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Features JULY 31, 2019

A Deep Dive into the San Diego Fishing Industry

A little market, some big boats, and a $2 billion project are poised to revive San Diego's commercial fishing industry

A Deep Dive into the San Diego Fishing Industry

“The beginning was tough—they didn’t trust us,” says Yehudi “Gaf” Gaffen, CEO of Protea Waterfront Development, referring to San Diego’s fishermen and women. “For decades they’ve been discriminated against and business has been taken away from them. People take advantage of them.”

Gaffen and his company have won the bid to redevelop the San Diego harbor. Their $2 billion “Seaport San Diego” plan will historically alter the future of the city’s waterfront—70 acres, to be almost exact. The fate of local fishers lies largely in his hands.

And a little fish market on a little dock may be the reason both Gaffen and the fishers themselves are so keenly aware of their vital importance.

A Deep Dive into the San Diego Fishing Industry

deep dive San Diego fishing industry

Right: Seaport developer Yehudi “Gaf” Gaffen photographed at the docks.

The Glory Days

There’s a decent chance San Diego’s fishermen and women have stopped reading this story by now, because it starts with a quote from a developer. Fishers have historically viewed developers as their most feared predator. In a city like San Diego, the water’s edge is the gold vein, the bounty, the most valuable thing. And while many players are involved—the San Diego Unified Port District, the California Coastal Commission, the people of San Diego (who own the land)—the fight over it usually boils down to fishers versus developers. Boats versus hotels. Bait versus brunch.

Tuna Harbor—located at the end of G Street, sharing a parking lot with the Fish Market restaurant, the USS Midway, and the American Tuna Boat Association—is one of two remaining spots along San Diego Bay dedicated to commercial fishing (the other is Driscoll’s Wharf). Longtime San Diego fisherman David Haworth stands on the edge and points at things. To parking spots that read “Reserved for Commercial Fishermen.” To the swarm of pedestrians and tour buses clogging the lot. To an aging dock where lobster traps and nets are stacked like a working-class art installation. To the 100 or so boats, where men with reptilian skin tanned like news anchors repair, well, everything.

A Deep Dive into the San Diego Fishing Industry

deep dive San Diego fishing industry

Customers wait in front of Tuna Harbor Dockside Market at 7 a.m., an hour before it opens.

“This is our Alamo,” he says, then laughs, acknowledging what happened at the Alamo.

San Diego was once known as the Tuna Capital of the World. At its peak in the early 1970s, the harbor was littered with gargantuan tuna boats, some with helicopters on the top deck for spotting fish. Every major cannery, including Bumble Bee, was based here. The industry employed over 4,000 people, the city’s third-largest employer behind the Navy and aerospace.

The Long Climb Back

Then fishing famously died, for many reasons. But mostly dolphins. During the gold rush for yellowfin and albacore tuna, nearly six million dolphins were killed, according to Sarah Mesnick, an ecologist in the Marine Mammal and Turtle Division of the Southwest Fisheries Science Center (SWFSC). Dolphins dying in nets was an international PR nightmare. Even suburban kids and moms thought bad thoughts about our fishing folk.

In response, the US passed the Marine Mammal Protection Act of 1972, severely limiting how American fishers could earn their living. In survival mode, boats fled San Diego and changed flags—to Mexican, Ecuadorian, Western Samoan, anything but American. Abroad, they found governments who didn’t care much about bycatch (dolphins, sea turtles, etc.), quotas designed to preserve the ocean’s stock, or labor rights. A lot of them still don’t. “We know, because we fish next to them every day,” Haworth says.

San Diego’s harbor gradually replaced commercial fishing spots with cruise ships, yachts, recreational fishing boats, floating museums. The decimation of the industry did have some positive outcomes, though: Over the past 50 years, the US has become a world leader in sustainable fishing.

“The dolphin mortality has dropped dramatically, from hundreds of thousands a year to under a thousand,” Mesnick says. Fishing’s not an exact science. If you drop a hook in the water, something’s going to bite it. But from a statistical standpoint, less than a thousand is basically zero.

A Deep Dive into the San Diego Fishing Industry

deep dive San Diego fishing industry

Left: Peter Halmay, uni diver and president of the San Diego Fishermen’s Working Group

Bluefin tuna—once the poster child for overfishing—are rebounding far stronger than official projections. An expert who agreed to speak anonymously said the US could raise its bluefin quotas right now. But the political nature of the fish has led government agencies to be extremely conservative, which means a couple more years. San Diego’s rockfish were nearly fished out in the ’80s, when everyone in restaurants ordered the red snapper (the menu misnomer for rockfish). Mesnick says they’ve rebounded, and local fishers are reporting huge stocks.

American sustainability efforts were carried out by commercial fishers. And the price was paid by commercial fishers. The half dozen I spoke with agreed that the restrictions were necessary after centuries of unregulated overfishing. “But we were told ‘short-term pain for long-term gain,’” says Peter Halmay, a 78-year-old uni diver and president of the San Diego Fishermen’s Working Group. “We’ve been under very strict guidelines for the last 20 years. And the stocks came back way faster than people anticipated. There’s going to be a movement to open up these groundfish to pay back these fishermen for preserving it.”

The Import Problem

The current reward for commercial fishers’ sustainability efforts? Of the 7.1 billion pounds of seafood Americans eat annually, over 90 percent is imported. Theresa Talley, researcher at Scripps Institution of Oceanography, published a report that found only eight percent of San Diego’s 86 seafood markets consistently carried local fish. This is bad news in many, many ways.

“US fleets pay more for gas, pay higher NOAA fees, regulatory fees, workers’ comp fees… the list goes on,” says Paddy Glennon of Superior Seafood, a decades-long proponent of sustainable seafood. “They don’t have that in Mexico. In Mexico they can fish for sea bass 11 months out of the year. Our fishermen get a month and a half. I love our brethren across the border, but they’re playing by a whole different set of rules.”

