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Tacos, pasta, cocktails, spa treatments, and cool craft workshops— we’ve got 99 of the top picks in food, drink, fitness, beauty, and more
The Best of San Diego 2017
By Paige Breon, Jackie Bryant, Kimberly Cunningham, Erin Meanley Glenny, Maya Kroth, Kai Oliver-Kurtin, Christine Orlovsky Page, Christine Pasalo, Hoa Quach, Archana Ram, Marnie Sloan, Claire Trageser, and Ann Wycoff
Photography by Priscilla Iezzi
Winners by Category
The Best of San Diego 2017
Tribute Pizza
What started as a pop-up has turned into a buzzing, industrial-style brick and mortar in the former North Park Post Office. Tribute pays, well, tribute to the most famous pizzas of the world. Highlights include the Biancoverde, a nod to Phoenix’s Pizzeria Bianco, and a vodka sauce pie inspired by Rubirosa in Manhattan. There’s even a high-end riff on Costco cheese pizza. Happy hour runs Tuesday through Thursday with $7 margherita pizzas and $20 bottles of Gragnano wine.
3077 North Park Way, North Park
The Karina’s brand boasts five locations, including Karina’s Mexican Seafood and two Karina’s Taco Shops, but most recently the family-run empire opened Karina’s Ceviches & More in Saffron Thai’s former takeout space in Mission Hills. Their menu touts oysters, seafood cocktails, surf ’n’ turf, and a divine bacon-wrapped shrimp taco.
3731 India Street, Mission Hills
The Best of San Diego 2017
Karina’s Ceviches & More
A sleek redesign paired with panoramic ocean views makes this one of La Jolla’s hot spots. Look for seafood-heavy fare by chef Aarti Sanghavi and a beverage cart for tableside after-dinner drinks and digestivos. During Sunday brunch, the cart is dubbed the Champagne Campaign, serving flights of rare bubbly and bottomless mimosas.
1250 Prospect Street, La Jolla
Cucina Sorella’s pasta-centric menu, spearheaded by Urban Kitchen Group executive chef Joe Magnanelli and the talented Daniel Wolinsky, features house-made tagliatelle, gnocchi, and pappardelle, plus signature items like fried squash blossoms and appetizers from sister restaurants Cucina Urbana and Cucina Enoteca. Wolinsky also leads hands-on pasta-making classes if you want to mangiare a little more.
4055 Adams Avenue, Kensington
Tucked between Evolution and Extraordinary Desserts near Balboa Park, Donna Jean turns out rustic, plant-based comfort food like roasted sunchokes and Salisbury tempeh. Weekend brunch features omelettes, and the cast-iron mac and cheese is a gotta-try. Also, there’s strawberry rhubarb hand pie glazed with Champagne sugar.
2949 Fifth Avenue, Hillcrest
It’s what San Diegans have been craving: real-deal barbecue. Brisket, pulled pork, lamb shoulder—this alfresco North Park phenom started by a native Texan does it all well, with five-star accompaniments like a house-made chimichurri and spicy coleslaw. They even manage to turn the traditionally bland turkey into a smoky, tender wonder. Waiting in line—yes, there usually is one—isn’t a worry, since even that feels like a party. Living up to its name, the eatery hosts an Argentine asado on Sundays.
3302 32nd Street, North Park
Thai chef Gan Suebsarakham puts a creative spin on traditional potpies at this fast-casual café, with flavors like panang curry, pizza, and jackfruit. He also makes breakfast pies and sweet pies, which can be paired with coffee drinks or matcha.
4404 Park Boulevard, University Heights
When the pork pros announced a new all-outdoor location on the waterfront that promised bay views, live music, and late-night happy hour, we had our new hangout. The menu features the same porky menu items you can find at their North Park outpost, plus fish tacos and weekend brunch.
1004 North Harbor Drive, Marina District
This hipster café in Encinitas serves creative vegan food (spicy jackfruit tacos, harvest salads, Buddha bowls), kombucha on tap, cold-pressed juices, superfood smoothies, and homemade desserts. It has a spacious back room for TED-style talks, free crystal bowl yoga classes, meditation, music, lectures, and more. Board games, lounge-like couches, and a take-a-book leave-a-book library add to the cozy vibe.
575 South Coast Highway 101, Encinitas
The Best of San Diego 2017
Cucina Sorella
Popular throughout Orange County and LA, this fast-casual eatery expanded its artisanal sandwich and salad concept to La Jolla last year. The health-conscious menu is full of vegan and gluten-free options for those with dietary restrictions. A second location opens this month in Del Mar Highlands Town Center, too.
8795 Villa La Jolla Drive, La Jolla
Named after the age-old fermentation process used to make Italian breads, Biga has a hip and modern feel without losing that authentic Italiano tradition. Countertops are Carrara marble, wood-fire ovens reach 900 degrees, and sandwiches are no ordinary deli situation. The caprese is a favorite, with its hand-pulled mozzarella and pesto aioli so good you could drink it.
950 Sixth Avenue, Downtown
Jackfruit—the savory tropical fruit that’s garnered a reputation as a low-calorie meat substitute and has a texture similar to pulled pork or chicken—is the star at this Mexican eatery in South Park. Adobo-marinated fruit is served on a bed of cabbage and topped with chipotle sauce and creamy citrus aioli. Even meat lovers will swoon.
2310 30th Street, South Park
Named after a city in New Zealand, Dunedin (duh-NEE-din) is the latest installment from the owners of Queenstown and Raglan. But this spot has arguably the best patio for people watching, putting you right next to passersby on busy 30th Street. Pick from a long list of burgers and beer for dinner, or try brunch to do some open-air daytime dining.
3501 30th Street, North Park
Giant warehouse restaurants with multiple rooms have a time and place, but for a more intimate experience, we love this new restaurant-bar adjacent to The Red Door in the former Wellington steakhouse space. The cozy, dimly lit bar has a small plates menu of tacos, vegan nachos, cocktails, and a can’t-miss sticky toffee pudding.
729 West Washington Street, Mission Hills
Goodbye to the uncomfortable plastic chairs, stale nachos, and bad hot dogs of yesteryear’s bowling alleys! Urge Gastropub & Common House in San Marcos offers a menu that features American eats and beers brewed in-house, with lawn games to burn the calories. In the swanky bowling alley, you’ll find cozy couches, dimmed lights, and a big-screen TV playing old-school music videos.
255 Redel Road, San Marcos
At this Italian steakhouse, chef Aliano Decka carves up 40-ounce porterhouse steaks tableside—ensuring the meat is cooked as desired while removing any excess fat. As an added touch, Decka uses his knife to engrave the steak bone with a guest’s name. Now that’s sharp service!
314 Fifth Avenue, Downtown
As a dual-concept café and marketplace, Herb & Eatery is a more casual dining option under the same roof as chef Brian Malarkey’s Little Italy restaurant, Herb & Wood. The laid-back alternative is ideal for the laptop crowd working remotely or those grabbing prepared meals for carryout. Order from the full menu, or indulge in one of their fresh-baked croissants made with French butter.
2210 Kettner Boulevard, Little Italy
The Best of San Diego 2017
Boba Bar
Waffle cone sundaes are so yesterday. Now it’s all about the waffle sundae. Pulling inspiration from a popular Taiwanese street food, Boba Bar in Kearny Mesa pairs a soft, bulbous waffle, or “puffle,” with custard. Options range from a s’mores puffle with marshmallows, graham cracker crumbs, and chocolate chips baked in, to green tea Oreo cheesecake with matcha Pocky sticks, to the peanut butter chocolate overload.
