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The true story of a World War II lieutenant’s incredible journey home
The Crew of the Little One—Rear: Charles Cartmille, ball turret gunner; Merle Weik, top turret gunner; John Lewis, tail turret gunner; Guy Howard, radio operator; Robert Marcum, nose turret gunner; Bob Garin, flight engineer. Front: Lt. Joseph Lidiak, navigator; Lt. John Rucigay, copilot, 1 Lt. Tom MacDonald, pilot; 2 Lt. Robert Denison, bombardier.
Robert Denison was serving as the bombardier aboard a B-24 when he was forced to bail out, separated from his crew, and survived for 40 days in Nazi-occupied Yugoslavia. In commemoration of Veterans Day, our copy chief put together this story, of his grandfather’s last mission in World War II. What follows is a composite, assembled from spoken and written accounts he gave over the years.
Between May and July of 1944, I flew 17 missions over Europe in the B-24 Liberator Little One. Most of the 10 men in our crew were fresh out of high school. I was just 19 years old, and the pilot was the “old man”—at 23.
Our plane was built right here in San Diego. As part of the 15th Air Force, we were sent to Pantanella Airfield in Southern Italy, to replace a crew who had just been lost. Over the previous year, the 15th alone had lost 186 planes.
We flew missions to Northern Italy, Bulgaria, Romania, Slovakia, and occupied France without major incident. Then on July 19, we embarked on our final mission—the one where we flew out and walked back.
When the curtains went up in the briefing room, they revealed our target: the BMW Aircraft Engine Factory in Allach, Munich—the third-most-defended city in the Reich, and we all knew what that meant. It was our first mission over Germany, and the chaplain announced that any Jewish soldiers among us could ask to be excused from it without fault.
The entire 15th Air Force took part in the raid—nearly 3,000 planes in formation at once. We took off like an assembly line, in 20-second intervals.
It was very cold in the plane. I had to wear two sets of work clothes, my flight suit, my winter flying jacket, and even a second pair of fleece-lined boots over my GI boots. You could rest your beers on the bomb bay doors and they’d stay ice cold.
Things started going wrong before we were halfway to the target. First our new navigation unit caught fire; then Engine 1 quit on us. With just three engines, we had to drop out of formation and fell to a lower altitude.
“I painted our plane’s nose art myself, out on the tarmac in the rain. ‘Little One’ was the pilot’s nickname for his wife.”
The sky over Munich filled with bursts of antiaircraft fire; it got so close I could hear the shrapnel tinkling on the hull. Since we’d broken formation, we had to pick out a different “target of opportunity” to hit; then we banked to head for home. Only then did someone notice the holes shot through the wings. It was shortly after noon.
When Engine 2 went out as well, all the aircraft’s power was coming from one side, creating a constant midair skid. The flak also shorted out our electrical system, which meant no power for the turrets, the radio, most of the instrumentation—or even the flight controls. Now the only force keeping the plane level was the pilots’ own physical strength, same as losing power steering in a car. They stood up and put all their weight on the rudder pedals to keep us from entering an uncontrollable tailspin. I relieved the engineer on the waist guns so he could go up and help the pilots. Unfortunately, this meant I could no longer keep track of our position.
We flew south for another hour until we passed over a well-defended city and the sky filled with flak again. Then, who should appear but two red-tailed P-51 Mustangs—those brave Black pilots of the Tuskeegee Airmen.
They could see we were in trouble. One flew closer to the city to draw the enemy fire, and the other came up alongside and escorted us awhile. We communicated with him out the window by sign language, since our radio was out. He smiled, and wiggled his wings. Eventually he had to return to his own mission.
Soon after that, Engine 3 failed. After three hours of fighting to stay airborne, we were down to 11,000 feet and falling. There was no way to make it home with a single engine.
The pilot gave the order to bail out.
The Little One releases its payload while flying with other B-24s of the 464th Bomb Group, 15th Air Force.
I relayed the order to the four airmen in the waist gun section. They all just stared at me and shook their heads. “No sir,” they said. “After you.”
No time to argue. I opened the rear hatch and told the men to head southeast once they hit the ground, so they’d reach the Allied front line. We were turning back over land from the ocean, and I assumed we’d made it to the main “boot” of Italy, south of Venice. I was wrong.
I was first to tumble out. I caught a glimpse of everyone else opening their parachutes right away, high above me, but I knew what easy targets that would make us to ground fire, so I waited to pull my ripcord until I was just 300 feet up. We were trained to roll as we landed, to distribute the impact evenly—but in the confusion of the moment I tucked my knees and smacked hard heels-first, spraining my ankles.
This photo shows Denison’s actual plane.
I was in a cornfield, and a three-gun antiaircraft battery was close enough that I could hear the soldiers’ voices. They also had two German shepherds—who were both looking right at me and barking.
I lay on my back, my ankles throbbing in pain, trying to gather my thoughts and expecting to be taken prisoner at any moment. I rolled up my parachute and took off my jacket, which was covered with identifying insignia. Now I saw that the dogs were wagging their tails. To my astonishment, no one came.
So finally I crawled away into a dry irrigation ditch at the edge of the field, where I hid my jacket and parachute. A little more safely out of sight, I decided to rest and give my ankles some time to recover. I kept looking around for my crew but never saw them. Having opened their chutes much earlier, they could have drifted miles away before landing.
Before I knew it I’d fallen asleep. I was awakened in the middle of the night when the gun battery opened fire—the sound shook me to pieces. British bombers were flying overhead, heading southwest.
Veterans Day / Little One’s Flight Path Map
The next morning I ate some raw corn and took inventory of my escape kit: bouillon cubes, matches, needle and thread, a compass, waterproof silk maps of Europe, and 42 US dollars. Too late I realized I’d left my .45 pistol behind in the bombardier’s position when I went to relieve the engineer. My only personal item was the wristwatch my parents had given me at my high school graduation two year ago.
As soon as I could bear putting weight on my ankles, I set out, slowly and limping. The countryside looked just like California. I knew the Allies were gaining ground every day, so we were bound to run into them if we just kept heading southeast.
I picked up more corn and some tomatoes to eat as I passed through the fields. To my surprise, by late afternoon I reached the ocean. I’d had no water all day and was feeling awful, so I drank some seawater. Of course, following the coastline south, the next thing I came upon was a rock quarry where fresh water had collected in the bottom levels. I drank up all I could.
It was dark by the time I came to a small cove with an unattended boat. I swam out, untied it, and quietly rowed to sea. I was already exhausted, but I knew night would be the safest time to travel, so I followed the shore for hours and hours.
Based on how long we’d been flying since Munich, I expected to be just northwest of San Marino—but the coast was turning southwest, which didn’t resemble anything in that part of the map. So where was I?
The moon was just a tiny sliver. In the darkness, the water at the stern glowed softly green—phosphorescent algae, churned up by the oars. By the time dawn approached, I couldn’t row any longer. I returned to shore, found the nearest shelter from the wind, and fell right to sleep.
