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The cycling-themed Carlsbad brewery just celebrated its first anniversary
One common trope about business says that if you can combine your passion with your livelihood, you’ll be a success. If that’s true, then Rawley Macias has twice the mojo working for him. His Carlsbad brewery, Rouleur Brewing Company, combines his love for beer and his love of cycling into one going concern. The result is a brewery and a tasting room that feels cozy, comfortable, and curated with distinctly personal touches. Unlike some breweries that vie for attention by cultivating a “marketing hook,” the cycling theme at Rouleur is not a gimmick. Instead, it reflects the owner’s sincere passion, and the experience is—believe it or not—refreshingly charming.
Rawley Macias is also a good brewer. For the past year, he has turned out an admirable variety of solid, well-crafted brews, with a particular talent for Belgian styles, hoppy beers, and a new-found love of lagers. With a glass of Boneshakeur Pilsner in hand (deliciously crisp and hoppy), I sat down with Rawley to reflect upon the passing of his one-year anniversary, the unique challenges and advantages of being a Brewery Igniter startup, and why he thinks Rouleur (pronounced “ruler” or “ru-lair”) has been able to survive the past year when others have not.
Thanks. The event was end of March, but technically, the actual date of our grand opening was April 8.
Thank you. It’s been a fun ride.
It was definitely an eye-opener when my Brewery Igniter neighbor went out of business. He [Wiseguy] was the first Brewery Igniter brewery to go out of business and he was also the youngest. Wiseguy and Rouleur are still the youngest breweries in the program. It was kind of eye-opening because we were just getting going, in my opinion, and he was closing his doors.
We talked.
No, we both had growing pains together. The biggest issue—and I’ve talked about this in other interviews—is our location. It’s just that we’re hidden way back in a business park. We’ve had to be creative so we could survive. We’re a new brand, I don’t have a pedigree brewer, and I didn’t leave one brewery where I already had a following to found my own. Same with our neighbors last year—they were new as well. But you have to have the capital to survive while your brand is growing. Every month we get stronger and every month we get more sales, so we’re growing. But it’s critical to have that money to survive and to weather that first year, at least.
Social media helps, but I’d say that 90% of our customers are regulars and they just spread the word. We get a following of people and it seems like it keeps growing. They become really loyal. I’m really proud of our beertenders here. They remember people’s names and what’s going on in people’s lives. So a lot of people come back just to see Sam or Liz or our new guy, Ryan, who is already making a good impression. I think that really helps a lot. People come and they really feel welcomed and they feel like they belong. Plus we’re into cycling, as you can see, so we have a lot of group activities we’re involved in. We’re involved in the cycling industry a lot; teams will hold their Christmas party here or companies will do product launches here. So, when that starts happening, you start getting opportunities left and right to be more involved in the cycling community. And thirdly, I think some of our success is due to the fact that we haven’t released a bad beer and we’ve gotten some accolades on our beer and that’s starting to finally pop its head out. People are starting to hear about us and we’re starting to get some key accounts, like Yard House.
You know, when we first launched—and this was partly my fault, I didn’t mean for it to come across this way, but it did—we had a heavy Ameri-Belgian lineup. And really the goal of Rouleur was to not adhere to any one style, but when we launched we had a lot of Belgian-inspired beers. Immediately after we opened a lot of people started calling us a “Belgian brewery,” and in a way that was true, because the first seven beers all had a Belgian yeast. But after that we started doing other beers, which was in our plan, but it never really percolated down to the audience. They thought Belgian, Belgian, Belgian.
Yeah, it’s a cycling term for an all-arounder. In the sport of cycling, there are guys who are sprinters and guys who are set up to be supporters, and there’s also climbers, but the French term in cycling, the rouleur is the guy the team can depend on to do a bunch of stuff and he’s not a one-trick pony. So that was kind of our brewing style, but it was probably confusing that when we launched we had so many Belgian beers and people immediately saw us as another Belgian brewery. So we had to break that misconception the best we could. We don’t have a huge marketing budget, so what we did was we started launching other beers that weren’t Belgian. Now, our accounts are realizing that we have American IPAs, we have a hazy IPA, and we even have this New Zealand Pilsner, which we’re drinking right now. There’s nothing Belgian about that! In fact, I think at this point only about 30% of the beers in our lineup are Belgian inspired.
