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Food & Drink MAY 28, 2019

Fort Oak Is All About Smoke and Wood Fire

The Mission Hills restaurant is a masterful show of the cooking style that made us human

Fort Oak Is All About Smoke and Wood Fire
Roasted carrots with smoky yogurt; charred baby gem lettuce with housemade bresaola and a ramen egg.

Fort Oak

1011 Fort Stockton Drive, Mission Hills 
fortoaksd

BEST DISHES
Burrata
Australian Wagyu
Gianduja Tart

Progress is nice. But in an age when everything is relentlessly new and improved, I increasingly want the old and unimproved. I have an intense need for anything somewhat even remotely ancient. And nothing is more ancient than fire. Living in a smartphone world makes me crave dumb fire.

It’s an instinct 1.8 million years in the making. That’s about the time paleoanthropologists believe the first hominids threw raw food over an open flame and discovered cooking. It didn’t just make meat and vegetables taste better—it was crucial to our evolution as a species. Most foods have nutrients we can’t process in their raw form. Cooking broke those nutrients down—essentially performing the role of an exterior stomach. It allowed us to tap into a treasure trove of nutrients not available to other species. That’s why our brains doubled in size and we came to rule this earth, to the chagrin of those other species.

Fort Oak Is All About Smoke and Wood Fire

Fort Oak restaurant review

Fort Oak is inside the old Ford dealership in Mission Hills.

And how was that food cooked for nearly two million years? Over burning wood. Human culture was built around fire. Entire villages would gather around it for warmth and food, form bonds and social hierarchies and roles. Every sensory element associated with wood-fired cooking—smoke, char, ash—has been deeply stitched into our DNA.

Wood-fired cooking began to disappear in cities in the early 1900s when gas lines became commercially viable. We moved farther and farther away from that ancient meal-smoke. The last few decades in higher-end restaurants has been dominated by sous-vide and sci-fi creations (cheese balloons!), made with anti-griddles and centrifuges. That future food may be wild and fun and mind-expanding, but as eaters we simply don’t have an evolutionary desire for them.

Fort Oak Is All About Smoke and Wood Fire

Fort Oak restaurant review

Burrata with sunchokes and apple butter

That’s why wood-burning restaurants—from Otium in LA to Lilia in Brooklyn—are booming across America right now. Many of the chefs behind these restaurants saw Francis Mallmann’s episode of Chef’s Table, and it hit them like a ton of hot bricks. For nearly an hour, we watched the famed Argentine chef wrestle with burning wood—to the extent that he came off like a supporting actor to the flames. It was mesmerizing on an epochal level.

And this is the mission of Fort Oak. During its installation into a former Ford dealership on a sleepy corner in Mission Hills, the entire building facade had to be removed so that a crane could lower chef Brad Wise’s 7,000-pound grill inside. A stack of red oak logs stands 15 feet tall next to the central bar (located in an atomic-age circular space that was once a shiny showroom with freshly waxed Thunderbirds).

Fort Oak Is All About Smoke and Wood Fire

Fort Oak restaurant review

The bar at Fort Oak

That grill—a custom Jade Range hearth with Argentine-style grates—is the star of the show at the 16-seat chef’s counter. Whole branzinos sizzle in pans on the lower grate and various vegetables and meats rest on the top grate, taking in the clean wood smoke. Long metal stakes impale pineapples and lemons, smoking the fruit for use in craft cocktails, all of which are named after classic Fords. Try the Fairlane, where gin gets a sprucing of grapefruit, lemon, and elderflower, topped with a touch of prosecco for bubbles. Or the Monaco martini, with French rum, aromatized wine, and Castelvetrano olives.

The chef’s counter is the ultimate experience here, where Wise, chef de cuisine Mark Schmitt (ex–Cucina Urbana), and team cook and plate two feet in front of you.

Fort Oak Is All About Smoke and Wood Fire

Fort Oak restaurant review

Chef Brad Wise in front of the custom-made grill | Photo: Anne Watson

The stools must be mentioned. They are wide, comfortable, elegant. Too many restaurants right now are crowding their counters with tiny metal stools whose comfort level is somewhere between not good and medieval torture. If given the option, however, skip the seats directly in front of the cauldron of the grill. The room’s beautiful pane-glass walls don’t open, so this summer they may need to hand out free SPF and damp towelettes.

It’s a good idea to start with the raw bar—Old Bay prawns, oysters, Jonah crab claws—and slowly nibble it through the meal as a relief, because they’re some of the only items at Fort Oak not smoked or grilled.

Fort Oak Is All About Smoke and Wood Fire

Fort Oak Is All About Smoke and Wood Fire

Chicken-fried quail

Remarkably for a chef who made his name with roasted proteins at the group’s first restaurant, Trust, it’s Wise’s plant cooking that shines the brightest. The natural sugars in carrots explode when charred, and here they’re roasted and tossed with tarragon vinaigrette, spicy pickled fennel, dehydrated quinoa for a crunch, carrot-top pesto, shaved Humboldt Fog goat cheese, and a yogurt that’s cold-smoked for five hours. That’s neck-and-neck for best garden dish with the charred baby gem lettuce, wet with a black garlic and anise dressing, saddled with housemade 90-day bresaola, a seven-minute ramen egg, shaved Parm, and Parm crisp. Also try the grilled caulilini (a cauliflower-broccolini hybrid) in a shallot vinaigrette. The fermented chili aioli—spicy, floral, with the deep umami only fermented foods can attain—makes the dish, as do the sweet-tart pops of currants.

Co-owner and general manager Steven Schwob is the other reason Fort Oak is an attraction. He was trained in fancy Vegas institutions and Addison Del Mar. He orchestrates the room like an obsessive engineer, charting to make sure all pathways are clear and the staff all move in the same direction so there’s never chaos on the floor. His servers can recite poetry about each dish, down to the farm and the cooking technique. In the current restaurant climate that’s getting rid of costly servers and going all grab-and-go, their service echoes back to an era when diners, beleaguered from work and life, could feel pampered for a couple hours.

Fort Oak Is All About Smoke and Wood Fire

Fort Oak Is All About Smoke and Wood Fire

Australian Wagyu | Photo: Anne Watson

The small-plate section nods to the fancy-toast generation with two standouts: an opah belly pastrami (hot smoked for four hours) with herb salad, pickled mustard seeds and egg yolk caviar; and housemade coppa ham with bread-and-butter pickles, raclette (melted cheese), and rye bread that eats like a far superior croque monsieur.

Wise is not subtle. Every dish is a flavor riot. It’s thrilling for individual creations, but can be overwhelming when ordering multiple, which the menu encourages. For instance, the clams and mussels broth (white wine, housemade chorizo) is intoxicating, but it’s served with rouille toast smothered with saffron aioli and cheese. Two steroidal flavors compete and cancel each other out.