I walked along the coast for days, eating what I could from the fields I passed through. Eventually it became clear that I wasn’t going to just stumble upon friendly troops—I’d have to risk turning west, toward the village centers, and asking someone for help.
On the sixth day after bailing out, I spotted a well behind a farmhouse. I was so excited by the thought of fresh water I went straight for it—and didn’t notice the farmer and his dog coming out to meet me there.
We got to the well at the same time. His wife and daughter were standing in the doorway, watching us. I gestured asking for water, and the farmer asked, “Parla italiano?”
I shook my head no.
Then he said, “Sprechen Sie Deutsch?”
I knew I had to fake it somehow. The puppy was tugging on my pant leg, so I knelt down, started playing with him, and sang the only thing I could remember from the German class I’d taken in junior college: “Die Lorelei,” a poem that, incidentally, is about a siren leading a pilot to shipwreck.
When I looked up, the farmer was smiling. He probably thought I was some harmless nut. The family brought out some bread, and when they drew up the bucket from the well, it was full of beer!
A half mile down the road I stopped and turned back. They were all still watching me. They waved, and I waved. I spent that night in a haystack.
Clockwise from top left: Notes Denison took while in Pula; women of the Yugoslavian Partisans; the Istrian countryside; an Italian cruiser docked in Pula Harbor; a clipping from Denison’s hometown newspaper; Pula Amphitheatre. Center: A letter Denison’s father received while he was missing.
I set off at sunrise the next day. It was now July 24, and right away I saw a church steeple in the distance. I’d arrived at a major city. The street signs were in Italian, which clued me in a little—but the Italian Empire had also extended deep into Yugoslavia for years. I needed more concrete information.
Wearing a nondescript gray sweatshirt and khaki pants, I must have blended in somewhat with the Italian workforce—lucky for me, since there were so many German soldiers on the sidewalks, I had to walk in the middle of the street.
I went toward the center of town. It had seen a lot of damage, and recently. Radar installations and fuel depots lay in ruins; the aftermath of those British bombers that had awakened me the first night.
I came to the city seaport, where about a dozen torpedo boats were docked one right after the other, flying swastika flags. Painted on the conning tower of each one were red silhouettes of American ships—their kills.
My spirits fell. That really got to me. Those were my people.
I left the seaport in a daze, and there looming overhead, I could’ve sworn, was the Roman Colosseum. I thought, There’s no way I’m in Rome—am I?
I sat on a park bench and watched the German troops marching past those ancient arches. They were all such young men, and for over an hour there was no end to them. Yet performances were still happening in that amphitheater; posters all around it advertised the evening opera.
Finally I shook myself back to my senses. I had to get out of here.
On my way out of the city, I saw a girl about my age lean her bicycle against her house as she went in. It was a quieter neighborhood, and I thought, A bicycle would be much faster, and easier on my ankles.
I looked around, saw no one else, and right as I was reaching for the bike, the girl came back outside. My hands were already outstretched, so I had to do something—I mimed asking for food and water.
She gave me a suspicious look, but after a minute she nodded and opened the door. Two other women were inside—her mother and grandmother, I assumed—speaking Italian and preparing lunch. They invited me to join them.
Then the mother asked me, “Chi sei, ragazzo?”
I must’ve felt safer there because they were women. So I answered in English, “I’m an American flyer.”
The mother’s face turned white. She quickly stood up and closed the front door. Hanging on the inside of the door was a fascist uniform.
I was the enemy. But I was also their guest. I could barely breathe; I had no idea what was coming next.
Then the girl asked me in English, “How long until the war is over?”
I said, “I don’t know. ’46, maybe.”
Her family waited for her to translate, and when she did, none of them were happy about it.
“Please, can you help me?” I asked. “I don’t know where I am.”
The girl got up and came back with an atlas. She pointed to Pula, the largest city on the Istrian Peninsula.
I was shocked. The entire Adriatic Sea lay between me and friendly territory. But then I remembered our briefings on the political situation there. Istria was close to the borders of Croatia and Slovenia. All of this land was still occupied by the Germans, but it had just been reclaimed as united Yugoslavia the previous November by the Communist National Liberation Army, better known as the Partisans. If we landed anywhere in Yugoslavia, we were supposed to seek them out for help.
I asked the girl how I could contact the Partisans. She glanced at her family, then traced a line northeast out of the city. “Follow this road and they will find you.”
Then she closed the atlas and said, “My father will be home soon.”
Veterans Day / Bob’s Hike Map
The only way out of Pula was through a gated checkpoint. By the time I saw the German guards, the pedestrian crowd had drawn down to single file, and turning back would only look more suspicious.
My turn. A Wehrmacht officer pointed his finger at me and I stopped. We sized each other up at the same time. I glanced over his immaculate green uniform, his jackboots, jodhpurs, his black-visor cap with the Nazi eagle dead center. He seemed disgusted by my seven-day unwashed clothes—and he squinted at my boots.
Then it hit me. Even the dirt couldn’t hide that my boots were brand-new leather. And the dead giveaway: stamped in large font right across the soles were the initials “U.S.”
The moment stretched on forever. But then he waved me through.
My knees went weak and as soon as I was out of sight I sat down at the side of the road. I didn’t know how I was still alive and walking free.
I followed the road northeast like the girl had told me, and made much faster progress than in the fields. Toward evening I came across a woman chopping wood near a small group of cabins. I greeted her with gestures as I had the others, but she backed away, gripping the ax tighter.
Without thinking, I said, “It’s okay! Me Americano!”
She nodded as if to say, So what? And when I kept advancing, she turned and ran.
The path led up a steep hill and I started up it as quickly as I could. Someone shouted—a crowd of people had come out of the cabins, and three armed soldiers were coming up the road toward me.
I started running, and they started running. If I could just make it over the top of the hill first, they would lose sight of me and I could hide. But I was exhausted, hungry, my ankles in agony; before I knew it they’d all caught up.
There was no way out.
I turned to face the soldiers. One approached me and said, “Tu americano?”
I nodded.
Then he grabbed my shoulders—and kissed both my cheeks. The other two did the same.
At the bottom of the hill, everyone who’d been watching the chase started cheering.
The Partisans had found me.
The Partisans on a long march through the mountains.
When I told my story to the person back at the cabins who spoke the most English, he said his comrades had picked up some Americans a few days ago and taken them north, to one of their secret headquarters in the mountains. He offered to take me there.
We set out at dusk and hiked all night long, until finally we arrived at a farmhouse just before dawn. The inside was filled with people hard at work on typewriters, decoding messages by lamplight. My guide checked in with them, and then showed me out back to a tall barn.
Sleeping in the hayloft, above the cows, were all nine of my crewmates safe and sound.
