16 Things to Do in San Diego This Weekend: May 19-25

San Diego has always worshipped at the altar of good skin. Equal parts surf town, biotech hub, and wellness capital, it’s a city where lunch breaks become beach walks and sunscreen sits beside car keys by the front door. The products that get used here earn their place. With 266 sunny days a year and one of the highest rates of skin cancer in the country, we take skincare seriously. Dr. Bronner’s has been making soap in North County since the 1960s. Sun Bum was born in Encinitas and is now on shelves in over 70 countries. The tradition runs deep.

July 15, 2025

The Sun Protection Routine San Diego Dermatologists Swear ByRELATED ARTICLE

“Living in San Diego means your skin is exposed to sun almost every day of the year,” says Sue Zhang, M.D., a San Diego physician specializing in aesthetic medicine. “The products that tend to succeed here are the ones that can keep up with daily life, UV exposure, sweat, and movement, while still supporting long-term skin health.”

From a mineral powder that solves the sunscreen-over-makeup problem to an acorn oil serum rooted in Indigenous plant medicine, the local San Diego shelf is more diverse, and comprehensive, than most of us realize.

Kopari

Sun Shield Body Glow SPF

A hydrating gel-oil hybrid that applies like a body treatment and leaves skin with a sheen that reads as healthy rather than oily. La Jolla–founded Kopari built its reputation on cold-pressed coconut oil sourced from family farms in the Philippines, and the Sun Shield Body Glow SPF is exactly that in summer form: coverage that doubles as skincare.

4-Skin

Morning Rub

The name is intentional. The founder got a melanoma diagnosis that his dermatologist caught—she’s now his business partner. The question he couldn’t shake was why the skincare industry hadn’t yet figured out how to talk to men, and 4-Skin is the answer: a premium sunscreen and skincare line built around the kind of blunt, self-aware humor that gets guys to pay attention. Men’s skincare has needed this for a long time, and the formulas are serious enough to deliver.

Coola

Classic Face Sunscreen SPF 50

Carlsbad-based Coola was formulating organic SPF before “clean sunscreen” was a marketing category, and the Classic Face Sunscreen is the brand’s thesis: protection that disappears into skin and layers cleanly under makeup. Sheer and lightly hydrating, it makes sunscreen easy to reapply before an afternoon walk at Torrey Pines.

Saffron and Sage

Glow Finishing Oil

Squalane, argan, jojoba, and CoQ10: a short ingredient list that does a lot. The Glow Finishing Oil from Mission Hills wellness sanctuary Saffron and Sage is plant-based, scientifically grounded, and formulated to absorb rather than sit on the skin. The brand started as an integrative health practice where acupuncture, naturopathic care, and functional medicine share a roof, and the skincare line runs on the same philosophy.

Alastin

Restorative Skin Complex with TriHex+

The Restorative Skin Complex is powered by TriHex+, a patented peptide blend developed by Carlsbad-based Alastin’s team of SkinMedica veterans. It promises to clear out damaged collagen and elastin while supporting new production, the kind of gradual improvement that makes a product hard to quit.

March 30, 2026

The Rise of Homes Designed as Wellness RetreatsRELATED ARTICLE

Dehiya Beauty

Alia Jouj Liquid Argan Beldi Cleanser

Beldi is a multi-functional cleansing tradition rooted in Moroccan hammam culture, dating back over 12 centuries. Alia Jouj is the brand’s flagship product, and San Diego–based founder Dr. Mia Chae Reddy built a brand around it. Alia Jouj uses 100 percent organic, cold-pressed argan oil and the same ancient saponification method to produce a honey-thick liquid cleanser that softens skin without stripping it.

N8iV Beauty

Móyla Moon Polish

Acorn oil has been used by California’s Indigenous communities as plant medicine for generations. Ruth-Ann Thorn, an enrolled member of the Rincon Band of Luiseño Indians, built N8iV around it as the first Native American–owned skincare brand to reach the national mainstream. The Móyla Moon Polish, named for the Luiseño word for moon, is an exfoliant centered on acorn oil Thorn gathers herself each year from the La Jolla reservation. Find it at the Gaslamp Quarter store Thorn owns at the historic Yuma Building.

