,” says Glenn Bernard, one of more than 20 members of Men’s Shed in Carlsbad. “This is a good way to bond, socialize, share skills, and have something to do that’s worthwhile. Purposeful.”
What started in Australia in the 1990s has grown into an international nonprofit with more than 3,000 chapters worldwide, including one that meets at Carlsbad By The Sea Retirement Community. Haley DiDonato, director of life enrichment at Carlsbad By The Sea, established California’s first and only public chapter in 2023. Members (aka Shedders) meet twice a month to discuss their projects and get to work.
They’ve built bikes for the local Boys and Girls Club, a raptor shed at the Agua Hedionda Lagoon, a small birdhouse outside Front Porch Gallery, and a gazebo at St. Michael’s by-the-Sea Episcopal Church, to name a few.
Trade experience isn’t required. David Gilson, the group’s leader, was a pharmaceutical consultant before he retired. Rich Greenamyer is a retired engineering duty officer who built ships in the Navy. When John Gardella wasn’t working sales at Dupont, he woodworked projects for his family at home.
“Men are so tied up in their work all their life,” Gilson says. “Their identity was their job. Suddenly, you retire on Friday, and on Monday they don’t remember you. Now what?”
Courtesy of Dad’s Corps
Marital status also affects how men interact with the community around them. Some Shedders joined because their “wives encourage [them] to be in Men’s Shed, to get out of the house for a couple hours every couple of weeks,” Gardella says. For some widowers in the group—such as Gilson, whose wife passed away eight years ago—Men’s Shed provides a sense of purpose and place. The outings Gilson organizes breaks up the monotony of staying at home with his dog. A 2024 study in the National Library of Medicine says widowers feel long-term levels of loneliness (higher levels than widows), and they were less likely than widows to form new connections after loss. This group is changing that.
The appearance and function of male friendships have been spotlighted since the 300s BC, when Aristotle discussed them in Ethics. Fast forward to the 19th century, and these dynamics have transitioned from heroic friendships—ones built on loyalty and nobility—to ones that better symbolized the Romantic Age: more affectionate in written language (like writing letters to each other) and body language (like draping their arms around one another). By the end of the 1800s, 1 in 3 American men belonged to a fraternal organization.
But when World War II brought a homophobic “Don’t Ask, Don’t Tell” suspicion around male bonding, friendships between men became more stoic. It wasn’t common for men to talk about their feelings with each other.
In 2026, though, we’re sharing our feelings. Dads Corps, a nonprofit organization through Social Advocates for Youth San Diego, offers classes, resources, and supportive services to fathers. Twice a week for six weeks, fathers practice how to actively listen, learn how to better communicate, and gain more skills that help them in their parenting journeys.
“When dads have kids, they lose their friends because it’s all about just the baby, the mom, and the family,” says Dads Corps director Laura Soto. “When they come to our classes, they get comfortable being able to share their struggles. It does reduce the isolation and help normalize them in that struggle.”
For dads who are new to San Diego, the program helps them navigate their way around the city. For single dads, they can meet other fathers who are raising children the same age to set up playdates. Oftentimes, dads graduate from their cohort and return to volunteer and mentor new attendees.
The program is as therapeutic as it is active. Group facilitators teach dads about healthy relationship practices, answer questions about how they can be more consistent in their children’s lives. It also hosts fishing trips, barbecues, and community service events to let dads practice their learnings with each other outside a classroom.
“It’s about acknowledging that we need to be heard about the concerns that we don’t ask help for as fathers,” says Jorge Narvaez, alumni manager at Dads Corps. “We live in a society where fathers have to look through crevices—go to a bar, go to a barbershop, go to all these different places—just to have interactions with other people. It feels like we finally, as dads at this program, have a space for us to talk.”
Photo Credit: Arlene Ibarra
But some men don’t want to only talk about their inner selves; they also want to talk about books. For Ronald Alsop, the New York City Gay Men’s Book Club was a place for him to meet local bibliophiles when he lived on the opposite coast. There was no equivalent in San Diego—until he started it in 2019. He created the Mission Hills-Hillcrest Gay Men’s Book Club as a way to meet other men and talk about authors like James Baldwin and Edmund White.
