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From doggie bootcamps to intense bodybuilding programs, it's an exciting time to get in shape. What are you waiting for?
Paddle Into Fitness
760-803-6293
$25 for a single class
paddleintofitness.com
I’ve been practicing yoga for a few years and gravitate toward athletic styles like Vinyasa and Ashtanga, where the flow is continuous. I like leaving class feeling peaceful but strong. The idea of taking my practice to the water and trying SUP yoga had always been appealing. I thought the paddle workout combined with yoga would be like getting two workouts in one. Plus, even the nicest yoga studio can’t beat a bay view.
I met Gillian Gibree from Paddle Into Fitness on a Sunday morning at Kellogg Beach in Point Loma. For my first time trying SUP yoga, I was excited to have the water (almost) all to myself. I was also relieved—fewer boats in the bay meant calmer seas and a lower chance of my ending up in the water.
Gillian went over paddleboarding basics on the beach first, and then we paddled out. The paddling wasn’t strenuous and made for an ideal warmup. We stopped at a small cove away from boat traffic, in shallow water. My board was equipped with a small anchor that I was instructed to drop into the water to better stabilize my board during practice.
As we started class seated on the board with our eyes closed, the sun warmed my face. The sounds of the waves lapping and the seagulls overhead created a beautiful soundtrack. It was instantly calming.
We moved into standing sun salutations, then into the first downward dog. The most surprising part was how limited I was in movement. The tiniest step forward or backward would challenge my balance. I was keenly aware of where my feet were at all times, and my core was working overtime. Even familiar poses felt drastically different on the water. In most yoga classes, I am always thinking about getting into the next pose. For once, I was focused on keeping still.
I was surprised by the variety of poses that could be done on a paddleboard. Side plank, extended side angle, reverse warrior. I was more limited in my expression, but still felt the strength and stretch of each pose.
After 45 minutes, we came back to a seated position on the board, closed our eyes and brought our hands to our heart. I felt invigorated. I had been so focused on staying in the poses and out of the water, my mind really hadn’t wandered anywhere else. There was no clock to watch, no water to sip, no towel to wipe. I think I discovered the ultimate way to stay present.
Get Fit & Have Fun in San Diego
Jay Reilly
Beginner Taiko Drumming
Classes start at $15
sandiegotaiko.org, naruwantaiko.org
Like many parents, I too have those days where dealing with kids, work, school, and spouse just makes me want to hit something really hard and yell really loud.
Thankfully, I found a way to channel that: taiko, the art of Japanese drumming. I wanted to challenge myself, learn something new, tap into an inner desire to make music, and be a good role model for my daughters. I’m not a gym rat or a yoga mom, and exercise bores me.
I wasn’t sure what to expect at the beginners’ class offered by San Diego Taiko, at the WorldBeat Cultural Center in Balboa Park. The first thing I saw was a row of huge traditional chu-daiko (medium-sized taiko drums) set up on the performance floor. It was exciting to imagine hitting the big drums and the sound it would make.
As we got started, I realized that taiko has a lot in common with Asian martial arts and karate. For example, the power and strength of your playing comes from the koshi (core), and your kata (form) is all-important, to strike the drum properly.
Taiko is about respect for the culture and its traditions, not just banging a drum. We learned musical patterns and made loud vocalizations (kiai) to motivate ourselves and the other students. It’s fun and distracting from the fitness required to play the daiko.
As for the fitness—every taiko class begins with stretching and warm-ups, from aerobics to push-ups and sit-ups to build core strength. Once you begin working on your form and strike, though, the pain really starts. Instructor Noel Garcia, who studied in Japan and has been performing taiko for 16 years, takes a traditional approach. I’m not in the best of shape, but I was relieved to see some of the more fit fellow beginners sweating and shaking as we held our form and practiced a proper strike.
Over at Naruwan Taiko, classes are held in North County. Instructor Diana Wu focuses on high energy and group drumming, with a level of enthusiasm that’s infectious. At Naruwan Taiko, we learned to strike with positive energy, and to listen to each other and feed off each other’s enthusiasm. Like Garcia, Wu also covers the cultural aspect of the art form, teaching the history of taiko in America and all the different styles of playing (I’m particularly interested in the giant o-daiko, that you play with your arms over your head, and yatai seated style, which is basically the craziest ab workout you’ll ever see).
Finally, we got to hit the drums. With the proper form, it’s like hitting the sweetest sweet spot in any sport you can imagine. For me, the sound was unbelievable—a deep BOOM that resonated through my arms and vibrated my insides. When you’re striking the daiko, you feel like you’re tapping into the energy of the earth itself, traveling up through your feet and energizing your entire body.
By the end of my first class, I was drenched in sweat and could barely lift my arms. With two classes a week, combined with practicing at home, I knew this would be a great way to get a workout (core, abs, legs, and especially upper body) and also learn about an exciting centuries-old art form. You get to push your musical and physical limits, and bang on big drums as hard as you possibly can. And every mom could use that once in a while.
Get Fit & Have Fun in San Diego
Culture Shock Dance Center
2110 Hancock Street,
Middletown
619-299-2110
$15 per class
cultureshock dancecenter.com
I’d say I was reluctant but open when I agreed to try the Shorty-N-Me toddler dance class with my almost-three-year-old, Jack. We watch as much Yo Gabba Gabba as the next family, but Jack isn’t the type to get up and dance with Foofa, Brobie, and DJ Lance. I’m not a great dancer, either, and have never been a gym-goer or fitness class-taker. We are more of a hiking, gardening, bike-riding, park-playing family. But after having two kids in three years, I needed to step up my game. As a busy working mom, being able to exercise while playing with my kid sounded great. And the 9:30 a.m. class on Saturdays is perfect for toddlers: on the week-end, after breakfast, before naps.