Fort Oak Is All About Smoke and Wood Fire

Fort Oak Is All About Smoke and Wood Fire

The interior dining room

That said, we try 21 dishes over two meals and, genuinely, find only one we wouldn’t gladly order again: the hamachi poke. Poke should let quality seafood be the star, the dressing a complementary accent. But the yellowtail is drowning in poke sauce made of soy, rayu (Japanese chile oil), fermented chiles, and rice wine vinegar. They’d do well to tread lighter here, and overall to have a few more bright-and-light dishes to offset the awesome roast-and-smoke of the rest.

Oh, and we have to talk about the plating of the rabbit sausage—which comes out in a coil resembling, well, a turd. Doesn’t matter how good it is with the apricot mostarda (it’s very, very good). I’m a generally unsavory person who’s hard to repulse, but this dish comes close.

At Trust, the oxtail raviolini was the swooner; at Fort Oak it’s the cavatelli—an al dente pasta made of goat milk and ricotta cheese in a white wine and truffle stock, tossed with housemade spicy fennel sausage, charred broccoli, and grana di capra (goat’s milk Parm).

Fort Oak Is All About Smoke and Wood Fire

Fort Oak Is All About Smoke and Wood Fire

Gianduja tart

Their burrata is listed on the savory menu, but really belongs with desserts: The softball of creamy cheese rests in cinnamon-rich housemade apple butter and sunchokes—both roasted and as chips—in a citrus vinaigrette and hot honey. We demolish it in a feral, desperate way. I’ve tasted burrata prepared hundreds of ways in San Diego, and this is my favorite, even if I’d prefer they include toast points.

Fort Oak’s quail is a minor revelation—chicken fried with a curry flour and stuffed with sweet cornbread, served with pan-fried cabbage (Wise’s mom’s recipe), bean ragout, red-eye gravy using coffee from local roaster Caffè Calabria, and dusted with ground coffee and sumac. The salty, crisp fry is a perfect foil to the sweet, soft, stuffing-like cornbread and tender meat.

For entrées, the Australian Wagyu is worth the price ($44)—the shoulder fillet cooked perfectly rare-plus and sliced, finished with sea salt. The meat stands on its own but induces inappropriate food moaning when dipped in the sauce Robert (Dijon-infused demi-glace). A Gonestraw Farms chicken is done two ways—breast sous vide then pan-seared, leg confit in duck fat—with porcini gnocchi, coal-roasted trumpet mushrooms and a chicken demi. Pork chops are often my least favorite order, since chefs still overcook it out of outdated concern over pink meat. But Fort Oak’s is luscious and blushing, served with a sweet black garlic sauce with just the right amount of funk.

Fort Oak Is All About Smoke and Wood Fire

Fort Oak restaurant review

Apple-fennel crisp topped with vanilla-oak ice cream

Do not skip dessert at Fort Oak. Pastry chef Jeremy Harville is special, and shows off best with the gianduja tart—a chocolate shell filled with hazelnut cheesecake, topped with caramel gel and a scoop of banana ice cream, hazelnut streusel and coffee gelée. For something different but delicious, try the apple-fennel crisp. Granny Smiths and diced fennel are tossed in brown sugar, cinnamon, and salt, baked under an oat streusel, and topped with vanilla-oak ice cream (the heavy cream base is infused with oak embers to create a smoke-colored scoop) and ginger chantilly. They also riff on 1980s Costco star Otter Pops—fresh fruit sorbets served in those trademark plastic tubes with scissors to cut off the tops.

Fort Oak is about as good as it gets. Not just here. Anywhere. They bring a four-star skill set to a quiet San Diego neighborhood and to simple, ancient food of smoke and fire.

Fort Oak Is All About Smoke and Wood Fire

Roasted carrots with smoky yogurt; charred baby gem lettuce with housemade bresaola and a ramen egg.

Restaurant Review

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Food & Drink AUGUST 4, 2026

Restaurant Review: Mitch’s Seafood

SDM readers asked food critic Troy Johnson to kick tires on a classic, which is how he found himself surrounded by birds at Mitch’s Seafood

Restaurant Review: Mitch’s Seafood
Photo Credit: Dee Sandoval

The bird has a plan. You stand between that bird and that plan. For the remainder of your ceviche, you’ll identify as collateral damage.

There are many other nearby birds with the same plan, absolutely sucking at trying to be nonchalant about it. The pigeons are by far the boldest on account of what we can all agree just by looking at them is sheer stupidity. They come right up and ask with their red murder clown eyes: “Can bite?”

Pelicans are the silverback gorillas of this bird gang, hulking and alpha. They periodically flaunt the acreage of their wingspan in the same way a schoolyard bully puffs out his chest. One could casually land on your plate and maintain constant eye contact as it slowly enjoyed your fish taco. You share this tacit awareness with it. But it doesn’t approach because there are always a couple off-duty fishermen eating at Mitch’s Seafood. Those salty dogs have been forced to beat the shit out of a pelican or two in their day, and they and the pelican also know that.

The snowy egrets pretend to not really want your food. They seductively lord on the tops of the sportfishing boats moored in front of the restaurant, fully aware of how hot they are—svelte fashion models, Ozempic with wings. They just turn their faces to the wind so that it blows their fabulous hair. They seem to expect tourists to be overcome by their avian Brad Pittness and just throw swordfish sandwiches to them in tribute. They refuse to demean themselves like the gulls do.

Photo Credit: Dee Sandoval

The gulls are shameless menaces. The linebackers of seabirds—a lot quicker than you expect given their big butts, full of schemes and microaggressions. They stand at a distance and mad-dog everyone, intimidate with their beaks the color of old bananas. Fear is not a seagull emotion. When they take a plate—and they will take a plate—there is so much flapping and fighting. They desperately bite and claw at fishermen’s stews like zombies who finally caught up to Rick Grimes. We see one that’s missing a foot.

At some point you will hear a baby cry. It’s not a baby. It’s a gull, who has learned to mimic the sound of human babies in distress so that parents feel the great evolutionary ache—and throw fries at the crying.

“Watch out for the crab cakes,” says a server to every person she drops them to. “Those are their favorite.”

The birds have opinions on the menu. And their presence at Mitch’s is better than any Yelp review. Think they’d risk life and limb for some recently unboxed frostbite tilapia down at the local skate rink? Yeah, probably so.