Dopeur Juicy IPA. By far. Also, this Boneshakeur New Zealand Pilsner, which I’m pretty proud of. It’s turning out to be a really good seller. It’s partly because it’s new and partly because people have gotten really into crisp, dry lagers with a little bit of hop bitterness. But we have the whole range here. You can get a Belgian Golden Strong. We have three pale ales. But out of all of them, the Dopeur is the number one seller.
Yeah, sure. But the biggest change—or the thing you learn the quickest when you open your own brewery—is that your passion for a particular style may not always be the beer that sells. So you have to balance brewing beers that you’re truly passionate about with the fact that you’re no longer brewing as a hobby, you’re brewing in order to make money. It’s a business. So you have to make those beers that get people in the door. Once they’re in the door and they start trusting your beers, then they start experimenting and ordering a different style, like a radler, which is part juice, part beer. It’s fun teaching people about beer; a lot of people come in, and they love beer, but they don’t really know that much about it. They may say, “I don’t really like bitter beers, but I love IPAs.” So sometimes you have to kindly teach folks what they’re actually tasting.
We definitely want to do sours. We are limited by a small space, so a barrel program is a challenge. We have a sour blonde that has almost been aging for nine months—it was supposed to be released on our one-year anniversary, but it just wasn’t ready. I’m really excited about it because it will be a true sour, not a kettle sour (no knock on kettle sours) but true sours just take time. They have a mind of their own. We also want to do more with lagers. We do some contract brewing and we’ve done some lagers for contracts and we believe we do them well. So we want to do more of those, especially coming up on summertime—maybe even can some lagers.
I’m not sure if this is a true statement, but I think we’re one of the only breweries in San Diego that does a true radler beer. A radler is kind of like a shandy, it’s basically a blend of real juice (usually lemonade or grapefruit) and beer blended and carbonated in the bright tank. There are breweries that take one of their finished beers on draft and then they add juice to it in the glass. That, in my opinion, is not a true radler. That’s a beer-mosa or something. But a radler—the reason it fits our brand so well is that it was developed in the 1820’s in Germany and—I haven’t verified the story—supposedly there was huge bike ride with several thousand cyclists and they ended the race at this pub, but the pub knew they weren’t going to have enough beer to serve all the cyclists so they cut the beer with juice. The cyclists loved it and started to request it. Now, in Germany and Austria, there are a bunch of radler producers—Stiegl is one of the most famous. It’s a refreshing beer because it has true juice and beer in it, and ours is doing really well. People really love it.
Being in the black, albeit by very little, starting in month nine. That’s without paying myself. I haven’t drawn a cent; I’ve only paid myself in beer. And being associated with the bike industry I get a lot of loaners and parts and stuff like that. So that’s kind of a cool thing, but I haven’t paid myself any money. We are, however, making enough to cover the costs of our Brewery Igniter lease, which is pretty expensive, and we can pay our employees and our staff, and recoup our costs, so that’s a pretty good thing. So I think that was our biggest win, to be able to do that within nine months with a very small team. That’s maybe one reason we were able to do it; we had very few people and they were all wearing multiple hats. And, truthfully, I’m a first-time business owner and a first-time brewery owner and there was so much to learn besides just the beer.
I was in engineering. I was working a normal 40-hour-a-week job, making well into the six figures as a level five engineer. So it was weird to go from that to not paying myself. But I was prepared for it. (My wife is still working; she’s a nurse.)
Have a Beer with Rouleur’s Rawley Macias
Sprinteur is an American-Belgian inspired red ale that combines big malt and dark fruit notes with a classic West Coast hop influence. | Photo: Bruce Glassman
Well, my original plan was to open a brewery eventually, and I was going to do it the way most people do it; you have to raise the money, you have to find a building, you have to build it out, and so on. I heard about Brewery Igniter years ago, I put my name on an interest list on the web site—I completely forgot that I had done this, by the way—and one day I was at work and they called me and said, “Hey, you’re next on the list for a site that we’ll be opening in a year in Carlsbad.” So I took my business plan that I had been working on for a long time—I had to change it drastically to match the Brewery Igniter model—and then it was kind of a poop-or-get-off-the-pot scenario. I have two kids at home, a wife who works, we were stable enough financially, we’re young enough, and I figure I’ll always have my engineering degree, it’s not like it’s going somewhere. So we decided to try it out.