On our first attempt, the parking was hard (the center is in an industrial area), and Jack was already uneasy. He saw the teacher at the front, the kids in the line, and could tell he was going to be forced to do something. He tried to block me from opening the door, so we didn’t go in. I wanted it to be fun for him.
Then, on the last Saturday before this story went to print, we got to the class 10 minutes late and just busted in and started doing it. I’m sad to report that he didn’t like it. I think it was the music. It’s pretty loud. Like DJ music at a wedding. The instructor has to turn it off to give out the instructions. Jack also doesn’t hear a lot of hip hop in our house. We’re more Jimmy Buffet people. He immediately plugged his ears and climbed up my legs. I picked him up—all 35 pounds—and tried to slide and step and jump around. That lasted 10 minutes or so, and then it was just distracting to the class. Other kids wanted to be picked up, and I am not in good enough shape to do hip hop holding 35 pounds of kid. His shoes kept coming off. Squatting down while holding him to pick up his shoes was the real workout for me.
We both needed a time out. We stepped outside the class and sat in the hallway. I took his picture, still plugging his ears, and texted it to the editor and art director of this story. “Sorry.” We left and went to the park, where Jack ran wild for an hour.
But here’s the bright side: Every other kid in the class—all girls the day we were there—was loving it! Running and stepping and jumping with cute attitude. They wore tutus and sweat suits and bright sneakers. The instructor was patient, fun, go-with-the-flow. She even tried to move the speaker for us so it wasn’t so loud.
What did I learn, overall? First, I need to diversify the music my kids are exposed to. And second, our kids really are influenced by what we do, not what we tell them to do. I’m not a gym person, a class person, or a very organized person in general, and I see some of that in my kid. Which means we need to stay active in other ways, like walks, hikes, and running around outside.
I guess hip hop will have to wait ‘til his sixth grade dance.
Get Fit & Have Fun in San Diego
Jay Reilly
The Sporting Club
8930 University Center Lane, UTC area
858-522-8000
$25–$35 per session, for members
thesportingclub.com
I’m not an elite runner by any stretch, but I do challenge myself to break my personal records, or PRs, when I race. Running a race faster than I ever have before makes me feel like I’ve trained hard and accomplished a goal.
When I lined up at the Silver Strand Half Marathon in November, I was hoping to break my record of 1:48:47. But it was not to be. I’d caught a cold the week before, and as I passed mile 8 my legs felt weak and my pace began to slow. I pushed as hard as I could.
Shortly after that disappointing race, my editor asked me to try a new contraption. It’s called the Cyclic Variations in Adaptive Conditioning, or CVAC, pod.
“Advanced technology and science combine to deliver progressive low-pressure air changes that rhythmically squeeze and relax the whole body, including the organs and even blood, right down to a cellular level,” according to the website.
This “cellular massage” is supposed to help your lymphatic system reduce inflammation, which means your muscles are less tired and sore after hard workouts. It is also supposed to increase stamina and energy, and create deeper sleep.
I met CVAC representative Ian Robb at The Sporting Club, and he showed me to the pod. As I climbed inside I tried not to think about the spaceship from Contact and its ability to teleport to an alternate universe. Robb promised I’d be perfectly safe—all I had to do was sit there and let the pod do its thing. “Some people even fall asleep,” he said.
The CVAC pod doesn’t move, but it does take you on a journey. Using changing amounts of air pressure, it simulates elevations from sea level to mountaintops, and quickly raises you and drops you between those extremes over and over during a five-minute session. I started on the most mild level. I felt like I was in an airplane taking off. My ears repeatedly clogged.
“It gets a little more exciting at the end,” Robb said to me via walkie-talkie—the sealed door and rushing air mean you can’t hear outside. My ears popped again and again, until finally I glided smoothly back to sea level. I definitely wasn’t falling asleep.
Most pod devotees do two to three 20-minute sessions a week, and Robb said I’d need at least 10 to notice a difference. But after two sessions, I ran 14 miles with four miles at race pace and nailed it. Maybe it was the pod, or maybe its fancy science was tricking me into thinking I was stronger.
After a few more sessions and a lot more miles run, I lined up at the Holiday Half. I felt strong during the entire race and broke my personal record by more than five minutes, with a time of 1:43:25. I can’t say whether it was the CVAC or all the training I did, or because the race had a lot of downhills. I do know that during the race I ran from 700 feet to sea level without my ears popping once.
Get Fit & Have Fun in San Diego
Jay Reilly
Leash Your Fitness
Locations available throughout the county
619-822-3296
$20 for a single class
leashyourfitness.com
I spent much of 2014 “off the wagon” of regular exercise, with the occasional heart-pumping burst during a quick jog around the block with my dogs. But those two rascals, Toby and Tilly—particularly Tilly, a beagle-dachshund mix with a lot of destructive puppy energy to burn—need more exercise than that. So it only makes sense the class that finally got me off the couch was “Bonding with Bootcamp,” a comprehensive cardio, strength training, dog-obedience, and agility class all in one. Offered by Leash Your Fitness, the hour-long session seemed like just what I needed to jump-start my workout routine and provide some extra exercise for my restless pooch.
Tilly and I took a Sunday morning class at Markim Pet Resort in Carmel Valley. Class rules say one dog per participant, so Toby had to stay home, but it was for the best: It’s hard enough to hold the leash of one dog while focusing on the proper form for lunges. Two dogs would have been a disaster.
I’ve taken many a bootcamp class in my day and, workout-wise, this one was similar, with intervals of running, lunges, squats, ab work, resistance band work, and even some weighted hula-hooping. What made the class different—and so much more fun—was that Tilly was right alongside me the whole time, jogging, sitting and staying on command (well, we may have to work on the staying part), and enjoying the energy of 15 other dogs and their owners. The best part, for both my two-year-old pup and her proud owner, was the obstacle course that included the dog-only A-frame climb and a series of high and low hurdles for both of us. I’ve never taught Tilly a “jump” or “over” cue, but she was a natural, her short legs leaping through the air with ease. She was smiling and wagging her tail the entire time.
