Swimming above a thousand bluefin tuna in the deep waters of the Pacific, one feels a dizzying calm. Below, the fish move in endless, unhurried loops, slowly growing plump in their monotony. Weighing around 170 pounds each, the fish in this net-pen are considerable. Heavy as a man and as wide as a surfboard, they move like hydrodynamic refrigerators, pewter backs reflecting water-filtered light like suncatchers.
Not long ago, these fish were in the open ocean, gunning 18 miles an hour through cold currents, possibly detecting our planet’s magnetic field using mineral deposits in their snouts, and tracing ancient migration patterns through the largest ocean on Earth. But here, with a gringo in a wetsuit bobbing above them, the fish merely draw lazy loops inside a giant aquaculture cage tethered far offshore, awaiting their fate as some of the most sought-after and expensive cuts of protein on the planet.
This is Baja Aqua Farms (BAF). Located in Mexican waters southwest from San Diego, BAF is, at any given time, home to tens of thousands of tuna worth tens of millions of dollars, making it one of the largest tuna ranching operations in the world and a major player in a modern global fish farming industry that now supplies more than half of the world’s seafood.
Courtesy of Baja Aqua Farms Anchored in the deep waters of the Pacific, the main feeding vessel at Baja Aqua Farms pumps thousands of pounds of small fish into dozens of net pens filled with slow-circling bluefin tuna.
If one were to, say, fly a helicopter over this operation, the view through the omnipresent cloud of gulls would prove impressive. Thirty Olympic pool–sized net-pens float in an open-water grid, each filled with a single school of a thousand or more bluefin. Some are huge, weighing more than 400 pounds, and some are smaller, around 45 pounds (still a lot of fish). And anchored in the middle of it all is a sizable, computerized central feeding vessel where specialists sit on aging rolling chairs inside an air-conditioned cabin, monitoring each school’s food consumption and their pen’s water quality on screens 24/7. A ship that thousands of pounds of feeder fish visit briefly each day after being offloaded from sardine boats and before being pumped into the bellies of tuna.
I ventured here on an educational mission. As a lover of both the ocean and tuna, I wanted to find out how bluefin—an animal fished nearly to extinction within my lifetime—makes its way into the tartares and chirashi bowls of today. My search led me here, face down in the water, listening to the sound of my breath through a snorkel and contemplating the vast machinations that keep these incredible fish churning through the global food system.
Silent as they are, these tuna tell a story about the future of fish and the future of how we interact with the ocean.
All of which we’ll get to. But first, let’s eat.
Courtesy of Baja Aqua Farms Workers separate a select number of tuna from the school and stun them with electricity before bringing them aboard the harvest boat.
By the time the bluefin arrives on my plate as glistening, fatty slices of pink otoro at Ophelia restaurant in Ensenada, it has already crossed oceans, boundaries, and moral terrain.
This fish was part of a school of tuna born in the open Pacific from eggs laid off the coast of Japan, captured as juveniles in Mexican waters by BAF boats in vast purse seine nets, towed for months to the BAF ranch, and fattened for many more months with feeder fish harvested from our coastal ecosystem by the BAF sardine fleet, then efficiently and bloodily killed, refrigerated, and brought to shore here in Ensenada to be packaged and driven over the border to LAX, where they either get exported—mostly to Japan— or eaten in high-end omakase and strip-mall sushi joints throughout San Diego, once the world’s tuna fishing capital.
Bluefin tuna, recent developments have shown, is both a symbol of past overfishing and a surprising conservation success. And its future now lies in operations like Baja Aqua Farms, which represent the next phase of human seafood consumption.
With me at the table, talking tuna, is Rodrigo Armada Tapia, the head of sustainability at BAF. Having grown up in Ensenada, Tapia speaks with pride about the region’s food culture—where tuna is often a star ingredient. Before taking me to the farm the next day, he wanted me to try the product, which BAF packages under the name Bluefiná.
Photo Credit: Mateo Hoke Otoro at Ophelia in Ensenada.
“You can’t understand the fish until you taste it,” he tells me.
Ophelia is Michelin-recognized. It sources bluefin from BAF, as do some notable restaurants in San Diego.
This is because BAF fish is some of the best bluefin money can buy. Fast-swimming wild tuna store fat in their bellies; the rest of the meat is relatively lean by comparison. But with the caged and portly BAF tuna, pillowy fat veins run throughout the entire fish, like a spider got inside and spun a web of tallow.
Dishes arrive, highlighting meat from various parts of the fish—akami from the side, a pile of flesh scraped from the ribs. Bluefiná tuna is not frozen for transport (it can make it from the ranch to Japanese markets in 72 hours), and the freshness of the fish combined with the high fat content translates to a peach-skin, custardy episode on the palette. It’s distinctive, delightful, and somewhat disorienting. I love tuna, but I don’t always love eating it. For my entire adult life, the stakes have felt too high. Every fish consumed was one fish closer to zero.