4619 Convoy Street, Kearny Mesa; 7655 Clairemont Mesa Boulevard, Kearny Mesa
Fine dining isn’t necessarily Rolando’s calling card, but Garden Kitchen is changing that. The tiny restaurant has an ever-changing menu of dishes made with farm-fresh ingredients, like a short rib osso buco and scallop ceviche. They also host special events like a Baja wine dinner and Rainbow Happy Hour pegged to Pride month. All of the seating is outside on the cozy patio, making you feel like you’ve walked off the street and into someone’s home.
4204 Rolando Boulevard, Rolando
The coffee shop has an extensive toast menu that spans sweet and savory, but their standout dish is the avocado toast with truffle oil and micro greens. The crusty toast should be eaten using your hands for the best aromatic bite since sliced bread. Add a poached egg on top for a more filling (and oozy) meal.
3752 Park Boulevard, Hillcrest
At the new Liberty Station spin-off of South Park’s Buona Forchetta, the prix-fixe two-course lunch means fresh greens or soup paired with entrées like grilled chicken breast, salmon, homemade pastas, or a choice of their famed Neapolitan pizzas with a non-boozy beverage—all for $14.
2865 Sims Road, Liberty Station
TJ Tacos in Escondido dishes up nine different types of street-style tacos, including nopal (cactus), chorizo, and the ever-so-tasty adobada. But it’s not just about tacos; they also dish out fries, burritos, and quesadillas. Come during the day to avoid the lines.
802 East Valley Parkway, Escondido
Blackmarket Bakery makes bread and pastries from scratch using only “pronounceable” ingredients. Their scones, croissants, cookies, cakes, and tarts are whipped up daily, or guests can opt for a sandwich with one of their house-made breads, like Dutch crunch or artichoke Asiago.
4686 30th Street, North Park
Pouring, chopping, spackling, and scraping are involved in the creation of these made-to-order frozen desserts, a traditional sweet in Thailand. The result: a bowl of camera-ready ice cream roll-ups, garnished with goodies from whipped cream to mochi. Try their variation on cookies and cream, venture with a Fruity Pebbles cereal ice cream base, or go full foodie with the black sesame ice cream; they’re all winners.
4425 Convoy Street, Kearny Mesa
Almost every day of the week, Allison Markow is up when most of us are asleep, baking bars, scones, breads, cakes, and cookies to supply cafés from Oceanside to downtown. One bite of her signature Nutella blondie, a chewy butterscotch cousin to the brownie topped with thick swirls of baked-in Nutella, and you’ll be grateful she does. Grab a fresh-made treat at 14 spots around the county, including Revolution Roasters (Oceanside), Copa Vida (Carlsbad and East Village), Bean Bar (East Village), and Moniker General (Liberty Station).
The Best of San Diego 2017
Fifth & Rose
The new Gaslamp property proves that hotel bars are more than stuffy, suit-clad business travelers or party-hearty twentysomethings. Fifth & Rose gives downtown a breath of refinement, with sleek decor, five-star cocktails, and an ambience that calls for getting a little dressed up (hey, some of us don’t want to wear flip-flops every day). We love visiting during the quiet afternoons, when the light pours in and big windows draw breezes. Happy hour indeed.
550 J Street, Gaslamp Quarter
Holy Matcha, the dairy-free tea café much admired for its blush-and-lush interior, started offering this drink hybrid in the spring. Served in a pink mason jar, the iced agua fresca gets shaken up with a dose of green tea powder and topped with a dash of ground cinnamon.
3118 University Avenue, North Park
This house-made drink boasts just the right shade of millennial pink and is super refreshing on a hot summer day. The boutique coffee house elevates its fresh lemonade with black cherry syrup, a touch of sparkling water, and muddled black cherries and basil. It’s that last ingredient that co-owner Rina Porras-Moceri says gives the drink “just the right amount of earthiness.” She also swears by her wild ginger and mint lemonade. Both varieties are subject to seasonal availability.
1619 West Lewis Street, Mission Hills
This breakfast eatery has a drink list as colorful as its food menu. We love the Ginger Kombucha Mule, Jurassic Pork Bloody Mary, and Spicy Karma cocktail with tequila blanco, jalapeño pepper, lime, cilantro, and agave to start the day. There’s also craft beer and kombucha flights, Prosecco on tap, ciders, bottomless organic coffee, exotic lattes, antioxidant shots, and more.
Locations in East Village, Encinitas, Liberty Station, North Park, and Ocean Beach
Rosé slushies are making boozy waves across the country and in San Diego at spots like Hotel Solamar’s Upper East Bar and Extraordinary Desserts. But the Firehouse Frosé tops our list. A blend of chilled rosé, vodka, citrus, and strawberry makes it sweet, subtle, and light for summer. Rosé all day? Gladly!
722 Grand Avenue, Pacific Beach
Sitting along the Bayshore Bikeway, this newly developed cluster of shops is the perfect pit stop. You can get a taste of the behemoth project at Coronado Brewing Company, which is opening a temporary tasting room this summer, with a restaurant and distillery coming in the next year. Also due in the Bikeway build-out: Trident Coffee and a bike shop.
536 13th Street, Imperial Beach
The massive Barn Yard bloody mary, befitting the eatery’s upcycled country-living decor, is a sight to be seen. This brunch-meets-beverage comes in a pitcher with a whole roasted chicken, bacon-wrapped shrimp, roasted and pickled veggies, and mozzarella and cherry tomato skewers.
8141 La Mesa Boulevard, La Mesa
Tropical drinks are known for having extra flair—an umbrella here, a pineapple wedge there. But instead of traditional punch bowls, this Mission Beach bar serves large-batch cocktails like the Havana Good Time in a giant, flamingo-shaped copper cup. Sip, sip away!
3704 Mission Boulevard, Mission Beach
This winery in Escondido took root in the late 1800s and is home to San Diego’s oldest vine—a Muscat of Alexandria that’s more than 100 years old—along with a cool collection of antiques like a massive “forgotten barrel” from 1932 whose delicious contents are being bottled as a tawny port. The new owners have added a stylish tasting room and patio with live music on weekends, and have brought in Napa winemaker John Robert Eppler to oversee production.
1120 West 15th Avenue, Escondido
The Best of San Diego 2017
The Grass Skirt
Sommelier Brandon Boghosian, an alum of the prestigious Bouchon in Napa, has curated the J&I wine list with “Tried and True” classics and “Leap of Faith” hard-to-find gems or bottles from up-and-coming regions. Seventeen Juniper and Ivy team members have taken the intro course, so expect savvy somms working the floor.
2228 Kettner Boulevard, Little Italy
Fourth-generation wine pro Lowell Jooste is serving wine like you’ve never had it before. The South African native turned La Jolla resident created The Wine Steward, a device that allows high-end wine to be served directly out of the barrel without being tainted by oxygen. He’s currently serving more than 10 varietals in Bird Rock—snag a seat at his surfboard bar—all made by one of Napa Valley’s first female winemakers, Alison Green-Doran.
5621 La Jolla Boulevard, Bird Rock
Last fall we named the Escondido-based J. Brix Wine one of six “winemakers to watch” for their small batches of unconventional, unfiltered wines. And we weren’t the only ones to notice. Spouses Emily Towe and Jody Brix Towe got national attention when Bon Appétit listed them under “great California winemakers [they] love.” And in May, Vogue called their 2016 Uncontainable Rosé of Cinsault “perfectly crisp and zesty, and great for summer day drinking.” But best of all, behind the praiseworthy wine is a down-to-earth, dedicated couple who are just as passionate about each other as they are about their highly drinkable creations. Wine Spectator, take note!