“The thing that’s sad about America,” says Haworth: “Our negotiators are terrible. At one point we were allowed to catch 900 tons of bluefin. Then our negotiator came to us and said he agreed to reduce it to 600 tons—for two years. What kind of negotiating is that? Meanwhile Mexico got 6,000 tons and Japan got 15,000 tons. Our whole quota isn’t even one load for other countries.”

A Deep Dive into the San Diego Fishing Industry

A Deep Dive into the San Diego Fishing Industry

Countries outside the US—not just Mexico, but in Asia, Africa, everywhere—can undercut American fishers by charging a much lower price. “You go into any wholesaler and you’ll see 80 percent Mexican sea bass, 20 percent American,” Glennon says.

That gives light to the ultimate cruel irony: Americans’ desire for sustainable, ethically caught seafood has resulted in Americans eating far more unsustainable, unethically caught seafood. An aphorism I heard over and over again during my research: Instead of asking why American seafood is so expensive, customers should be concerned about why imported seafood is so cheap.

Dave Rudy, owner of Catalina Offshore Seafood, says that US fisheries and management are the best in the world. “But consumers still look for low prices. We have to constantly remind them that low-priced fish is not the best thing for you, and supporting local fishermen is important.”

SWFSC’s Mesnick points to the dozen or so American fishers using drift gill nets to catch swordfish; they are often targeted by environmental nongovernmental organizations, or ENGOs. “These are the same fishermen who’ve been involved in fisheries management and research and reduction of bycatch,” she says. “They work with scientists to fish where they’re not hurting marine mammals and turtles. These are very advanced fishermen with very advanced gear. If you shut them down and still want to eat swordfish, you’re importing the swordfish from places who have none of that. So you’re hurting the species.”

San Diego fisherman Kelly Fukushima calls it “the transfer effect.” “Every time you punish a local fisherman, you increase the amount of bad habits you have to import,” he says. In our fight to save the turtles, we’re hurting turtles.

“Another mall on the water would be a huge disgrace to the harbor.” —Yehudi “Gaf” Gaffen

Commercial fishers make their living by being out on the water, not by attending meetings or launching publicity campaigns. Meanwhile, the ENGO Oceana launched a video series casting a negative light on commercial fishing. The titles include “Lauren Conrad Wants to Save the Sea Turtles,” “January Jones Is Scared FOR Sharks,” and “Miranda Cosgrove Wants to Keep Dolphins Singing.”

A representative for Oceana told me they’re supportive of American fishermen and women, and they’re all after the same goal: sustainable seafood. But every fisherperson I talked to took issue with ENGO’s portrayal of them (so did the scientists). They argue that they’re not the problem, and haven’t been for some time. The problem lies with dubiously regulated fleets overseas. And videos using January Jones don’t seem intended for the market in, say, Thailand.

As one of the most sustainable sushi chefs in the country—Rob Ruiz of The Land & Water Co.—once told me: “One of the most endangered species in our waters is a fisherman.”

To change this and tell their real story, fishers needed a public place. And in California they found it at markets like Dory Fleet Fish Market in Newport Beach, and Tuna Harbor Dockside Market in San Diego.

A Deep Dive into the San Diego Fishing Industry

A Deep Dive into the San Diego Fishing Industry

Big Changes for the Bay

Protea Development’s $2 billion plan to make over the waterfront is expected to break ground in 2024. Called Seaport San Diego, the project envisions more public parks, open spaces, and new stores and restaurants where Seaport Village and the nearby Tuna Harbor Dockside Market currently stand on the marina.

According to the developer’s website, the plan includes 400,000 square feet of retail space, an aquarium, hotels, a veterans’ museum, and a 480-foot tower with an observation deck. Protea Development and the San Diego Fishermen’s Working Group signed a memo of understanding in late 2018 that Tuna Harbor will remain in the redevelopment plan, and that improvements will be made to the harbor to allow commercial fishing to thrive, such as a new processing plant and a bridge where visitors can watch fishing boats offload their catch.

The Little Market That Could

Every Saturday, a little pier near Seaport Village is lined with tables. Each table is teeming with one of the over 130 species caught by San Diego fishers. There’s urchin, black cod, mackerel, rock crab, spider crab, yellowtail, bonito, halibut, mahi-mahi, skipjack, wahoo, mongchong, opah, bluefin—you name it. A fisherman talks to a few customers, explaining what a sheepshead is, how to cook it. His wife stands nearby holding their newborn.

In 2014, San Diego fishers began efforts to sell their catch directly to consumers, just as farmers do at farmers’ markets. It required the passage of a bill (AB 226, aka “Pacific to Plate”), but Tuna Harbor Dockside Market finally opened for business in 2015 with a whimper: five fishers filling about a tenth of the pier outside Chesapeake Fishing Company.

“We just wanted to make sure the public had access to 100-percent sustainable, traceable fish,” says Fukushima.

“I thought we were gonna replace some of the middlemen,” says Halmay, one of Tuna Harbor’s founders. “Then I realized that wasn’t the goal. The goal was to simply show that fishing exists in San Diego.”

The market made fishing cool again. —Kelly Fukushima

Market attendance was slow, but they kept showing up each weekend rain or shine. Then San Diego’s Asian communities discovered it, particularly Filipinos (San Diego is home to the country’s second-largest Filipino population). In many Asian cultures, seafood is an almost-daily staple. Fresh seafood is not a delicacy inasmuch as a standard. Asian customers also supported the diversity of seafood found at the market.