Whether it’s Andrew Holleran’s fictional coming of age Dancer from the Dance (the first book the club read) or George Chauncey’s non-fiction novel Gay New York, the books Alsop chooses share a common thread: Each carries some connection with gay culture.
“Traditionally, gay men were depicted in books in a tragic way,” says Alsop, who is also a freelance writer. “In more recent years, there’s been a more positive spin on it, a more wholesome outcome.”
Alsop initially promoted the group by putting flyers around the neighborhood bars and in Uptown News. He was nervous before the first meeting, afraid no one would show up. Now, there are roughly 35 people on his email blast, and the monthly meetups regularly see 12 to 15 people participate.
“The discussion’s always lively,” Alsop says. “I think it’s a way to get to know people better.”
Throughout the county, because of these groups, people are reading books (its own win, these days) and creating community. Dads and their children are getting invited to birthday parties from their fellow fathers. And in Carlsbad, some Men’s Shed meetings are taking place at Hennessey’s Tavern down the road over brunch. As friends.
Matt Eisenberg is an award-winning writer and photographer based in San Diego. A former ESPN editor, his work has also been published by CNN, Bleacher Report and the New York Daily News.
Imagine being the song continuously getting skipped on the playlist. Not because no one wants to hear you, but because you never quite fit the moment. For years, San Diego has been that song on the touring circuit. Artists who have outgrown intimate clubs but aren’t yet filling arenas and stadiums have often passed us by, heading north to venues better suited to the size of their show. San Diego wasn’t missing the audience, it was missing the room.
That’s all about to change.
On August 17, Live Nation Entertainment announced plans to transform the historic Wonder Bread Building, which it purchased in June for $16.8 million, into a 4,000-capacity indoor venue slated to open in fall 2028. The new space will host music acts as well as private, corporate, and community events.
Currently, San Diego’s concert landscape jumps quickly from intimate clubs like the Casbah, Winston’s, and Belly Up to larger theaters, amphitheaters, arenas, and stadiums. What’s largely missing—particularly downtown—is a modern indoor room built specifically for roughly 4,000 concertgoers. This leaves a gap in mid-size venues for touring acts that land stages like the Hollywood Palladium or Boston’s MGM Music Hall at Fenway.
“We are filling a void in the market,” says John Schalk, Live Nation’s Vice President, San Diego Market. “There are other venues in town, but this […] building is just something that doesn’t currently exist.” Although SDSU’s Cal Coast Credit Union Amphitheater serves the 4,000-capacity range, its outdoor, fixed-seating arrangement isn’t as versatile as the proposed Live Nation project.
Located at 171 14th Street, just a six-minute walk from Petco Park, the building carries a century of history. Architect Eugene Hoffman designed it in 1924, a year after completing the Barcelona Apartment Hotel in Bankers Hill. The landmark brick building served as a bakery and warehouse for the Southern California Baking Company before Continental Baking Company, producers of Wonder Bread, took over in the 1950s and operated there through 1988 continued at the site until 2007.
In the early 2000s, Bob and Gay Sinclair, the couple behind a portfolio of East Village properties, purchased the building. After Bob—the founder of Pannikin Coffee & Tea—died in 2011, Gay sold much of their real estate portfolio but held onto the Wonder Bread Building. Mission Brewing eventually took over the space, where it operated for more than a decade before announcing its 2026 departure.
Now, the building is preparing for another reinvention. Live Nation plans to preserve the historic bakery’s four exterior walls, red brick façade, grain silo, barrel-vaulted trusses, and skylights as part of its next chapter.
Live Nation isn’t looking to erase its history but to celebrate it, allowing the building’s past to give the new venue some soul. “It’s really important for us that we maintain the integrity and the history of that building,” Schalk says. “There will be new construction and design elements as we go through the process to create the concert venue, but we’re working really hard to preserve it.”
Blueprint Studio, Live Nation’s in-house design and development group, and Gensler, the architecture firm behind San Diego International Airport Terminal 1 and Snapdragon Stadium, will be heading the project. The plan is to design the ground-floor space as an open, general-admission area with a premium level above with 600-plus fixed seats, in addition to box and suite sections. There will also be an additional structure built on top of the historical portion of the building (the four original walls that house the lobby) called the Vinyl Room—a Japanese-inspired hi-fi listening VIP lounge serving elevated food options.