Colorescience

Sunforgettable Total Protection Brush-On Shield SPF 50

This product solved the reapplication problem. As a brush applicator, this mineral SPF goes over makeup without disturbing it, which is why it has been on derm-office retail shelves in Carlsbad and beyond for over two decades. The tinted version doubles as foundation.

Tubby Todd

All Over Ointment

This steroid-free, petroleum-free eczema treatment was built specifically for babies and toddlers (although grown-ups can use it, too). It’s centered on FDA-approved 1 percent colloidal oatmeal with a base of sunflower seed oil, beeswax, and jojoba. The “linoleic-acid-rich sunflower oil is helpful for atopic, eczema-prone skin that is often deficient in that fatty acid,” says Dr. Zhang. Gentle enough for newborns, safe for daily use, and tested by both pediatricians and dermatologists.

Korej

The Mandelic Night Serum

The Mandelic Night Serum pairs mandelic acid, an AHA derived from almonds and gentler than glycolic acid on sensitive skin, with lactic acid, niacinamide, and urea to brighten, smooth texture, and reduce breakouts overnight. Fragrance-free, vegan, cruelty-free. The brand name is the initials of the founder’s five daughters, pronounced like courage. Dr. Zhang also says she “really value[s] [the founder’s] mission to create pregnancy-safe skincare products that are both effective and wallet-friendly.”

Siblings make better music. That’s the hot take, and there’s some logic and science behind it. The Bee Gees, Jackson 5, Billie Eilish and Finneas, AC/DC, Van Halen, The Allman Brothers—heck, even the Hanson brothers, why not? Beyond just a shared sense of taste and nonverbal communication developed over decades of living and evolving together, there’s a thing called “blood harmony.” The genetically similar throat cavities, vocal cords, speech patterns, and resonant bone structures all blend each unique voice into a more homophonic sound than what comes out of two non-related singers.

Those throat cavities are working wonders for emerging San Diego band We the Commas—three brothers (from oldest to youngest) Lenny, Jordon, and Cam Comma.

May 11, 2026

Singer-Songwriter Durell Anthony’s Long Road to "Lovenotes"RELATED ARTICLE

Raised in Vista and Carlsbad, the family opted out of cable TV (video games got a pass). Without binge-watching to fill bored hours, the trio turned to music. Guitar Hero led to GarageBand and finally to live instruments—guitars for Lenny and Cam, drum set for Jordon. In their sound, the influence of Stevie Wonder, Erykah Badu, The Who, and Dave Matthews Band is obvious, and so is surf culture, specifically that laid-back chill of North County surf culture.

“We’re like the Black Beach Boys,” Cam says. (Note: Three of the five founding members of the Beach Boys were siblings—the theory gets stronger.)

Their debut EP pretty clearly lays out how they see their sound—titled SARB, an acronym for Surf Alternative R&B. That resonates in the song “Sherry,” with its easy-listening, windows-down-on-the-101 vibe. It also works in the louder, surf-punkier “Pissed Off.” Despite some advances in reducing core stereotyping tendencies, people still tend to autofill Black musicians into rap and R&B. The Comma brothers immediately circumvent that by declaring themselves out the gates.

“SARB makes it so [listeners are] open to all of the things that we want to do,” Lenny says. “From there, you can put a label on whatever you think it sounds like.”

People—and musicians further up the stream—are taking note. In 2023, they co-wrote the song “I Keep Fallin’” with Eric Cannata, guitarist for multi-platinum SoCal band Young the Giant. In early 2024, they were tapped to open the national tour of Brooklyn’s jazz-pop heroes, Sammy Rae & The Friends. Comedian Gabriel “Fluffy” Iglesias invited them to warm up his show at Pechanga a couple months later.

“We really believe genuinely, with our whole hearts, minds and souls, that this is going to work the way that we think it’s going to,” Cam says, grinning ear to ear.