It was a joyous reunion. I couldn’t believe their story, and they couldn’t believe mine. A Partisan happened to be in the field where the copilot and top turret gunner landed, so they were rescued immediately. Six more joined them at their camp by evening, so except for the pilot, who caught up to them the next day, everyone except me had been reunited within four hours of bailing out!
That first night, while I’d been hiding in a ditch next to a German cannon, my crew was drinking wine, eating lettuce and black bread with strawberry jam, and dancing with the locals in Krnica, the very first village I would pass the next morning.
My spirits were soaring at seeing their faces again after an entire week alone. But our journey home was just beginning. The Partisans were taking us north, on a sort of “underground railroad” to the closest friendly airstrip—350 miles across the southeastern Alps, in Slovenia.
Copilot John Rucigay reunites with one of their rescuers, Marija Benčina, in 1971.
We had one day to rest. The next evening, the Partisans served beef stew with plum brandy and Charms lollipops. Turns out, they’d tracked down the Little One’s crash site and scavenged everything they could from the wreckage—they were serving us dessert from the survival kits of our own airplane.
From then on it was 11 miles a day at least; the ten of us, plus half as many Partisans who joined or left at certain points to pursue their own missions. Usually that number included a couple civilian women, who carried big flasks of milk from village to village.
We marched, single file, over the mountains every night for almost three weeks, sleeping by day, until we finally entered Slovenia, which was still mostly under German control.
We arrived in a lush valley that the Partisans had recently liberated; they’d driven the Germans back to the head of the valley, just a few miles north. A makeshift landing strip there proved a crucial staging point, and the Partisans suffered heavy losses to maintain control of it.
In the tiny village of Nadlesk, a woman named Marija Benčina let us stay in the hayloft of her barn. Her husband had joined a Slovene anti-communist force, and giving us shelter was her way of subverting his cause. She had two little children, and before we left we gave her all the money we had to support their education.
Other downed Allied troops came into the valley every day, until about 500 of us were all waiting for a spot on the next plane out. A cargo resupply plane came and went on August 19, and another one week later; but so many wounded deserved first priority, we had to wait our turn.
Finally, on August 27, all ten crewmembers of the Little One boarded a British C-47 en route to Southern Italy. We were infested with lice and underweight—I’d lost over 35 pounds—but for the first time in 40 days, we felt safe. Our adventure had come to an end.
John Rucigay, our copilot, was a second-generation Slovene immigrant, so he’d been able to communicate with our rescuers somewhat. He ended up returning decades later to find the village where his parents grew up, and reconnect with the people who saved our lives. Marija Benčina was still living there at her farm. Her children were both well, but her husband never returned from the war.
The story of my service in Europe is filled with unbelievable coincidences, but the greatest of them came years later.
In 1965 I was on R&R in Yokohama, Japan, during the Vietnam War. On our air base there, I met a woman employed in the US Civil Service and invited her to dinner.
I asked her about her German accent. She was about my age, and though she was now an American citizen, she had lived in Munich during the war.
“I bombed Munich during the war,” I admitted.
She didn’t seem surprised. “And I was defending Munich during the war.”
She explained that she’d been a marksman in the German Army; she and two other women were stationed on an anti-aircraft battery. A strange idea popped into my head. “Were you on the guns on July 19, 1944?”
She gave me a funny look. “Yes I was. I remember because we got credit for a possible kill that day.”
“I’ll be god damned.” I burst out laughing. “I think you might’ve shot me down.”
She took another drink. “I bet I did.”
“Aren’t you sorry?” I asked.
“Are you sorry for dropping bombs on my city?”
Well, neither of us would apologize. We were both doing our duty to our country. And now here the two of us were, 21 years later, laughing over drinks and having a great time.
From left: Denison in the 2007 San Diego Veterans Day Parade, and Denison at bombardier school in 1943.
For our final mission, everyone on my crew was awarded the Distinguished Flying Cross—even though we missed our target, destroyed our plane, and had to be rescued by the Partisans. I have always found that ironic. In fact, practically everyone who came to our aid were either Communist soldiers or women (sometimes both) or Black men. Those women helped us at great risk to themselves, because the men in their family had joined the other side.
I think about my experience every single day of the year. The problems we had were amazing, and I can’t help but wonder how we did it. We were all just a bunch of kids. They said go, and we went.
Bob Denison retired from the Air Force in 1970 as a lieutenant colonel and lived in San Diego for the rest of his life. When he passed away in 2017, he was the last surviving crewmember of the Little One.
Dan Letchworth is the copy chief of San Diego Magazine. His print column Dansplaining explores San Diego trivia, and his theater review blog Everyone’s a Critic was a finalist for best online column in the 2019 National City & Regional Magazine Awards.
No gatekeepers, no creative rules, no perfect definition—the city’s DIY publishing scene makes room for anyone with something to say.
If magazines are like the adultier eldest daughters who know exactly how much anarchy they can get away with, zines are the far less predictable younger siblings going on whim and instinct. Those who draw on the walls around the house, DIY their own piercings, and experiment with different emo/straight-edge/back to emo phases (or not-phases). Boundaries and routines are what zines were created to rail against.
Walk into Verbatim Books’ zine corner, and this rebellion is immediately clear. Zines have no singular form, no clean category or definition. Vintage magazine scraps are collaged into new meaning alongside mini fandom zines. Single sheets of plain white printer paper are covered in nothing but black ballpoint pen. Repurposed hardback book covers are folded into something entirely new. Some are duct-taped together, others stapled. Some glossy, others matte. There are guides to anything and everything, comic panels, photography, hand-drawn cartoons, poetry, recipes, diaries, and ramblings that only make sense to the person who made them—and that’s on purpose.
Zines are creative magic. And with no rules, they’re incredibly accessible. Anyone can zine and have a voice, regardless of artistic training or work life experience.
You are your own Anna Wintour, Graydon Carter, Ruth Whitney.
San Diego–based zine creator Lyssette Williams specializes in mini zines—often limited to eight pages, they’re meditations in abbreviation. Outlining, thumbnailing, and revision all move quickly from idea to page. Larger projects, including Williams’ long-form graphic novel thesis, move at a slower pace. For those, she often returns to pen and ink, a choice that resists the over-editability of digital work.
Raised by a single mother and navigating mixed-race identity in a predominantly white town, she finds a home for processing it all in zines. Her work deals in identity, belonging, self-definition, and punk-rock childhood. But it isn’t always heavy; Williams creates a mini duck-themed zine called Backyard Duck Propaganda that’s hard not to love. “When I create, I think about what would have helped me find the words back then, what my younger self would’ve needed,” Williams says. “[Zines] put the tools in your hands and democratize art. They’re translations of memories and identities.”