If the class sounds like it was more for Tilly than it was for me, make no mistake: I was tired, sore, and extremely well-exercised at the end of 60 minutes. But I also barely even noticed an hour had gone by. My dog provided a joyful distraction and even though there were times I didn’t want to run that second lap, Tilly was having so much fun I didn’t want to let her down.
A happy, tired dog is just one benefit of the Leash Your Fitness bootcamp, but there are plenty more: One woman in the class has lost 30 pounds. Another no longer has to take medication for high blood pressure. And all the participants enjoy the guilt-free feeling of not leaving their dogs at home alone while they enjoy the great outdoors. It was enough to make me want to go back—and maybe take Toby along for the fun next time.
Get Fit & Have Fun in San Diego
Luis :Garcia Luis Garcia
Feldenkrais
Rancho La Puerta
800-443-7565
$300 for four hours of classes (Saturdays); $3,250 for one week
rancholapuerta.com
I’m out at Rancho La Puerta, a 3,000-acre spa-hotel that’s more than twice the size of Balboa Park, just south of the Mexico border on the outskirts of Tecate, where boulders, cows, and vineyards abound. I’m a mere 40 miles from central San Diego. But like most of the other people here—be it for a week, half-week, or just the day—I feel worlds away.
Simplifying the international commute comes as part of the package; staff members meet guests on the U.S. side of the border, walk into Mexico together, and chauffeur them back to the property, a five-minute car ride down the road.
Among the roster of some 75 classes offered daily is a crash course on the Feldenkrais Method, a somatic educational system developed by Israeli doctor Moshé Feldenkrais in the 1970s that’s described as an “internal journey to rediscover balance, flexibility, and coordination.”
I’m a fairly active 30-something who exercises as regularly as possible. Weights and cardio, mostly, with the occasional yoga or swim session. I’ve never heard of Feldenkrais, but my stiff, 30-something neck, lower back, and hamstrings—ever-reminiscent of our more agile days—are already signing me up.
Our instructor is Donna, a lanky woman with an aikido background who’s been practicing Feldenkrais for 19 years. She says it’s ultimately given her the ability to engage more fully in the world, and enhanced her creativity in how she habitually moves her body.
That’s pretty deep. Nevertheless, my neck, back, and hamstrings are now buckled up and ready for blastoff.
Taking shoes off in the middle of the room, I notice I’m the youngest of my nine classmates, who range from their 40s to 80s. And I’m the only man. But Donna assures me the beauty of Feldenkrais is that the same class can benefit anyone and everyone, be it a paraplegic or an Olympic medalist.
The session lasts an hour, enough time to take us through 10 basic movements. We observe how our bones connect with the floor, and notice how much effort it takes to lift our pelvises with our feet and knees together. We rest. Then we do the same, now with our feet and knees apart. Then we rest again, comparing how we feel while lying still before and after each move. We clasp our hands and point to the ceiling, drawing circles and lines in the air and noticing the movement of our shoulder blades. Then we clasp our hands again, but now with the opposite index finger on top, and do the same. Then we rest and observe again.
After an hour on the floor praying to the rafters and resting, I feel relaxed, sure. Almost as if I were sinking into the floor. But I haven’t broken a sweat. I haven’t exerted myself whatsoever. I actually feel as though I’ve done very little, and that’s exactly the idea, Donna says: to strain the body less by making each movement as efficient as possible. And, also, lots and lots of rests.
“Take a rest before you need a rest,” she says. “That way you never need a rest.”
And that’s when I realize I’ve been a Feldenkraiser all my life.
Get Fit & Have Fun in San Diego
Jacqueline Campbell for Birds of a Feather
Prenatal Massage
Equilibrio Massage
3320 Third Avenue, Hillcrest
619-955-6670
equilibriomassage.com
A Thai masseuse once told me that massage is like yoga for lazy people. And like a religious zealot, I have clung to this idea ever since. Whenever I didn’t feel like downward dogging, I headed to Massage Envy. So I am no stranger to the many benefits massage can bring, including increased circulation and decreased stress.
But all of that changed when I became pregnant. I’ve developed common ailments like leg cramps, restless leg syndrome, lower back pain, and insomnia.
I tried one prenatal massage at a fancy resort, where the answer to my big belly was a foam pillow with cutouts for my stomach and breasts. Well-endowed women, beware! I think those pillows are made for smaller chests.
I have also found that, aside from the random person who rubs my belly, people are generally afraid to touch pregnant women. Rare is the soul willing to risk a lawsuit or worse by putting any kind of pressure on a woman with child.
Then my boss referred me to Equilibrio Massage in Hillcrest. Owner Nicole Trombley and her staff are experts in the needs of pregnant women. Most are doulas and make house calls for massage. Some will even come to the hospital to provide a rubdown during labor.
Nicole is not a fan of those foam cutout pillows, citing concerns like increased uterine pressure and nasal congestion, common in pregnancy, especially when lying facedown. She has me lie on my side and builds a mountain of pillows around me. I counted seven in total—under my head, side, stomach, knees, calves, feet, and elsewhere. I instantly feel like I might fall asleep.
She also tells me in a calm whisper that she prefers deep pressure, if I’m okay with that. I am. And as I drift in and out of sleep, she proceeds to work out the kinks. At some point, we switch sides. We finish on the back in a semi-reclined position, where she rubs my scalp, neck, and shoulders.
That night, while watching TV, I notice my restless leg syndrome is nonexistent. As are the leg cramps that sometimes wake me up at 1 a.m. I’m also so blissed out that I don’t bite my fiancé’s head off when he wants to watch football while I am in the middle of The Bachelor.