Pizzeria Ambrogio15 is the only restaurant in SoCal that imports wines from a small Italian consortium of biodynamic and organic winemakers (Consorzio dei Vignaioli Biodinamici). The coalition represents six different regions in Italy, and focuses on biodiversity, sustainability, and natural agriculture. All of the wines come from small-production wineries, which produce fewer than 7,000 bottles annually.
926 Turquoise Street, Pacific Beach
Little Italy’s Vino Carta focuses on smaller-scale producers from all around the world, making a point to highlight more natural wines made with minimal intervention, and they’re happy to tell you all about them during one of their many tastings or happy hours.
2161 India Street, Little Italy
Trivia night is usually relegated to sports bars and brewpubs, but Négociant brings the quizzing to an urban winery. At the North Park bar, trivia night holds court on their outdoor patio Tuesdays at 7 p.m. Don’t have an answer? We’re pretty sure the vino will make your guesses a little more creative.
2419 El Cajon Boulevard, North Park
San Diego has long been a tiki city—just look to Shelter Island and its faux-Polynesian buildings—but the recent tiki explosion has brought several new watering holes. We like The Grass Skirt for its top-shelf tropical drink list and creative food menu, which is a cut above the standard pupu platter most people expect. The decor is transformative, taking you from our slice of paradise to one that feels like a tropical island getaway.
910 Grand Avenue, Pacific Beach
Recognizing that 40 percent of food grown in the US winds up in landfills, the North County–based masterminds behind Misadventure set out to turn food waste into beverage gold. They take expired baked goods (jalapeno cheese bagels, Ding Dongs, etc.) and convert those usable starches into sugar—then, with the help of yeast, turn that into alcohol. See? Drink booze, do good.
Available at The Compass (Carlsbad), Mission Avenue Bar and Grill (Oceanside), and at misadventure.co
The Best of San Diego 2017
You & Yours Distilling Co. | Photo by Lindsey Marie Photography
Trust Me is an organic, gluten-free, purified-water-based spirit launched by a local startup. It doubles as art, too. Each bottle features colorful work by a mix of professional and up-and-coming artists.
2100 Palomar Airport Road, Carlsbad
The feeling at most distilleries is all metal and no sit-and-stay-awhile comfort. Not so at this new downtown spot that serves gin and vodka in an urban tasting room with a sleek, feminine warehouse design. The female-owned company uses potatoes, corn, and California grapes to add flavor during the distillation process. Make it a “healthy hour” with one of their veggie cocktails, like the Side Salad with bell peppers, basil, lime, and honey.
1495 G Street, East Village
The Best of San Diego 2017
Drybar La Jolla
Founder Alli Webb was onto something when she launched her flat-rate blowouts-only concept in Brentwood. Drybar has since become a national phenomenon, with more than 70 locations. The second San Diego installment just opened in La Jolla Village Square, offering that just-stepped-out-of-a-salon look without having to pony up for a cut and color. Also noteworthy are Drybar’s “Detox” dry shampoo and new “Whipped” dry shampoo foam, which can extend the life of a blowout for several more days. Consider us blown away!
8867 Villa La Jolla Drive, La Jolla
File this under one of the more unusual spa experiences. After an exfoliating seaweed scrub, a therapist wraps the limbs, torso, and chest in warm kelp leaves harvested by hand off the western shore of Ireland. The mineral-rich leaves, paired with a quick organic seaweed lotion massage at the end, leave skin plump and nourished. The Lodge’s sister property, the Catamaran, will also be debuting the new service ($215 for 80 minutes).
11480 North Torrey Pines Road, La Jolla
The lush resort just debuted a cabana collaboration with Kopari, a local beauty brand that uses coconut oil as a base in all its products. With the poolside Kopari cabana ($325 for the day), you and a guest get a stash of Kopari products, a bottle of rosé, fruit, Suja juices, and mini treatments, like foot scrubs and scalp massages. Want to clock in more spa time? Try the new Kerstin Florian Neroli Blossom Experience, an 80-minute dry brush exfoliation and neroli oil massage. So long, parched summer skin. Hello, glow!
9700 North Torrey Pines Road, La Jolla
Lacey Haegen’s take on hand cream is nothing short of ingenious. Made with jasmine and tuberose flower wax, it comes in a stick form designed for the tops of hands only, which moisturizes dry areas and avoids greasy palms. She just released a shin and arm version that’s worth adding to one’s beauty arsenal as well. Everything is handmade with natural ingredients in her Mission Hills studio. Bonus points for the pretty packaging!
Years before thick, full brows came back in vogue, Gerami had been preaching the gospel of the natural look, expertly threading La Jolla’s finest brows. She quietly returned to the village in 2015 following a short break, much to the delight of longtime customers. Find Gerami in her intimate Crosby Center spa, where she offers threading, waxing, lash extensions, facials, and skin treatments using organic products from Eminence.
1035 Silverado Street, La Jolla
Downtown recently upped its style factor, following the addition of this cute women’s boutique. Owner Rachel Hunt curates a selection of niche ready-to-wear labels, most of which are modestly priced. Also, look for local brands like Little Italy–based jewelry designer JaxKelly and Fair Seas Supply Co. beach blankets.
740 Market Street, Downtown
Rob and Sophie Machado know a thing or two about how to look good on the beach. The pro surfer and his wife have traveled to the best and most exotic coastal spots in the world. The couple’s latest venture, with Sophie at the helm, is a lifestyle store in a cute bungalow on the 101. We love the laid-back rompers and dresses, and the bikinis by Acacia are a customer favorite.
930 South Coast Highway 101, Encinitas
The Best of San Diego 2017
Artelexia
Earlier this year, Elexia de la Parra brought the best of Mexico to North Park with an offshoot of her Little Italy store, which she has since closed. The new location boasts an eclectic blend of vibrant giftables, home decor, and more. From metallic donkey piñatas to embroidered linens, her fun and unique items showcase the style and spirit of our Southern neighbors. De la Parra also hosts crafting workshops (with wine!) and guided culinary and cultural trips to Oaxaca and San Miguel de Allende.
3811 Ray Street, North Park
The team behind the hipster-cool event and workspace Moniker Warehouse opened this minimalist retail shop meets coffee bar meets bar last year. The inventory includes Steven Alan eyewear and Linus bicycles, but the stash of streamlined, design-forward local items is impressive. Look for Norden Goods soaps, Affinità surfboards, and Dear Survivor handbags.
2860 Sims Road, Liberty Station
This Cardiff-based brand has given us easy and stylish bags and pouches to store our wet swimsuits and workout clothes in between the beach and gym or whatever else life has in store. Their “splash-proof” styles come in a variety of sizes and tropical prints. Sure, they’re made to handle wet stuff, but we love them as small everyday clutches and cosmetics bags, too. Carry on!
Thanks to owner Mary Beltrante, we can have our nautical stripes and anchor motifs and wear them, too. The former Mainer has enlisted some of her favorite East Coast brands for totes, candles, gifts, and more—all with great entrepreneurial stories, which she loves to share with her customers. Also noteworthy is her selection of clean, non-toxic beauty products that can’t be found anywhere else in San Diego.
7660 Fay Avenue, La Jolla
Designed in San Diego, these round towels are a statement piece on the sand. With hand-drawn designs contributed by artists from around the world, Slippas are made of soft cotton velour and measure five feet in diameter. Tote them with a towel carrier made of repurposed leather salvaged from planes at San Diego International Airport.