But that story is changing. Fished nearly to extinction from the mid-1900s to the early 2000s, today’s Pacific bluefin populations are back to near-heyday levels.
“Not only have we met the rebuilding targets, but we’ve actually already exceeded them,” says Josh Madeira of the Monterey Bay Aquarium Global Ocean Conservation team. The bluefin population rebound is a full decade ahead of schedule, thanks to international conservation efforts.
For the first time since the Monterey Bay Aquarium Seafood Watch program began telling consumers in 1999 which fish are ocean-friendly to eat and which should be avoided, consuming certain Pacific bluefin populations—like those caught in California waters—is considered only a moderate environmental risk. That may not sound like much, but it signals a major step for bluefin.
“This is a great success story,” Madeira says. “But there’s much more work to be done.”
Tuna, of course, means a lot to San Diego. And to understand how we got here, it helps to look back.
Throughout most of human history, tuna were seasonal, wild, and revered—an oceanic mystery glimpsed briefly, then gone. For millennia, various peoples chased tuna with harpoons and caught them in elaborate stone weirs. Aristotle wrote of their migratory patterns hundreds of years before Christ was multiplying fishes, marveling at their strength, speed, and uncanny navigational sense. It wasn’t until the 20th century, when canned tuna became a pantry staple, that the fish transformed into a mass-market American commodity.
In San Diego, bluefin were hauled in by immigrant fishermen from Portugal, Japan, and Italy; packed in salt; and canned—cheap protein for various war efforts and school lunches. Forty-thousand San Diegans worked in the tuna trade. Communities lived off it; entire neighborhoods came to be defined by it. Two of the largest canneries in the country were here. The city smelled, quite literally, like tuna.
But overfishing soon led to declining populations. By the 1980s, the canneries were gone. Tuna didn’t disappear, though. It simply went upscale.
Sushi—once an exotic, niche cuisine—became not just popular but aspirational. Bluefin prices soared. By 2012, Pacific bluefin populations had plummeted to around two percent of historic levels.
Which is where strict regulations came in.
As Tapia tells it, today’s tuna industry is largely controlled by a complex system of catch quotas heavily regulated by international agencies referred to by five-letter acronyms. Only certain countries are permitted to commercially fish for bluefin. Japan—which consumes 80 percent of the world’s bluefin tuna—gets the highest quotas. Mexico’s quotas are respectable, higher than those of the US.
It’s a system that’s imperfect, controversial, and not overly friendly to American fishermen in San Diego and beyond, but something about it is working to contribute to species recovery. In the US, catch limits for commercial Pacific bluefin tuna vessels increased almost 80 percent for the 2025–26 season. Bluefin, it seems, are back. The question is, will they last?
According to Gardner, tuna ranching operations like BAF and other similar operations in Japan, Spain, and Australia are able to abide by catch-weight quotas while still providing large amounts of fish. Essentially, they catch skinny and sell fat.
“Tuna aquaculture means that people still get to eat bluefin tuna without fishing the stock to commercial extinction,” he says.
But tuna farms are not without their problems. BAF, and other smaller, seasonal Mexican operations, rely on wild tuna stocks to fill their pens (closed-loop, egg-to-plate tuna ranching is still in its nascent stages, with only one company in Japan claiming to have figured it out), and the ranches require large amounts of wild feeder fish stocks to fatten their fancy fish once they’re caged. Concentrated waste can negatively impact nearby habitats.
Courtesy of Baja Aqua Farm
All this means that, despite the potential benefits of tuna ranching, as of its last report in 2021, Seafood Watch categorizes Mexican net-pen tuna as a fish to avoid eating. But that, too, could change soon when the next Seafood Watch report comes out, Madeira suggests.
“We have an update in progress, and we do know there’s a lot of new information,” he says.
Crunching a Bluefiná tuna tostada, Tapia explains that BAF is doing all it can to improve its sustainability, working with a staggering number of regulatory and certification bodies.
“Everything that we catch at sea, we report. You can trace every single catch. We have observers on board all our tuna boats and cameras that are audited by a third party,” he says. “It would be borderline insane to not make sure that the tuna and sardine resources are there for the prolonged future.” He adds that BAF is also working closely with the Marine Stewardship Council toward a certification for its sardine fleet and is certified dolphin-safe by the Friend of the Sea program and the International Marine Mammal Project.
“I know Baja Aqua Farms is working hard to try to make improvements and is paying close attention to things like the Seafood Watch assessment,” Madeira says. “Consumers are saying that sustainability matters. I’m encouraged by that.”