One of the most reassuring aspects of the project is the focus on the concertgoer’s experience—specifically the “pet peeves” we all know too well: long bathroom lines, cramped exits, obstructed views. According to Schalk, one of the best things about building upon the existing structure is having the ability to consider potential obstacles and tackle them before construction begins. “I’d say we are ‘purpose building’ the entirety of the project for a music venue,” says Gensler lead project architect Garrett van Leeuwen. “As part of our design process, we do an in-depth sightline analysis to make sure that sightlines are optimized from every point and seat within the venue.”
Circulation design is also being implemented to ease traffic flow, alongside acoustic optimization and a transformative outdoor beautification effort. According to van Leeuwen, this “public realm space” will grow the existing 14-foot sidewalk to a 32-foot sidewalk complete with plazas and landscaping.
“This venue is for the fans. For the music lovers,” Schalk explains. The vision is intimate: “I want a fan to walk up to that building, see that red brick facade, grab their ticket from the box office, go into the lobby and see some of the history that will present itself… and feel like you entered a home.” Schalk also expressed a “keen interest in making sure that we work with the local artists, the local bands, the local musicians in town.” It’s a project that recognizes San Diego as a growing market that is hungry and ready to see a vibrant arts and culture community thrive.
According to an analysis by Oxford Economics analysis shared by Live Nation, the venue is projected to deliver a significant boost to the local economy, generating approximately $97 million in annual economic impact and supporting 660 jobs. This also includes welcoming 316,000 fans each year—with 126,000 traveling from outside the San Diego metro area—and driving $53 million in local spending at nearby restaurants, hotels, and retail establishments.
Considering its proximity to other major event spaces and overall busy urban areas, traffic and parking may be a concern, especially on nights of overlapping events. But in those cases, Schalk said they would work together on communication efforts; parking availability; and staggering start, end, and loading times; as well as providing easy access to designated rideshare areas. With transit stations nearby (the closest one being a 4-minute walk at 12th & Imperial), public transportation is another great option for enjoying your night out.
There are still two years of design, construction, and plenty of logistics between now and opening night. But the bigger promise of the Wonder Bread Building is simple: San Diego finally gets a venue built for the artists who have historically passed it by. After years of getting skipped on the touring playlist, the city may finally be getting its turn on repeat.
Camila Ibarra Gallego is a CaliBaja native pursuing a master's degree in culinary journalism at the Basque Culinary Center. Shaped by the culturally rich, bicultural megaregion, she's passionate about sniffing out stories that connect people, territory and culture through food. When she's not tumbling down internet rabbit holes, you can find her pretending to be a wine connoisseur at a local wine bar or nose-deep in a good book.
On February 28, 1926, the Fine Arts Gallery of San Diego (now called the San Diego Museum of Art) opened its Plateresque doors to 3,000 guests for opening day. Over the next century, the museum changed with the times—even once functioning as a naval hospital after Pearl Harbor. This year, the museum is celebrating its 100th birthday with an exhibit (open through January 24, 2027) featuring photographs, ephemera, and film footage spanning the museum’s history.
Courtesy of Tim Novara
Free Concerts at Spreckels Organ Pavilion
Every Sunday from 2 to 3 p.m., stop by the historic Spreckels Organ Pavilion for a free concert presented by the City of San Diego on the largest outdoor organ in the world (more than 5,000 pipes). The pavilion seats 2,400 for performances by the civic organist or guest artists.
Some think natural history museums are just cemeteries for dioramas that haven’t received an update since the Reagan administration. When it comes to The Nat, which just finished a $7.5 million rejuvenation, they’re totally wrong. The museum debuted a new rooftop that replaces its 25-year-old atrium. The old roof created a greenhouse effect that steamed up some exhibits, so the new one—which includes 200 solar panels and better temperature control—will help preserve the artifacts inside. Each Friday in the summer, The Nat also becomes one of the season’s vibiest hotspots during Nat at Night, with food from places like Wolf in the Woods and The Craft Taco, bars and signature cocktails on several floors, and a rooftop DJ.
Fleet Science Theater Remodel
The Fleet Science Center just received its most significant update since the 1990s. It expanded its exhibit space by 20 percent and introduced a newly designed entrance gallery (formerly the IMAX theater lobby) that includes free exhibits for visitors who want a taste of the science without paying an admission fee. The former ticketing area now houses the Mindbender Mansion exhibit, and there’s a new café, Element 8, that will, of course, sell the center’s famous soft serve.