The Best of San Diego 2017
SparkCycle
The national spin brand just landed in Hillcrest, and with it comes high-octane spin sessions. The “cycle theaters” are arranged with stadium-style seating, a spotlight on the instructor, and most distinguishing of all, a competitive edge. To ensure no slacking off, every bike has a monitor that tracks RPM (revolutions per minute), and a giant screen at the front displays your ranking in the class. That feature is optional, but undoubtedly makes even the least competitive cyclist push a little harder. After each class, riders receive an email with estimated calories burned, class ranking, and other stats.
1040 University Avenue, Hillcrest (coming soon to Carmel Valley)
This workout regimen originated in Australia, the land of the perfectly sculpted beach bod, and just opened its newest San Diego location downtown. F45 combines elements of circuit, functional, and high-intensity interval training, which is the ultimate combo for burning fat and building lean muscle. The best part? Every workout is different, keeping members challenged, intrigued, and sweaty. Really, really sweaty.
1240 Tenth Avenue, Downtown, also in La Jolla, Del Mar, Mission Gorge
After a successful three years in La Jolla, the spin studio has opened a shinier, larger studio in ever-expanding Liberty Station. The new digs have four rows of bikes instead of three and more spacious locker rooms, plus the same perks their community of cyclists have come to love, like free spin-shoe rentals and chilled eucalyptus-scented towels after class.
2835 Perry Road, Liberty Station
Barre, the ballet-inspired workout designed to tone and lengthen, is challenging enough on its own—but when paired with heat, it’s next-level tough. Instructors here do a great job explaining the equipment and space; the front area’s a scorching 90 degrees, while the back is a “cooler” 80. Every class is slightly different, but expect weights and cardio bursts that make the class feel almost like a boot camp. To top it off, your first class is just $5.
3956 First Avenue, Hillcrest
Adjacent to and owned by The Westgate Hotel/Grand America Hotels is a new wellness club that’s been a long time coming. But it was worth the wait. The four-level, 40,000-square-foot facility includes huge, airy classrooms, a running track and lap pool on the rooftop, and amenities such as private lockers and laundry service for certain memberships. Some include valet parking as well. But perhaps studio space is the biggest luxury of all here—we love that we can take a class without stepping on other students.
234 Broadway, Downtown
The Best of San Diego 2017
Paintbox Studio
Founder, owner, and instructor Jaimee Brant hosts after-school art classes, arts and sewing camps, and sewing clubs for beginners and intermediate learners. This year, the UC San Diego alum will also offer a six-week fashion sketching and drafting class, as well as quarterly gallery showings featuring student pieces. Great for kindergartners and up.
1101 Washington Place, Mission Hills
The revamped library in IB feels every bit coastal, with a water-themed design that includes wave-shaped structures to give it a beachy vibe. The new space is three times the size of the original with plenty of kid-friendly add-ons, like a woody station wagon for kids to read in, surfboard tables, cozy nooks, and more.
810 Imperial Beach Boulevard, Imperial Beach
Craft culture meets family friendly at this new Del Sur spin-off, where kids can order off their own special menu and romp in the play area with cubbyholes and toys, while adults enjoy 30 rotating brews, rosé on tap, and executive chef Rich Sweeney’s creative comfort food like tri tip crostini, shaved street corn, carnitas verde mac and cheese, beer can chicken, and potato chip sundaes.
16480 Paseo Del Sur, Del Sur
This mini chain isn’t just about groceries; they have engaging family-friendly events, too. Their mission is to encourage kids to be adventurous eaters. In June they organized a grocery store scavenger hunt that got kids to try nutritious foods, like kombucha and quinoa edamame salad. On August 8 the North Park location will host a kids’ cooking event, where families will learn how to make 10-minute meals together. Just say no to chicken nuggets and fries!
Locations in Alpine, North Park, Point Loma, and Rancho Bernardo
Have a baby shower or kid’s birthday party on the calendar? Head to See/Saw beforehand to find a unique gift. Owner Theresa Renfro’s assortment of fine wooden toys, luxe organic clothing, and more is sure to please youngsters and mothers-to-be alike.
3028 Cañon Street, Point Loma
The latest installation to wow the little ones is a collaboration with the award-winning, Tokyo-based TeamLab. The group of “ultra-technologists” has created an interactive 20-by-10-foot digital aquarium where kids can draw their own marine animal, scan it in, and see it swim around and interact with other creatures. It’s also a touch screen, so kids can feed their creations or move them about. Just another next-level offering from one of the coolest children’s museums in the country. Bonus: Their café, Bean Sprouts, is now open!
200 West Island Avenue, Downtown
Parenting on an empty stomach is ill advised; so fueling up and getting something in return is a true win-win. Dine alfresco or savor the stunning views inside as kids enjoy a free meal per adult purchase on Saturdays after 4 p.m. Mini munchers will be over the moon for the create-your-own-pizza option (s’mores dessert included!) and starting the meal with Ignite’s renowned Man Candy sweet-and-spicy bacon is a must for parents.
6996 El Camino Real, Carlsbad
The Best of San Diego 2017
Mint Studio
Nearly 20 workshops led by local and internationally renowned crafters are hosted here monthly, from block printing basics to brush lettering. Prefer to create at your own pace? Check out the projects offered in the DIY studio, where all materials needed are at hand and you pay only for what you make. The space can also be booked for private parties and events.
5965 Village Way, Carmel Valley
After reviving a forgotten theater space in Ocean Beach in June 2016, Jennie and William Connard have managed to produce a crazy-good lineup that’s included Broadway and off-Broadway favorites like Urinetown, The Who’s Tommy, and I Love You, You’re Perfect, Now Change. We’re thrilled to see these beloved shows back in performance, and in a walkable neighborhood venue. Despite a matchbook-size stage, OB makes it work with stellar musical and acting talent.
4944 Newport Avenue, Ocean Beach
Good actors tend to be risk takers. So maybe it stands to reason that in the face of impending cuts to local and national arts funding, Will Cooper, Phil Johnson, and Ruff Yeager formed a professional theater company this spring, focusing on new work as well as classic and contemporary plays. Their first production, Margin of Error, written by Cooper, was praised by the Union-Tribune; they followed up with a comedic retelling of Emily Bronte in Withering Heights. We can’t wait to see what’s next.
While the larger San Diego theaters are making a lot of noise, and rightfully so (Jimmy Buffett! Tony Awards!), this small professional theater with the mission to “create more diverse and honest images of women” is producing cerebral but accessible work, like The Revolutionists, a comedy set during the Reign of Terror. Next up: Ironbound and The Diary of Anne Frank.
6663 El Cajon Boulevard, College East
A stable of women empowerment groups have risen in San Diego, focusing on career, networking, and collaboration.
Earlier this year, florist Jill Fausner of Layered Vintage teamed up with Pow Wow Design Studio and Miho Catering Co. to throw two parties geared at celebrating female friendships and partnerships, and has plans to host another ticketed party this year. And mom boss Katie Saffert has carved out a place for business mamas with Hatched Collective, a new coworking space in Normal Heights.
Two new meetup series, Lady Killas and SheRocks, aim to take the work out of networking. Formed by SDSU alum Courtney Wall, and former San Diego Magazine employees Jessica Jalowiec and Laurie Nicoud, respectively, the events encourage women to consider collaboration over competition. SheRocks hosts one annual event and smaller offerings each season. Lady Killas hosts monthly.
A conversation with Sebastián Morúa on art, community, and why the club’s future heroes should include the creatives helping build it
Sebastián Morúa is the Senior Vice President of Brand & Innovation for San Diego FC. He oversees Playmakers, the program through which the club has, over the past three years, engaged with over 80 working artists—not as marketing partners, but as co-creative directors.
Morúa didn’t build Playmakers as a community-outreach program bolted onto a Major League Soccer franchise. He built it as the identity of the franchise. When we sat down, he talked about the World Cup, San Diego’s creative workforce, his challenge to other sports franchises in the city, and the mural of heroes he hopes people will see one day when they close their eyes and picture San Diego FC.