Finally, the otoro—the benchmark of bluefin—hits the table. Served as sashimi, rosé-colored and ribbed with blubber, it dissolves like a pat of cold butter dipped in the sea. For a moment I turn off my mind, allowing myself to simply and blissfully enjoy one of the ocean’s greatest gifts.
“Quality-wise, Bluefiná tuna is [expletive] amazing,” one highly regarded SD chef of a Michelin Bib Gourmand restaurant tells me. “It’s crazy fat, even on the top loin. Every sushi chef’s dream.”
But, he adds, he doesn’t want to be associated with Bluefiná fish, no matter how chubby.
“As a Southern California restaurant owner who believes in sustainability and buying local, farm-raised bluefin is not in line with our ethos,” he says. “We wait for our wild bluefin to come in, and we know where it was caught and when.”
That tension—between wild and farmed—remains at the core of the modern bluefin story.
Gardner doesn’t buy it. “People have this perception that a farmed fish is bad, but they eat farmed everything else. Why not fish?” he says. “These operations can be good for bluefin tuna when they’re regulated and overseen.”
The otoro is simple and divine, a near-perfect meal. Fighting an urge to order more, I am reminded that we live in an age where to eat seafood is to make a series of quiet negotiations: between ocean and operation, local and global, sustainable and extravagant. And no species captures the contradictions and complexities of modern seafood like the Pacific bluefin. A single fish can sell for millions of dollars. This is the Wagyu of the sea: a delicious, fatty luxury that relies on an even more complex system than its bovine counterpart.
So, full of tuna and questions, the next morning, I board a speedboat for an up-close view of the ranch.
Courtesy of Baja Aqua Farms Upwards of 100 people work at the floating Baja Aqua Farms operation on a given day.
Getting to the farm means two hours of cold, rough porpoising from Ensenada. With me as chaperone is Tapia, plus a handful of other workers simply needing a ride to the ranch where they live and work for weeks at a time. I can hear Gardner’s voice in my mind: “They call it tuna ranching, and there are definitely people [at the ranch] you could associate with a kind of cowboy mentality,” he’d told me. “You have to be a little bit out there to do it.” No one speaks much during the loud trip in the dawn light.
The prevalence of gulls and sea lions hunting for scraps hint at the operation before the floating circles of the tuna pens come fully into view, each topped with chain-link fencing sticking many feet into the air for sea-lion defense—a hard-learned requirement, Tapia tells me as our boat slowly approaches the colossal main feeding barge, stained with rust and gull droppings. The place smells of fish flesh. We climb a ladder up the side of the vessel; hoist our bags up to the deck; and make our way over and around various tubes, ropes, riggings, and machinery to the main operations room.
Courtesy of Baja Aqua Farms The main deck of the feeding boat offers an inside view of the modern food system. Here, specialists remotely monitor water quality and feed the tuna through tubes. Underwater cameras show a glimpse of life inside the cages.
Here in this room and out these windows, a large, invisible part of the contemporary tuna trade becomes visible. At the head of the operation, marine science experts point to giant screens displaying views from the dozens of underwater cameras that BAF uses to keep tabs on the fish in each pen. Specialists monitor when the fish have ceased eating and turn off the hose, so to speak. The screens show oxygen levels and temperature, checked three times a day at three different depths. BAF also routinely tracks phosphorus and pH levels below the pens, Tapia says. Behind us, with the help of AI, a specialist pauses a video to count each fish that came in from the most recent capture. Out on the water, small boats zig-zag from pen to pen.
Divers are consistently in the water with the fish, hand-cleaning and repairing nets (Tapia tells me BAF does not use the industrial net protectants that many operations do) and keeping a close eye on the product. On any given day, upwards of a hundred people—deckhands, divers, engineers, captains, maintenance crews—are out here working. The scale takes time to process, partly because I was not prepared for just how many small fish are required to fatten tens of thousands of large fish.
I suppose I had never seen literal tons of fish in person before—that is, until a sardine boat ties up alongside the floating warehouse on which we stand and begins pumping a few thousand pounds of burrito-sized fish into the big boat’s refrigerated hold like loose ammunition.
The sardines are dead, but not frozen. This is a big selling point for BAF, Tapia tells me—that its tuna don’t eat frozen fish or any of a number of fish-feed slurries that other tuna ranches around the world at times have to rely on and then medicate around.
“We don’t use antibiotics because we don’t need to,” Tapia says. “Because we’re feeding them only fresh fish like they get in the wild, our tuna don’t get sick.”
Courtesy of Baja Aqua Farms Baja Aqua Farms relies on costal sardine populations to keep its operation running. It takes about 25 pounds of small fish to convert to a single pound of bluefin.