Before bed, I try to recreate Nicole’s mountain of massage pillows. The next morning I have an email from Equilibrio: “Did you like our massage pillows?” It directs me to a free download link. Turns out, Nicole has written a book, titled Sleeping While Pregnant Guide.
I went back to Equilibrio two more times—each as pleasant as the first visit, prompting similar results (75-minute sessions start at $105; discount packages available). If you have the means, it is a lovely gift to give yourself or someone you love who’s expecting. Here’s to a happy pregnancy, with restful nights and TV remote sharing without the threat of divorce!
Get Fit & Have Fun in San Diego
I’m on a tight budget. I’m saving for my wedding this summer, trying my best to stay zen and not turn into a Bridezilla. Yoga has always helped me find an open heart, clear mind, and stretched body. I decided to look for free or donation-based yoga classes. In San Diego, I found there’s at least one happening every day of the week.
The first place I discovered is the Bergamot Spa in Encinitas. It is packed with Buddha heads and bamboo, succulents, and plumeria. The instructor turns on a portable plastic fireplace to heat the yoga room. Jimi Hendrix plays on low, and we start on our backs in Shavasana. By the time the two-hour class is over, I am so sore I can barely walk to my car.
The next day, I opt for Laughter Yoga. I meet the class in Balboa Park, south of the playground at Spruce Street and Sixth Avenue. We stand in a circle and warm up by laughing. I have never felt so awkward. By the end of the class, though, I’m laughing naturally with them. “Laughter gives us a different way to react to the things life throws at us,” says Michael Coleman, founder of the nonprofit Laughter Matters. I leave the class feeling like nothing could awaken the Bridezilla inside me.
On day three I drag my mat to the beach for yoga with Namasteve, a local P.B. celebrity. The grass where he teaches every weekend at the end of Law Street is packed with more than 100 yogis.
On the fourth day of my yogic journey, I am craving some furry companionship. On Facebook, I find Sara, who teaches Puppy Yoga behind the Ocean Villa Inn, for some gentle Hatha yoga. The class takes place in O.B.’s dog park. On this day, it’s just the instructor’s Chihuahua. The yoga is not too challenging, and I leave with a tan.
On day five, I visit a class taught by Lauren, who is part of One Love Yoga, an online community that lists free and donation-based classes throughout the city. Inside the Swedenborgian Church in University Heights, we practice Vinyasa with Ashtanga inspiration in the downstairs hall. No organ here—the instructor has chosen a mellow playlist. Still, I feel as if I’ve had a kind of spiritual experience.
On the second-to-last day, I head to Lorna Jane in La Jolla for a free booty yoga class, which works the abs and core. The clothing store has its own private studio, with free classes offered every day. Luckily, there is no pressure to shop, nor mention of merchandise.
On the final day, I drive to Yoga One on Seventh Avenue, downtown. The place has a natural om vibe. The room is dark, with candles and smells of cinnamon and honey. The free weekly Candlelight Flow class is soothing and relaxing for my body and mind. As I leave my final class, I take a deep inhale and think about this journey. Great things in life can be found at little to no cost at all. Namaste.
Get Fit & Have Fun in San Diego
Jay Reilly
San Diego Athletics
5026 Cass Street, Pacific Beach
10 sessions for $230; memberships start at $149 per month
pbcrossfit.com
When my CrossFit gym, San Diego Athletics in P.B., began offering a bodybuilding program, my first reaction was “Oh, heck no.”
For four years I’d attended CrossFit classes four to five times a week. I learned about Olympic weightlifting, gymnastics, full-body functional movements, and the concept of intensity. I’d switched my focus from what my body looks like to what it can do. However, my progress had slowed down in the last year. I was battling chronic tendinosis in my knee, and I was looking to try something new.
But bodybuilding? Really?
If you’re a woman who’s been told most of her life that smaller is better, the idea of intentionally building up your body is slightly terrifying. There’s a reason the phrase “strong is the new skinny” became so popular. It’s the word “skinny.” While I don’t subscribe to celebrity trainer Tracy Anderson’s belief that women shouldn’t lift more than three pounds, I also don’t post aspirational photos of Arnold Schwarzenegger on Instagram. I want to be strong and cute.
Gym co-owner Bryan Boorstein wrote a convincing blog post about how a base of strength is important, and how building muscles spikes the metabolism, even when you’re not exercising. One line in particular hit home: “Your body is desperately hoping you stop breaking it down. It’s time to get strong.”
So, I committed to eight weeks of bodybuilding, exclusively. In the first few weeks, I was often the only woman in the class. Some of the exercises were familiar to me—like back squats, bench presses, pull-ups, and ring dips—but I was clueless about anything that involved a dumbbell.
The movements may be old-school, but the atmosphere in a San Diego Athletics bodybuilding class is completely novel. Instead of everyone following their own program and fighting over weights, the class works together, sharing benches and dumbbells. The music is loud—sometimes it’s Pearl Jam, sometimes it’s 2 Chainz, sometimes (sadly, for me) it’s country. The trainers lead everyone through the movements, offering guidance on form and technique and how much weight to use. Once a week we leave the gym and do hill sprints, followed by ab exercises.
The first week was rough. I felt like an addict, obsessing about what I was missing in the CrossFit workouts. What if I got too muscular? Or what if I got fat?
In the second week I started to figure out how to push myself and what weights to use for the seemingly endless variety of exercises.
After a few weeks I started seeing some interesting results.
My knee pain disappeared. Completely. Then, one day, I did three sets of eight strict pull-ups, something I had never managed to do in four years of CrossFit. And even though my weight stayed the same and I didn’t change my diet, I noticed more definition in my abs. For a 41-year-old mother of two, this was kind of a big deal.
As the weeks went on, more women showed up to class. I can now do dumbbell flies and hammer curls like a champ. And I’m happy to report, there is still no Schwarzenegger photo in my Instagram feed.