Sebastián Morúa: I want to answer that in two parts. Philosophically first—because I think what you’re really asking is why should any sports team do this when most don’t.
Sport is a platform for transformation. It has proven that over and over. We saw it this summer with countries participating in the World Cup for the first time and what that did in their home countries—the sense of self-identification, pride, possibility. That is the power of sport.
When you take a sports team that’s fueled by that principle and understands what it could mean for other stakeholders in a community, you start to think about what you can accomplish in collaboration with them. One of those stakeholders, very early on, was the creative community. If we were going to build a team that represents this place and its people, we needed to go to the source. Artists are uniquely positioned to translate the essence and the soul of a community. When you zoom out and look at the multitude of artists in a place, you start to see the fabric of that local culture. That’s where the sense of pride and possibility gets unlocked.
Our mission is to create opportunities for talent to flourish and make San Diego shine. That means the club is a platform. When we started doing the early research for the brand, we brought artists into our focus groups. The response was immediate. There was a clear need. In 2024, we ran the first full year of what became Playmakers, working with more than 20 artists to help us tell the story of how San Diego FC could weave 18 distinct communities together.
We’re in the business of developing communities through sport. We’re not in the business of fútbol to entertain communities. That is an outcome—but not the purpose.
No. I wasn’t thinking about where this was going or how much it would cost. It instinctively felt aligned with our organizational purpose, and we made a decision to go for it. Now it’s become what it’s become.
If a fan closed their eyes 20 years from now and tried to paint a mural of the heroes that make up the club, they would see a big percentage of Playmakers artists on that mural. Ask any fan about the team they’ve supported for decades, and they’ll tell you about players, maybe a coach, maybe an owner. We’re expanding that. In our mural, there’ll be artists, entrepreneurs, community leaders, youth coaches. The community will be present.
Three to five years from now, Playmakers is an established community of creatives who have co-directed the identity of the club and the evolving identity of San Diego. If we keep the pace we’ve kept, we should have collaborated with 150 to 200 artists whose stories we’ve told and whose next steps we’ve helped support.
There’s a huge benefit for us as a club and as a brand. This is symbiotic. The artists have a need, we can support that need, and in return the community cares more about our club because of the investment we’re doing in the community. That’s what I would tell another organization.
San Diego is waking up to how much it has to offer the global conversation around culture. There’s a purity to life here—partly because of the weather, which allows us to spend so much time outside, in nature—and that exists alongside this incredible richness in food, music, art, and now sports.
I have a sense that San Diego is ready to unlock its full potential. You see it in the artists and creatives here. They’re ready. There’s very little hesitation. It’s more like: “Hell yeah, of course I want to do this. I know I’m talented. I’ve been waiting for something like this.”
That energy, combined with the unique lifestyle and character of this place, creates a really exciting sense of what San Diego can become in the years ahead.
I would ask: What would you say to the other big players in San Diego who are—or could be—shaping the cultural fabric of our community? Do they understand the symbiotic benefit? Are they supporting it?
Because Playmakers, in the end, is a cultural compass. It’s making sure that San Diego still feels—and will always feel—represented in the creative process of building San Diego FC and what that means for San Diego.
The pitch is a canvas. Athletes are painting collectively during every game. There is a story in every game. That’s the link between sport and art. At the core, it’s the same creative process.
Your checklist for the best stage performances, museum exhibits, and one-night-only cinematic events hitting San Diego this autumn
Fall Arts Preview presented by SDFC Playmakers
Now through Jan. 10, 2027
Sift through over 200 photographs, sketches, letters, and costumes from “The King of Vogue,” who photographed World War II, modernized royal portraits, and created the aesthetic for 1920s socialites in London.
Now through Feb. 28, 2027
Walk through an 18-foot whale ribcage (and a couple dozen other marine-creature sculptures) made entirely of plastic bottles, flip-flops, lighters, rope, and other plastic detritus found on the beach in the Nat’s 3,000-square-foot second-floor gallery.
Now through May 31, 2027
Part of SDMA’s centennial, “Forging a Legacy,” highlights artists from the past (Picasso, Monet) and modern day (Hugo Crosthwaite) who contributed to the museum’s collection.
Now through 2027
See the stars (without the smog) at their best from the winners of the world’s largest astrophotography competition—all in the Fleet Science Center’s new basement gallery, specifically dimmed to let the cosmos shine.
Sept. 6–Oct. 11
From the 2013 silver screen to this year’s The Old Globe stage, you can “Begin Again” (again) with a world-premiere musical adaptation featuring new songs—courtesy of Train—and a story overflowing with hope.
Sept. 9–Oct. 4
“On the outside, always looking in…” marks the emotional crux of the Tony-, Grammy-, and Emmy-award winning musical coming to the Cygnet Theatre.
Opening Sept. 12
Learn the history of the Kumeyaay Nation from the perspective of the members themselves in an immersive exhibit inspired by graphic novels “Our Past, Present, and Future,” and “Beyond Gaming.”
Sept. 16–Oct. 11
During Oscar Levant’s appearances on “The Jack Paar Show,” he explained his reality with mental illness—the institutionalizations, electroshock therapies, nothing was too taboo for him. “Good Night, Oscar” takes us backstage in the raw moments before his 1958 television appearance.
Sept. 19–Jan. 10, 2027
A disco ball isn’t just a disco ball. It’s a symbol of where queer communities can finally exhale and be their fullest selves. “Visiones Nocturnas” uses paintings, sculptures, textiles, performances, photos, and videos from Latin American artists to explore what’s at stake when nightclub lights shut off.
Sept. 21, Oct. 26, Dec. 7
Guest organists from across the country will come to the Balboa Theatre to accompany a new silent film for each performance. This year closes out with The Headless Horseman (1922), Dr. Jekyll & Mr. Hyde (1920), and a holiday triple feature of Laurel and Hardy films.
Sept. 29–Oct. 4
“What if Abe’s assassination wasn’t such a bad thing for Mary Todd Lincoln?” was the question that inspired Cole Escola’s play “Oh, Mary!” In the production, Mary Todd desperately tries to return to the cabaret stage, but her husband (President Lincoln in the midst of the Civil War) keeps getting in the way.

Oct. 3–4
Conductor Rafael Payare opens the San Diego Symphony’s 2026-2027 season with a three-part concert featuring composers Sofia Gubaidulina, Wolfgang Amadeus Mozart, and Richard Strauss.
Oct. 8
Two dozen of Emily Dickinson’s poems are turned into songs—composed by Pulitzer Prize winner Kevin Puts and performed by Grammy-winning mezzo-soprano Joyce DiDonato—for a one-night-only exploration of love, loss, loneliness, and mortality.
Oct. 8–Nov. 1
Roommate beef has no age limit. The latest play from Pulitzer Prize winner David Lindsay-Abaire turns that experience into a comedy through retirement home roommates Marilyn and Abby and the bet between them to see who will break first and move out.
Oct. 12
Composer Olivier Messiaen has chromesthia, so for him, sound evokes a visual connotation. His work “Des Canyons aux Étoiles” brings desert rock and the night sky to mind. See what he means from La Casa del Zorro in the Anza-Borrego Desert, in this performance immersed within nature.
Oct. 13–18
San Diego International Film Festival salutes the silver screen for a 25th time, now with a sixth day adding extra time for parties, screenings, and movie-star tributes.
Oct. 23–25
Considered one of the masterpieces from opera great Giuseppe Verdi, San Diego Opera’s “Rigoletto” sees what happens when the prurient Duke of Mantua and his sharp-tongued court jester become entangled in a fatal curse.