The operation requires so many feeder fish because bluefin are not efficient weight-gainers. They have to keep swimming to force water through their gills and stay alive, so they are constantly burning calories. According to Gardner, this means it takes upwards of 25 pounds of small fish to produce one pound of bluefin. Not the most efficient farm animals.
“Compared to other species of fish aquaculture, bluefin are expensive to run,” Gardner says. “It’s like taking the Ferrari to the corner store to get milk, instead of your Volkswagen.”
During our time at the ranch, Tapia explains that, due to timing, I can either swim with the tuna or see the tuna harvest up-close. Rather than watching hundreds of tuna be killed, I choose life. I want to pay my respects.
But, before departing back to Ensenada, our cold little speed boat stops by the harvest ship to pick up a hitchhiker, so I end up with a view of the marine slaughterhouse after all. On board, men in waterproof bibs move with a kind of practiced urgency. The harvest is still in progress, precise and bloody.
First, divers section a specific number of fish off from the rest within the chosen pen and stun them with electricity to make them safe to handle. Then comes an assembly line of efficient killing. In the humane ikejime fashion of dispatching fish, crew members drive steel spikes into the tuna’s brains and a wire through their spinal cords to preserve the quality of the meat. The fish are bled and gutted. The gills and guts go to a fish meal plant. The blood spills quickly into the sea.
Tapia tells me BAF only kills fish it’s already sold, harvesting around 1,500 tuna per week.
As we motor away, I run some back-of-the-napkin math. According to the Bluefiná website, wholesale bluefin starts around $20 to $40 per pound and goes up from there.
Tapia won’t disclose how many tuna BAF has at any given time, but he does say the pens can hold upwards of 1,500 tuna each. If each of the 30 pens contain, conservatively, 1,000 tuna, and each fish weighs—again conservatively—say, 80 pounds, that’s a modest estimate of $48 million in the water. Today’s global tuna industry is worth $40 billion. The ocean is rich.
And bluefin, it seems, reveal not just the complexity of a single industry, but a larger moral calculus now embedded in every bite of seafood in our modern food systems: the shift from hunting to ranching, from wild to managed. We’ve already done it with pigs, chickens, cows, and corn. Now, for better or worse, we are doing it with the sea.
Still, you can net a fish but not the current.
The ocean resists our domestication. It is too vast, too unwieldy. So we improvise—floating pens, AI tracking, revered fish in holding patterns, constant feeding, and massive amounts of labor to ensure that sushi bars and seafood restaurants stay stocked with the good stuff.
Midway through my phone conversation with Shannon English, owner of The Delicate Squash, I hear an alarm shrilling in her background.
“Sorry, I’ve got to pull some cookies out of the oven right now!” she apologizes. After a few beats, she picks the phone back up and laughs. “I feel like I’m bouncing around all over the place.”
After hearing her run through a list of her professions and current hobbies, I’d have to agree. English runs The Delicate Squash, a gluten- and dairy-free bakery; teaches cooking demos; pops up at farmers markets; wrote a book of poetry (Deep Water came out this month from Beyond the Veil Press); hosts a monthly open mic night; dipped her toe into ballet; recently joined a running club; volunteers at local farms; and finally, teaches at a play-based, nature-based preschool.
I’m tired just talking to her.
Surprising no one, English seems to have unlimited energy and enthusiasm for all this work, notably in education. Early childhood education is one of the most pivotal times for nurturing lifelong learning, but she also aims to educate the public on how to eat cleaner, feel better, and support your local food systems. She started The Delicate Squash in late 2023 after discovering she has a chronic illness, going through the typical standards of care and even strict elimination diets, to no avail.
Courtesy of Shannon English
“I’m not going to say I found a diet that has ‘cured’ me, but I have found that taking a more mindful approach to a lot of things, including diet, has made symptoms far more manageable for me,” she says.
Even people with dietary restrictions deserve a little treat from time to time, but she had a hard time finding anything that tasted good and made her feel good. Thus, The Delicate Squash was born.
All of her baked goods avoid gluten and dairy, and use natural sweeteners like coconut sugar or maple syrup as well as herbs, fruits, foraged flowers, and other natural flavorings. Her signature cookie, the “Delicate” cookie, is a sea salt dark chocolate cookie that’s soft, a little salty, a little sweet, and made with oatmeal to keep it gluten-free. Other crowd favorites are thumbprint jam cookies with jams made from scratch with change seasonally; breakfast pastries like orange, dark chocolate and cardamom scones; brownies; orange and black sesame banana bread; seasonal pies; and custom and seasonal cakes (currently, the late summer flavor is a dark chocolate coconut milk ganache with berry jam).