“We have different species that different ethnic communities like,” says Halmay. “About 60 percent of our customers are Asian, and they know how to cook dogfish and mackerel. Your white La Jolla customer is buying the spot prawns.”

Just as monocultures like corn and soy have devastated farmlands, a country that eats only a few species of fish creates a dangerous imbalance in the oceans. In 2015, only 10 fish species made up 90 percent of American seafood sales (salmon and shrimp alone accounted for 55 percent). Overfishing a single species—tuna—led to the collapse of San Diego’s fishing fleet in the ’70s.

“Like a lot of things in life, being diverse and moderate is good,” explains Mesnick. “Tuna are top predators. You can’t just eat the lions of the sea. Eating through the food chain is good for your health and the sea.”

The next wave to discover Tuna Harbor were the chefs. JoJo Ruiz remembers being picked up by Paddy Glennon for his first trip to the market. They arrived before dawn and met all the fishers and their families. “It’s changed my entire cooking career and my life,” Ruiz says. “A lot of chefs say the same thing. If it wasn’t for the market, we’d still be using langoustines and turbot, stuff flown from all over the world.”

A Deep Dive into the San Diego Fishing Industry

A Deep Dive into the San Diego Fishing Industry

Chef JoJo Ruiz at Hotel Del Coronado’s new Sere~a restaurant, demonstrating their whole-fish presentation. | Photo: Justin McChesney-Wachs

Ruiz, executive chef at Lionfish and the new Serea at Hotel del Coronado, credits the market for his being named a James Beard Smart Catch Leader for sustainable seafood. At Sere~a, he presents local fish whole to diners, lets them look their dinner in the eye and choose one, and then the kitchen fillets and cooks it for them. He swears not only by the ethics of sustainability and connecting people to their food source (“I want my son to have the same seafood I have”), but also by the taste.

“Fresh, local vermilion rock cod is 10 times better than frozen red Thai snapper used at most restaurants,” he says. “Local halibut as a crudo is better than Alaskan halibut. Have you seen the claws on spider crabs? They’re giant; big as my wrist.”

There’s a parallel between Tuna Harbor Dockside Market and San Diego’s famed Chino Farm. It was Chino delivering the produce for the early farm-to-table movement. Alice Waters and Wolfgang Puck were regulars. Now Tuna Harbor is fueling the boat-to-throat movement, with regular customers from some of San Diego’s top seafood spots—Juniper & Ivy, Ironside, Wrench & Rodent, The Land & Water Co., The Fishery, The French Gourmet, and Saiko Sushi.

“In my 20 years of commercial fishing, I’ve never seen such a big increase in the demand for local fish,” Fukushima says. “The market really revitalized the fishing industry. It’s attracted a lot of people to the waterfront and made fishing cool again. Fishing was seen as something only outcasts or criminals or people without real jobs do. At the market they see the fishermen, meet their families, see them working together.”

It’s that humanizing element—and the ability to be an “attraction,” with people coming down to watch boats unload fish, snapping pics for the Insta—that may have motivated Yehudi Gaffen to make commercial fishers a focal point of his redevelopment plan.

A Deep Dive into the San Diego Fishing Industry

A Deep Dive into the San Diego Fishing Industry

Left: Ironside Fish & Oyster Bar’s chef de cuisine, Mike Reidy

The Future Is Now

The seaport plan includes hotels, a veterans’ museum, restaurants, almost 400,000 square feet of retail, an aquarium, and a 480-foot “Spire” observation deck. If all goes well, they’ll break ground in early 2024. But the plans and discussions that will guide these tectonic shifts are happening right now. Waterfront businesses must speak up, or risk being left out.

“Another mall on the water would be a huge disgrace to the harbor,” Gaffen says. “Another Disneyland would do a disservice and have no place. There has to be authenticity of a waterfront project.”

When the port first asked for redevelopment proposals, Haworth says they warned the fishers. “They said, ‘Listen, guys, you better negotiate with the developer, because we don’t have any money for Tuna Harbor. If you want it revitalized you better make the deal.”

The initial discussions with Gaffen were heated. Fishermen and women are notoriously defensive of their territories, because their territory has been taken from them—once allotted nine acres on the harbor, they’re currently down to 3.9. So Halmay and a few others formed the San Diego Fishermen’s Working Group. They started showing up to seaport plan meetings and port meetings, having productive sessions with Gaffen and his son-in-law, an ex–Navy SEAL named Alex Buggy.

A Deep Dive into the San Diego Fishing Industry

A Deep Dive into the San Diego Fishing Industry

Nick Haworth and his father, David Haworth. David’s father, retired, is also a fisherman.

“Where there’s two fishermen there’s usually six opinions,” Gaffen laughs.

“Forming the fishermen’s group let us speak with one voice,” Halmay says. “We had to stop fighting fires and build a fire station first. The working group is that fire station.”

For instance, they sent Gaffen’s first proposal back with some curious markups. “The first few designs and drawings came back and they had them labeled HS1 and HS2,” he explains. “And I remember saying ‘What is that?’ It was Horseshit 1 and Horseshit 2. On a fisherman’s list of people they trust, we’re not on it.”

Gaffen and the seaport plan have to balance every interest, not just the fishing community’s—yachts want space in the harbor, people want parks, tour buses want parking, restau­rants have wants, hotels have wants. So many wants. Plus there’s the money issue. Unlike other governing agencies, the port doesn’t receive any public funding. They depend on money from leases, and commercial fishing has not been an eco­nomic boom for San Diego since the collapse. Not compared to, say, a luxury hotel. Not even close.

“If it wasn’t for the market, we’d still be using langoustines and turbot, stuff flown from all over the world.” ——JoJo Ruiz, Executive Chef, Sere~a and Lionfish

It was so fortuitously timed that Tuna Harbor Dockside Market has grown into a legitimate attraction. But even that was small potatoes until—seemingly out of nowhere—the big boats started showing up again.