Currently, the Commas live together in Vista, and the dream, wholeheartedly, is more alive than ever. They’ve put out two dozen singles and a trio of EPs: SARB (2020), Old School Love (2021), and Aeroplane (2024); this year alone brought the release of three new singles, including “Let Me,” a silky-smooth entry in their growing collection of love songs.

“We fully realized the magic is in all of us together,” Lenny says. “We know that this doesn’t happen without each person, and we have respect for each other because we need each other.”

As they grow as brothers and as a band, the Commas try to always remember what unified them in the first place.

“Music has always been a glue,” Jordon says.

Let’s start with his name.

No, not his birth name, Craig McKenzie Haskett.

Scrojo.

When he was in high school, he and his friends were trying to come up with the perfect name for their punk band that would encapsulate all their personas. Nicaragua. The Freds.

June 30, 2026

An Emo-Themed Bar & Pizza Joint is Rolling Into OBRELATED ARTICLE

One of his friends said he was going to go by Jimmy Stacks and called it “the perfect rock and roll name.” Their names changed so much that Haskett erupted: “Fine, I’m f—ing Scrotum Joe, the true defender of the Open West.”

Their response: Wow, that’s a great name.

As a teenager, he drew chalkboards for Del Mar’s Pannikin coffee shop and would design T-shirts for surf/skate brand Life’s a Beach. He signed the shirts with his moniker, but even in punk rebellion, who wants a shirt with the words Scrotum Joe on it? “They just cut out the ‘t-u-m,’ and the next thing you know, a client referred to me as that, and it stuck,” he says.

Scrojo could have been part of a band as iconic as The Misfits—had he been able to learn the famously cumbersome bassline to The Kingsmen’s “Louie Louie.” Becoming one of the most renowned concert poster designers—someone who quite literally designed the cover of Art of Modern Rock: The Poster Explosion—is a pretty good Plan B.

“To my knowledge, he’s done more rock posters than anybody else alive,” says Dennis King, whose D. King Gallery in Berkeley, California, serves as one of the largest private rock poster collections in the world. “He’s the hardest-working guy in the poster business.”

King not only co-authored the sequel to music historian Paul Grushkin’s The Art of Rock, but he also handles distribution and sales for all of Scrojo’s work. That’s more than 3,000 different posters over nearly 40 years. (That’s over one poster each week. For four decades straight.)

For anything from boxing matches to rodeos, posters have long been used as promotional items. Toulouse-Lautrec’s famous lithographs advertised Moulin Rouge in the late 1800s. Around the same time, Hatch Show Print in Nashville was making handbills for the Grand Ole Opry.

“I propose this: Cave paintings are the first poster art,” Scrojo says.

Rock and roll posters took off in the 1960s, when the hippie counterculture era replaced conformity and suburbia. Artists like Jimi Hendrix and the Grateful Dead used their vibrant, psychedelic prints as a form of rebellion from the mainstream. Posters were promotional, commemorative, collectible, and especially expressive.

If the name Scrojo is any indication, he doesn’t shy away from imagery that toes the line of being too provocative. He focused more on what inspired him instead of trying to be offensive for the sake of getting attention.

“Didn’t want to show it to my grandmother, but my parents were fine with it,” Scrojo says with a laugh.

September 14, 2025

15 Up-and-Coming California Bands to Listen to Right NowRELATED ARTICLE

“We’ve had to ask him to put a Band-Aid over a nipple every now and then,” says Chris Goldsmith, president of Belly Up Tavern in Solana Beach, where Scrojo started out and hundreds of his posters currently line the walls.

Scrojo spent six weeks at Otis College of Art and Design for a summer semester before drugs, alcohol, and a self-described lack of discipline prevented him from enrolling full time. Still, he taught himself concepts like text hierarchy and later found his niche at the Belly Up and in the surfing and skating world, working with brands like Quiksilver, Rip Curl, Scorpion Bay, and DGK.