English says some people are surprised she can produce such a variety of goods with the dietary restrictions she adheres to. “A lot of feedback I get is ‘I could never do that,’” she says. But if she can do it, she assures me that anyone can. “I like to say ‘practice makes progress, not perfection.’”
Her advice? Focus more on being present than presentation, and don’t be afraid to experiment to keep things interesting. And if that doesn’t work, you can always hit her open mic night to ask for tips.
Escondido is getting in on the listening bar phenomenon. On September 5, musicians Mat Rakers, Kevin Capacia, and Billy Petty will open Plot Armor, a Japanese-style vinyl listening bar that Rakers says they aim to feel “curated and intelligent.”
“Currently, there are not a lot of ‘cool’ spots in Escondido,” he says. Backed by The San Diego Music And Art Company and The Escondido Music And Art Company, Plot Armor will soon offer sake, wine, beer, and soju cocktails, plus Japanese non-alcoholic options and cold brew. Eventually, they’ll add Japanese-inspired snacks, but the focus will be creating a small place (very small—the seating capacity is 20) where vinyl junkies can come listen, linger, and libate.
Courtesy of Fairmont Grand Del Mar
Beth’s Bites
Ocean Beach has a new watering hole. The Jetty opened in July at 4934 Voltaire Street (where Voltaire Beach House used to be), and while I don’t think OBceans were hurting for where to get a drink, the more the merrier.
Chinese restaurant powerhouse Chef Fei is finally making it to the U.S., opening a spot at Westfield UTC mall on September 5. Known for Hunan-style stir fry dishes, it’s often lauded as one of the most consistently solid chains in the world—in fact, in 2018 chef Fei Lianghui took home the highest honor a Chinese chef can earn, the China Golden Chef Award. Again, I don’t think mallgoers were hurting for great places to slurp some noodles, but there’s always room in my heart for more stir fry.
In past years, Fairmont Grand Del Mar didn’t exactly jump to mind when I looked for different Día de Muertos celebrations around San Diego. That changes this year, when the five-star resort will debut its first Día de Muertos celebration on November 1. Michelin-recognized chefs like Javier Plascencia (Erizo, Animalon), Roberto Alcocer (Valle), Drew Deckman (Deckman’s En El Mogor), and more will come from both sides of the border for one night only, with proceeds going to Fundación Tijuana Sin Hambre. Get ready for what will undoubtedly be San Diego’s most upscale take on the Mexican holiday.
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Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
Basque grandmothers have not been making it for centuries. If you’re a millennial, there’s a strong possibility you’re older than the dessert itself. Yet somehow in less than 40 years, the Basque cheesecake—a half-pudding, half-cake creation with a top that looks like a mistake—managed to ooze its way onto menus all over the world.
It became the undisputed dessert star of San Diego’s restaurant world this year. So we invited 19 of the top restaurants, pastry chefs, and bakers to bring their best to the San Diego Magazine office for a blind taste test to find the best in the city.
First, a little history and context.
In 1987, after failing to find a job as an electrician, Santiago Rivera started working as a bartender at his parents’ unassuming pintxo bar La Viña, in San Sebastián, Spain. He was a naturally curious, self-taught cook who spent his free time testing recipes, tinkering with ingredients, and tweaking techniques.
So when it came to the cheesecake—which hadn’t changed much since its invention (a rudimentary version was served at the first Olympics in Greece 4,000 years ago, and the modern New York version in 1872)—he got radical with it.
He removed the crust (partly just to speed up the process because time is money for a small business). Without the crumbly crust, the experience was far creamier, less granulated. Then he cranked the oven to 400 degrees, nearly 100 degrees hotter than the normal baking temperature.
The result? The top became deeply caramelized, almost burnt, while leaving the center luxuriously soft and loosely set. The restaurant became a legend because of this breakthrough in the dairy arts, and his father never let him stop making it after that.
Now, 67 years after the restaurant’s opening, La Viña stands out for the unceasing line spilling onto the street, and the remarkable amount of curd cultists standing nearby, hovering over cream-smeared plastic containers. It’s the kind of scene that makes you stop and think: What the hell are they eating?
Now, the blind tasting. To keep things fair, the contenders were divided into four categories: Restaurant Traditional, Restaurant Flavored, Bakery Traditional, and Bakery Flavored. (It’s a tad unfair to pit a baker who specializes in the one glorious thing against a restaurant that cooks dozens of things.) Each entry was served blind and judged on texture, flavor, and number of vaguely inappropriate food moans.
The logistics were chaotic, to say the least. Our fridge—not a walk-in, sadly—was packed to the brim. Each cake was sliced, secretly labeled, and shuffled onto plates while the team gathered in the conference room. The whole shebang was not in any way sponsored by Lactaid, despite our various attempts to convince them of this ripe marketing opportunity.