Photo Credit: Dee Sandoval

But these birds know the backstory of three longtime local fishing families who own Mitch’s: Brian Kiyohara and his wife, Viola; Randy Toussaint and his wife, Tracy; and namesake Mitch Conniff. Conniff cut his teeth as a young sous chef at Jsix (a long-gone restaurant that was, 20 years ago, a slow-food star under chef Christian Graves). Then he was executive chef of American Angler, the long-range Baja fishing vessel co-owned by Kiyohara.

It was on the Angler that Mitch reportedly looked at the restaurant that was previously in this location—on stilts over the water at Point Loma Sportfishing Dock—and said to Kiyohara, “Wouldn’t it be cool if a restaurant in that space used local fish from local boats and local people like us?”

And that’s how Mitch’s was born. Its doors opened in 2008.

The real story of Mitch’s is the wheelbarrows. Every morning, the crew rolls them along Driscoll’s Wharf down to Tunaville—the market also owned by local fishing families (including Conniff). The shop has a parking spot for local boats, who bring their daily haul there every morning. Mitch’s crew fills the wheelbarrows with fresh fish and wheels them back to the kitchen. Within hours or a day or so, some of it will be lunch, dinner, and bird crack.

Photo Credit: Dee Sandoval

There are no reservations at Mitch’s. More often than not, there’s a long line snaking out the door. It moves fast. Their tiny kitchen is remarkably efficient. Locals know to go for breakfast (get the crab avocado toast) or in the off-hours (11 a.m., 3 p.m.—just not noon and 6 p.m.). There’s a small-ish indoor dining room, tables that appear more lacquer than wood. It’s a shrine to local fishers, the wall’s a family photo album of tan locals beaming with pride over a record catch, pleasantly fatigued boat captains, sun-gnarled deckhands. Leave your partner in the line, and go peruse, get a sense for the humans out there in local waters, leaving their families for days and weeks and months at a time to provide. It’s a core San Diego way of life that built this city (tuna money poured the concrete at Point Loma High), once robust and now rare.

The prized seats are on the deck. Thirty or so metal bar stools are ponied up to a small counter attached to the wooden rail. Bendy metal rods cascade from the roof like eyelashes. “They were put in to deter the birds,” a server tells me. “It worked for about a week.”

The swordfish sandwich is just about perfect and a mission statement of the place—humble and simple, like fishing. A big-ole torta, a grilled filet not cooked to sawdust like American restaurants once did, with tomato, tartar sauce, and cilantro. It shouldn’t taste as good as it does, but clean local fish cooked well on bread is satisfying in an essential, basal way. Plus, that tartar sauce blows lesser tartars away. Conniff swaps out the pickle and onion for garlic, fresh parsley, and cilantro, so that it tastes closer to an herbed Baja crema. It should be criminalized and governed by people who make laws to atone for the lack of our own self-regulation.

Photo Credit: Dee Sandoval

The bowl of mussels and clams are the can’t-miss of Mitch’s—somewhere between French moules marinières, New England steamers, and Baja shellfish pots. The science: As shellfish steam, they release their own briny liquor, meaty ocean broth in a shell. The chef’s job is to complement that gift without clobbering it. Mitch’s uses white wine for acid and leeks (a milder, sweeter, more flavorful onion), Dijon, and butter. Their clams and mussels are bigger than normal, which brings stronger flavor, making that broth one of the best in the city, sopped with the baguette.

From the cold case, get the shrimp aguachile with housemade chips—a small bowl, green as radiator fluid, the chili water a light-pain blend of habaneros (the best tasting chili by a long shot), serranos, lime, and the soft, fat glove of avocado. They also serve a campechana—a Baja mariscos specialty with shrimp, Dungeness crab, octopus, and oysters in cocktail sauce and clamato. Important note here: Don’t eat either of these dishes right away. They come out fridge-cold (there are laws about storing raw seafood), which muzzles the flavor. Order them to sit. After 20 minutes, dig in.

The crab cakes get mixed reviews, but ours are delicious. They lean cake more than crab, which isn’t what you’d expect from a fisherman-chef’s stilt house, but that’s personal preference.

Photo Credit: Dee Sandoval

You’re going to order the fresh fish plate, blackened, because you’re good at ordering. It’s the truest expression of fisherman and fish. And what you’ll receive is a shockingly spartan plate—a paprika-crusted filet, a ramekin of slaw, some herb pistou. It is excellent, even if the universal governing body of wooden-spooned grandmas would suggest it needs a rice, a tater, a proper side dish.

My argument is that the slaw is side dishing. Coleslaw is, by and large, the great American fail. Most restaurants treat it like the younger sibling their parents made them bring along on a date. At Mitch’s, they treat slaw with respect. Starts with traditional cabbage, but then gets both fresh orange and lime juice, jicama, grilled corn, and cilantro. It’s Baja meets San Diego picnic food.

If, as dictated by the most basic laws of food criticism, I needed to find quibbles with Mitch’s, fine. I’ll be that guy who walks into a runaway hit dream of three local fishing families and pretends everything isn’t entirely perfect. I’ll express them in wishes.

I wish the baguette with the clams and mussels was lightly charred. The broth is nearly sweet, and sweet loves a good burn.

Photo Credit: Dee Sandoval

I wish there was an obscene amount of slaw with the fish plate. It’s that good, and the plate looks a bit bare.

I wish there was one housemade sauce in the condiment basket. You’ve got Heinz, Tabasco, Tapatío—all of which are fine and should stay. While I realize the kitchen is limited and the line of customers is eternal, Mitch’s would go up an even higher notch if there were squeeze bottles of one killer original dressing—housemade crema, a mojo, macha, or just an unending supply of that garlicky tartar. It feels a tad crimey to go through all this effort to source local fish and cook them well, and then top it with a sauce that has no San Diego or Baja or Mitch in it.

I honestly didn’t expect Mitch’s to be as good as it still is. Everything we ate (except maybe an octopus taco with tentacle bits fried into nubs) was good to excellent. The constant onslaught of locals and tourists and the excruciating intricacies of operating a business in California should have exhausted the will to live by now, let alone cook.

There’s a reason the birds are still outside, with crimes in their eyes and menu preferences.

Troy Johnson

About Troy Johnson

Troy Johnson is the magazine’s award-winning food writer and humorist, and a long-standing expert on Food Network. His work has been featured on NatGeo, Travel Channel, NPR, and in Food Matters, a textbook of the best American food writing.

Features DECEMBER 5, 2025

Restaurant Review: Vulture in University Heights

Inside the plant-based steakhouse from the creatives behind Kindred and Mothership

Restaurant Review: Vulture in University Heights
Photo Credit: James Tran

The Perfect Order: Vulture Martini | Potato Pavé | Crab Cake

Kory Stetina is a long way from learning what vegan food was through a pamphlet at punk-rock shows in his teens. He stands in his dream restaurant, Vulture, wearing a non-sportsy sports coat. He’s married with a child. There’s a very non-punk potato pavé on the monogrammed plate, the servers are in tux-adjacent attire, and this whole building in University Heights has been turned into a plant-based funhouse with formidable, obsessive style.