Oct. 27–Nov. 29
When the Grim Reaper’s job becomes too…grim…and he retires after 300,000 years, his daughter picks up the family business. But when she falls for a human and finds beauty in the souls she’s meant to reap, she questions her purpose.

Nov. 21–May 9, 2027
San Diego is nothing without skate culture. Mingei’s “Skate Craft” portrays skateboarding as “living folk art” via its DIY roots (skateboards built in garages) and shows how that ethos shapes the future.
Emma Veidt is an editor at San Diego Magazine. She earned her bachelor's and master's degrees from the Missouri School of Journalism. She loves running, hiking, and rock climbing, but really, she mostly loves encounters with the street cats around North Park.
Ryan Hardison is a freelance arts and entertainment writer and recent graduate of San Diego State. When he's not staring at his laptop, he's likely eating an adobada burrito or getting sunburnt at the beach.
Artists and advocates are building a more sustainable creative future through public funding, political organization, and cross-border collaboration
This is part of a three-part series. This is Act III. See Act I and Act II here.
We’ve been here before.
In 2012, city funding for the arts and culture in San Diego had eroded. As a corrective, the city council unanimously approved “Penny for the Arts”—a promise to dedicate roughly one penny of every dollar spent on hotel rooms (the Transient Occupancy Tax, or TOT).
The logic was fair and sound: Cultural institutions and events help attract visitors. Those visitors pay hotel taxes. So, the people agreed, some of that hotel-tax revenue should go back into maintaining the cultural ecosystem that helps bring those visitors and that money.
Projected as a five-year plan, the measure was supposed to increase funding to $17.9 million by 2017.
It never did. The penny was never guaranteed, so each year the city used part of it for other priorities. By 2023, the money going to arts and culture was up to about a half a penny. Even as TOT revenue has gone up significantly.
In 2019, TOT revenue was $245 million.
In 2025: $325 million.
One fix would be to guarantee the penny. Not simple, given San Diego’s financial woes. But the alternative—eroding the culture that makes San Diego San Diego, give it its identity—also doesn’t feel wise. Plus, even a locked percentage still rises and falls with tourism, which is why culture advocates want a guaranteed floor on top of it.
Another solution would be to give the arts commission actual authority.
“It’s an advisory body,” says arts commissioner Kamaal Martin. “You’d be hard-pressed to find anybody who takes our advice.”

He described the commissioners debating real, consequential questions this year, like whether and how to divide the cuts between funding pools. But those conversations “don’t connect to whoever’s actually deciding,” Martin says. “We haven’t been entrusted with decision-making about relevant things nearly enough.”
Christine Martinez is building political infrastructure through her organization Arts+Culture:San Diego—which is starting a 501(c)(4) lobbying structure not unlike police and fire unions. Martinez is also keeping her community actively engaged. “We won’t be caught off guard next year like we were this year,” she tells me.
Then there’s the evergreen issue of affordability and accessibility. Kiplinger’s most recent report ranks San Diego as the 11th most expensive city in the US, based on cost of living. The average home value is $980,700 (the US median is $540,000), but San Diego’s median household income is only one-third greater than the national level. Rent is also 66 percent higher than the national average ($2,716 vs. $1,636).
This is why San Diego has long suffered from the creative brain drain—creatives leaving for more affordable cities. “Artists are free to live wherever they want, and they will go where the rent is affordable,” says Jennifer de Poyen of Space 4 Art. “When they leave, they take their gifts with them, and their contributions, and their economic impact.”
One saving grace is the presence of Tijuana, where the cost of living is about 60 percent lower than San Diego, per Numbeo. Tijuana has long functioned as an affordable neighborhood for many in San Diego’s creative culture. It’s part of the reason why the binational identity is such a constant in our galleries, music, theater, murals, and culture. While that cross-border blood flow is one of San Diego’s most compelling attributes, few artists living that life would call it convenient or easy. A city is at a disadvantage when its culture creators have to cross a border to go home at night, and cross again the next morning to work.
In May, San Diego County Board of Supervisors approved a $2.75 million arts initiative of its own. It includes an Artist Space Grant Program aimed directly at the affordability crisis, as well as an artist-in-residence program, a dedicated Binational Creative Economy Investment, and a one-time investment in the Black Arts and Culture District in Encanto.
Bob Lehman of San Diego Art Matters has been doing county-level, binational organizing for years; in 2023, he helped get the county’s arts commission reestablished after 30 years of defunctness. That’s important because it gives arts and culture an official seat in county government, advising the County Board of Supervisors on arts and culture policy. He also brought in consultant Laura Zucker, who ran LA County’s arts program for three decades, to build a real regional plan.
“I really believe we’ll have something set up here that other communities come and look at,” he told me. “A national template other cities come to learn from.”
When asked who decides which artists will get the new grant money, county arts commissioner and executive director of the Chicano Park Museum and Cultural Center Monica Delgadillo Hernandez doesn’t hedge.
“That’s part of the infrastructure we’re going to be building,” she says. “What should a panel of reviewers look like? Should it be the commissioners? Should it be other folks? A supervisor?” She was just as candid that the commission itself doesn’t reflect San Diego’s population—Chicano communities are roughly a third of the city, she tells me, “and that’s not represented at the table yet.”

The great news is that none of these solutions have to be invented from scratch. Numerous cities serve as examples of what’s possible—if we have the will.
Jonathon Glus—Prebys Foundation Senior Fellow for Art & Design, the Executive Director of the Art + Design District, and board president for California for the Arts—worked in Houston before coming to San Diego. The Texas city dedicates 74.5 percent of its hotel tax to arts grants by formula, and that support is guaranteed. Washington, DC locked in dedicated arts funding in 2019. Salt Lake City, my hometown, has run a voter-approved arts tax for almost 30 years, most recently reauthorized through 2034. And just this summer, New York City pushed cultural funding to a record $323.8 million, even incorporating an emergency fund.
Denver’s model is interesting because instead of a city-dependent funding model, theirs is a 0.1 percent regional sales tax. In place since 1988 and renewed by voters three times, their Scientific & Cultural Facilities District has distributed between $54 million and $85 million to arts, culture, and scientific orgs—each of the last 12 years.
This is part of a three-part series. This is Act III. See Act I and Act II here.
None of these cities got there by accident. They decided, on purpose, that arts and culture were worth protecting from politics—and, in some cases, worth building an entire identity around.
“That’s how Miami has flipped the switch,” says Glus. “People go to Miami for culture as much as they do the beach.”
San Diego has spent decades selling itself backward: Beach and weather first, culture as an afterthought you might stumble into. Glus would love to see the strategy flipped: Visitors should come for the art, “and then, by the way, you’re on the beach.”

“I do think it was a wake-up call for the community,” de Poyen says of the budget fight. “People understand that our funding is vulnerable. It was a lesson in how much power people have when they coalesce. But wow, is it painful.”
Glus says he’s genuinely optimistic. “The players have all changed seats, but the work is moving forward.”
“I believe optimism is a moral duty,” says Martin, who’s both power-fist and polite.
In eight months, there will be another budget fight. Everyone I talked to expects it will be worse. But something happened this spring that can’t be undone.
“I hope this rupture has brought us together in a moment of self-realization,” says Leticia Gomez Franco of the Balboa Art Conservation Center. “I hope we stop being so transactional; we begin to see ourselves and each other as partners in this work.”
That’s the whole ask, really. And it’s on all of us.
This is part of a three-part series. This is Act III. See Act I and Act II here.