“These tuna boats came in at just the right time,” Halmay says. “Just as Gaf was asking us, ‘How do we know you’re going to have this demand?’—here they came! I said, ‘Hey guys, here’s your demand!’”

The three big boats—carrying between 20,000 and 40,000 pounds of tuna—belong to Hawaiian Fresh Seafood, which just relocated to San Diego from Honolulu. Owner Frank Porcelli (a grad of Poway High) says he has plenty more boats he’s ready to bring in, many from the overcrowded Honolulu Harbor. But in order to accommodate this growth, San Diego desperately needs more infrastructure—slips, storage for traps and nets, ice machines, loading docks, cranes, and so on.

In September 2018, Gaffen and the Fishermen’s Working Group signed a memo of understanding. In it, Gaffen promises a list of items to “facilitate the revitalization of San Diego’s commercial fishing industry”—making improvements to Tuna Harbor, building a new processing plant, a bridge where visitors can watch fish be offloaded, and most importantly keeping yachts and recreational boats out of their “Alamo.”

A Deep Dive into the San Diego Fishing Industry

A Deep Dive into the San Diego Fishing Industry

Some are skeptical. The seaport plan to build a veterans’ museum and a processing plant on the G Street Mole (not to mention the new Manchester Group hotel across the street) will bring more traffic to what is already one of San Diego’s most congested parking lots. “They’re trying to stuff 10 pounds of [stuff] into a five-pound bag,” Fukushima says. Nearly all fishermen I talk to doubt whether Gaffen and the seaport plan can pull this off without grinding commercial fishing to a halt.

Gaffen and Buggy are confident they can. They’ll build a workable space for San Diego’s fishers—and help establish the city as the capital of sustainable seafood.

“It’s a differentiator and it’s authentic,” Gaffen says. “Com­mercial fishing is starting to come back. It’s a vital security need. If we can catch local, sustainable seafood for our community and restaurants—it’s a legacy I’d be really proud of.”

CORRECTION: In the original story, we included a quote from an expert claiming there was bycatch in imported cans of tuna. After further fact-checking, one of our experts said this was not true. There is no evidence that there is turtle meat in imported, canned seafood. We regret the error. They do, however, maintain that most imported seafood is far less sustainable and is caught by fleets with significantly higher bycatch of dolphins, turtles, and other marine mammals. We stand by their expertise in that regard. 

A Deep Dive into the San Diego Fishing Industry

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Everything SD JULY 1, 2026

Editor’s Note, July 2026: Hello Again

New editor Emma Veidt gives an introduction and her ode to the once-sleepy, now slept-on North County

Editor’s Note, July 2026: Hello Again
Courtesy of Visit Oceanside

I am fairly sure they don’t let you graduate from Carlsbad High School without a W-2 from Legoland. Being a Legoland MC (Model Citizen, the employee’s moniker) is a rite of passage for all of us who grew up in North County. If you spent a day at the theme park in the 2010s, I probably pointed you toward the Granny Apple Fries or measured your height at a ride entrance.

And now we meet again. I can still point you to quality fries.

This is my first full issue as the new print editor for San Diego Magazine. But it’s not my first time here: I was an editorial intern for these pages back in 2018 (see photo). To be a part of a constant study of the city, its people, its culture, then finding the most compelling stories and bringing them to life—it was incredibly impactful and solidified my decision to pursue all of this (local, print magazine journalism) as a career. Since my internship, I’ve gotten my bachelor’s and master’s degrees from the Missouri School of Journalism and worked for nearly five years at Backpacker magazine. And I’m back at San Diego Magazine, baby. There’s a real magic to narrating the lives lived and dreams dreamt in the place that built me. I am excited to be a part of building the culture of where I’m from. And, born in Tri-City Medical Center and raised in Carlsbad, I can’t think of any other place than our North County issue for me to make my grand entrance as an editor.

Editor Emma Veidt at San Diego Magazine in 2018

To me, North County isn’t just where I’m from; it’s home. Throughout the years, I have run thousands of miles (I did the math) up and down the 101 between Oceanside and Cardiff. I’ve spent thousands of dollars (an estimation, too painful to do the actual math) on BRCs—beans, rice, and cheese burritos—from Lola’s, Juanita’s, and the late, great Pollos Maria.

The stretch of land between Camp Pendleton and the 56 is easy to love. We’re quieter and a little more zenned out than our lower-latitude neighbors, sure, but we’re neither sleepy nor boring.

Do you think Scrojo, the Belly Up’s punked-out poster artist featured on page 68, could last a day somewhere boring?

What I’ve always loved about North County is that the culture shifts every couple of miles as you reach a new town. For years, the media seemed to cast the realm above the merge as a two-toned monolith: sleepy surf towns to the west, suburbs and country living to the east. The nuance of each section seemed flattened or clumped. I think you’ll see the vastly different cultures of North County in this issue—but all distinctly San Diego. Which is to say a little mellower, fewer airs, come as you are.

It’s hard to imagine that the dusty trails and vibrant, muraled alleyways of Escondido are just miles from the barefoot surfers roaming Leucadia. Even though the SDM editorial staff is made up of two lifelong locals and other longtime residents, we don’t pretend to be the experts on every street. What a good city media company does is find the people who are experts, who have a unique hyper-local perspective—and give them the stage.