Interior of new San Diego vegan restaurant and bar Vulture in University Heights
Photo Credit: James Tran
Visitors stroll through the white-and-bright diner Dreamboat before stepping into Vulture’s moody bar.

Despite the earmarks of midcentury continental formalism, five out of 10 people in here wear arcane t-shirts. Word got out early on that Vulture was a fine-dining experience, and while there’s a tableside Caesar and velvet curtains and soft, artful furniture, that was never the intent. Stetina had to do some PR legwork to pop the “special occasion” balloon that floated over the project—another collaboration between himself and Arsalun Tafazoli of CH Projects—and it seems to be working.

One of the t-shirt people I recognize: Justin Pearson of The Locust and Three One G Records. A thoughtful and progressive punk force in SD, he’s seated at a corner table with individuals who look like they’ve at least dabbled in if not dedicated their lives to graphic design and can casually play a theremin near a rare fern. Vulture captures that same dinner-party-for-creative-people mood that the Middletown bar Starlite first brought to the city.

Interior of new San Diego vegan restaurant and bar Vulture in University Heights
Photo Credit: James Tran
Every upholstery in Vulture is tufted, every bust underlit for drama, every detail obsessively detailed.

It’s a place for grown-up punks, for ideas and ideals.

(Obtrusive but important note about punk rock and plant eaters: The rather genuine punk music of the 1970s and ’80s that eventually birthed Green Day and Nirvana and even, I guess, My Chemical Romance emerged from a philosophical and creative instinct to challenge status quos, which often meant expressing unpopular and political opinions in an excessively loud and urgent manner—pretty much exactly what Simon & Garfunkel were doing but far more invigorating and annoying. There were plenty of bands who got big because they had great hair and a good producer; there were other bands who got cult-famous based on the holy-wow way they expressed uncomfortable ideas, making people question the way they lived. Eating only plants was a part of this live-different worldview, and, like any good movement, it got co-opted by the tad too righteous, moral, and shame-mongery. It should be said that Stetina made his name in San Diego by being a philosophical vegan who’s un-mongery.)

Food and cocktails from new San Diego vegan restaurant and bar Vulture in University Heights
Photo Credit: James Tran
The Vulture martini, the result of a year of tinkering—a near-frozen booze concerto of three different gins and four vermouths.

To get to Vulture, you enter through Dreamboat, a well-lit, bright, Mr. Clean-ish, ’60s-era, plant-based, romantically American diner that’s all white and chrome and charm—poodle-skirt notions and connoisseur coffee and smoked potato latkes and Impossible burgers and baked goods and milkshakes and cocktails. Seating occupancy: one-and-a-half people on Ozempic (fine, it’s 10).

In the back corner of this tiny diner is an antique host stand. The host takes you through a velvet curtain, down the short hall, and through a door, until you enter into, what?

Interior of new San Diego vegan restaurant and bar Vulture in University Heights
Photo Credit: James Tran
Bedecked in red velvet, Vulture was five years in the making.

Some will call it a speakeasy, but it’s really just a fun surprise restaurant (“speakeasies” do still exist, but they’re not on OpenTable, and almost everyone with a project they call a “speakeasy” will, on their most honest days, admit it’s not a speakeasy).

Food from new San Diego Italian restaurant Corallino opening in Point Loma

You’ll step into cavernous, amber-glow, lava-lamp darkness. So, the first experience Vulture offers all of us is temporary blindness, followed by the opportunity to behold the shockingly slow ability of human eyes to adjust to radical shifts in light. The music is on point, a mix of obscure indie tracks and guilty-pleasure soft-rock bangers. Thanks to listening bars, restaurants have become the stereo-system showrooms of America. Remember that guy in high school who one day showed up with box speakers in his trunk and a $6,000 head unit, an amp, subwoofers, and EQs, and his car sounded like Dr. Dre’s and Rick Rubin’s place of business? That guy is restaurants.

Food from new San Diego vegan restaurant and bar Vulture in University Heights
Photo Credit: Arlene Ibarra
The “crab” cake, made with hearts of palm.
Troy Johnson

About Troy Johnson

Troy Johnson is the magazine’s award-winning food writer and humorist, and a long-standing expert on Food Network. His work has been featured on NatGeo, Travel Channel, NPR, and in Food Matters, a textbook of the best American food writing.

Features OCTOBER 1, 2025

Six Weeks, One Michelin Star: The Story of Lilo

After two decades of work and four years of waiting, the Carlsbad restaurant's opening came with a big splash

Six Weeks, One Michelin Star: The Story of Lilo
Photo Credit: Elodie Bost

It had been open six weeks when it got the Michelin star. At six weeks, a restaurant is a newborn. Newborns wail and struggle to breathe. They’re cracking open their first panic attack. Nine months in the flotation tank of the mom spa, then—blammo—the landlord shuts off the water and fairly traumatically evicts them into a drafty world that has no clue about mood lighting.

It’s old food critic wisdom that restaurants need six months to get running and ready for real analysis. Crew members will have lied on their resumes, narcissists will find themselves bored, the strangely emotional demands of diners will break newbies. It’s a fresh organism dedicated to executing nightly public theater, and it takes time for all the parts to learn how to operate as a fluid whole—develop mutually beneficial roles, nail the timing, speak the unspoken language.

2025 Best Restaurants San Diego Magazine list featuring local restaurant Campfire in Carlsbad

Granted, the team at Lilo in Carlsbad aren’t newcomers, and they’ve had way more time than they ever wanted to plan this out. Plus, the partners—restaurateur John Resnick and chef Eric Bost—helped earn their restaurant across the street, Jeune et Jolie, a Michelin star (and they run its raved-about sister restaurant, Campfire, down the block).

Interior of San Diego Michelin star restaurant Lilo in Carlsbad
Photo Credit: Elodie Bost
Analog music helps set the mood in here.

“We’re lucky,” Resnick says. “About 80 percent of the people on our team, we either worked with immediately or they came back because they were excited about this project.”

The project is a 22-seat, tasting menu–only restaurant featuring Bost, longtime chef de cuisine Dusan Todic, wine director Savannah Riedler (formerly of Post Ranch Inn and two-Michelin-starred Saison), and beverage director Andrew Cordero (Jeune et Jolie and Campfire). It’s four years in the making. When a 10,000-square-foot building became available on State Street in 2021—the last of its kind on one of Carlsbad’s most up-and-coming drags—they jumped at it. The plan was to build a massive all-day restaurant (Wildland, now open) and, behind it, tiny Lilo, where they could showcase what their vision of the ultimate San Diego dinner experience could be. It’s the kind of James Beard Award and Michelin bait that ambitious restaurateurs dream of and makes basic sense when they have a chef-partner like Bost.