Photography by Jay Reilly, Jacqueline Campbell & Luis Garcia
Get Fit & Have Fun in San Diego
Jay Reilly
Editor Emma Veidt reflects on her dad's lung transplant at UCSD Health last year, and her appreciation for the city's medical ecosystem
Every time I drive past Jacobs Medical Center, that hospital with a mirrored façade on the 5 near La Jolla Village Drive, I wave to my dad’s old lungs. Even though his lung transplant was almost two years ago—and in a different building, the Sulpizio Cardiovascular Center 200 feet away—I still imagine his original lungs resting in some nice, shaded dumpster outside Jacobs. They were actually taken to a lab for UC San Diego’s medical students to learn about pulmonary fibrosis, an altruistic second chapter of their life, but in my daydreams, they’re just hanging out in some hospital dumpster speakeasy with other jettisoned organs.
My dad is still kickin’ because of the medical staff at UC San Diego Health (and because of one very kind anonymous organ donor). I don’t just mean his team of doctors who performed the actual surgery; I also mean his nurses, physical therapists, case manager, social worker, transplant coordinators—it takes a village. And that village not only educated me, my mom, and my brother on what my dad was going through, it also kept us calm(ish). As calm as you could be before your dad gets his lungs yoinked out of his body.
During all of this, my family learned that UCSD is the place to go if you need a lung transplant. Its résumé of successful transplant surgeries dates as far back as 1968, and patient survival rates exceed the national average. How lucky were we that our local hospital is the transplant destination for people coming as far as the Middle East. Lung transplants are new in terms of human history—the world’s first successful double lung transplant, the same one my dad got, was in 1986. My dad’s surgery was one of 54 lung transplants that UCSD performed that year. The biggest day of our lives was just an average Tuesday for his doctors. And that’s kind of how you want it.
UCSD helped me and my family, but San Diego’s healthcare system as a whole ranks as one of the top in the country. We have the most hospital beds per population than any other city in the US, and Scripps, Sharp, Palomar, and Kaiser all rank near the top nationally. The whole county’s the epicenter of medical innovation. People like Luca De Vivo Nicoloso and Joshua Pelz saw the flaws in traditional prosthesis development and used a 3D printer and inspiration from the unique skeleton of cholla cacti to create a groundbreaking solution. Also, care at home seems to be a long universal dream, and a few San Diego designers are reimagining home design to cope with the physical challenges of aging and disability while maintaining the elements that make a home feel like home.
And if you’re confronted with a diagnosis that rattles your sense of agency within your own body, what do you do? Mastectomy surgeries can leave scars that turn a part of your body—one tied to personal identity—into a visual reminder of trauma. We feature Pacific Beach–based artist Shane Wallin, who has spent years helping people with scars reclaim their personal space with elaborate, gender-affirming tattoos. He’s even on the board of directors for the Alliance of Medical Tattooing. Even though he’s not a doctor per se, he’s a part of San Diego’s distinct medical ecosystem. We all are.
I’d like to close with a personal plea: Be an organ donor. An organ donor saved my dad’s life. I receive the benefit of a stranger’s generosity every time I come home. Whenever I’m done in this realm, hopefully a long time from now, I hope I get to be that generous, too. In the meantime, I’ll keep waving to that old lung by that shiny building off the 5, on my way to see my dad.
Emma Veidt is an editor at San Diego Magazine. She earned her bachelor's and master's degrees from the Missouri School of Journalism. She loves running, hiking, and rock climbing, but really, she mostly loves encounters with the street cats around North Park.
Your guide to the area's best physicians nominated by their peers and chosen by the San Diego County Medical Society
For over two decades, the San Diego County Medical Society (SDCMS) has worked collaboratively with San Diego Magazine to recognize physicians who are held in the highest regard by their peers. Votes and nominations are open to all physicians in San Diego. The voting physicians are asked to vote for physicians within and outside their specialty to whom they would refer their friends and family. Through this process we have identified 968 physicians in 102 specialties.
In a synchronized effort, SDCMS confirmed every individual nominee’s Medical Board of California licensing and current practicing status. Through this exhaustive process, 968 physicians are being honored this year. Many of them have also been recognized for multiple years since we began publishing this list. Multi-year honorees will have the number of years they have been selected listed in brackets behind their name.
Although not all our superb physicians are represented on this list, we still acknowledge and appreciate their contributions. The selection criteria are strict, with only a small percent of physicians selected in each specialty. Many additional physicians received multiple votes from their peers, however, did not reach the threshold to be on the list. The best choice of physician for a patient includes many factors and we all work hard to meet their needs. We are proud to recognize that all physicians in San Diego work collaboratively to provide the very best care for all.
We welcome and encourage all San Diego County physicians to participate in their county and state medical societies as we work toward the SDCMS vision: “Physicians United for a Healthy San Diego.” The strength of our united voice as a medical community depends on the leadership and advocacy of all of us. We appreciate the assistance of all the physicians who voted, and we thank San Diego Magazine for their support.
Congratulations to all of our 2026 Top Doctor selectees! For more information regarding membership, voting, future events and becoming more involved with the medical society, visit www.SDCMS.org.