There’s a good chance you’ve spotted Allison Hunsley’s sizable murals and other artwork around town, perhaps at One of Us Bar or Brickhouse Apartments in North Park, Slowly Restaurant & Bar in Pacific Beach, or Mary’s Salads in Ocean Beach. Or maybe you’ve seen her live painting at an event like last year’s Del Mar Food & Wine Fest or Ballast Point’s The Art of Beer. A Pacific Beach resident, Hunsley lands clients through word of mouth and Instagram inquiries—businesses and individuals asking her to come paint on the side of their building or help beautify their space with a mural.
Hunsley uses both acrylic and spray paint in her work, often blending the two together. Observers especially like watching her spray paint in action during live painting events, where she makes freestanding murals and canvases while strangers walk by and make comments.
We interviewed Hunsley about her art career, live painting with a crowd watching, and the rigors of painting massive murals (our fingers are cramping just thinking about it). Here’s what she had to say.
Courtesy of Allison Hunsley
How did you get your start in the art world and become a professional artist?
I always knew I wanted to be an artist ever since I could hold a pencil. When I said I wanted to be an artist, people told me it was a better hobby than a job. I didn’t have many examples of people close to me in Minnesota who were doing it full-time, so I just made small commissions at first. I was always really into drawing and was in all the art classes in high school, where people started having me draw tattoos for them or paint small family member things.
Later in high school, I started winning a few awards and gaining a bit more confidence and recognition. From one of those awards, I got a scholarship for a summer program at Minneapolis College of Art and Design, where I did three weeks in a painting course. That was the first time I ever fully painted, so it was a crash-course in learning to paint. I fell in love with it.
I went to college at the University of Minnesota for product design. It was a good mix of art and engineering—because I’ve always loved math, too—and I thought it was a more realistic career where I could still use my creativity. While in school, I was still making art on the side for people, and my Instagram was getting a little traction. It was the summer after my first year of college when I was at a coffee shop and found an old bucket list I made, and one of the bullets said: paint a public mural.
So I opened my laptop and sent an email to a few local businesses. One antique shop got back to me immediately and said they’d love for me to come paint on their building. It was a very steep learning curve and initially I had no idea what I was doing, but eventually I figured it out and loved it. The community loved it, too, so from there things slowly started ramping up. I got a few community grants and then started juggling mural painting with school—to the point where I was showing up to class covered in paint and going back to paint in between classes. I was trying to juggle it all and slowly realized I could make money with it. I knew if I graduated, I would still only want to do murals. So I took a leap of faith and left school to pursue art full time starting in December 2019.
What brought you to San Diego?
My friend and I started traveling around the country to figure out where we wanted to live. I didn’t want to be in the Midwest forever where it’s far too cold, which makes mural painting really hard. When it got too cold there, I’d have to blow-dry the paint as I go. We kind of stumbled upon San Diego—I had never been here before, and we were only planning on staying for a few months… but four years later we never left.
It was a pleasant surprise coming somewhere with a year-round window so I don’t have to think about my paint freezing. It was kind of tricky starting over when I got here because I didn’t have a clientele built up. I walked around with business cards throughout Pacific Beach and La Jolla and slowly built a bit of a network. After landing my first project here in California, I remember jumping up and down excited.
Courtesy of Allison Hunsley
How is the painting experience different when you’re working on a massive mural versus a smaller canvas?
You’re watching your hand paint all day without necessarily seeing the full piece always come together. I do a lot of painting and then take 10 steps back to look at the wall, then come back to make a tweak. It’s almost like a fun surprise sometimes because I’m breaking it down into smaller pieces and being more strategic about color blocking, and then standing back and seeing how it’ll all come together. When you’re working small, you’re working the whole scene and it’s a lot more technical.
Certain projects require more manual labor, especially the big outdoor ones. I’ve worked on boom lifts and scissor lifts, which was another fun learning curve that I didn’t expect when I first got into this. I can be navigating a lift, climbing up and down ladders all day, or on a job site fully working in dirt and wearing a hard hat and yellow vest. If I’m wearing a respirator outside working with spray paint, it’s a very intensive process. It’s also a lot of my body being put in positions that it maybe doesn’t want to be in… definitely a lot of arm soreness and back straining.