“Campfire and Jeune—from the time leases were signed to opening doors—took about 12 months,” Resnick says. “So I kind of felt like, alright, 18 months should be doable.” He pauses. “It was not.”

Exterior patio at San Diego Michelin star restaurant Lilo in Carlsbad
Photo Credit: Kimberly Motos
Your meal begins in the serene courtyard.

At that time, the pandemic was still slowly releasing its chokehold. Supply chains had been shot with a billion tranquilizer darts. Building two restaurants at a time while exhibiting a noble American amount of ambition was no picnic. The week after the project finally broke ground, the construction lead on the project—“the only person more essential to the buildout than us as owners,” Resnick says—departed. A fun idiosyncrasy of construction in North County is that most contractors live 40 minutes away and prefer freelance gigs closer to home. So, finding help was hard. Plus, a new ordinance had been passed in Carlsbad since Resnick opened his first two restaurants.

San Diego restaurant Lilo in Carlsbad featuring food dsish kaluga caviar

“I was down in Baja having lunch when I got an email about needing a ‘minor site development plan,’” Resnick remembers. “I was like, ‘Well, it’s got the word minor in it; it’s probably not a big deal.’ That one thing added nine months to the project.”

Project costs ballooned. Hems were hawed. The buzz on this project had been loud, and now the scene wondered and whispered. I ask Bost and Resnick if there was a time they considered giving up or drastically reducing the vision.

“It came up, yeah,” Resnick says. “At the end of the day, it was a ‘the only way out is through’ type of thing.”

They thought they’d launch in July 2023. The doors opened in April 2025.

Food from San Diego Michelin star restaurant Lilo in Carlsbad
Photo Credit: Elodie Bost
A tartlette made with vin jaune, or “yellow wine,” a dry French white aged for years under a film of yeast.

The Redemption

For Bost, the unveiling of that restaurant was especially redeeming. In 2020, he’d lost what felt like everything. He’d spent 20 years working his way through some of the world’s best kitchens: Le Cirque, The Ritz-Carlton in St. Thomas, Alain Ducasse, and both The Lodge at Torrey Pines and The Inn at Rancho Santa Fe in San Diego. He hit the top when he was named executive chef for Guy Savoy, launching the famed French chef’s elaborate Vegas restaurant and then overseeing his places in Singapore. In 2017, ready to do his own thing, he returned to SoCal and spent two years developing the idea for his dream restaurant. He finally opened his unpretentious tasting-menu place, Auburn, in LA in 2019.

Troy Johnson

About Troy Johnson

Troy Johnson is the magazine’s award-winning food writer and humorist, and a long-standing expert on Food Network. His work has been featured on NatGeo, Travel Channel, NPR, and in Food Matters, a textbook of the best American food writing.

Studio S JULY 25, 2026

These San Diego Companies Are Driving the Region’s Next Wave of Growth

This month, the 2026 San Diego Business Impact Awards recognized local businesses making an impact in clean energy, biotech, hospitality, and beyond

These San Diego Companies Are Driving the Region’s Next Wave of Growth
Photo Credit: Matt Furman

Renewable energy companies building hundreds of power plants. Biotech startups using artificial intelligence to create personalized medicine for children with rare diseases. Hospitality companies quietly powering thousands of local events. Consumer brands growing from beach-town startups into national businesses. These are the kinds of companies driving San Diego’s economy today, and the businesses recognized at this year’s San Diego Business Impact Awards offer a snapshot of where the region is headed.

Hosted July 23 by San Diego Regional Economic Development Corporation (EDC) and JPMorganChase, the second annual awards event honored four local companies for innovation, growth, and economic impact. More than 100 nominations from San Diego’s middle-market businesses were reviewed by a 10-person judging committee, with winners selected across four categories: startup, early-stage innovator, rising star, and established heavyweight.

Two-time honoree Jimbo Someck, founder of Jimbo’s organic grocery stores, also joined the event for a fireside chat on buying local, supporting emerging brands, and giving back to the community.

“San Diego’s strength comes from its makers and builders—the resilient people who endure great risks and overcome obstacles to build and scale a company,” says Aaron Ryan, San Diego Region Manager and Middle Market Banking at JPMorganChase & Co. “These awards aren’t just recognition; they spotlight the talent, grit, and innovation shaping our region’s future. By celebrating those who create and build, we foster connections and fuel the growth that keeps San Diego thriving.”

Photo Credit: Matt Furman

Building the Infrastructure Behind Clean Energy

Heavyweight honoree SOLV Energy has grown alongside the country’s rapid investment in renewable power. “It’s an exciting time for SOLV Energy as we are experiencing significant growth,” says CEO George Hershman. “The business has doubled over the last year and has almost double-digit growth since its inception.”

The Rancho Bernardo-based company designs, builds, operates, and maintains utility-scale solar and energy storage facilities. Since its founding in 2008, SOLV Energy has built more than 500 power plants.

Growth has translated directly into hiring. About 200 employees work from the company’s local headquarters, including roughly 20 interns. “Our intern program is a big part of the way that we grow our workforce,” Hershman says. “Last year, 43 percent of our interns became full-time employees. We believe San Diego is a great community to build and grow a high-tech infrastructure and technology company because of the incredible workforce—the ability to attract top talent and draw from world-class universities.”

Photo Credit: Matt Furman

Developing Medicine One Patient at a Time

Startup honoree La Jolla Labs is tackling one of medicine’s biggest challenges by developing personalized RNA therapeutics for patients with rare diseases—many of them children with neurological disorders like ALS. Using proprietary artificial intelligence and machine learning tools, the biotech company develops treatments tailored to each patient’s specific genetic mutation.

CEO Tamar Grossman says the recognition reflects how far the company has come despite limited resources. “We’re honored to be recognized for our ability to change and save patients’ lives and turn our lean startup into a clinical company with very minimal resources,” she says.

Grossman credits San Diego’s concentration of research institutions—including UC San Diego, the Salk Institute, and Scripps Research—with creating a pipeline of talent and collaboration. “San Diego is one of the world-leading centers for technology, genomics, and RNA therapeutics,” she says. “We have over 30 RNA therapeutics companies here, and we support each other and help with anything related to drug discovery.”

She says that collaborative spirit extends beyond formal partnerships. “You can walk around Torrey Pines, go into a café, and find colleagues from the industry and have an ad hoc conversation,” Grossman says. “That’s something very unique to San Diego.”