Aaryn Belfer is a writer and editor specializing in nonfiction across art, architecture, and culture. Once upon a time, she wrote a provocative column for San Diego CityBeat (RIP). She was a runner up in the 2025 Matchbook Stories contest at the San Diego Central Library and is irrationally happy about it. Currently in her Soft Girl Era, Aaryn has expensive taste in (mostly flat) shoes and will choose a great art exhibit or live jazz concert over almost anything else. Except, possibly, Javier Bardem.
At Vi at La Jolla Village, residents don't have to choose between security and adventure, connection and independence. They get all of it.
Today’s seniors are more connected than ever, with a renewed focus on retirement as a time of discovery and enriching experiences. The ultimate reward for a retirement well-earned is the wisdom to appreciate it all, and what better place to enjoy that unique perspective than Vi at La Jolla Village, in the heart of San Diego.
All-access pass to good living.
As a Continuing Care Retirement Community (CCRC), Vi provides access to a connected and fulfilling community while making it easy to plan for future care, should the need ever arise. With a care plan in place, residents enjoy greater financial predictability and long-term value, freeing them to focus on making the most out of retirement.
Resort-style amenities at the epicenter of a cultural hub like San Diego offer a retirement experience unlike any other. Paired with exceptional dining, spacious accommodations and dedicated staff, the best of maintenance-free living is all around. And with the introduction of Vista 360 Well-Being, Vi’s panoramic approach to wellness, there are more ways than ever for residents to access it all.
The harmony of mind, body and community.

The key to longevity is striking the right balance in maintaining an active lifestyle with an active mind in a fulfilling community. With newly renovated community spaces and restaurants, Vista brings a variety of opportunities for residents to elevate their well-being through Vi-exclusive “Signature Experiences.”
Vista Enrich takes an evidence-based approach to brain vitality, keeping residents at the forefront of cognitive health through exergaming (exercising + gaming), nutritional plans and informative workshops. It is also home to The Brain Vitality Studio, an innovative facility dedicated to cognitive fitness that has garnered national recognition.
Vista Discover invites residents into stimulating educational experiences, from chef-led cooking demos and guided wine tastings to lectures at local universities and intimate lectures following cultural outings.
While Vista Enrich focuses on brain health and Vista Discover engages residents intellectually, Vista Explore cultivates a sense of adventure through curated travel and local excursions. But broadening one’s horizons doesn’t always require a plane ticket. One recent event brought a taste of the world right to the community: an onsite “jazz cruise” featuring live music and global cuisine served at a series of themed “ports” all within the community’s own ballroom.
“Location, location, location”

One of the biggest perks of life at Vi at La Jolla Village is its proximity to just about everything. With easy access to transportation and local attractions just steps away, residents can explore and engage with their community at their own pace.
“There are trolley and bus stops within a 5-minute walk that will get you to the beach, UCSD Campus, medical appointments, downtown La Jolla or San Diego, et cetera. We rarely use our car,” said resident Tom Yager.
With the best of San Diego just steps away, residents don’t just live in the city, they live within reach of everything that makes it special.
The best of all worlds.

At Vi at La Jolla Village, retirement isn’t a chapter to slow down; it’s an invitation to discover more. Tailored community experiences created by Vista, paired with the vibrant pulse of San Diego just outside the door, mean that residents don’t have to choose between security and adventure, connection and independence. They get all of it.
This is what an all-access pass to good living looks like: the comforts of an elevated lifestyle, a community built for growth and a city made for discovery – all in one place.
To learn more about Vi at La Jolla Village or for details on available floor plans, visit ViatLaJollaVillage.com/SDM.
The history, communities, and creative movements behind a cultural scene that extends far beyond the city’s postcard image
This is part of a three-part series. This is Act II. See Act I and Act III here.
Without concrete, wildflowers are just weeds. Any honest history of San Diego art and culture is tension and its reckonings. It begins before the name existed, with the Kumeyaay. It must pass through the Panama-California Exposition, one hell of a county fair that conjured Balboa Park as our grand cultural stage. It pays tribute to the lights of La Jolla, where the donor pool helped realize unrealizable things. It should mention names like Marston, Scripps, Ochoa, DeWitt, Lopez, Klauber, Baldessari, Torres… so many.
In short spaces like this, long histories like that become roll calls. So this is more of a walk through pressure points, notes on recurring forces and regional oddities.
Border life is key to understanding the here of here. Art without dialogue is just decoration. At its best, that dialogue should be a tad muddy, emotionally gassed. In other words, it should be in need of art—to widen perspective, parse meaning, see the unseen.
San Diego’s central dialogue—the magic and the stressor—is being flatmates with Mexico’s second-largest city by population. That makes San Diego a swing-gate of shared and vastly different perspectives, both its own place and something larger. And in no other major city in the US do the fresh flow of ideas from two countries—different governments, laws, mores, expressions, arts, cultures, traditions, economies, loves, and resentments—mingle at such a constant daily rate (due respect to El Paso).
That binational steam created Chicano Park, one of the most uniquely San Diegan contributions to national and international culture. When construction of the I-5 and Coronado Bridge divided Logan Heights, neighbors protested by transmuting prejudicial concrete into redwoods of Chicano art. Turning a civic wound into a beautiful and enduring landmark that expressed and preserved a core identity—like East Side Gallery in Berlin or Constitution Hill in Johannesburg—is damn near the core of what art is supposed to do.
Like any city, the underground-overground friction is crucial in San Diego. Our culture is headlined by institutions that lift creative work onto national and international stages: MCASD, The Nat, SDMA, Centro Cultural de la Raza, the Symphony, WorldBeat Center, The Old Globe, La Jolla Playhouse, Mingei, Museum of Us, Stuart Collection, Timken, ICA, Comic-Con, etc. The next mutations grow in the seams: street murals, music dives, tattoo shops, wheatpasted walls, graffiti, lowriders, surf and skate art (though in San Diego, this is mainstream), pop-up shows, backyard shows, beach raves, any place with room for people and a loose relationship with regulations.

Both art and culture get their power from power. They’re fundamentally a conversation with and retort against dominant structures. San Diego’s most pervasive structure is arguably the most rigid form: the military. Its presence is heavy in the southern tip (Border Patrol), the middle (Navy and MCAS Miramar), and northern edge (Camp Pendleton). The military is San Diego’s largest employer, by a long shot.
Within this plus-sized environment of order and hierarchy, it’s understandable that Shepard Fairey’s “OBEY” posters in the late ’90s struck such a potent chord. The most compelling punk rock is often outside a strong governor’s window. (The “OBEY” series featured an ominous, propaganda-style André the Giant wheatpasted on random ugly surfaces across San Diego—launching Fairey’s style that he eventually used for Obama’s “HOPE” poster.)
Armed forces are often viewed as the absence of creative culture—understandably so, since rogue individual expression feels like a pretty sure way to sink a war effort.
But in San Diego, the Navy’s unsuspecting role as art creator—directly or indirectly—is hard to ignore. Tattoos are a dawn-of-time practice of many early cultures, including the Kumeyaay. But Polynesia was a core realm. Sailors were exposed to it on deployment in the Pacific Rim, inking their arms with the names of loved ones and unit insignia. Back in San Diego, they’d flaunt those tats in the beaches and bars of Mission Beach or PB (Marines did the same in Oceanside.) Enlistees were the muscular flesh galleries that helped turn skin art into one of the city’s most widespread modern art forms.
During WWII, the military also trained huge legions of San Diego laborers how to build war machines. Those mechanics, engineers, machinists, welders, painters, and metal fabricators used those skills for creative good in their neighborhoods—especially in custom car culture, which took off in the post-war ’50s and ’60s. Mexican-American vets helped develop the lowrider scene, a deeply rooted part of San Diego creative expression. Galleries on slow-moving wheels.