His first concert poster was for North County band Borracho y Loco, of which Goldsmith was bass guitarist. Scrojo drew an abstract version of the Belly Up’s iconic shark with colorful calypso and tiki themes.

Early on, he would craft using a pencil, pen, non-reproduction blue pencil, X-Acto knife, rubber knife, and proportion scale to create each poster, and the finished product could take a week or even longer.

“I recommend every artist coming up to do that for like six weeks,” Scrojo says. “It forces you to think about every design decision as you’re going along.”

He has since mastered vector imagery through Adobe Illustrator to the point where, depending on the level of detail needed, he could finish two projects in a day. Still, he fills sketchbook after sketchbook to blueprint.

“I liked his line in particular, and he knows how to draw, which a lot of people don’t really know how to do these days,” King says.

Scrojo would research what each musician’s merchandise looks like to get a feel for each artist’s tone and voice. Once he has his central image in mind, he focuses on what and where to place the text.

He doesn’t have one specific style, ranging his talents from art deco to psychedelic and everything in between (and outside the lines). Want a pop surrealist comic book cartoon devil with splattered paint textures, halftone dot patterns, and pure chaos? Red Hot Chili Peppers, February 1986. Want a minimalist graphic portrait with bold strokes and graffiti text? P!nk, October 2023. Want a carnival sideshow style piece with a tasteful caricature of Jeff Bridges? The Big Lebowski, August 2011.

Scrojo calls himself a jack of all trades because he can create posters for all music genres. King calls him a chameleon for his ability to adapt his voice to new eras.

“The variety of his skillset makes it possible for us to put 50 of his posters on a wall next to each other and have it look compelling, not just a bunch of the same thing over and over,” Goldsmith says.

Some of Scrojo’s favorite posters are when he feels a personal connection to the artist or the album. He has a vivid memory as a child of being trapped in a closet filled with marijuana leaves while playing hide and seek and staring at Jimmy Cliff’s “The Harder They Come” LP. “For whatever reason, as a kid, that sparked a desire to do graphic design,” Scrojo says.

Fast forward to February 2012, Cliff is performing at Belly Up. Scrojo decided to modify Cliff’s original album cover from rainbow gradient fills to classic reggae psychedelia while preserving Cliff’s striped pants and bold hat. Cliff’s manager called him and said they wanted to use it for the rest of their tour.

“We always get artists requesting that he does their posters,” Goldsmith says. “A lot of artists don’t want venues to go all rogue because they want to control how they’re being presented. With him, they’re like, ‘Let him go nuts.’”

If you’re anything like me, you’ve probably been planning your wedding your entire life. The impromptu daydreaming usually comes at the most inconvenient times: during a meeting or right as you’re falling asleep after watching too many episodes of TLC’s Four Weddings.

In those imagined scenes, there is always a sunset. Usually some kind of impossible garden that feels like Alice in Wonderland meets The Secret Garden. There are soft pinks and climbing greens, florals that look like they grew a little too perfectly on purpose, and somewhere in the distance, water that catches the light. It’s dramatic in the best way.

August 16, 2024

Where to Get Your Wedding Dress in San DiegoRELATED ARTICLE

Perched on Harbor Island, Sheraton San Diego Resort feels like a tucked-away bayside escape. But the real centerpiece of its $123 million transformation is the new Garden Terrace, a private green oasis that feels like it was designed specifically for the dream wedding replaying in my head. This is what I had been imagining all those years. White tea roses, lavender, gardenia, jasmine, and magnolia trees line the space, creating a fragrance that feels like it’s part of the architecture. 

Sheraton San Diego Resort has always had the advantage of its location, but what stands out now is how intentionally the indoor and outdoor spaces coexist. Panoramic harbor views stretch across the property, shifting from soft blue mornings to golden-hour glow and a nighttime skyline that feels almost cinematic. Of course, there are other ceremony and event spaces across the resort, too—including the Lanai Lawn, Harbor Vista Lawn, and Eventide Gardens—each offering its own variation of open-air beauty. But the Garden Terrace is the one that feels like it was made for vows.