So we picked six North County neighborhoods—Oceanside, Vista, San Marcos, Leucadia, Rancho Santa Fe, and Escondido—and reached out to artists, community leaders, business owners, anyone making their neighborhood brighter, and we had them describe their perfect day out and favorite things that give their neighborhoods meaning and culture. These itinerary curators included San Marcos’ Patricia Prado-Olmos, Leucadia’s Jeff Schade, Oceanside’s Aaron Crossland, Escondido’s Suzanne Nicolaisen, Rancho Santa Fe’s Charo Garcia-Acevedo, and Vista’s Steve Glaudini. If there’s anyone who lives and breathes North County, it’s them. Check out their recommendations in our feature on page 56.

This month, we’re also going back in time almost 15 years to the Big Bay Boom. Yes, that meme-ified Fourth of July fireworks show where enough pyrotechnics for a 17-minute show went off at once over San Diego Bay. Content Chief Troy Johnson remembers the day and dug back through the story for a hilarious locals’ take on the big debate: Was it the worst fireworks show of all time, or the greatest? (Page 38.)

Before I leave you to our hard work, a sentimental note. When my parents moved from St. Louis to San Diego in the early ’90s, my mom subscribed to San Diego Magazine to learn about her new neighborhood. Now, over three decades later, I’m here—on this planet and in these pages. I thought about my parents a lot as we worked on this issue. Maybe there are a couple new San Diegans reading this magazine for the first time. Maybe that’s you.

Well then, to both of us, I say, “Welcome.” Let’s do this.

Emma Veidt

About Emma Veidt

Emma Veidt is an editor at San Diego Magazine. She earned her bachelor's and master's degrees from the Missouri School of Journalism. She loves running, hiking, and rock climbing, but really, she mostly loves encounters with the street cats around North Park.

Everything SD JUNE 30, 2026

The Fireworks Disaster That Made San Diego a Legend

Eighteen seconds, one unforgettable mistake, and a Fourth of July story that somehow gets better with age

The Fireworks Disaster That Made San Diego a Legend
Courtesy of The Port of San Diego

There’s a famous video.

“This is insane!” the guy filming it seems to proclaim. “It’s the best fireworks show ever!” a companion confirms, inspiring a debate lasting over a decade.

All told, 7,000 fireworks exploded in the span of 25 seconds over San Diego Bay on July 4, 2012. A Michael Bay amount of unison. $125,000 worth of shells, cakes, Roman candles, and skyrockets had been placed on a barge—enough for 17 minutes of decorative sky flares—and…

Boom.

The sky looked like someone had set a giant Rorschach test on fire. Or as if whatever we all see in our Rorschachs—butterflies, clowns, tongue kissing, dads—was being electrocuted and lifted heavenward, amen. It was shocking how bright it was, how much it sizzled the local cosmos. Could’ve been one of those sci-fi films where a hole is ripped open between warring universes. But angstier, more metal—the work of some methy creator in a sleeveless concert tee.

The sound?

Lou Reed once released an entire album that contained 64 minutes of mindflaying guitar screeches and machine noises. No regular songs, just a fascinating amount of ear distress. His record label reps no doubt heard the melodic outro of their careers, but everyone else was in pain and stumped. That album still sounded better than the bay did that night. The bay sounded like a god who struggled with emotional regulation had blown his speakers and was working through the anger stage of AV grief.

In the left frame of the video, a middle-aged woman is attempting to drag her husband off by the hand. In no way does he want to go, possibly because he had missed the time Roseanne Barr sung the national anthem at a Padres game, simultaneously disemboweling and amusing America through the power of song. He would not willingly abandon an equally worthy San Diego trainwreck.

Another woman in the video appears to have just filled her beer, rushing to sit down for the show. She pauses mid-sit and returns to the full and upright position to properly bear witness. What was supposed to be prolonged entertainment has been so radically shortened that she will have to find another reason to drink. Lucky for her, drinking will be the only way to adequately process.

Locals remember the conspiracy theories. People wondered if the fuses had been tripped by a saboteur who was sympathetic to dogs, fish, or the growing suspicion that late-stage capitalism is a gorgeously branded but impossible dream sustained by remarkably efficient top-tier wealth retention and the soft compliance of fireworks-watchers who can no longer afford a house, a beer, or the personal impacts of human reproduction.

Speaking of being terrified of babies, babies were terrified. The children who witnessed it probably still can’t go near a candle store. But those kids will be tougher, perfectly scarred kids. They’ll write better songs.

That night helped us absolutely dominate the national news cycle. For a hot minute, we became America’s water-skiing squirrel. Now, years later, when you Google “fireworks gone wrong,” San Diego is always a top contender, along with that poor Nebraska family who nearly wiped out a couple generations in their front yard, their minivan somehow turning into a howitzer of recreational TNT.

There is still debate as to whether Big Bay Boom 2012 is the worst or greatest fireworks show of all time. But the advanced parts of civilization arrived at the truth as quickly as the women in the video did. It was undeniably amazing.

First of all, the point of Fourth of July fireworks isn’t “the intricate choreography of sky fire over a guaranteed amount of show time.” It’s about creating a vivid memory shared with some people you like, love, or would like to love.

BBB2012 used large-scale chemical fire to create the ultimate memory.

Sure, some people who iron their jeans subjected their family to a sermon about how San Diego managed to botch America’s birthday like a Disney princess-for-hire who smelled of quite a few Sauvignons.

The rest of us saw how perfectly it nailed the actual feeling of being an American. Because only a miniscule percentage of us bake postcard apple pies where every inch of crust is perfectly laminated like the wood in an Irish bar. Very few of us can paint on par with Picasso. The rest of us—despite truly believing in our America-activated abilities to achieve greatness in almost any field of our choosing—burn pies. We try to paint only to realize it looks like our fine motor skills have entered active death.

That’s why BBB2012 was the most perfectly American fireworks show ever: A wildly ambitious idea galvanized thousands upon thousands of people to both work on it and come to hold a beer and gawk at it, only to have it fail in the most glorious TMZ-level spectacle.