For Williams, a big reason she keeps creating is being surrounded by other creatives—a scene that extends across the border. She points to Verbatim and Comicbook Artists of San Diego, plus events like Zine Fest (October 17–18 this year at Woo in Barrio Logan) and Black Comix Day at the WorldBeat Cultural Center.
Zines have always been a road for subcultures. During the Harlem Renaissance, Black creatives like Langston Hughes and Zora Neale Hurston self-published one issue of Fire!!, which inspired other Black authors. In the 1930s, zines (then called fanzines) were hubs for sci-fi nerds to write fanfiction, address the fandom, and create new characters. Superman actually made his public debut in a fanzine called Science Fiction (he was originally cast as a villain with a fully receded hairline). A couple decades later, zines about feminism and riot grrrl became subculture de rigueur.
The internet nearly killed zines, of course. But now, people tired of the algorithm’s firehose are finding comfort and renewed inspiration in analog. Zines, a salve for digital fatigue.

A giant figure in San Diego zine culture is Burn All Books. Founded by Amanda and Nick Bernal, BAB started as a risograph (digital screen printing) studio and turned into one of those places that keeps expanding the whole scene around it, even forming its own archive group, SCANNNERS. Since opening in January 2023, it has published over 35 works and collaborated with more than 100 artists, writers, and zinesters.
For Duophobia, the pseudonym for local twin sisters Alora and Kiani Dotson (affectionately known as the “possum twins”), zines make room for experimentation and play that doesn’t fit anywhere else. Room for eclectic cartoons and dirty jokes. For sticker-covered sketchbooks.
It’s that same brand of nostalgia you might feel when, say, you walk past the carcass of an abandoned mall and see a faded cartoon mural. Their work lives somewhere between childhood and adulthood, where being unserious is taken very, very seriously.
“We’re born and raised in San Diego, and the community of artists here is a main reason we started publishing,” Kiani Dotson says. “There are people here like Trixxie Land who run open art gatherings. Show up, and you’re part of it.”
Land, a zinester herself (she made 250 single-page zines during 2020’s lockdown), is all about storytelling over hierarchy. Art shouldn’t be about gatekeeping or intimidation, she says. So she holds open-invite arts shows at Subterranean Coffee.