I arrived on a Tuesday afternoon with a suitcase slightly overpacked, the result of not knowing what to fully expect from a resort doubling as a wedding venue. I tried to cover every possible version of the trip: a handful of summer dresses, a few breezy pants, marina-esque tank tops, sandals for everything, and accessories meant to sparkle in the sun (seven different earring and necklace options was probably unnecessary, though). 

February 20, 2026

Where to Save & Where to Splurge for Your WeddingRELATED ARTICLE

I did, however, underestimate the swimsuits, especially once I saw the paddleboards, endless water activities you’d want to try at least once, and pools and jacuzzis practically whispering your name. Business casual never made it out of the suitcase, replaced instead with easy cover-ups, pinks and greens, and airy button-ups that felt more in tune with the setting than structured jackets ever could.

The resort has been reimagined across rooms, dining areas, and outdoor spaces, with thoughtfully layered tile textures, lighting that shifts with the time of day, warm-toned palettes in the dining rooms, and fresh blues in the bedrooms that complement the views pouring in through the windows. The foyer feels expansive, framed by floor-to-ceiling windows and designed to bring a little bit of San Diego inside with you, rather than shut it out.

By late afternoon, I was sitting by the marina watching the water shift colors in real time, the kind of view that makes everything feel slower without trying. Dinner at Rumorosa brought the first real taste of the resort’s Cali-Baja identity, starting with a trio of margaritas—passion fruit, spicy watermelon, and creamy coconut—that made it impossible to pick a favorite and slightly dangerous to have them all in front of you at once.

The table opened with guacamole layered with spicy cotija, radish, pomegranate seeds, candied serranos, cilantro, limes, duritos, and warm tortilla chips, followed by Mexican street corn with sweet kernels, spiced aioli, cotija, and more candied serranos that hit just enough heat to keep you absolutely addicted.

For my main, I went with the roasted organic chicken breast with buttered jasmine rice, mole negro, and roasted cauliflower, which felt familiar in structure but elevated in small details like the cilantro and pickled onions. And then the Carajillo tres leches cake, a vanilla sponge layered with coffee and Licor 43 mousse, praline, and caramel sauce, arrived and disappeared faster than it probably should have.

What made it feel so curated wasn’t just the menu, but how intentional everything felt without ever feeling fussy: bright flavors balanced against rich ones, heat against sweetness, and plates that arrived right as the light over the marina started to soften. The next morning carried that same energy. Breakfast could unfold at your own pace, whether that meant taking a Zoom call in your room, heading downstairs for a sit-down meal with friends at Rumorosa, or grabbing something quick from Strada Italian Market. I opted for a vanilla latte from La Colombe at Strada before heading out for the morning.

I made it just in time for the resort’s complimentary morning yoga on the lawn, boats just visible beyond the stretch of green. The Sheraton offers it daily as part of the stay, a low-pressure option for anyone looking for an easy reset rather than a full workout, which I wasn’t expecting to take part in on this trip but ended up glad I did. The class itself was beginner-friendly, with slow flows and a few optional deeper stretches for anyone who wanted to push into more advanced poses.

Afterward, stand-up paddleboarding shifted everything into a different perspective. My small group launched from the resort’s private dock, boards wobbling slightly as we found our balance, then drifted out into the marina where the water opened up in every direction. We paddled past rows of docked boats, slipped alongside houseboats with their shaded decks and string lights, and followed the gentle curve of the harbor as it widened and narrowed again.

The afternoon transitioned into poolside lounging at Sunglow Cabana Bar, where cabanas, cold drinks, and a poolside lunch had me so relaxed I didn’t even realize my phone had died. Sunglow is open to the public, so if you’re looking for a quick day getaway, you can dock and settle in for SoCal-style shareables and frozen drinks.

Dinner at the Garden Terrace kind of shifted everything for me. In the daytime it just feels like a nice open space, but at night it becomes something else entirely: more intentional, more “put together” in a way I didn’t really clock at first. As the sun went down over the marina, everything turned warm and the garden lit up in this soft glow that was staged under fairy lights. It was as if you were meant to experience it in this very certain way.