America isn’t about immaculate, storyless wins. It’s about how the framework of a country is solid enough that we can accidentally detonate our entire lives—a few times—and still probably be OK.

No one has America’d quite like San Diego did on that day. It was performance art. Lou Reed’s heart slow-clapped. Any brief municipal embarrassment quickly became a pride of our people. I can only hope the same for the Nebraskan yard family whose Dodge Aerostar became a hyperactive Death Star.

P.S. Local writer Maya Kroth compiled a quite great oral history of that night for Thrillist. The bottom lines for me were—it took nine months to prepare, no one was hurt, and even though the pyrotechnics company tried to zero out the bill, Big Bay Boom founder H. P. “Sandy” Purdon refused and paid them in full. This year will mark the 25th Anniversary of the yearly Big Bay Boom.

Troy Johnson

About Troy Johnson

Troy Johnson is the magazine’s award-winning food writer and humorist, and a long-standing expert on Food Network. His work has been featured on NatGeo, Travel Channel, NPR, and in Food Matters, a textbook of the best American food writing.

Food & Drink JUNE 30, 2026

An Emo-Themed Bar & Pizza Joint is Rolling Into OB

Drink 182 will pair pop-punk nostalgia with New England-style pizza starting this summer

An Emo-Themed Bar & Pizza Joint is Rolling Into OB
Courtesy of Drink 182

If you’ve ever squeezed yourself into a pair of black skinny jeans with a studded belt, sported a track jacket under a band t-shirt, or swept your Manic Panic-hued hair so far to the side that your part got caught in your cartilage earring, I have good news: Ocean Beach will get a shot of emo and pop-punk nostalgia when Drink 182 opens this July.

The pop-punk bar and pizza spot comes with bonafide scene points. Co-founder Jay Nightride runs the music production studio Nightride Visuals, has worked with artists like Steve Aoki, Lil Jon, and Fall Out Boy, and also plays in Death Cab for Karaoke, a live karaoke band that performs every month at Soda Bar (among other venues). His partner Tony Jaw is easier to spot—he’s the guy with the sky-high mohawk manning the karaoke booth at Redwing Bar & Grill who’s been in the local bar and hospitality business for over a decade. 

Nightride says he’s had the idea for an emo enclave for years, but it wasn’t until after Covid that he partnered with Jaw and got the funding to move forward. “What I was looking to build was a place that I would want to be, where would I want to go to remember these nostalgic songs,” he says. 

Pending permits and final inspections, Drink 182 is slated to open the second half of July. The vibe will be dive bar meets emo night, with memorabilia from different bands who have supported the project splashed across the walls, plus a few arcade games, TVs, and (I assume) a decent sound system. The hours are still undetermined, but Nightride says they tentatively plan to be open until 2 a.m. on weekends and Wednesdays for the OB Farmers Market. In the mornings, they’ll serve fresh pastries and coffee from the similarly music-aligned James Coffee Company (whose co-owner David Kennedy is a member of Angels & Airwaves with blink-182’s Tom DeLonge).

But it’ll be the pizza that really stands out—or at least, they hope. “We’re doing New England beach pizza… a really niche pizza that not a lot of people would know about, unless you’re from North Shore, Massachusetts,” says Nightride, a former Bostonian. “It’s a thin crust, very sweet sauce, very simple, fast, go-to-the-beach kind of thing.”

“Beach pizza” is characterized by its rectangular shape, very thin crust, sweet tomato sauce, and slices of Provolone cheese with minimal toppings. Drink 182’s version will feature homemade dough and sauce, as well as freshly sliced Boar’s Head Provolone. And yes, they are aware there are already a lot of pizza options in the area. It won’t be the same, Nightride promises. 

“Everybody’s first reaction when they hear ‘pizza’ is like, ‘Oh great, another pizza place in OB,’” he laughs. “But we’re trying to do something different, just enough to differentiate it and give people another option.” If you’re not keen on the style, try one of their “drunkables,” another nostalgic riff they hope the pop-punk and emo crowd will appreciate. And if you still need a reason to give Drink 182 a try, I have more good news—you don’t actually have to break out your old skinny jeans. (In fact, please don’t.)

Drink 182 opens July 2026 at 5049 Newport Avenue in Ocean Beach.

Courtesy of Margaritaville Hotels & Resorts

San Diego Restaurant News & Food Events

Beth’s Bites

  • If the steak hype wasn’t hot enough already, The Heritage Steakhouse in Santee just announced Meredith Manée will serve as executive chef of the New York-style steakhouse when it opens in August. Her star-studded kitchen resume spans over 25 years, with stints at the Hotel del Coronado, the Four Seasons, and The Ritz-Carlton Maui, so I think it’s safe to assume we’ll be in good hands. 
  • Rather than waste away in Margaritaville, you have the chance to support the San Diego Music Foundation at the annual Jimmy Buffett-inspired Day of Service at Margaritaville Hotel San Diego Gaslamp Quarter. On September 4 starting at 5 p.m., the rooftop bar will be rocking with live music and plenty of flowing cocktails, plus a silent auction and other activations to raise money for the local music education organization. I’ll drink to that. 
  • The early bird gets the worm and you can get the early ticket to Celebrate the Craft, the annual culinary festival that takes place at The Lodge at Torrey Pines on October 18. If you snag your ticket before the end of June, you can save $50 (which is nothing to sneeze at), plus you’ll be helping support the San Diego Food Bank. 
  • Mani e Grani, the pizza spot from the same people behind Ciccia Osteria, seems to be inching ever closer to opening its doors in Barrio Logan. I know I’m not the only one anxiously awaiting sinking my teeth into some wood-fired, chewy but crispy, hot-from-the-oven, authentic Italian pizza.