I would say the biggest pitfall is that you kind of get to choose your location, but you kind of don’t. You can either sign or you don’t sign. So having to take whatever the location is can be one limiting factor. Another downside is that some of the layout is not optimal. Your cold box space, for example, doesn’t match the ratio of how much cellar capacity you have, which doesn’t match the storage room. We have a big brewhouse, a 10-barrel and five 20-barrel fermenters, but if I started moving that at maximum capacity I would have nowhere to put the beer. I’m maxed out in my cold box, but I’m only operating at half capacity. And then you look at the height inside the cold box and you can see that there’s space inside to go up much higher, but they only made the door halfway up the height and you can’t get a forklift in there, so there’s all this wasted volume.
From a storage perspective we have, but in terms of brewing capacity, not at all. I estimate that these systems can do just over 2,000 barrels a year and we’re not there yet. Last year, in our first year, we did just over 400 barrels. Then, on top of that, we also do contract brewing where we rent out some of our capacity to other brewers.
Well, I have a concept, but it requires money.
I think some breweries are too dependent on the income from their tasting room and when the tasting room starts to slow down, they get in trouble. But I do think that Rouleur specifically doesn’t get the benefit that most breweries get from a tasting room, because of the lack of foot traffic and the area, tucked back in this business park. So we are looking at the potential of having a second tasting room pretty soon and it might have a bike shop component to it. Not a bike shop where you’re selling bike parts and bicycles, but more high-end custom built bikes. It’s a model that you see in Colorado a lot, where there’s coffee and a tasting room and then there’s some kind of physical activity component and it becomes a real gathering spot. We are way into cycling so that helps us and really matches our brand. So I’m looking at that, but any tasting room is going to be $150 to $200 a square foot to build out, so a 1,000-square-foot tasting room is going to be about $200,000. There are ideas I have to raise it, but the money’s not sitting in our bank account right now.
Truthfully, I feel if my brewery can survive in San Diego, one of the beer capitals of the country, then I’m confident that wherever my future might be—say ten years from now I’m not in San Diego—I feel I should be able to do well in places that are actually low on breweries. People have so many options here—there are five or six breweries all within a few miles of ours—so I feel if people are choosing to come into my brewery, we must be doing something right.
Follow Bruce on Instagram: @sdbrewdude
Have a Beer with Rouleur’s Rawley Macias
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Rouleur founder Rawley Macias created a brewery that combines his love of cycling with his love of beer. | Photo: Bruce Glassman
We ask the city's best food photographers to choose their favorite pics and share their secrets to capturing a drool-worthy pic
Food is a notorious diva to photograph. The wrong lighting can make José Andrés’ paella look like a jaundiced grain bowl. You could be staring at the best sandwich of your life, but shoot it from above and—hey, congrats on that abandoned piece of lettuce bread. A cottage meme industry has been built around the hilariously bad photos on review sites that make Michelin-star food look like Michelin tires.
Especially in a visual modern media world, food culture depends on great photographers capturing the painstaking work in equally deserving ways. We asked four of San Diego’s top food photographers for their favorite shot from another year of documenting what we eat.

Getting this kind of shot takes a bit of yoga. Asana yourself into the corner, hold your breath, pray that a chef on the move doesn’t back into your light stand.
“You’re stepping into someone’s workspace during their busiest moments, so it’s a balance of being present to get the shot and being invisible to not slow anything down,” Kimberly Motos says.
The subject here is the Birdman sandwich from Chick & Hawk—hot fried chicken thigh, tangy slaw, kimchi comeback sauce, sweet and spicy pickles, potato brioche bun—getting a hearty dousing of its difference-maker seasoning. Motos captures the parts of the process that diners don’t usually see: the chaos behind something that looks so simple.

“I love this image because it feels like a moment you want to step into,” says Lucianna McIntosh. A warm, sunny day at The Fishery in PB with oysters, caviar, and martinis. Yes, please.
The little details—the glass sweating a little, the direct afternoon light creating stark shadows, the oyster glistening on the tray—are the main characters. Instead of trying to overly control the setup, McIntosh “followed the light and lines that draw you in more,” she says. “This was one of those moments where everything lined up on its own for a second. I love it when the shadows end up being just as important as the food itself.”

La Jolla native Eric Wolfinger—who won a James Beard Award for Tartine Bread, one of the most stunning bread books of all time—says he doesn’t have a signature style. His style is a conduit.
“I see my job is to translate the chef’s point of view into something you can feel,” he says.