It was easy to picture it then: the quiet before guests arrive, the moment someone steps forward, the pause right before “I do.” There’s often a specific kind of silence right before a ceremony begins. And, at the Garden Terrace, that feeling is built into the space itself. You are standing in a garden wrapped in white blooms and soft greenery, with the harbor stretched out just beyond it. The sun is low enough to turn everything gold. Someone is standing across from you, close enough that everything else fades into background noise.

At 3,600 square feet, the Garden Terrace can host up to 300 guests, with the wider property offering over 132,000 square feet of flexible event space. The transformation even earned a Northstar Stella Award Gold Medal for Best Renovation in the Far West Region in 2024.

That evolution, according to Sean Clancy, Vice President and General Manager of Sheraton San Diego Resort, has been years in the making. He describes the property as having been “completely transformed,” from the rooms to the restaurants and everything in between, with new spaces like the Garden Terrace designed to highlight the marina backdrop in a way that feels “naturally stunning” and “magical,” not just scenic.

By the time I checked out on Thursday, watching the sun rise over the marina, empty in the early light, I understood why someone would choose this exact spot to say something they mean forever.

If you’ve ever wondered what it would feel like to perform on one of San Diego’s most iconic stages, here’s your shot. The Old Globe is looking for local singers, songwriters, and musicians to take the spotlight before performances of its upcoming musical Begin Again—and the gig comes with a chance to perform on the theater’s main stage and at a new community music event, Begin Again: San Diego Sessions.

Inspired by the opening scene of Begin Again, which makes its pre-Broadway premiere at The Old Globe this fall, the open mic–style performances celebrate local talent while giving audiences a taste of San Diego’s music scene before the curtain rises.

Solo artists and duets ages 18 and older can submit video entries here through Friday, July 10. Selected performers will be notified by July 14.

The public is also invited to Begin Again: San Diego Sessions, a free event on Monday, July 20, at 7 p.m. in the Globe’s Copley Plaza. Attendees can catch performances from top contest participants while enjoying discounted drinks from the theater’s pub.

May 4, 2026

San Diego's Sleep-Friendly Nightlife Is HereRELATED ARTICLE

“Begin Again is a story about hope and someone finding their light,” says Adena Varner, Director of Arts Engagement at The Old Globe. “The opening moment, which is what we’re excited about with this contest, is about an artist who’s unknown taking a chance at an open mic night—and then their life changes.”

“What I love about San Diego is it’s a space where hopes and dreams seem to actually be able to come true, and people get to find themselves, find their light and their voice, so I think the spirit of the show really resonates with who we are as San Diegans,” she says.

For director Lorin Latarro, the pre-show performances are a chance to weave San Diego into the production. While the musical has been developed in New York with New York–based musicians and actors, these performances create a direct connection between the show and the city’s local music community.

“One of the things Lorin is passionate about is wanting these performances to feel like San Diego, so we want them to be diverse,” Varner says. “We want these moments to look like us and all that that means… We have submissions from artists based in Tijuana, North County, and East County, so it’s geographically diverse, ethnically diverse, and we’re looking at age diversity as well.”

The Old Globe has hosted community engagement opportunities tied to past productions—including an art contest and walk-on performances—but nothing quite like this.

“We’ve also never had an open mic night on the plaza, so we’re excited, and we really want the music community to know that they’ve got a place at The Old Globe, too,” Varner says. “We’re getting in the practice of making sure our community feels connected to our shows and have an opportunity to contribute in a way that’s meaningful and impactful for them.”

Begin Again is based on the 2013 film starring Keira Knightley and Mark Ruffalo, with a book by Jenna Clark Embrey and Molly Beach Murphy and music and lyrics by Pat Monahan of Train. Performances run September 6 through October 11, with opening night on September 17.

At the time of publication, The Old Globe had received nearly 100 video submissions.