The largest mural I’ve ever painted was about 1,200-1,500 square feet. Most of my mural projects take between one to seven days, usually about four days depending on how big and detailed they are.
On one of my first-ever jobs when I was about 20 years old, I was working in a dark warehouse so I was super nervous because I was projecting at night before virtual reality was really a thing. So my mom would come and sleep in a lawn chair with me so that I wasn’t out there by myself.
How does live painting with an audience compare to painting in your studio?
When I first started doing murals, I was super anxious about people watching me paint because all paintings go through the ugly phase. I was so embarrassed and would want to tell everyone walking by “It’s going to look so much better when it’s done, I promise!” So it’s funny that now I’m doing live painting. Through murals, I learned that people loved watching them come together. In a way the murals felt like live paintings.
Depending on the event, a live painting can last anywhere from two hours to a multiple-day installation. I’m definitely feeding off the energy of the crowd and I love hearing people’s comments. I think people are a little hesitant and I can see them get confused about why I put a certain color down somewhere, and then slowly they watch it come together. I think it shows people to trust the process and it’s fun because you’re working a lot faster. I find myself being less meticulous, more free-flowing and social. It feels more energetic, quick, and fun versus being a bit more perfectionist in my studio.
Courtesy of Allison Hunsley
What are some of your most favorite projects you’ve worked on recently?
I’ve done a few Boys & Girls Clubs up the coast now. I just got hired for a really big Boys & Girls Club mural in Santa Monica, which was a really fun one because we had the students all help. Murals like that are really fulfilling—directly watching young kids feel inspired and see that art and creativity is a path and can be a career.
When I was younger, I never really saw any muralists or full-time artists. So it’s been really cool to listen to some of the kids tell me they want to be an artist when they’re older. I watch them light up while putting paint on a wall—which is something they’re told not to do in day-to-day life—and then see it come together. They look at the concept at the beginning and it’s super daunting and they don’t think they can do it. But when we do it piece by piece as a group, it’s really cool to see their reactions at the end and know they had a hand in it—and that it’ll live there forever. They’re always so proud to show their parents and friends.
I also did live painting at a Jonas Brothers concert which was awesome. I love live music and was a big concert goer when I was younger. It was really cool to see how art and music can play together. I feel like people at live concerts tend to have an extra appreciation for art and music, so I found that crowd to be really excited and involved. It was definitely one of my favorite projects I’ve ever done.
I did a baby nursery recently, which was a lot of fun. It’s interesting working in people’s homes and going off of the vibe, knowing that they’re going to live with it and be so close to it. I want it to be perfect and feel like it belongs naturally in their space.
Why do you think arts and culture is so important to a city like San Diego?
I feel like buildings have gotten more muted… everything has turned more beige. We have to actively fight to bring more color, uniqueness, and joy to our spaces. The whole mission of art is to literally bring brightness and leave the world a better, more beautiful place. It directly impacts everyone’s mental health and helps build community. A small community grant is actually how I got my first-ever paid mural (the antique shop I did for free). That grant really kicked off my career and changed the trajectory of things.
Kai Oliver-Kurtin is a San Diego-based writer who covers travel, dining, events, and culture. Her writing has been published in USA Today, Condé Nast Traveler, Fodor's Travel, Marie Claire, and HuffPost, among others.
Inspired by the effortless charm of French cafés, this taste of France on Orange Avenue invites guests to embrace the simple pleasure of taking their time.
Strolling down Orange Avenue on a sunny afternoon, you’ll hear the hum of beach cruisers rolling by and visitors making their way toward the Hotel del Coronado. Dogs pause to greet one another on the sidewalk, palm trees sway overhead, and for a moment, you’re convinced you’re living inside the postcard from the gift shop you just passed.
Then the scene shifts. Towering white columns, black café awnings and gold-trimmed windows frame Little Frenchie, where woven bistro chairs spill onto the sidewalk and servers deliver bubbling crocks of French onion soup. The scent of caramelized onions and melted Gruyère is practically an invitation to ask, “How long for a table for two?”
That feeling of pulling up a chair and staying awhile is exactly what inspired Little Frenchie. French cuisine has a reputation for feeling a little intimidating, but the restaurant is rewriting that narrative with food and wine that feels approachable.