For this shot, Fleurette chef Travis Swikard had one directive: cuisine du soleil (“cuisine of the sun”). With a spread of leeks vinaigrette, herb-roasted golden chicken, and beets, Wolfinger wanted to create a scene that felt straight out of the French Riviera, relaying the light, bright style of Swikard’s new spot.
Some bonus additions here: Extra lights—to add lots of warmth—and a clipping from an olive tree.

Timing and light are everything in food photography. In Lucien—La Jolla’s tasting-menu-only restaurant with moody ambiance—a single strobe flash creates the ideal spotlight.
Dee Sandoval says she uses the “natural, just-plated energy” of the dish to “create a portrait of moment and craft.” That’s why this Mostra Ghost Bear espresso ice cream—with San José dark chocolate mousse, soy-miso caramel, and koji shoyu chocolate sauce—looks like it might dissolve halfway to your mouth.
Emma Veidt is an editor at San Diego Magazine. She earned her bachelor's and master's degrees from the Missouri School of Journalism. She loves running, hiking, and rock climbing, but really, she mostly loves encounters with the street cats around North Park.
Spruce up your home bar setup with product recommendations from local cocktail aficionado and Collins & Coupe owner Gary McIntire
I peel myself off my couch, crack my back, and force myself to the bar (23 years old, by the way). It’s a Friday night, and my smart watch is already informing me my body battery is critically low.
Nevertheless, party we must.
Because, to be fair, one of the best things about going out—dive bar, velvet-clad cocktail lounge, or anywhere in between—is the performance of it all. Watching a bartender shake and stir like it’s choreography, finishing the drink with a sprig or petal placed just so, feeling like your collection of mixers and spirits is worth pouring into the Holy Grail.
One of the worst things about going out, though? Being out.
So I thank God for the home bar.
No lines, no cover, no shouting your order over someone named Kyle who just discovered the AMF. No $19 cocktails that taste suspiciously like juice. Just me, my apartment (where I can play whatever music I want), and the quiet confidence of knowing I can make something decent without putting on real pants.
A home bar, I’ve learned, doesn’t have to be impressive. It just has to be intentional—a few bottles you actually like, some tried-and-true tools, and at least one drink you can make without Googling. That’s it. That’s the barrier to entry.
To create the ultimate home bar collection, we tapped the folks at San Diego cocktail supply shop Collins & Coupe to give us some of their recommendations. Pick and choose what you need, and start cocktailing.

You won’t get very far in your cocktail-making-journey without shaker tins. Boston shakers (two pieces, tin-on-tin) and cobbler shakers (three pieces with a strainer and cap) are the most classic styles, but if you want to avoid the tins getting stuck (or creating a mess on the floor), Boston shakers are the way to go.
“Koriko Tins by Cocktail Kingdom are the gold standard for every bar worth their salt. Every new bar we help outfit with tools insists on this brand and model,” says Collins & Coupe co-owner Gary McIntire.
“These are handmade, 100 percent solid copper and will last a lifetime,” McIntire says. “Because they are solid, there is no plated finish to wear off, and they will only look more beautiful with age.”
According to the pros, don’t even bother getting bar spoons shorter than 12 inches. One foot long is the magic length to get the best stirring results: “Rule of thumb is at least 50 percent of the spoon should be out of the glass,” says McIntire.
Sugar Skull Bar Spoon
Cocktail Kingdom Enamel Lucky Cat Bar Spoon
Pulp in your orange juice? We’ll allow it. But in your cocktail? Smooth and strained is optimal. You have two choices here: Hawthorne strainers have a spring that attaches snugly to shaking tins; julep strainers have no tabs or springs (originally created to drink mint juleps before straws became commercially available).
Bull in China Julep Strainer, Brushed Stainless Steel
Barfly Two-prong Heavy Duty Hawthorne Strainer
We’ve all seen those seasoned bartenders with the arm tats and haughty demeanors who can assemble perfect drinks with their eyes shut. The rest of us, however, need training wheels. Jiggers—those hourglass-shaped measuring tools—make consistent cocktail-making easy, although cheap versions tend to be inaccurate. Don’t skimp out on these.

“Heavy-duty and made of one piece,” McIntire says. “We use [this jigger] in our classes and at home. It comes in a bell-shaped version and a Japanese version, which is tall and narrow.”