Duophobia regularly share their work at local galleries like Subterranean, filling that lowbrow space with pieces that answer: “What would’ve made us laugh as kids?” Children are often the first to pick up their zines, unfolding them in every direction while parents briefly panic at the impulsive destruction. The twins always step in. “No, no, it’s okay,” they say, before showing how one sheet of paper folds into an entire little book. “It’s like magic.” More often than not, the kids leave with a tiny zine tucked under a tiny arm, future San Diego zinesters in the making.
When asked what a zine really is, Alora Dotson’s response was simple: “It’s anything. Literally anything. The more genuine you are, the more people are going to hear what you have to say. Your voice matters, even if it’s just a silly joke or story. People want to hear about it.”
Not a perfect definition? Exactly. Zines inherently resist categories. Want to turn a single playing card into a storybook? Do it. What about your favorite graffiti artist’s signature tag at Prince Memorial Skatepark? Turn it into a zine.
Everything’s a zine.
Isabella Dallas is a freelance writer for San Diego Magazine and the Arts and Culture Editor at The Daily Aztec in her final year at San Diego State University. She previously worked as an editorial intern for SDM, but when she’s not writing, you can find her trying the best coffee spots in SD, devouring the latest rom-coms, and indulging in anything and everything pop culture.
From tacos to tailors and trainers to travel, these are the businesses, people, and places that earned San Diego readers' votes
San Diego Aesthetics and Med Spa
Elicia Soltesz, Elicia Marie Beauty
Ashley Fierro, Ashley Fierro Makeup
Michelle Langston, MSN, APRN, FNP-BC, HNB-BC, Starlite Aesthetics
Alysa Espiritu, Afterglo Beauty Lounge
Ronnie Page, Gold Comb Barbershop North Park