“Sometimes when you read a French menu, you come across words you can’t even pronounce,” David Spatafore, the owner of Little Frenchie, says. “We wanted to create a restaurant where people felt comfortable.”
Little Frenchie was designed to capture the spirit of the French sidewalk cafés that inspired it. Dating back to 1917, the space already carried the charm of a Parisian bistro, with architectural details that felt more at home on a European street corner than in Coronado. The team saw an opportunity to create a restaurant that matched the character of the space while filling a gap in the neighborhood.
The result is a French restaurant that honors tradition without taking itself too seriously.
At Little Frenchie, classic French techniques are at the heart of the menu, but there is always room for creativity. A cassoulet featuring Toulouse sausage and duck confit pays homage to the recipes and regions that inspired it, while a rich hot chocolate made with ingredients imported from France brings a taste of French café culture to Coronado.
The team loves finding unexpected ways to make familiar dishes feel new. A burger becomes a showstopper when it is finished tableside with melted raclette, while a French Dip gets elevated with prime beef and Wagyu makes its way into the burgers. Even Eggs Benedict gets a French twist, swapping the traditional English muffin for a buttery croissant. The GB&J, Little Frenchie’s take on a grilled cheese, brings that same playful approach with seasonal jam and French Brie layered into a comforting classic.
Nearly everything at Little Frenchie is made from scratch, with ingredients carefully chosen to match the restaurant’s standards. Even the bread receives special attention. Each morning, the team sends a car to Prager Brothers Artisan Bread to pick up freshly baked loaves, ensuring every element of the meal reflects the restaurant’s commitment to quality.
Wine is woven into the experience just as naturally as the food. Inspired by the effortless pairings found in French cafés and bistros, Little Frenchie’s by-the-glass selection invites guests to sip their way through different regions and discover new favorites without the pressure of knowing all the rules.
September is San Diego’s unofficial second summer—the crowds thin, the weather stays warm, and the city’s calendar somehow gets even busier. This month brings stadium-sized rock shows, Broadway’s buzziest comedy, a new anime convention, world-premiere theater, gallery openings, food festivals, and the first signs of spooky season. Whether you’re ready to lean into fall or determined to keep summer going, here are the best things to do in San Diego this September.
As Guns N’ Roses storm into decade five, their appetite for destruction persists. During their Snapdragon Stadium concert, hear the hard rock anthems, new material and a set from The Black Crowes.
9/23
Kehlani is proof that the romance and earnest sensuality of old-school R&B will never go out of style. Hear her take it back to the aughts at Viejas Arena.
From the silver screen to The Old Globe stage, John Carney will Begin Again (again) with a world premiere musical adaptation featuring new songs—courtesy of Train—and a story overflowing with hope.
9/12-10/17
The concept of work is a guiding principle for San Diego native and multidisciplinary creative noé olivas. Observe his community-informed approach via Tierra y Cielo (Earth and Sky) at Best Practice Gallery.
9/18-10/25
Two workers grapple with the weight of their roles at a temporary migrant shelter in Mario Vega’s world premiere play Our Lady of the San Diego Convention Center, set for citywide performances.
9/26-2/28/2027
Luminous visions of peace and the Punjabi-American roots of Rupinder Kaloti inform The Gathering, a wondrous unification of family foretold via paintings at Oceanside Museum of Art.
9/29-10/4
It’s Mary Todd Lincoln’s world and we’re just living in it. See the presidential paramour barrel to her way to stardom at the Civic Theatre during Oh, Mary!, Cole Escola’s political spoof.
Courtesy of SeaWorld
More Fun Things to Do in San Diego This Month
9/5 & 9/6
Pros and Con(vention)s: Anime San Diego will debut at the San Diego Convention Center with cosplayers, panels and more than 400 vendors well-versed in Japanese animation.
9/11-10/31
Scaredy cats beware: SeaWorld San Diego’s Howl-O-Scream embraces frights forged in darkness. Enjoy an ominous lineup of live shows, scare zones and bloody bars ahead of Halloween.
9/12
The best parts of Artivál and the Alley Cat Art Walk have united for the free Alley Cat Art Fest, an all-day outing for live music and immersive artwork in Downtown El Cajon.