The judging became gloriously unhinged. We heard it all, from “I don’t care how the cheesecake gets in my mouth, it just needs to happen,” and “Is it supposed to be this jiggly?” to “Kind of a baby throw-up situation,” “Straight cheese,” and “I’m getting vague socks there.”
But four Basque cheesecakes stood out among the rest, earning themselves the title of Best Burnt Basque Cheesecake in San Diego.
Courtesy of Mesa Agricola
Restaurant: Traditional
Mesa Agricola
A restaurant for the people. Rosarito native chef Juan González and Megan Strom are the ideal married couple to be running a farm-to-table joint. She’s been a farmer for decades, selling top-notch produce to some of the best restaurants in California—which is how the two met. A couple years ago, she started working at the small organic farm in Valley Center run by Mike Reeske, who had spent decades breeding the perfect heirloom beans for SoCal’s climate. He recently retired, and gifted those strains to Strom—who grows them (and other crops) for their tiny Escondido taco/burrito shop specializing in guisados (Mexican stews).
A Basque cheesecake in a taco shop? You bet. Juan’s got family roots in Spain and has cooked in Spanish kitchens.
Mesa Agricola’s winning Basque is by far the most “burnt” of all contenders—so much so that an Instagram follower declared it a mistake. But as Chef Juan notes, there’s an art to hitting the sweet spot where “the bitterness of the char balances the richness and sweetness without turning it into ‘chicharrón.’” Plus, char is a core charm of Baja cooking. It’s the perfect Basque for the people who prefer setting their campfire marshmallows fully on fire.
Photo Credit: Casiel Sanchez
Restaurant: Flavored
Moe’s Steakhouse
With red leather booths and a retro steakhouse vibe, Moe’s in Mission Beach is a good cheat day destination. The menu is flavor maximalism—dry-aged steaks, housemade pastas, brown liquors, and sides like the lobster truffle mac ’n’ cheese. Pastry chef Eli Peralta (whom some might remember as the creator of The Patio on Lamont’s “Twisted Elvis”—a peanut butter-banana brûlée stunner) brings that same intensity to the dessert menu.
Baked at sister restaurant Molly’s (6 feet away), his Basque is served on a bed of caramel with walnut brittle and a dollop of whipped cream, an indulgent recipe that converted the pastry chef himself. “I wasn’t crazy about cheesecakes,” Eli admits. “Then I started making different flavors, and I started to like them.” He’s not the only convert: During our blind tasting, one judge likened the cake to crème brûlée, concluding, “I don’t even like crème brûlée, but I like this.”
Courtesy of Muse Cheesecakes & Bakery
Bakery: Traditional
Muse Cheesecakes & Bakery
Every creative pursuit starts with a muse—and Lada Sadovnyk’s has been the Basque cheesecake for years. In Ukraine, she baked them for friends and family gatherings, never imagining she would one day build an entire bakery around them in the US. “When we moved to San Diego,” she explains, “I kept thinking, ‘What can I do? What do I really love to do?’”
The answer is pretty fantastic.
After obsessing over proportion and techniques, chasing that molten center and deeply caramelized top, what began as an online recipe evolved into something entirely of her own.
She moved from her home kitchen to a rented commercial kitchen close to Sports Arena. The orders kept coming, and so did the pressure. “At one point, I was thinking about divorcing my husband,” she says with a laugh (while sitting next to him). The grind paid off: Today, Muse Cheesecakes bakes roughly 1,200 cheesecakes a month and is planning to open its first brick-and-mortar home in Pacific Beach.
For our competition, the expectations met reality. Muse has made a quick name in San Diego as the Basque to beat. In a blind taste test, there’s no bias, no reputational shine to sway a room. The response on reveal: “Oh, of course.”
Photo Credit: Casiel Sanchez
Bakery: Flavored
Bite Cheesecakes & Bakery
Husband-and-wife duo Alex and Anastasia Kiperband pulled off the number of failures (and then some) that are required of any search for the best recipe. After adjusting baking temps, sugar rations, and experimenting with different brands of cream cheese and heavy cream—they finally landed on something worthy of a business license.
“When we started this business in America, we were really nervous,” Anastasia says, co-owner of Bite Cheesecakes & Bakery.
Once they won over those first customers, their confidence grew enough to start tinkering. When Dubai chocolate took social media by storm, they developed their own version, making the pistachio paste from scratch before layering the buttery kataifi pastry beneath a glossy chocolate shell to create its signature Dubai Chocolate Basque Cheesecake.
“In a lot of situations, we’re converting cheesecake haters to cheesecake lovers,” they say. “That’s probably the best feedback that we get.”