Ryleigh Hunter, Headbang Salon
Ann Teresa Degischer, Maen the Salon
Lindsay Axelrod, Pixiedot Salon
Lauren Skinker, Lucky Cat Tattoo

Father Joe’s Villages Turkey Trot
The Camp Transformation Center, West Chula Vista
Singing Hills Golf Club at Sycuan

Camila Casanueva, The Yard Gym

Austin Harrington, Captain’s Quarters
Bivouac Ciderworks, Savoy Dry Apple Cider

Missi Burns, Et Voila

Prospera Internal Medicine and Aesthetics
From handmade goods to one-of-a-kind finds, these local shops prove the best souvenirs are the ones with a story
Almost everything in this Oceanside shop is made by local artists and independent weirdos, and almost none of it requires a gallerist’s budget. Goblin Shark Emporium rotates a new featured artist every month between the vinyl crates, blacklight posters, and hilariously specific stickers, so you can walk out with original work and a tarot reading to contemplate as you sip your Banana Dang Coffee from a couple storefronts down.
Tucked within the potting tables and ferns of Mission Hills Nursery, the oldest nursery in Southern California and a Kate Sessions original, sits Through the Fold, the sweet indie bookstore that mother-daughter team Gail Levine and Jennifer Medeiros hand-built and opened in late April. Two retired educators and lifelong bibliophiles run it like a neighborhood living room: three book clubs, toddler story time, and a summer camp for the 7-to-12 set. It’s the rare retail run that smells like soil and new paperbacks, which is to say, like a very specific kind of heaven.
Open since 1993 under the unbeatable tagline “Books of Martians, Murder, Magic, and Mayhem,” this Rosecrans Street institution is the city’s portal for anyone who would rather be on a different planet. Load up on sci-fi, horror, and fantasy, then stick around for the weekly Dungeons & Dragons campaign, because the only thing better than reading about another universe is rolling a d20 inside one.
On the ground floor of the downtown Central Library, tucked into the Joan and Irwin Jacobs Common, sits the Library Shop, a tightly curated gift store stocked with presents and trinkets you didn’t know you needed: wind-up kitchen timers, specialty pencils, felt coasters in colors cheerful enough to overcome the first half of the Padres’ season—you get it. Every dollar funds the San Diego Public Library system, which makes the shop’s official “Guilt-Free Shopping” motto the rare slogan that holds up. Come for a paperback, leave having formed a genuine emotional attachment to a $4 pencil.
The window at this North Park shop is alive: a front-of-house catio where adoptable rescue cats audition for your heart while you pretend to be just browsing. From there, a literal catwalk runs along the ceiling to a back resting room (because existing around inferior beings is exhausting for cats). Owner Vera Blatchley of Purrgatory stocks the full cat-lover arsenal, plus a wall of gifts for the feline who already has nine of everything. Fan favorite: a retro-style, bubblegum-pink Kit-Cat Clock.
Surf art’s everywhere, but it’s somehow always a little kooky. Painter Andy Davis’ style captured that elemental soul, making him one of the most successful surf artists of the last few decades (check his giant mural at Town and Country Resort). His tiny Encinitas storefront, Club Paradise, is a gallery-slash-gift shop that stocks his paintings and prints—and he’s using the space as a culture club for local and touring creatives.
Tulux is the Pacific Beach swimwear label out of Cass Street, where designer Yamhed Torres turns the whole Tulum fantasy into bold, limited-run bikinis. This year, Vogue México y Latinoamérica named her one of just 10 emerging designers to watch, so each suit comes with the kind of credentials that practically books its own sunset getaway. Everything is one and done: When a piece sells, it’s gone for good, which is either smart scarcity or the universe telling you to commit.
Free lotto tickets at crystal shops? Yes, please. Pacific Beads owner Shlomo Gruer greets you at the door of this Clairemont Mesa warehouse with 4,000 square feet of crystals, geodes, and beads by the bin. You come for wholesale amethyst and sterling findings; you leave holding a fistful of healing stones and a statistically remote shot at early retirement. Need another reason to visit? Owner Gruer has his own line of jewelry, and Pacific Beads also hosts jewelry-making classes.
El Cajon’s Parkway Plaza could look radically different in the near future, as city officials are hatching plans to reinvent the one-time community and commercial center. Inflection points of iconic structures are always compelling times to visit and tabulate your own urban-planning daydreams. As you do, hit the first NAMA-certified automatic cotton candy vending machine in the country. Push a button, and 123 Sweetsss spins you a fresh cloud of childhood in under a minute. No carnival, no county fair admission, no sweaty teenager in a paper hat required.
Behind every beautiful space is a thoughtful process, and ASID San Diego is helping homeowners understand the value of professional design.
A perfectly designed home rarely happens by accident. Those kitchens that feel effortless and rooms that seem to tell a story the second you walk in? They’re usually the work of someone who knows exactly what they’re doing.
It’s knowing which ideas will actually work, which materials will hold up over time, and how to turn a collection of choices into a space that feels intentional. That’s where a professional interior designer comes in.
For the American Society of Interior Designers (ASID) California San Diego Chapter, the goal is to help people see interior design as more than just the finished look. Behind every well-designed space is a process built on technical expertise. Designers are educated in everything from professional software and construction details to building codes, space planning, materials, and functionality.

“People don’t always realize how much goes on behind the scenes,” Kirsten Recce , current president of the ASID California San Diego Chapter, says. “Our designers are not just doing furniture placement and color selection and picking out new fluffy pillows. That’s not what they’re trained for.”
ASID members bring formal education, continued learning, and industry knowledge to their projects, helping create spaces that are not only beautiful, but designed to work. A paint color that changes completely depending on the lighting. A material that looks beautiful in a showroom but doesn’t make sense for everyday life. A layout that photographs well but doesn’t function for the people living there. These are the details where professional guidance can make all the difference.
Still, one of the biggest misconceptions about hiring an interior designer is that it’s reserved for massive renovations, luxury homes, or people who already know exactly what they want. The process can feel intimidating. Where do you begin? Is a designer worth the investment? What if you only need help with one room?
ASID’s answer: start with one hour.
ASID’s Spruce Up events break down one of the biggest barriers between homeowners and professional design: knowing where to begin. Held twice a year, the community program gives homeowners the chance to work directly with an ASID designer through a one-hour, $125 consultation in their own home. Whether you’re looking for advice on furniture placement, window treatments, kitchen and bath updates, remodeling ideas, vacation rentals, color selections or something else entirely, the upcoming September 2026 event offers an approachable way to get expert guidance before committing to a full project. Signups are open through Sept. 7, with consultations taking place Sept. 21 through Oct. 31. Proceeds benefit ASID San Diego’s educational and community programs. Register here!