Photo Credit: Matt Furman

Powering San Diego’s Special Celebrations

While Snake Oil Venue Company may not be a household name, chances are many San Diegans have attended one of its events. The early-stage innovator honoree has expanded from beverage catering and mixology consulting into venue management, operating Julep Venue in Mission Hills, Bramble Bay Venue in Imperial Beach, Vesper Venue, the Chapel at Liberty Station, and five outdoor venues throughout Liberty Station—more than 500,000 square feet of event space altogether.

“We do a lot of launch parties for corporations and new products,” says CEO Mike Esposito. “I really like working on the entrepreneur side of things, where new businesses are entering the San Diego market and looking to make a splash.”

Snake Oil has executed more than 16,000 events, employed more than 1,000 people, and partnered with more than 900 local vendors, including caterers, florists, photographers, entertainers, and other hospitality businesses. The company also works with many of San Diego’s nonprofits, museums, and cultural institutions. “We get to celebrate people’s most important moments,” Esposito says. “Whether that’s a wedding, celebration of life, or quinceañera, we’re fortunate to be involved in the community in so many different ways.”

Photo Credit: Matt Furman
Photo Credit: Matt Furman

Growing a Beach-Town Brand into a National Business

Rising star honoree ALOHA Collection is proof that a simple idea can grow into a thriving company. Founded by two roommates who wanted a better way to carry wet swimsuits after a day at the beach, the lifestyle brand has grown into a business while maintaining strong year-over-year growth.

Now headquartered in Carlsbad, ALOHA Collection employs more than 100 people and operates its California flagship store in Encinitas, which is slated for a remodel. With roots in Hawaii, the company is known for its lightweight, splash-proof travel bags that have become a familiar sight on beaches in San Diego and beyond.

“‘Aloha’ is part of our name, but it’s also how we move through the world,” says CEO Lynna Barnard. “It’s how we show up for people, the way we travel, the way we give back.” Since day one, the company has maintained a 5 percent giveback to Hawaii conservation efforts, contributing millions of dollars over the years.

“I think what’s so inspiring about ALOHA Collection, and the founders in particular, is when you dream big, those dreams can come true when you work hard and trust in the universe,” Barnard says. “It’s inspiring to be a role model for other people wanting to start businesses from humble beginnings. Start small and watch it grow.”

Together, businesses like these form a cornerstone of San Diego’s economy—not only through the jobs and revenue they generate—but through the local workers they hire, vendors they support, and investments they make in the region. Their growth doesn’t happen in isolation; it ripples outward, strengthening the broader business community and the people who call San Diego home.

Photo Credit: Matt Furman

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Everything SD AUGUST 5, 2025

Review: El Indio Restaurant

The Middletown restaurant reminds us that when you invent something as iconic as the taquito, you’re allowed to rest a bit on your laurels

Review: El Indio Restaurant
Photo Credit: Kim Motos

Every year for the Best of San Diego issue, we ask readers to nominate and vote for a San Diego classic restaurant they want food critic Troy Johnson to review. Whichever they vote for, he goes. Last year, they sent him to Rocky’s Crown Pub. This year… Mexican classic, El Indio.


The Perfect Order: Taquitos with Everything | Chicken Tamale | Mordiditas

When you’re credited with inventing the entire concept of the taquito, pretty much every other dish you create is going to pout in that cigar-shaped shadow. Unless you sous vide a couple narwhals, the taquito is gonna dominate your story.

San Diego’s El Indio is widely cited as the global birthplace of the taquito. (Note from our nonexistent legal team: Like any food origin story, it’s contentious—many will tell you a small, rolled taco had been a staple in Mexico for generations; others claim an LA taco stand beat SD to it. But by and large, El Indio has been granted paternity for the word “taquito” and cited as the first in the US to both sell and widely popularize the iconic thing—which happens to fit our narrative nicely, so we’re leaning in.)

So, El Indio’s mordiditas are that almost-famous entourage dish that deserves more applause. Sliced segments of taquito, about the size of pigs in a blanket, are assembled in a heap on a plate and absolutely waterboarded with nacho cheese and pickled jalapeños. They’re essentially loaded taquito nachos, an idea whose glory, in a just world, will outlive us all and echo in Valhalla. They solve a longstanding problem with every single batch of nachos that has been made in humankind—that each and every chip is denied an equitable amount of cheese or load.

San Diego Mexican restaurant El Indio in Middletown which invented taquitos
Photo Credit: Kimberly Motos

Most nachos are built as an altar to American capitalism: The top couple of chips accumulate a vast majority of the cheese and the rest of the chips just keep hearing rumors of a trickle-down until they protest. If our species ever gets cut from the roster of the universe, the fact that we put a man on the moon but could never equally dress our nachos should be examined by our successor species as a possible cause.

El Indio’s taquito rubble comes in a biblical flood of nacho cheese. It’s a snack-bar treat for people whose therapists have listened to their fantasy of placing their open, eagerly receptive mouths beneath the queso pump—albeit with far better taquitos made from scratch.

The dish isn’t gonna knock your socks off, but it’s satisfying in a calorie-gargling way, a celebration of the fact that merely entering a taco shop releases us from acknowledging the physical limits of human arteries. Would El Indio’s mordiditas be better if the cheese was scaled back and partnered with a crema, or if the cheese was lovingly dirtied with chipotle in adobo, or if they came topped with a lawn-sized pile of cilantro and onions and activated charcoal ash from the sacred cenotes of Chichén Itzá? Shut up and eat your naquitos.

San Diego's first tortilla-making machine created by El Indio restaurant owner Ralph Pesqueira Sr.
Photo Credit: Kimberly Motos

It feels simultaneously excessive and absolutely correct to say El Indio is a San Diego legend and global food icon. In 1940, Ralph Pesqueira Sr. was working in one of the many aerospace headquarters that surrounded Lindbergh Field (the SD International Airport’s original name), building planes and war machines. As a side dream, he started making and selling fresh corn tortillas by hand on the corner of Grape and India Streets.

Mortiditas from San Diego Mexican restaurant El Indio
Photo Credit: Kimberly Motos

As with most food success stories, there was a key moment of technological innovation (consider In-N-Out’s invention of the two-way speaker or Pizza Hut introducing online ordering to the pie masses). Around 1945, Pesqueira—who we might call the Thomas Edison of Mexican food—invented San Diego’s first tortilla-making machine. By hand, he could whip up 30 dozen a day; with the machine, he cranked out 30 dozen an hour. A full-fledged tortilla factory was born, the effect of which was massive for putting training wheels on the local Mexican food culture that would boom decades later.