Camila Ibarra Gallego is a CaliBaja native pursuing a master's degree in culinary journalism at the Basque Culinary Center. Shaped by the culturally rich, bicultural megaregion, she's passionate about sniffing out stories that connect people, territory and culture through food. When she's not tumbling down internet rabbit holes, you can find her pretending to be a wine connoisseur at a local wine bar or nose-deep in a good book.
After running El Agave Restaurant & Tequileria in Old Town for 30 years and opening Nómade Tapas & Records in North Park in 2025, owner Juan Carlos Gomez wasn’t actively on the hunt for a new project. But sometimes, you have to grab the opportunities as they come, unexpected though they may be.
He was taking a stroll in Bankers Hill last year when he noticed Barrio Star was closing after 17 years. “[It] was a neighborhood staple for a long time,” he says. So he figured he’d take a look. “We were talking with ownership and threw out an offer, and then it was accepted. So we were like, ‘Okay, cool, guess we’re going to get a new concept going!” (Much respect to the YOLO business style.)
That new restaurant is nearing completion. Filo will open early in September. The restaurant’s name, pronounced fie-low, references phyllo, the Greek word for “leaf” and an unleavened pastry dough commonly used in Mediterranean (often Greek) cuisines. Gomez says the menu will range from all over the Mediterranean region.
“I’ve always been a fan of European cuisine, obviously, but I can’t land on just one,” he laughs. “I’m part Spanish, so we wanted to do something Mediterranean, have a little bit of Spanish, have a little bit of French, Italian, Greek… a lot of olive oil, a lot of sea salt, and very, very light seasoning.”
Courtesy of Juan Carlos Gomez
Although the menu feels European, Gomez says expect the vibe and ingredients to feel very Southern Californian. There will be tapas, of course, and other small plates, along with housemade pastas, salads, with lots of seafood (like a whole branzino) coming from local purveyors. The accompanying beverage program will feel equally breezy, “fresh, very light, citrusy, salty,” he says. “We’re going to have a pretty hefty wine list and full bar.”
Gomez’s goal for Filo is for it to feel like a laid-back, seaside eatery on the craggy Mediterranean coastline—light colors, white oak, lime wash, flowing between the indoor dining room and outdoor patio. Personally, a European escape sounds pretty awesome right about now.
Filo opens at 2706 Fifth Avenue in early September. Initial operating hours are 4 p.m. to 10 p.m. daily, with lunch and happy hour coming soon. (Subject to change.)
Courtesy of Nobu Del Coronado
San Diego Restaurant News & Food Events
Beth’s Bites
It’s hotter than a mile of Georgia asphalt in July, but relief is on the horizon. No, I don’t mean autumn (or as we San Diegans call it, “second summer”). I’m talking about the Sails & Ales Beer Fest at Kona Kai San Diego. The annual brew fest takes place on Saturday, September 12 from 1 p.m. to 5 p.m. at the Polynesian-themed Shelter Island resort, with over 30 local beverage makers bringing their most refreshing products to the hot and thirsty masses. Look for names like Pure Project, Coronado Brewing, Ketch Brewing, and a whole lot more, all of whom are donating a portion of the proceeds to Surfrider Foundation San Diego. Tasty waves? A cool buzz? Sounds just fine.
If you seek edible respite before September 12, Hotel del Coronado has you covered. On Friday, September 11 from 6 p.m. to 8 p.m., the man behind global sushi powerhouse Nobu—Chef Nobu Matsuhisa himself—will host Taste of Nobu, an immersive evening of sushi and signature cocktails on the Paseo Lawn. Prepare yourself for the famous black cod miso, Wagyu dumplings, hand rolls galore, and much more. (Personally, I will also prepare myself to be somewhat star-struck.)
I love a group grilling get-together, something Kingfisher must have known when the Golden Hill restaurant launched its Nướng Nights series. The recurring patio grill event brings patrons to the curb with a casual, but ridiculously delicious collection of skewers alongside special cocktails, this month coming from Realm of the 52 Remedies. Keep August 26 open for grilling glory (and save September 29 for the Mid-Autumn dinner with chef Helen Nguyen of NYC’s Saigon Social).
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Have breaking news, exciting scoops, or great stories about new San Diego restaurants or the city’s food scene? Send your pitches to [email protected].
Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
Implementing a farm-to-table model hardly deserves acknowledgement these days. It’s not a stretch. It’s not innovative. “It’s the bare f**king minimum,” says Herb & Sea‘s executive chef Aidan Owens.
When I arrive at the Encinitas restaurant, I’m ready to talk sustainability, farm-to-table stuff, with Owens. “Did you see the chin on that?” he says of the extra big jiggly chin on the sheephead that just arrived with the day’s fresh catch. I did. It was Jay Leno adjacent.