9/12 & 9/13
Take a Grecian vacation for a fraction of the price during the annual Cardiff Greek Festival, two days of immersive cuisine and culture—with plenty of dancing—on the Encinitas coast.
9/13-9/20
Step away from the stove! The California Restaurant Association has eight days of eating experiences with your name on it. During San Diego Restaurant Week, explore by meal, neighborhood or cuisine for your personal dining plan.
9/16
Nourish yourself with an all-inclusive spread of Pacific Beach eats and locally-crafted artwork during the HeArt of PB Restaurant Walk on Garnet Avenue.
9/19
When it comes to stand-up comedy, Chelsea Handler is always ready to roast. See Handler tell anecdotes and skewer an assemblage of victims during her Balboa Theatre performance.
Ryan Hardison is a freelance arts and entertainment writer and recent graduate of San Diego State. When he's not staring at his laptop, he's likely eating an adobada burrito or getting sunburnt at the beach.
Boredom's not an option. These are a few of the top events in the city each year, including a rodeo, free summertime music festival, and a chili cook-off
Meet some rodeo queens (or be crowned as one yourself) in R-Town’s annual celebration of the Wild West. Three days of mutton bustin’, tie-down roping, and barrel racing are all doing the community some good: Proceeds from the event funnel into local organizations like Ramona Town Hall and the Guy B. Woodward Museum. This month marks the 45th annual Ramona Rodeo, which takes place in the Fred Grand Arena and draws more than 12,000 attendees each year.
For nearly half a century, OB has hosted a chili cooking competition that has drawn thousands of hungry locals. (Buzz Cannabis presented this year’s event, so taste testers could have been under the influence of munchies-enhancing drugs.) Non-chili-related street fair festivities include beachfront live music, Fun Zone family-friendly play areas, and a Dirty Birds wing-eating contest.
Photo Credit: Cole Novak
Chicano Park Day
In 1970, Chicano Park was set to become a California Highway Patrol station. The problem: The city had promised a community park in that area. After decades of development fractured Barrio Logan and displaced thousands of families, Chicano locals were tapped out. So, for 12 days, locals occupied the area under the Coronado Bridge, blocking bulldozers and planting cacti. It worked. Construction stopped, and that area is now Chicano Park. Each year, locals celebrate the successful preservation of Chicano Park and the resilience of the Chicano Movement.
Solana Beach gathers at Fletcher Cove Park at the start of each summer for two days of live music ranging from country to pop to Chicano rock, plus an arts and crafts fair, an international food court, a beer and wine garden, and the Solana Beach Firefighters Association’s pancake breakfast. The event is free, but if you want an elevated experience, grab Seaside Pavilion ($75) or VIP Deck ($160) tickets for reserved seating, private cash bars, exclusive restrooms, and discounted swag.
Courtesy of North Park Music Fest
North Park Music Fest
The entire North Park neighborhood hosts an annual music festival, meaning a dozen venues—from Queen Bee’s to Bacari to North Park Community Park—become live music spaces each June. Some locations are open to the public, but if you’d prefer lounge access at Granada House and line-skipping privileges, check out the $65 VIP passes. General admission otherwise starts at $25.
Lemon Festival
It’s weird if you don’t wear a lemon-themed outfit at Chula Vista’s annual Lemon Festival. For one day each August, Third Avenue pays tribute to the city’s former “Lemon Capital of the World” status with live music, citrus-themed photo ops, arts and crafts vendors, a lemon cook-off competition, and plenty of other food that doesn’t include the famed hesperidium. But who would want that at Lemon Fest?
Growing up, Laika Nur, MD, Scripps Clinic sports medicine specialist, loved watching beach volleyball when the Association of Volleyball Professionals tour came to her hometown of Chicago. A talented volleyball player herself, she remembers sitting in the stands all day, and once, even got a couple autographs. Years later, Dr. Nur was attending a professional event focused on women’s sports, and the discussion turned to a new professional women’s volleyball league. The general manager and coaching staff for San Diego’s team, the Mojo, happened to be in attendance, and Dr. Nur took the opportunity to ask them if they needed a team doctor. Flash forward to the Mojo’s inaugural 2024 season, when Dr. Nur officially became the team physician. Click here to read more about Dr. Nur and how she incorporates lessons she learned on the court into her practice.
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