Listen Now: The Latest in San Diego’s Food and Drink Scene

Have breaking news, exciting scoops, or great stories about new San Diego restaurants or the city’s food scene? Send your pitches to [email protected].

Beth Demmon

About Beth Demmon

Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.

Studio S JULY 1, 2026

Get Your Home Ready for (San Diego) Summer

Tips from the trusted experts at Mauzy Cooling, Heating, Plumbing, and Electrical

Get Your Home Ready for (San Diego) Summer
Courtesy of Mauzy Heating and Air

San Diego summers can be brutal. But since the hottest period is typically late summer into early fall, San Diegans still have time to prepare. The pros at Mauzy Cooling, Heating, Plumbing, and Electrical are standing by to help homeowners fortify their homes against the elements and ensure their air conditioning is as frosty as the penguins that serve as the company’s mascots. 

Many homeowners underestimate the load their AC system faces, especially in the inland valleys where temperatures regularly top 100 degrees. San Diego regularly sees multi-day heatwaves each summer, and a system that struggles on the first day will likely fail by the third. Longer run times, unusual sounds or smells, and uneven cooling from room to room are all signs that your system may not survive the next hot spell.  

Systems typically last 12 to 17 years, but there are exceptions. If a system is approaching that, or is already there, a professional evaluation is recommended before summer really heats up. A good rule of thumb: If you can’t remember when your system was last serviced, it’s due. 

“As technology changes, systems become smarter and smarter,” says Sean O’Connor, an install manager at Mauzy with 42 years of experience. “There are a lot of people out there who will say a system’s only good for 10 years. I don’t buy that—these systems are built to last as long as they’re taken care of.” 

There are also a few steps homeowners can take between services to extend the life of their system. Regularly changing a dirty filter—especially if you have kids or pets—and keeping an outdoor unit clean can help head off problems in the future, says O’Connor. 

Also, be realistic about whether it’s time to replace a unit. O’Connor likens pouring money into salvaging a faulty unit with patchwork repairs and replacement parts to “tripping over a dollar to pick up a dime.” When one part fails, others are sure to follow, and newer parts may not be compatible with older units. Mauzy recommends homeowners use the 50% rule: If a repair costs more than 50% of the system’s replacement value, and the equipment is over 10 years old, replacement is usually the better long-term value. And don’t forget the ducting. An older house that was built with heat and later had air conditioning added may not have sufficient airflow, regardless of how good the system is. 

Last but not least, homeowners should know who to trust when it comes to their homes. Built on three generations of professional integrity, Mauzy has grown into not just a leader for cooling, heating, plumbing, and electrical services, but a leader in the community known for supporting local nonprofits across an array of causes. To ensure complete peace of mind, Mauzy stands behind a comprehensive 12-point guarantee that outlines its commitment to outstanding service, quality equipment, expert technicians who understand how the local microclimates affect HVAC performance, and no upsells or surprises on the bill. 

“We go the extra mile. That’s what sets us apart,” O’Connor says. To get a free quote today, visit mauzy.com.

Courtesy of Mauzy Heating and Air
Partner Content
Features JUNE 29, 2026

5 San Diego Food Trends to Know About

From surprise revivals to changing dining habits, these are the shifts redefining the local culinary landscape

5 San Diego Food Trends to Know About
Photo Credit: Arlene Ibarra

Comebacks Are the New Kickoffs

If absence makes hearts (and stomachs) grow fonder, then shuttered restaurants quickly become the hottest tickets in town—something a number of iconic institutions found out after taking very public hiatuses after historically long runs. For instance, following a lengthy (and extremely flip-floppy) closing process after 92 years in business, Las Cuatro Milpas reopened two blocks away in Mercado del Barrio. Similarly, Carlsbad butcher shop Tip Top Meats reopened in the same location (albeit a smaller space) after the death of founder Joachim “Big John” Haedrich in 2023. Finally, after a whopping decade out of business, Sami Ladeki and chef Alfie Szeprethy brought back Roppongi to its original Prospect Street space, where it was the talk of the town in the late ’90s. All came back under the same proprietors, so they weren’t third-party nostalgia-licensing deals. The algorithm may have ravaged our attention spans away from all but the newest and shiniest, but this proves there’s still hope for our collective prefrontal cortex.

New Generations Take the Reins

Other local eateries honored their pasts by bringing in new perspectives. The Lion’s Share in Embarcadero, Milton’s Deli in Del Mar, Dudley’s Bakery in Santa Ysabel, and J-K’s Greek Cafe in La Mesa handed over the keys to new owners willing to take on a big task: maintain the soul of icons through particularly rough economic circumstances for restaurants, navigate big feelings from longtime regulars (who often don’t take kindly to change), and make some necessary changes to keep going for another few decades. Taking over a project in process can be a lot harder than starting from scratch. But building that feel-good nostalgia doesn’t happen overnight, so it sure helps to have a well-established playbook of success passed down from those who came before.

Courtesy of Sugarfish

The Expansion Class Arrives

It wasn’t just restaurant groups from Los Angeles that decided to put down roots en masse, although San Diego saw plenty of LA transplants recently (Sugarfish, Mr. Charlie’s, For the Win, Katsuya Ko, Bacari). Global brands like Chef Fei, Zuma, and Pepper Lunch have locations of their own on the way, and upscale Canadian eatery Joey joined to the inescapable gravitational pull of Westfield UTC’s culinary cosmos for its first spot in America’s Finest City. Good to see the rest of the world is catching up with what we’ve been seeing the last few years—San Diego is a dining destination already on the rise.