“It’s a great opportunity for people who are in that exploratory phase,” Recce says. “Maybe they’re not sure they want to hire an interior designer yet, or they think it sounds daunting or expensive. This gives them a chance to discover what working with a designer is actually like.”
Design is personal. A good designer isn’t just creating a beautiful room; they’re helping create a space that fits the way someone lives.
“We’re a resource to all of San Diego County,” Recce says. “It doesn’t cost anything to pick up the phone and call and ask. We’ll answer.”
Follow ASID San Diego on Instagram, LinkedIn, and Facebook for updates on upcoming events, or connect with the chapter directly at [email protected] or 619-548-8847.
From getting your sweat on at hip-hop class to celebrating with a zero-proof cocktail, here are San Diego's top fitness and wellness spots
For thousands of years, the Kumeyaay who lived in this area called a mountain south of Julian Cush-pii, meaning “sharp peak.” Then, after the Civil War, Confederate sympathizers saw that same mountain and decided to rename it Stonewall Peak—after General Stonewall Jackson. The name stuck for nearly a century and a half, until Cuyamaca Rancho State Park announced earlier this year that the name will return to its original, Cush-pii. Hike to the summit for expansive views of the Coronado Islands to the west and Mexico to the south.

In 1993, Angie Bunch gathered a group of hip-hop dancers—called Culture Shock Dance Troupe—and gave them a space to practice and perform. As hip hop grew through the ’90s, so did Culture Shock. It has since become a nonprofit, a space for young and old, beginner and expert dancers. Culture Shock has also expanded to Los Angeles, Oakland, Las Vegas, Chicago, Atlanta, New York City, and Washington, D.C., as well as Ottawa and Toronto, Canada.
In 2019, Amanda Leach created the Yoga Box method, which takes high-energy flows and adds strength-building poses in heated, vibey, lava-lamp-lit studios. What started on Grand Avenue in Pacific Beach has spread to 15 locations across the county, with even more trickling into Denver, Chicago, and Brooklyn. The best part? Mindfulness newbies who can’t touch their toes and six-packed contortionists can hang in the same class. You can customize each session based on your ability and fitness level.

A gym taking over a historic beachfront pool sounds like the setup for a new season of Love Island, but Fit Mission Beach operating the nearly 100-year-old Plunge at Belmont Park is real. The independent fitness brand has spent the past several years building a loyal following through group fitness classes, community events, and a members’ social club overlooking the ocean. Upstairs, members can work remotely, meet friends, or hang out long after their workout ends. Between the Plunge, the coworking-style lounge, and a packed calendar of events, Fit has evolved into something bigger than a gym. It’s a clubhouse for San Diego’s fitness crowd.
The wellness world is finally transitioning away from HIIT workouts and cult-like spin classes, where your heart rate hits Zone 5 within minutes and stays there until cooldown. Good. At Breathe Degrees, wellness takes the form of zenned-out communal breathing sessions or vagus nerve–activating cold plunges. Breathwork is said to boost your mood in the short term and improve your heart health in the long term, and maybe that’s why everyone’s coming back for more. You can’t run into someone in Carlsbad who hasn’t dropped into at least one breathwork session, and now the studio has opened a second location in Liberty Station.