“Glassware is always essential to the cocktail experience,” says McIntire. The martini glass is an avatar for American hair-loosening for a reason: sleek, viciously “V,” and highly spillable (danger always looks good). To start, look for a coupe glass (the fancy cat bowl-looking thing), a highball (glassware with posture), and a rocks glass (the blue collar hero).
Milo Crystal Rocks Glass by Viski
Savage Coupe by Nude Glassware
Meridian Highball with Gold Rim by Viski
You know how Caesar dressing tastes way better when you don’t think about the fact that there are anchovies in it? The same goes for cocktails and raw egg whites. Some of your favorites rely on the frothy ingredient to shine (whiskey sours, gin fizzes, etc.). Mesh strainers help make that magic happen. According to McIntire, always get the conical version; the round, bowl style could cause spills.
Lili Kim is a content coordinator and writer for San Diego Magazine, with experience highlighting local businesses and communities. When not writing or shooting film, she is likely brewing her seventh cup of tea of the day or strolling along Sunset Cliffs.
After eight years and numerous awards, the cafe and roastery expands its operations in North County
San Diego’s coffee industry has yet to hit its ceiling. There are at least 850 coffee shops across the county (possibly over 1,000 at this point) and more specialty cafes and roasters seem to join the roster every other week.
Some newcomers, like Chance’s Coffee, focus on specialties like Vietnamese coffee; other stalwarts, like Bird Rock Coffee Roasters, have helped put the local coffee scene on the map with internationally acclaimed beans and baristas for 20 years. You can get a classic pour-over or an ultra, whipped cream–topped strawberry lavender basil blueberry matcha latte sprinkled with unicorn glitter—whatever your coffee style, San Diego’s got it… somewhere.
Steady State Roasting falls more in the former category, focusing on traceable, sustainable sourcing and no-nonsense roasting (no unicorn glitter here, sorry!). Founder and lead roaster Elliot Reinecke first started Steady State in a garage behind his house, roasting small batches until expanding slightly to a shared and not-quite-permitted space before landing in a lucky spot on State Street in Carlsbad.
Now, eight years later, Steady State is scaling up once more, opening its second cafe in San Marcos next to their roastery. The new location offers the same food and drink menu as the original Carlsbad location, and Reinecke says he plans to add an onsite bakery to bake items like English muffins and country loaves to supplement Prager Brothers’ more specialized pastries.
He doesn’t plan on opening more cafes, though. Rather, Reinecke plans to expand roasting operations and strategic sourcing. Currently, he sources beans from Colombia, Panama, across Africa, and as of this year, Costa Rica. “We’ve had Costa Rican coffee before, but we went to origin a few months ago and bought six different lots from there, all from really good high-end local farmers,” he explains.
The rising cost of sourcing does present some challenges, as does changes within coffee culture itself. Coffee has moved from a mass-market beverage to a highly personalized artisanal experience, but the current feeling is moving back towards focusing on quality over flashiness, says Reinecke.
If Reinecke’s prediction is right, coffee is headed on a similar trajectory to craft beer. Ten years ago, no one knew what Citra hops were. Now, even casual beer fans are versed in hop varieties, and that attention to detail is spilling over to coffee as well. How many of San Diego’s 1,000 coffee shops will remain once the unicorn glitter’s luster fades? My bet is on anyone remaining steadfast to sourcing, sustainability, and simplicity.
Steady State San Marcos is now open at 1320 Grand Avenue, Suite #9, San Marcos. Initial operating hours are Tuesday through Saturday, 7 a.m. to 2 p.m.
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Have breaking news, exciting scoops, or great stories about new San Diego restaurants or the city’s food scene? Send your pitches to [email protected].
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Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
Stake Chophouse & Bar brings contemporary classics and old-school service to the heart of Coronado
Stake Chophouse & Bar isn’t your average steakhouse. Blue Bridge Hospitality’s Coronado outpost is a modern interpretation of a big-city steakhouse nestled in the heart of the small coastal community. The team at Stake has reimagined the whole steakhouse experience. By prioritizing a seasonal farm-to-table sourcing philosophy, a personalized guest experience, and unique service touches, like a formal steak presentation and a bespoke knife selection process, Stake distinguishes itself in a sea of steakhouses.