When aero coworkers asked him if he could make a handheld, good-travelin’ food for lunch pails, he thought of flautas (a Mexican staple with global roots—a flour tortilla usually wrapped around meat and rolled into the shape of a flute, then fried).

He did a smaller version with fresh masa corn tortillas. The taquito entered the world. He sold each for 18 cents.

Historic photo of El Indio Mexican Restaurant in San Diego's Middletown opened in 1940
Photo Credit: Kimberly Motos
A slice of El Indio’s storied past.
Troy Johnson

About Troy Johnson

Troy Johnson is the magazine’s award-winning food writer and humorist, and a long-standing expert on Food Network. His work has been featured on NatGeo, Travel Channel, NPR, and in Food Matters, a textbook of the best American food writing.

Features JUNE 27, 2025

Review: The Tiny Golden Hill Bistro Winning Over the Food Scene

Food critic Troy Johnson heads to Juan Jasper Kitchen & Wine, an eminently lovable and literal hole in the wall in his latest review

Review: The Tiny Golden Hill Bistro Winning Over the Food Scene
Photo Credit: Kimberly Motos

The Perfect Order: Wedge Salad | French Fries | Steak of Choice

Don’t come here.

If you do, locals will TP my place of residence. If you’re going to go, go at 4 p.m. If someone waddles over in their bathrobe with that feral need-a-steak look in their eyes, consider offering your seat as a tribute to their OG-ness. Or maybe they’ll sit on your lap. This feels like the kind of place where strangers become fast, lap-sitting friends.

Juan Jasper Kitchen & Wine isn’t a restaurant as much as it is a porch with a stove, a pop-up that stayed popped. It’s a granny dining flat in Golden Hill, a clubhouse with ribeyes and wine. It started with the old-school butcher shop next door, Sepulveda Meats & Provisions. Opened in 2016, Sepulveda is run by John Sepulveda and his nephew Nick Swing.

Interior of San Diego butcher shop Sepulveda Meats & Provisions right next door to Juan Jasper restaurant in Golden Hill
Photo Credit: Kimberly Motos

The shop serves the regional gold-standard Brandt beef (drug-free, source-ID’ed, ethically raised) in all its forms and in various marinades (prime cuts and off cuts, pâtes, bones, tri-tip, carne asada, sausages, ground beef, the whole meat rainbow), plus chicken and quail and turkey and pork and all the things, including housemade pastas and sauces. The sausages are local folklore, made fresh every Thursday (try the jalapeño-cheddar). Like The Wise Ox in North Park, the family-run joint is basically a house of high-quality protein consultants offering recipes and tips and tricks to people who know them by name. Indie butcher shops are a classic, more human American art form (with deep German immigrant roots) lost to the efficiencies of bulk grocering.

San Diego butcher shop Wise Ox in North Park and La Costa featuring a variety of cuts of raw meat

When the hairdresser beside Sepulveda closed, the team cut a hole in the wall, ripped out the salon chairs, and essentially built a test kitchen for the butchery’s array of goods. Named Juan Jasper in honor of the owners’ fathers, it quickly became the mighty, DIY meat-and-wine bistro that local food people tried to keep secret.

Steak from San Diego restaurant Juan Jasper Kitchen & Wine in Golden Hill with meats provided by Sepulveda Meats & Provisions
Photo Credit: Kimberly Motos

It doesn’t have a phone number. No reservations. It doesn’t take credit cards—only Venmo or whatever “cash” is. At some places, you can rack up credit card points. Dine at Juan Jasper, and I’m pretty sure Amex deducts some.

It’s got one-and-a-half seats that masquerade as 20 or so, and it seems everyone—owners, cooks, servers, guests, dogs—lives in the apartment complex across the street, sharing sourdough starters, reverse-sear tips, and a love for Gavi wine and a screamin’ deal on good food. Some hyper-local spots like this can give off a get-off-my-lawn wariness to outsiders (hi there, Rocky’s Crown Pub), but Juan Jasper is friendly as hell. As if you were invited to crash the dinner party of a family who truly gets along and isn’t trying to salve deep generational trauma with taco night.

Exterior of San Diego restaurant Juan Jasper Kitchen & Wine in Golden Hill
Photo Credit: Kimberly Motos

We show up at 4 p.m. on a Wednesday, and we have to hurry for a seat. By 5 p.m., servers are bringing folding chairs onto the sidewalk for the crowd that’s patiently waiting. A man carries out an extra table, slaps a not-serious tablecloth on it, and makes room for a couple more.

Best wine bars in San Diego featuring

Whoever’s doing the wine list knows a thing or two and doesn’t care for the usual suspects, which is what you want out of a wine bar (the thrill of discovery). There are Gavis and roussannes, Blaufränkisch (a great chilled red from Austria), a red from Palestine (baladi grapes). And the staff raves about them in detail and without pretense.

Staff from San Diego restaurant Juan Jasper Kitchen & Wine in Golden Hill
Photo Credit: Kimberly Motos

I’m not sure I’ve come across a more down-to-earth, likable, knowledgeable staff. There’s a certain “sit; chill; life’s pretty decent” that radiates from people when they genuinely dig working at a place. Solare in Liberty Station’s like that. Not since our dear, departed Cafe Chloe in East Village has a restaurant exuded so much plucky, open-arms charm. Chloe was San Francisco chic, had that art-major touch.

Juan Jasper’s charm is more “emotionally available dad in Home Depot.” You see it in the antique plates with floral patterns, in the wine bottles that have been turned into candle lamps for the outside tables (there are no inside tables, just a counter in front of the cooks). You see it in the photo of a dad teaching his son to pee on a side road (the manager’s dad and brother). Walking to the restroom, you often have to do the hands-up, “not trying to get fresh here” scoot.

Chorizo deviled eggs dish from San Diego restaurant Juan Jasper Kitchen & Wine in Golden Hill
Photo Credit: Kimberly Motos

Juan Jasper changes the menu just about all the time but keeps some local favorites on there pretty consistently, like the deviled eggs with chorizo made in-house at Sepulveda. The ones that hit our table are nice, but they’re served a tad too cold and missing something. That something is definitely acid.

The “devil” in deviled eggs has always been the mustard—the note that stings in the right ways; puts some welcome sado in the mouth masochism; offsets the big, fatty bass notes of eggs. This is why eggs are almost always better with hot sauce (or ketchup if you’ve got middle-America glory in your heart and you’re kinda nasty), because they need that foil. It looks like the arugula below is decorative, but it helps to eat the eggs with a few leaves.