* Brackets denote the number of years chosen as a Top Doctor
Garth Ross Jacobsen, MD [4]
UC San Diego Health
9300 Campus Point Dr, MC 7220
La Jolla, CA 92037
(858) 657-7025
Long H Nguyen, MD [2]
Kaiser Permanente
3420 Kenyon St
San Diego, CA 92110
(800) 290-5000
Kimberly A Fitzgerald, MD [2]
Kaiser Permanente
3420 Kenyon St, Bldg B 1st Floor
San Diego, CA 92110
(800) 290-5000
Azadeh Shirazi, MD [2]
Sharp Rees-Stealy Medical Group
16899 W Bernardo Dr, 1st Floor
San Diego, CA 92127
(858) 499-2777
Dalia Abadeer Banks, MD [8]
UC San Diego Health
9500 Gilman Dr, MC 0898
La Jolla, CA 92093
(858) 657-6510
Adam Brent Barrus, MD [3]
Anesthesia Service Medical Group
3626 Ruffin Rd
San Diego, CA 92123
(858) 565-9666
Francesca Betti, MD [2]
Anesthesia Service Medical Group
3626 Ruffin Rd
San Diego, CA 92123
(858) 565-9666
Arsh Chopra, MD [1]
Kaiser Permanente
360 Rush Dr
San Marcos, CA 92078
(800) 290-5000
William T Connell, MD [12]
Anesthesia Service Medical Group
3626 Ruffin Rd
San Diego, CA 92123
(858) 565-9666
Andres Falabella, MD [2]
Anesthesia Service Medical Group
3626 Ruffin Rd
San Diego, CA 92123
(858) 565-9666
Alexander M Girgis, MD [5]
Anesthesia Service Medical Group
3626 Ruffin Rd
San Diego, CA 92123
(858) 565-9666
Austin J Henry, DO [3]
Anesthesia Service Medical Group
3626 Ruffin Rd
San Diego, CA 92123
(858) 565-9666
Paul James Himaya, MD [7]
Anesthesia Service Medical Group
3626 Ruffin Rd
San Diego, CA 92123
(858) 565-9666
Brian Alexander Janda, MD [2]
Anesthesia Service Medical Group
3626 Ruffin Rd
San Diego, CA 92123
(858) 565-9666
Tse-Sun Ku, MD [9]
Anesthesia Service Medical Group
3626 Ruffin Rd
San Diego, CA 92123
(858) 565-9666
Jason Philip Lujan, MD [17]
Anesthesia Service Medical Group
3626 Ruffin Rd
San Diego, CA 92123
(858) 565-9666
Kris Cheryl Lukauskis, MD [1]
Anesthesia Service Medical Group
3626 Ruffin Rd
San Diego, CA 92123
(858) 565-9666
Lars R Newsome, MD [20]
Anesthesia Service Medical Group
3626 Ruffin Rd
San Diego, CA 92123
(858) 565-9666
Deena Helen Perotti, MD [1]
Anesthesia Service Medical Group
3626 Ruffin Rd
San Diego, CA 92123
(858) 565-9666
Gabriel Rene Rubio, MD [2]
Anesthesia Service Medical Group
3626 Ruffin Rd
San Diego, CA 92123
(858) 565-9666
Alaa Saghbini, MD [3]
Anesthesia Service Medical Group
3626 Ruffin Rd
San Diego, CA 92123
(858) 565-9666
David Maged Seif, MD [8]
Anesthesia Service Medical Group
3626 Ruffin Rd
San Diego, CA 92123
(858) 565-9666
Edward Harding Sherer, MD [4]
Anesthesia Service Medical Group
3626 Ruffin Rd
San Diego, CA 92123
(858) 565-9666
Kevin James Staggenborg, MD [2]
Anesthesia Service Medical Group
3626 Ruffin Rd
San Diego, CA 92123
(858) 565-9666
Sepehr Shokri Tabibzadeh, MD [12]
Anesthesia Service Medical Group
3626 Ruffin Rd
San Diego, CA 92123
(858) 565-9666
Kris Kishore Vasant, MD [2]
Anesthesia Service Medical Group
3626 Ruffin Rd
San Diego, CA 92123
(858) 565-9666
A century ago, there was a stage actress known as San Diego’s Sweetheart—we traced her footprint through history, up to modern day
There was once an actress known as “San Diego’s Sweetheart” who mailed herself to Los Angeles—donning a helmet covered in postage stamps and boarding a two-seater, single-engine mail plane. The publicity stunt was billed as the first air parcel package in the US. It wasn’t. She wasn’t even the first human to be mailed: When the US parcel post started in 1913, at least seven people mailed their newborns to relatives (an innovative loophole eventually outlawed).
Technicalities be damned. That kind of nose for spectacle was why Virginia Brissac was such a star—landing bit parts in TV shows (I Love Lucy, Dragnet) and 155 films, notably playing James Dean’s grandmother in Rebel Without a Cause. “Nobody could help but love her,” her dresser told San Diego Magazine in a 1971 feature, published when Brissac was 88 years old.
In 1911, she topped the Playbill at the opening of the Savoy Theatre at 3rd and C streets in Downtown—a grand live-performance hall built for $150,000 ($5.2 million in today’s money). It became one of the premiere vaudeville theaters in the country (under vaudeville king Alexander Patages). The theater helped make San Diego a destination for stars like silent-film comedian Roscoe “Fatty” Arbuckle, heavyweight champ Jack Dempsey, plus classical legends Rachmaninoff and Anna Pavlova. As theaters converted to movie houses through the ’20s and ’30s, the Savoy remained dedicated to live humans. It closed in 1940, and the Civic Theater now stands in its footprint.
As for Brissac, during a time when women couldn’t even vote, she led a stock company under her own name at the Strand Theatre. The Brissac Company held a four-year residency, “an all-time successful record run for San Diego,” the article says. That classic Ocean Beach theater (featured in San Diego film legend Cameron Crowe’s Almost Famous) has been closed for decades, its bones now a chain beachwear and souvenir store. But Brissac’s legacy lives through the women leading San Diego’s theater scene.
Read the entire 1971 article by Merle Clayton below…











Emma Veidt is an editor at San Diego Magazine. She earned her bachelor's and master's degrees from the Missouri School of Journalism. She loves running, hiking, and rock climbing, but really, she mostly loves encounters with the street cats around North Park.
At Vi at La Jolla Village, residents don't have to choose between security and adventure, connection and independence. They get all of it.