Choosing To Not Choose

Between the never-ending news cycle of doom and perimenopause brain fog, I’m at the stage in life where I’m more than happy to let someone else make a decision for me, especially when it comes to what’s for dinner. And based on the way a lot of menus look right now, I’m not alone. It seems like half the places I visit offer some version of a prix fixe, omakase, or tasting menu. Restaurants are embracing the curated experience to solve the problem of affordability (a fixed menu reduces food and labor costs, guarantees an acceptable check average, etc.) and critical thinking in one fell swoop. Omakase (meaning “I leave it up to you”) is far from a new concept in high-end Japanese sushi culture, but now that it’s popping up everywhere from coffee experiences to grab-and-go sushi and sandwiches, it’s gone from somewhat niche to nearly omnipresent.

Courtesy of Rikka Fika

Local Coffee Hit the World Stage

The world got an up-close look at San Diego’s coffee industry when we hosted the premier specialty coffee expo World of Coffee for the first time this April. San Diego’s long and rich coffee history stretches back to the late 19th century. Things percolated fairly quietly for around a century before really picking up steam. Today, there are nearly 200 specialty roasters and cafes across the county, with many earning national accolades like the Good Food Award (Steady State Roasting, 2020; Bird Rock Coffee Roasters, 2023, 2021, 2019, 2017, 2016), Roaster of the Year by Roast Magazine (Mostra Coffee, 2020; Bird Rock Coffee Roasters, 2012), and the Specialty Coffee Association Coffee Design Award for packaging (Rikka Fika, 2026). Now that we’ve moved past the comically insufferable coffee snob era of the early 2000s, even java newbies can feel comfortable walking into pretty much any coffee shop in San Diego, asking questions, trying a few things, and feeling confident they’re going to get great service and a great beverage.

Beth Demmon

About Beth Demmon

Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.

Everything SD JUNE 25, 2026

The Former Comedian Who Became the Internet’s Bee Guy

Jeff Russell traded dreams of SNL for bee rescues, building a social media following of more than 4 million people along the way

The Former Comedian Who Became the Internet’s Bee Guy
Courtesy of Mr. & Mrs. Bee Rescue

The Groundlings improv theater has churned out world-famous comedic talents like Will Ferrell and Maya Rudolph. And in San Diego, a former Groundling has used that training to campaign for a higher power. The power to protect bees.

“The goal was to try and get on SNL,” says Jeff Russell of his time in the improv troupe. “[But now], I have an audience, and I get to crack jokes and be silly and entertain and educate.”

That audience? The over 4 million people who follow Mr. and Mrs. Bee Rescue in the socialmediaverse. Jeff and his wife, Julie, operate the business, which means they remove unwelcome bees without harming them and rehome them to apiaries throughout the county. Their social media is a hub of videos of Jeff peeling open car trunks, flooring, barbecues—any cozy spot for a bee to set up shop—and using smoke to coax them out of the hive (sometimes working sans gloves or protective gear).

Bees in a hive will follow their queen, so finding and moving her helps speed along the relocation process. It’s “a really hard game of Where’s Waldo,” Julie says. But there’s a secret to it: “If the bees start running completely in some random opposite direction in a hurry, then we know that the queen is probably that direction,” says Jeff. Their social videos document this process in a way that turns a reasonable nightmare (being swarmed by bees) into a form of entertainment and advocacy. The Russells spread the apian gospel, sharing why relocating bees is the only option to consider.

Since the 1960s, bee populations across the US have shrunk drastically for a slew of reasons—habitat loss (postwar industrialization led to fewer farms and crops), climate change (petulant temps affect blooming schedules), and pesticides (when used improperly, they can be toxic for bees).

Bees are also responsible for up to 75 percent of all flowering plants; 35 percent of food crops rely on animal pollinators to reproduce. So, basically, we’d be living in a flowerless world fueled by a diet of wind-pollinated oats and Red Dye 40 without them.

Jeff and Julie met on Tinder in 2016. “It would have been more appropriate if we met on Bumble,” Julie says. A photographer and graphic designer, she had no experience in a swarm of stingers before 2018. When Jeff broke his back surfing, she had no choice but to step in. Later, when she was laid off from her job in 2020, she focused on growing Mr. and Mrs. Bee Removal’s social media accounts. That’s when their business took off. These videos work. People are learning.

“Quite a lot of my customers were [initially] like, ‘Why don’t we just kill?’” Jeff says. “Now, the vast majority are like, ‘You take them alive, don’t you?’”

Emma Veidt

About Emma Veidt

Emma Veidt is an editor at San Diego Magazine. She earned her bachelor's and master's degrees from the Missouri School of Journalism. She loves running, hiking, and rock climbing, but really, she mostly loves encounters with the street cats around North Park.

Partner Content JULY 2, 2026

Top Lawyers 2026: Panakos LLP

Discover San Diego’s Top Lawyers — the region’s most trusted legal professionals across diverse practice areas.

Top Lawyers 2026: Panakos LLP
SDM: Top Lawyers 2026

Daniel A. Kaplan

Daniel A. Kaplan is a founding partner of Panakos LLP with more than three decades of civil litigation experience in both state and federal courts. Mr. Kaplan pursues and defends legal claims on behalf of companies, entrepreneurs, and business owners in high-stakes disputes. He focuses on business disputes including breach of contract, unfair competition, trade secret theft, securities disputes, fraud/misrepresentations, and employment matters.

“The best advocacy combines preparation, perspective, and a client relationship built on trust and candor.” — Daniel A. Kaplan

His clients include real estate investors, private and public corporations, and individuals seeking sophisticated legal counsel. Known for practical judgment and strategic advocacy, he works closely with an experienced and diverse legal team to protect, enforce, and defend his clients’ interests.

555 W. Beech Street, Ste. 500, San Diego, California 92101
619-8000-LAW
Panakos.law

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