Tourism is the other mainstream force ripe for creating against. It is both critical to San Diego’s economy, and one of the greatest barriers to deeper, more nuanced expressions of what and who San Diego is. The industry of selling our city to passers-through creates a gigantic tarp of cultural tropes. It reinforces the most obvious charms—cute zoo animal takes in an epic sunset with a giant margarita—and doesn’t yield much airspace to the thrilling micro-cultures that live and breathe where locals live and breathe. Nothing against watercolors of dolphins, but much against the hegemony of watercolors of dolphins.
Maybe because of these dominant forces, San Diegans especially tend to force underground and institutional art into a needless cage match. It’s human instinct to champion the underdog as more worthy, but that has always felt like a form of articide.

It’s like saying the only good food is made by gritty upstarts who crafted their own whisks from discarded shopping carts. Most of those plucky whisk-makers would love to eventually be paid properly, would love a stage, a grant, a building, a donor, a lighting rig, health insurance, maybe even one chair that doesn’t threaten the spine.
That’s what the major institutions do. Both stages—the duct-taped and the donored—serve vital roles and deserve commensurate support if we care about the entire lifespan of creative expression and not just its first exciting steps. Championing the starving artist exclusively just secures an enduring poverty for the creative class at large.
I’ve often theorized it’s harder to create great art and culture in cities like San Diego, where the climate is supernaturally pleasant. In colder/hotter/rainier/less beautiful cities, people are forced indoors to fabricate their own beauty (the grunge music of Seattle, the obscene creative output of Reykjavík). San Diego’s eternally mild sunshine tends to make the human body our art medium of choice. But scratch the surface of that surf poster (and I’ve only scratched a miniscule percent here), and this city’s far from the cultural shallows it gets accused of being.
Addendum: A Personal Agenda. In scouting the route of art and culture across San Diego county through history, two areas come up again and again: La Jolla and Barrio Logan. So I propose a collaboration between two icons of artful concrete—Chicano Park and Salk Institute (one of the world’s great examples of brutalism architecture). Let Barrio Logan’s muralists go nuts on that coastal science fortress, unite the realms for a moment in time.
This is part of a three-part series. This is Act II. See Act I and Act III here.
Troy Johnson is the magazine’s award-winning food writer and humorist, and a long-standing expert on Food Network. His work has been featured on NatGeo, Travel Channel, NPR, and in Food Matters, a textbook of the best American food writing.
The city’s cultural sector regained millions after a proposed 85 percent cut, yet nonprofits, youth programs and major institutions still face painful losses
This is part of a three-part series. This is Act I. See Act II and Act III here.
Every spring, Christine Martinez reaches out to the arts community to explain what’s on the line, hoping they’ll engage with the city’s budget process. Cultural funding, she constantly reminds, is almost always strapped to the guillotine. Especially in a city strapped for cash.
“It’s not an easy ask,” says Martinez, manager of Arts+Culture:San Diego. “Showing up is a real cost for small, volunteer-run groups that can’t spare half a day at City Council without possibly having to close their doors.”
Then, last April—with one day’s notice to arts leaders—Mayor Todd Gloria proposed a budget that didn’t trim arts funding; it eviscerated it, from $13.8 million to $2 million. An 85 percent slash. Other city departments faced cuts of about 7 percent.
The scheduled date of the cuts was just three months away (beginning of the fiscal year). Organizational leaders have to plan months if not years ahead to run their organizations. They had made hires, dedicated spending, and programmed their seasons based on a reasonable expectation that support for the arts would be somewhat in line with previous years. (The City has allotted at least $7 million a year to arts every year for the last 20 years, and the last four years have ranged between $13.8 and $18.2 million.)
The day felt even more existential given the national and international climate around the arts: namely, the federal government’s repeated proposal to eliminate the country’s two biggest cultural foundations (NEA and NEH), and the global trend of AI replacing more costly human creatives.
“It shocked everybody,” says Kamaal Martin, arts commissioner and co-founder of Art Power Equity. “If the message had been, ‘Times are tough, everybody tighten their belts a little,’ it would have landed differently. But there was no vision offered for the future, no parity in the cut. It was just, essentially, ‘Fuck you.’”
Among things I’m good at—sleeping late, low bidding for expensive shoes on Poshmark, parallel parking on either side of the street—budget analysis isn’t among them. In trying to understand how bad the finances were for San Diego to propose this drastic cut, I found myself drowning in numbers, pie charts, and politi-speak.
In his April 27 newsletter, Gloria explained that balancing the budget means “asking hard questions about every single dollar this city spends: Is this a core responsibility of city government, or is it something we do when we can afford to?”
Fair enough—if he were to ask those hard questions about every single dollar this city spends. It also makes his conclusion clear: The City of San Diego does not view supporting arts and culture as a core responsibility.
Which begs more than a few questions: Should the City be responsible? If not, then who? How crucial are arts and culture to a city? And since this is a budget discussion, how much revenue does the arts and culture industry generate for San Diego? What’s the ROI?

$1.2 billion.
That’s how much economic activity San Diego’s arts and culture nonprofits generated in 2022, according to the City’s latest Arts & Economic Prosperity 6 report. The industry created nearly 17,000 jobs and generated $878 million of personal income for local residents. About 15 percent of the people showing up to arts events in San Diego are tourists, so money was raised through TOT (Transit Occupancy Tax). The activity generated $275.7 million in tax revenue to the city.
In other words, the ROI seems to be ROI-ing.
Still, there have been signs that cuts were coming. In 2025, the City demoted the Department of Cultural Affairs to a division, folding it into the Economic Development Department (EDD). That meant Cultural Affairs no longer had independence, nor its own leader sitting at the same organizational level as departments like parks and recreation, library, police, and fire. It lost institutional leverage and would now have to compete with other EDD priorities—real estate, airport operations, business development, etc.—for budget allocation.
To be clear, few arts administrators and leaders I spoke with are interested in the either/or false choice of funding law enforcement or after-school programs; the fire departments or libraries. They’re sincere in looking for solutions that don’t leave any single group with a greater burden of righting a long-out-of-balance budget.
Jennifer de Poyen, executive director of Space 4 Art, says Gloria had long been a supporter of the arts, which made his attempted Red Wedding especially upsetting.
Aaryn Belfer is a writer and editor specializing in nonfiction across art, architecture, and culture. Once upon a time, she wrote a provocative column for San Diego CityBeat (RIP). She was a runner up in the 2025 Matchbook Stories contest at the San Diego Central Library and is irrationally happy about it. Currently in her Soft Girl Era, Aaryn has expensive taste in (mostly flat) shoes and will choose a great art exhibit or live jazz concert over almost anything else. Except, possibly, Javier Bardem.
Laika Nur, MD, takes her love of volleyball from the court to the clinic as team physician for the San Diego Mojo
Growing up, Laika Nur, MD, Scripps Clinic sports medicine specialist, loved watching beach volleyball when the Association of Volleyball Professionals tour came to her hometown of Chicago. A talented volleyball player herself, she remembers sitting in the stands all day, and once, even got a couple autographs. Years later, Dr. Nur was attending a professional event focused on women’s sports, and the discussion turned to a new professional women’s volleyball league. The general manager and coaching staff for San Diego’s team, the Mojo, happened to be in attendance, and Dr. Nur took the opportunity to ask them if they needed a team doctor. Flash forward to the Mojo’s inaugural 2024 season, when Dr. Nur officially became the team physician. Click here to read more about Dr. Nur and how she incorporates lessons she learned on the court into her practice.
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