Today’s seniors are more connected than ever, with a renewed focus on retirement as a time of discovery and enriching experiences. The ultimate reward for a retirement well-earned is the wisdom to appreciate it all, and what better place to enjoy that unique perspective than Vi at La Jolla Village, in the heart of San Diego.
All-access pass to good living.
As a Continuing Care Retirement Community (CCRC), Vi provides access to a connected and fulfilling community while making it easy to plan for future care, should the need ever arise. With a care plan in place, residents enjoy greater financial predictability and long-term value, freeing them to focus on making the most out of retirement.
Resort-style amenities at the epicenter of a cultural hub like San Diego offer a retirement experience unlike any other. Paired with exceptional dining, spacious accommodations and dedicated staff, the best of maintenance-free living is all around. And with the introduction of Vista 360 Well-Being, Vi’s panoramic approach to wellness, there are more ways than ever for residents to access it all.
The harmony of mind, body and community.

The key to longevity is striking the right balance in maintaining an active lifestyle with an active mind in a fulfilling community. With newly renovated community spaces and restaurants, Vista brings a variety of opportunities for residents to elevate their well-being through Vi-exclusive “Signature Experiences.”
Vista Enrich takes an evidence-based approach to brain vitality, keeping residents at the forefront of cognitive health through exergaming (exercising + gaming), nutritional plans and informative workshops. It is also home to The Brain Vitality Studio, an innovative facility dedicated to cognitive fitness that has garnered national recognition.
Vista Discover invites residents into stimulating educational experiences, from chef-led cooking demos and guided wine tastings to lectures at local universities and intimate lectures following cultural outings.
While Vista Enrich focuses on brain health and Vista Discover engages residents intellectually, Vista Explore cultivates a sense of adventure through curated travel and local excursions. But broadening one’s horizons doesn’t always require a plane ticket. One recent event brought a taste of the world right to the community: an onsite “jazz cruise” featuring live music and global cuisine served at a series of themed “ports” all within the community’s own ballroom.
“Location, location, location”

One of the biggest perks of life at Vi at La Jolla Village is its proximity to just about everything. With easy access to transportation and local attractions just steps away, residents can explore and engage with their community at their own pace.
“There are trolley and bus stops within a 5-minute walk that will get you to the beach, UCSD Campus, medical appointments, downtown La Jolla or San Diego, et cetera. We rarely use our car,” said resident Tom Yager.
With the best of San Diego just steps away, residents don’t just live in the city, they live within reach of everything that makes it special.
The best of all worlds.

At Vi at La Jolla Village, retirement isn’t a chapter to slow down; it’s an invitation to discover more. Tailored community experiences created by Vista, paired with the vibrant pulse of San Diego just outside the door, mean that residents don’t have to choose between security and adventure, connection and independence. They get all of it.
This is what an all-access pass to good living looks like: the comforts of an elevated lifestyle, a community built for growth and a city made for discovery – all in one place.
To learn more about Vi at La Jolla Village or for details on available floor plans, visit ViatLaJollaVillage.com/SDM.
Jonathon Glus on the Art + Design District, investing in the creative economy, keeping artists in the city, and what we can learn from places like London and Chicago
Jonathon Glus is the Prebys Foundation senior fellow leading the development of the Art + Design District at the Downtown San Diego Partnership. He has been asked what an arts and design district is many times. In our conversation, I asked him instead to describe what it isn’t. His answer opened up a broader discussion about what San Diego has and hasn’t invested in, what it has the capacity to become, and what other cities have done that we haven’t. Glus speaks about global art fairs and architecture biennials in Chicago and long tables at dinner parties all with the same fluency. He also discusses who gets to live in the neighborhoods where creative work happens, and what it means when they can’t afford to stay.
Jonathon Glus: It is not a place designed intentionally and specifically for tourists. Of course there will be opportunities for tourists to come, but the district is really focused on creatives, on creative education, and on the creative workforce—as well as our major performing arts organizations. That is the emphasis.
[It needs to] develop greater connectivity between the anchor institutions—the symphony, Broadway San Diego, the opera, all the wonderful things happening in Balboa [Park]—and the creative workforce that will be living and working in that neighborhood 24/7.
We have not been intentionally investing in the contemporary art product that other major cities have been building. A contemporary art fair. A biennial that reflects the ethos of this region. Chicago developed an architecture biennial about eight years ago. London has a design biennial. Desert X, right here in Southern California, invests in and elevates contemporary artists inside a city. We have not really been playing in the global art market in a way that we have the capacity to.
We have a wonderful foundation. Two theater companies that produce work that goes to Broadway more than many regional theaters in the country, major museums, artists teaching at UC San Diego and University of San Diego. What a city does when it wants to take itself to the next level is intentionally create the product. Miami went after the Art Basel fair; they did not passively receive it. You have to have the intention and the will, and you have to go after it. We haven’t done that in the way that other cities have.
Look at what we did with the tech sector; we’re now a major tech center. That was intentional. Leadership organized around it. We have to do the same thing around the arts. We have a lot of contemporary art collectors here. We have a lot of galleries. But the ecosystem of the business of contemporary art is not as organized or as visible as it should be.
It’s bits and pieces of different cities. Dubai has invested very quickly and very intentionally in contemporary art—art fairs, design fairs, higher education, artist residencies from all over the world. London has centered artists and creatives in the contemporary zeitgeist in a way that was not true 40 years ago. They built biennials. They ensured British artists had affordable housing and workspace. They made sure the media paid attention to what they were doing.
If you don’t have an artist at your dinner table, it’s not a dinner party. That sounds elitist, but it’s true. It shows the value that artists have in a community. Our relationship culturally with Tijuana is really significant here because artists in Baja seem to be at the table.
They aren’t. When super creative people are in a community doing extraordinary work, that draws other super creative people doing extraordinary work. That’s why other arts and design districts around the world end up populated with some of the most interesting restaurants and young fashion designers. Creatives want to be around other creatives.