Exceptional steaks, including Wagyu from Japan, Australia, and the U.S., and fresh seafood flown in daily form the core of Stake’s culinary identity. The menu features a five-course omakase-style steak experience highlighting house favorites, plus an array of cuts, and classic steakhouse staples—think a wedge salad, baked potato, or pasta carbonara—refined for a contemporary palate without losing their traditional appeal. Stake focuses on seasonal sourcing from the region’s best family farms and specialty purveyors, and incorporates intentionally unexpected touches to create something truly unique.
“I challenge our chefs and myself to take it a step further in sourcing,” says Chef Ronnie Schwandt. “It’s important to us to highlight different farms, unique one-off farms—whether it’s cattle, strawberries, a local fisherman or from anywhere in the United States, we’re always trying to find that niche.”
Beyond the menu, Stake emphasizes outstanding service, says Vinny Spatafore, Director of Hospitality Operations. Staff maintains detailed notes, allowing them to remember guests by name, recall previous orders such as a favorite martini (also memorable for the customer since it’s served in an extra tall, distinctly-shaped glass), and celebrate special occasions like birthdays and anniversaries.
“When you have those points of topic that you remember about a guest, they appreciate that,” he says. “Our servers are really good with that—we have a couple servers who have been here since the beginning and they’ll remember somebody from years ago, their name, their kids’ names, where they live. I’m really thankful to have a great front of house staff.”
Award-winning wines, rare whiskeys, special events, and a complementary black car service that provides transportation for guests throughout Coronado add to Stake’s appeal.
Schwandt stresses that Stake offers more than a meal; they aim to give patrons something unforgettable.
“It starts when you walk up the stairs and are greeted by the hostess—that sets the tone for the night. Then you’re greeted by a server, who may know you by name, and can guide you through the menu and curate as they get to know you,” says Schwandt. “Most people leave kind of blown away; they leave feeling like they just had an experience. That’s the goal, right? Whether you’re serving smash burgers or high-end steak, you want somebody to leave thinking, Wow, that was awesome.”
The team behind Harumama and Blue Ocean will open Little Kiki Katsu & More on June 15, serving premium cutlets, Japanese sandos, and curated sake pairings
Every culture has its own comfort foods—cozy dishes that nurture the soul as much as the body. In the US, dipping a grilled cheese sandwich in a bowl of tomato soup can feel as satiating as pulling a warm sweater out of the dryer. In China, a steaming bowl of congee is basically a miracle remedy for anything you can imagine. I’m pretty sure Italian carbonara could achieve world peace. And in Japan, katsu remains one of the most universally satisfying inventions of the past century.
Katsu was originally invented as a riff on côtelette de veau, the classic French veal cutlet coated with breadcrumbs and pan-fried in butter. In 1899, a Western-style restaurant called Rengatei in Tokyo decided to put their own spin on the dish by pounding the cutlets until thin, then coating them with softer panko and deep-frying versus pan frying (like tempura) for a crispier, lighter, crunchier bite. Today, pork—called tonkatsu in Japanese—tends to be the most common base for katsu.
The dish has yet to achieve the same mainstream status as say, chicken nuggets, in the US. But Little Kiki Katsu & More hopes to change that, when the katsu-focused restaurant opens in Carlsbad on June 15.
Created by the team behind Harumama and Blue Ocean, Little Kiki will focus on premium katsu dishes paired with sake and around a dozen small bites like miso soup, karaage, edamame, and Japanese pickles. Executive chef James Pyo, who co-owns all three restaurants with his wife Jenny, created a menu that features proteins like Berkshire Kurobuta pork, Jidori chicken, salmon, scallops, and dry-aged Pacific cod for the katsu and grilled stone selections. (Note: the grilled stone options will be offered for dinner only.)

The lunch menu includes Japanese-style sandos like a tonkatsu sandwich with pork, housemade bread, and tonkatsu sauce (available regular or spicy). Dessert options are simple to start—yuzu cheesecake, matcha crème brûlée, and mango/yuzu mochi ice cream. The Pyos curated a selection of premium sakes as well, specifically for pairing purposes, as well as offering some beer and cocktails.
Little Kiki, which is named for Jenny’s cat, seats 25-30 guests inside with room for only a few more on the small outdoor patio as well. Designer and assistant Yoojin Jang says the vibe is meant to be warm and welcoming but modern, using colors like olive green, cream, and pops of orange against Japanese-style wood slats.