Pilates wasn’t just popular this year; it was practically a requirement for maintaining your San Diego residency. New studios seemed to appear weekly across San Diego, each promising stronger cores and better posture, but Soul Pilates and Care found a way to stand out by addressing a challenge many parents know well: finding time to exercise at all. Fitness doesn’t have to compete with parenting responsibilities. Parents can drop their kids off with trained caregivers while they head into reformer classes, eliminating one of the biggest barriers to working out. The studio has earned strong reviews for both its instruction and family-friendly approach.
The Hotel del Coronado’s sweeping $550 million restoration touched nearly every corner of the historic resort, but one of the most anticipated unveilils was the debut of its redesigned spa. The oceanfront wellness destination now features 21 treatment rooms, a relaxation lounge, a sauna, steam room, and a treatment menu inspired by the coastal environment just steps away. The redesign blends the Del’s Victorian legacy with a cleaner, more contemporary aesthetic, creating a space that feels distinctly SoCal rather than generic luxury hotel. For locals who don’t have time for a vacation, it’s the next best thing.
As non-alcoholic beverages continue their meteoric rise, Good News Bar has become one of San Diego’s most compelling arguments for a booze-free evening. The University Heights hotspot serves a menu of carefully crafted zero-proof cocktails that borrow techniques and ingredients from traditional cocktail programs (it’s not just fancy juices and soda water), minus the hangover. The space also hosts regular community events and has quickly become a gathering place for everyone from sober San Diegans to the merely sober-curious. In a nightlife industry built around alcohol sales, Good News proved there’s plenty of demand for connection without the buzz.
From elephant encounters to escape rooms, these are the adventures that kept San Diego families busy all year long
If you can’t quite swing the cost of a trip to the African outback, the Safari Park’s new Elephant Valley is a pretty convincing Plan B. The 13-acre immersive habitat—the largest project in the San Diego Zoo Wildlife Alliance’s 109-year history—is home to eight African elephants, but it’s the thoughtful details that steal the show. Keep your eyes open for intricate Kenyan-inspired artwork, native landscaping, and stop by the Mkutano House, where you can grab lunch with a front-row view of the herd.
Pepper Park became the emotional anchor of the bayfront overhaul when the National City park reopened this March with a 2.5-acre expansion. Hopefully that’s just the start. The California Coastal Commission also approved the city’s ambitious waterfront plan, clearing the way for a long-envisioned 77-acre bayfront makeover with more green space, better bike paths, and improved waterfront access. Money still has to be raised, but head to Pepper Park, sit on a brand-new bench, and gaze out at the future of the South Bay.
Not every family destination comes with roller coasters—sometimes, they have paint rollers. The Willie Henderson Sports Complex in southeast San Diego recently received a new paint job and major facelift (courtesy of San Diego FC, the Prebys Foundation, and community advocates), giving thousands of kids a safer, smoother, and more colorful place to play basketball or soccer. If your weekends revolve around sports gear, folding chairs, and orange slices, you’ll definitely appreciate the upgrade.
Parents come for the pizza. Kids come for the games. Sci-fi nerds come for it all. Killer Pizza From Mars is an Oceanside mainstay for families who love arcades, vintage Star Wars memorabilia, and piled-high pizzas with outrageously silly names like the “Mars”gherita pizza. Order a basket of Killer Fries, sink your teeth into a Martian Melt sandwich, and don’t be surprised if your kids clamor for a return mission.
After what must have felt like an eternity for Pacific Beach families, Fanuel Street Park’s playground is finally back. The old play structure got the heave-ho nearly two years ago, but this spring, the community raised enough donations to replace it with modern climbing structures, new swings, and better accessibility. It’s finally back to being a low-key locals spot perfect for picnicking, splashing around, and letting the kids burn off some energy.

If screen time has obliterated your attention span, try giving your brain a workout at an escape room. Lara’s Labyrinth provides a few options ranging from kid-friendly to “try not to pee your pants in fright,” where participants can attempt to escape an enchanted forest or decipher clues left by Leonardo da Vinci. (Some rooms have G, PG-13, and R-rated versions for your family’s comfort level, but maybe save the “Cannibal” room for an adults-only excursion.)
Birch Aquarium has always made a splash, but the $18.7 million Living Seas exhibit is a tidal wave of awesome. The immersive exhibit features different marine ecosystems throughout the Pacific Ocean, from the warm aqua waters of tropical zones to the frigid (but nourishing) Pacific Northwest. Bigger is better here: There are areas designated for the gigantic sunflower sea star and giant Pacific octopus, so prepare for oceanic marvels to wow you.
Forget “don’t touch the art.” At Artopia, touching, building, climbing, experimenting, and making a colorful mess are all exactly the point. Created by the museum’s in-house Creative Studios team, the interactive space invites kids to become artists through hands-on projects like weekend ceramics workshops and after-school programs. When creativity gets a little chaotic is when it’s at its most fun.
The Fairmont Grand Del Mar used to feel like someplace you admired from afar. Grand Social changed that. Three levels of outdoor space are now home to a bar and grill, bocce courts, and other lawn games, as well as a summertime concert series and other family-friendly events that welcome locals just as much as overnight guests. It’s proof that one of San Diego’s fanciest addresses also knows how to have a little fun.
You don’t need a cage to come face-to-face with sharks anymore. SeaWorld’s revamped Shark Encounter lets you get startlingly close to species like reef sharks, massive sand tigers, and endangered Australian leopard sharks, all inside newly redesigned habitats. It’s equal parts adrenaline and education, and a good reminder that these misunderstood predators are closer to Bruce in Finding Nemo than Jaws in… well, Jaws.

Houston, we have a new reason to visit LEGOLAND California. LEGO Galaxy is the plastic-brick haven’s biggest in-park investment ever, including the first new roller coaster in 20 years. Between the customizable Galacticoaster experience, build-your-own spacecraft stations, and interactive space adventures, aspiring astronauts can easily spend hours exploring this brick-built universe.
How local orthopedic specialists are pioneering the future of foot and ankle care
Your feet and ankles probably aren’t something you give much thought to—until something goes wrong. Orthopedic surgeons at Scripps Clinic are on the leading edge of foot and ankle reconstruction, treating patients with sports injuries, deformities, traumatic injuries and other conditions. That includes repairing torn Achilles tendons with a minimally invasive procedure that shrinks the incision site to less than a centimeter, and performing advanced ankle replacement on some patients with ankle arthritis. Read more about Scripps’ innovations in foot and ankle care here.
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