Mackerel toast from San Diego restaurant Juan Jasper Kitchen & Wine in Golden Hill
Photo Credit: Kimberly Motos

There are always daily specials up on the board. The day we were there, a cook (formerly of Nolita Hall) had whipped up a skin-on mackerel filet with blistered tomatoes and chili oil on charred toast. Mackerel’s an oily little sucker, which can make it taste a bit too proud of its own musk. But this is perfectly done.

The wedge salad? One of the best I’ve had, and it is absolutely because of the decadent, slutty lardons on top (and the dressing). I’m not a wedge guy, mostly because iceberg lettuce has been bringing near-zero flavor or nutrients to the table for far too long. It’s the LaCroix of lettuce, and we’re implicit in its slacker brassica success because “it’s crunchy” and makes a cool sound when we eat it. Iceberg slow-quit us years ago and did some light embezzling and we’re still inviting it to the company Christmas party.

Wedge salad from San Diego restaurant Juan Jasper Kitchen & Wine in Golden Hill
Photo Credit: Kimberly Motos

But I’ll order Juan Jasper’s every time. It’s more of a “loaded” wedge, with thin-sliced red onions, tomatoes, croutons, huge chunks of blue cheese, and a rough-chopped spice blend (a sort of Juan Jasper furikake or everything bagel seasoning that’s on a lot of dishes). Does the kitchen put too much blue cheese dressing on it? You bet. Know what a decent solution for that is? Scraping some off. But those lardons—thick, tender nubs of perfectly smoked pork—are party drugs.

The house-cut Kennebec fries are dreamy: sturdy and showing some skin, but fluffy on the inside. The fry scene is pretty evenly split between steak and shoestring, and these are the truce in the middle. They’re salted as fries should be—to aortically concerning levels.

Burger and fries from San Diego restaurant Juan Jasper Kitchen & Wine in Golden Hill
Photo Credit: Kimberly Motos

The corn and shrimp fritters are more corn and shrimp than fritters, and the moisture content of both of those things makes the interior a tad soupy rather than fluffy. But the poblano sauce underneath is a floral beaut.

Juan Jasper’s burger patty is phenomenally good, made from the ribeye and NY strip trimmings next door at the butcher shop. Order it however you enjoy your quality steak— pink, leaning bloody. If you prefer quality steaks well-done, consider corrective surgery. The burger is a Spartan thing, just a potato roll bun and melted gouda, served floating in an infinity pool of Bordelaise. It’s excellent… save for the bread. Juan Jasper is house-making the potato roll. Noble spirit and effort, but it’s a little airy—and a patty that special deserves an equally special co-host.

Is Juan Jasper the apex culinary menu in San Diego? No. Is the food pretty effing good and the vibe immaculate, and do the people and neighborly pricing make it taste like 13 Michelin stars? You bet. Juan Jasper is not a secret. But it sure as hell feels like a shared one. I’d eat here a thousand times out of 100.

Troy Johnson

About Troy Johnson

Troy Johnson is the magazine’s award-winning food writer and humorist, and a long-standing expert on Food Network. His work has been featured on NatGeo, Travel Channel, NPR, and in Food Matters, a textbook of the best American food writing.

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Exploring the Frontiers of Biotechnology: How Research-Focused Companies Support Scientific Discovery

Biotechnology is one of the most dynamic and rapidly evolving fields in modern science.

Exploring the Frontiers of Biotechnology: How Research-Focused Companies Support Scientific Discovery
Sam Sulek, co-owner of NewBioRX | Courtesy of NewBioRX

From advancements in cellular biology and molecular research to innovations that deepen our understanding of complex biological systems, biotechnology continues to influence how researchers explore some of science’s most important questions.

While major discoveries often capture headlines, the process behind those breakthroughs receives far less attention. Scientific progress depends on a vast network of researchers, laboratories, manufacturers, and specialized organizations working together to support ongoing investigation and discovery.

The Growing Importance of Biotechnology

In recent years, biotechnology has moved beyond the walls of research institutions and into mainstream conversation. Increased access to scientific information, educational content, and expert commentary has sparked growing public interest in the biological sciences.

Topics once discussed primarily within academic circles are now reaching broader audiences through podcasts, documentaries, digital media, and online communities. As a result, more people are developing an appreciation for the research, experimentation, and innovation that drive scientific advancement.

This growing visibility has transformed biotechnology from a largely specialized field into a subject of interest for educators, innovators, investors, and curious observers alike.

The Hidden Infrastructure Behind Discovery

Scientific breakthroughs often capture public attention, but the infrastructure that makes those breakthroughs possible rarely receives the same recognition. Behind every new discovery are years of investigation, testing, analysis, and refinement.

Behind nearly every research project is a network of laboratories, suppliers, technical specialists, and research-focused organizations working together to support scientific exploration. Laboratory infrastructure, specialized materials, quality standards, and reliable methodologies all contribute to the integrity of the research process.

When these foundational elements are in place, researchers can focus on generating insights, exploring new ideas, and building upon existing knowledge. Although much of this work occurs behind the scenes, it plays a critical role in helping science move forward.

Why Discovery Depends on More Than Researchers Alone

As biotechnology continues to evolve, research-focused organizations have become increasingly important contributors to the broader scientific ecosystem.

Among them is NewBioRx, a company operating within the biotechnology and life sciences sector. Like many organizations operating within the broader research ecosystem, NewBioRx contributes to the network of suppliers, laboratories, and scientific stakeholders that help support ongoing research efforts.

As scientific research becomes increasingly sophisticated, organizations that help support the research environment contribute to a culture where innovation can continue to thrive. Their work may not always be visible to the public, but it forms part of the foundation that enables scientific progress.

Why Science Is Reaching Wider Audiences

One of the most notable developments in recent years has been the growing public fascination with science and human biology.

Scientific concepts that were once primarily discussed within research settings are now reaching wider audiences through educational content, podcasts, digital media, and online communities. People are becoming increasingly interested not only in scientific outcomes, but also in the process of discovery itself.

The growing visibility of science has also created new connections between scientific communities and broader audiences. Individuals who operate across multiple worlds—including fitness, media, and life sciences—have helped introduce scientific topics to audiences that may not have engaged with them previously.

One example is Sam Sulek, co-founder of NewBioRx, whose involvement across fitness culture and the life sciences sector reflects the growing intersection between public curiosity and scientific exploration.

As co-founder of NewBioRx, he has helped champion a research-focused approach to scientific inquiry while supporting broader conversations around scientific literacy and discovery.

As scientific discovery becomes increasingly collaborative, public attention is beginning to extend beyond individual breakthroughs and toward the broader ecosystem that makes those breakthroughs possible. From researchers and laboratories to the organizations that support them, scientific progress remains a collective effort built on curiosity, expertise, and long-term commitment.

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