Initially, Little Kiki will only be open for dinner service, but aims to introduce lunch hours for the grand opening on July 1. Due to the limited seating, Jang encourages guests to make reservations, and while the restaurant will offer takeout, it will not be available on food delivery apps like Uber Eats or DoorDash to motivate guests to come experience it for themselves.
“Come in curious and leave satisfied,” says Jang. And keep your eyes open for subtle cat motifs—she promises they are hidden all over the place. Whimsy, it seems, is also on the menu.
Little KiKi Katsu & More soft opens on June 15, 2026 at 2958 Madison Street, Suite 101 in Carlsbad. Hours are Monday, Wednesday, Thursday, and Sunday from 11:30 a.m. to 3 p.m. for lunch and 5 p.m. to 9:30 p.m. for dinner; Friday and Saturday from 11:30 a.m. to 3 p.m. for lunch and 5 p.m. to 10 p.m. for dinner; closed Tuesday.

Listen Now: The Latest in San Diego’s Food and Drink Scene
Have breaking news, exciting scoops, or great stories about new San Diego restaurants or the city’s food scene? Send your pitches to [email protected].
Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
Telefèric Barcelona will open its first San Diego location early this summer
Westfield UTC mall is adding yet another “first” to the ever-growing roster of restaurants. The first US location for China’s stir-fry sensation Chef Fei is on the way later this year, Japan already reinvented crispy rice pioneer Katsuya by opening the first Katsuya Ko, and now, it’s Spain’s turn—Telefèric Barcelona opens early this summer.
The family-owned, Barcelona-based tapas joint first opened in the US 10 years ago in Walnut Creek, California, but co-founder and CEO Xavi Padrosa says they’ve had their eye on San Diego for years. Westfield UTC “just clicked,” he says, pointing to the burgeoning collection of world-class eateries already within the mall’s walls. Plus, La Jolla’s breezy vibe echoes Spain’s easygoing tapas culture.
The indoor/outdoor space spans 5,526-square-feet, with seating for 150 inside, 60 on the patio, and 16 more at the bar. Xavi’s sister and co-owner Maria Padrosa designed the Mediterranean-inspired space as a contemporary take on coastal Catalonia, using imported furniture and materials from Spain like hand-glazed tiles and wood accents. And if all the dining spaces are planets, the center of the suite’s universe is the bar.

Padrosa points to signature favorites like patatas bravas (fried potatoes drizzled with a spicy red sauce and house aioli), jamón ibérico de bellota (Spanish ham from free-range pigs raised on acorns, cured for 38 months and sliced to order), gambas al ajillo (garlic shrimp), pulpo Telefèric (octopus with potato purée and pimentón XO, a spicy Spanish/Cantonese fusion sauce), and croquetas (a popular fried tapas dish coated in breadcrumbs and made with béchamel mixed with fillings like jamón or king crab.
There are a very small handful of legit paella spots in San Diego (Costa Brava in Pacific Beach and Cafe Sevilla in Gaslamp Quarter come to mind), so I’m personally looking forward to giving Telefèric’s a go—especially the squid ink paella negra, which is perhaps the most goth paella of all. Every location also offers different weekend specials, La Jolla’s being seafood-driven and meant to pair with beverage director Alex Serena’s drinks. There are over a hundred Spanish wines, Spanish-inspired cocktails, sangria, and of course, plenty of twists on the iconic gin and tonic. The restaurant will also have a gourmet market called The Merkat with imported Spanish sundries.

With more US locations in the works (Newport Beach will open soon after La Jolla), Padrosa says the company hopes to open more across California, but are open to anywhere in the country that feels right. “We don’t know exactly what new cities will appear on our map in the coming years,” he says. But in true Catalan fashion, anywhere they go should be ready for big plates of hearty Spanish cuisine.
Telefèric Barcelona La Jolla opens early summer 2026 in Westfield UTC. Opening hours will be Monday through Thursday, 11:30 a.m. to 10 p.m.; Friday and Saturday, 11:30 a.m. to 11 p.m.; and Sunday, 11 a.m. to 10 p.m.

Most of the time, you have to be 18 years old to change your name. In Arcana’s case, it was about a month. The immersive speakeasy behind Archive in Encinitas updated their moniker to Animga (a play on “enigma”) earlier this month, after what one can only assume was an upset letter from a similarly-named business. However, partner Paula Vrakas promises that the concept remains the same—mystery, cocktails, and a forthcoming bottle locker membership club. Since the only constant is change, Anigma is off to a good start!

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Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
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