Our creative economy already employs about 170,000 people and generates more than $11 billion in economic activity. It’s large and robust. But we must center all of this in accessibility and affordability. Williamsburg used to be affordable. Artists can’t afford to live there anymore. Wicker Park and Bucktown in Chicago—artist central, now unaffordable. If we’re going to invest in this district, we have to be really intentional about housing and workspace, so creatives have a place in the future of this district.
I think the lesson is that nothing changes. What do people love? Long tables. Why? Because you’re with a lot of people—some you may have known your entire life, but most you don’t. And if it’s driven by a creative process, all the better. We know one of the best ways to do that is around food, but also music.
For the Art + Design District, part of why we’re leaning into the process is because, culturally, we’re bringing down the barriers between film, fashion, multimedia, tech, and architecture. It’s an experiential mashup in the best possible way.
And it’s not just about art and design, but community writ large. Creative expression is something we all desire. Whether it’s at a long table, at the opera, or in your studio, we gravitate toward creative expression as a way of building community and communicating with the people around us.
I hope you are writing about this in seven years when the district is fully mature. But this is just the beginning for all of this. I think that’s what’s most exciting to me. We don’t know what this is going to be like, but we know it’s going to be creatively centered, and that’s super exciting to me.
A conversation with Sebastián Morúa on art, community, and why the club’s future heroes should include the creatives helping build it
Sebastián Morúa is the Senior Vice President of Brand & Innovation for San Diego FC. He oversees Playmakers, the program through which the club has, over the past three years, engaged with over 80 working artists—not as marketing partners, but as co-creative directors.
Morúa didn’t build Playmakers as a community-outreach program bolted onto a Major League Soccer franchise. He built it as the identity of the franchise. When we sat down, he talked about the World Cup, San Diego’s creative workforce, his challenge to other sports franchises in the city, and the mural of heroes he hopes people will see one day when they close their eyes and picture San Diego FC.
Sebastián Morúa: I want to answer that in two parts. Philosophically first—because I think what you’re really asking is why should any sports team do this when most don’t.
Sport is a platform for transformation. It has proven that over and over. We saw it this summer with countries participating in the World Cup for the first time and what that did in their home countries—the sense of self-identification, pride, possibility. That is the power of sport.
When you take a sports team that’s fueled by that principle and understands what it could mean for other stakeholders in a community, you start to think about what you can accomplish in collaboration with them. One of those stakeholders, very early on, was the creative community. If we were going to build a team that represents this place and its people, we needed to go to the source. Artists are uniquely positioned to translate the essence and the soul of a community. When you zoom out and look at the multitude of artists in a place, you start to see the fabric of that local culture. That’s where the sense of pride and possibility gets unlocked.
Our mission is to create opportunities for talent to flourish and make San Diego shine. That means the club is a platform. When we started doing the early research for the brand, we brought artists into our focus groups. The response was immediate. There was a clear need. In 2024, we ran the first full year of what became Playmakers, working with more than 20 artists to help us tell the story of how San Diego FC could weave 18 distinct communities together.
We’re in the business of developing communities through sport. We’re not in the business of fútbol to entertain communities. That is an outcome—but not the purpose.
No. I wasn’t thinking about where this was going or how much it would cost. It instinctively felt aligned with our organizational purpose, and we made a decision to go for it. Now it’s become what it’s become.
If a fan closed their eyes 20 years from now and tried to paint a mural of the heroes that make up the club, they would see a big percentage of Playmakers artists on that mural. Ask any fan about the team they’ve supported for decades, and they’ll tell you about players, maybe a coach, maybe an owner. We’re expanding that. In our mural, there’ll be artists, entrepreneurs, community leaders, youth coaches. The community will be present.
Three to five years from now, Playmakers is an established community of creatives who have co-directed the identity of the club and the evolving identity of San Diego. If we keep the pace we’ve kept, we should have collaborated with 150 to 200 artists whose stories we’ve told and whose next steps we’ve helped support.
There’s a huge benefit for us as a club and as a brand. This is symbiotic. The artists have a need, we can support that need, and in return the community cares more about our club because of the investment we’re doing in the community. That’s what I would tell another organization.
San Diego is waking up to how much it has to offer the global conversation around culture. There’s a purity to life here—partly because of the weather, which allows us to spend so much time outside, in nature—and that exists alongside this incredible richness in food, music, art, and now sports.
I have a sense that San Diego is ready to unlock its full potential. You see it in the artists and creatives here. They’re ready. There’s very little hesitation. It’s more like: “Hell yeah, of course I want to do this. I know I’m talented. I’ve been waiting for something like this.”
That energy, combined with the unique lifestyle and character of this place, creates a really exciting sense of what San Diego can become in the years ahead.
I would ask: What would you say to the other big players in San Diego who are—or could be—shaping the cultural fabric of our community? Do they understand the symbiotic benefit? Are they supporting it?
Because Playmakers, in the end, is a cultural compass. It’s making sure that San Diego still feels—and will always feel—represented in the creative process of building San Diego FC and what that means for San Diego.
The pitch is a canvas. Athletes are painting collectively during every game. There is a story in every game. That’s the link between sport and art. At the core, it’s the same creative process.
Scripps electrophysiologists not only deliver the latest therapies, they help develop them
Atrial fibrillation (AFib) is the most common cardiac dysrhythmia, affecting more than 10 million people in the U.S. The condition, characterized by an irregular and often rapid heartbeat, raises the risk of stroke, heart failure and death. Advances in electrophysiology, a subspecialty of cardiology focused on the heart’s electrical system, are transforming how AFib and other dysrhythmias are diagnosed and treated. Scripps electrophysiologists use state-of-the-art therapies—some of which they helped develop. They were instrumental in the pre-FDA approval research for an effective new treatment, pulsed field ablation, and are on the forefront of other innovative treatments. Click here to learn more.
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