I learn quickly that he somehow oozes both charm and stone-cold honesty. Maybe he could construct a new dish with chin goo, like he did when he had a bunch of tuna scraps and voila’d it into a smooth and crowd-pleasing ‘nduja. “I want to know what’s in there,” he says.
Courtesy of Herb & Sea
The instinct to look closer, to dig into what others might discard, says a lot about the chef’s approach. I guide him back to our topic, but he has something else on his mind. “We’re overcomplicating food—what happened to just cooking good food and having fun with it?”
Owens grew up on a farm in Byron Bay, Australia, where sustainability wasn’t a concept you chat about so much as a way of life. Think dirt roads, backyard chickens, pulling vegetables straight from the ground, and a mother who believed that if you couldn’t pronounce the ingredients on a package, you shouldn’t eat what was inside.
Food wasn’t precious or performative. Making it was what you did because you were hungry and that’s still what inspires Owens today. “I like to cook good food because I like to eat good food,” he says.
His approach to sustainability at Herb & Sea began so naturally that it felt just like instinct. “I was just like, ‘Let’s order food from the people who live and work here,’” he says.
Courtesy of Herb & Sea
And why wouldn’t he when lives in San Diego? Cities all over the world vie for our goods. Our tuna is sent overseas. Our spiny lobsters hit dinner plates in China and Japan. Not to mention California’s producing a third of the country’s vegetables and three-quarters of its fruits and nuts.
“Why would we outsource when it’s all here?” Owens asks.
Sustainability, in this context, is about cooking what exists in abundance, nearby, right now. “I love the local fish here. It’s f**king delicious and San Diego citrus, I mean, it is so f**ing good,” he says.
Instead of importing ingredients, Owens also looks for nearby alternatives. “You can find really cool things in the local waters,” he says, pointing out that stingray cheeks taste similar to scallops.
Courtesy of Herb & Sea
Whatever he finds in that sheephead chin might just be the next substitute for marrow. But to make this work, it means getting diners amped up about the slightly unfamiliar.
Tasting menus, where diners are completely in his hands, become an opportunity to gently push boundaries. “I’ll serve mackerel, because people think they hate it,” Owens says, noting that the abundant local fish can have some fishiness. “But when it’s fresh, it’s arguably one of the best fish in the ocean.”
He also tweaks the language on the menu so people might feel more compelled to give dishes a try without preconceived notions. He might use “lengua” instead of “tongue.” “Whelk” instead of “snail.” When he puts “stingray throat” on the menu, he disarmingly calls it “skate.”
To reduce waste, scraps aren’t always discarded but rather turned into something new. Sometimes they’re smoked, cured or fermented. Apples going bad turn into apple ponzu. Lemons turn to marmalade, which stretches their usefulness far beyond peak season. “And it’s super tasty on our pizza,” he says.
What makes the food even richer, is the relationships he’s built with farmers. Though it didn’t always feel natural, Owens sought personal connection first. He recalls approaching a fisherman at the Tuna Harbor Dockside Market. “I was awkward,” he says. “I went up to him and said, ‘I like your fish.’”
Owen’s is now so close to his suppliers—like fishermen Ryan Sebo and Joe Daly—that he gets texted pictures of fresh catches right as they flop on the boat. The messages always ask if he wants first dibs. “I say yes to a lot of fish,” Owens says, noting that Herb & Sea can go through 2,000 pounds of seafood a week.
Courtesy of Herb & Sea
The next evolution of sustainability, in his view, will be chefs working directly with producers such as his alliance with Sebo, cutting out middlemen and purveyors where possible. “It will put more money in the pockets of the people doing the work,” he says.
It will mean that chefs can’t just know their local farmers and producers, but they’ll choose to work with the ones who have the best practices. Dining and sustainability will become much less about the final plate. “It will be more about the impact that plate has on the Earth,” he says.
Ultimately, he believes sustainability doesn’t need to be loud. It doesn’t need hashtags. It just needs to be honest.
“We aren’t saving lives. We’re feeding people good food,” he says.
And yet, in feeding people well—simply, thoughtfully, responsibly—something meaningful happens. Guests leave satisfied. Ingredients are respected. Local ecosystems are supported and food returns to what it has always been at its core: nourishment, pleasure, and a quiet reflection of the place it comes from.
You have to be crazy or a genius to name a restaurant Fish Guts. You have to be even crazier to open a restaurant that holds maybe two dozen people at a time—if you don’t mind elbowing one other while scarfing down some of the best fish tacos in San Diego.
And yes, “best” is a relative term. But in Fish Guts’ case, it’s for real—and that’s saying something in a town literally world-famous for fish tacos.
Ever since Pablo Becker opened up his diminutive eatery in 2023 at the corner of Logan Avenue and Sampson Street in Barrio Logan, Fish Guts has been named one of the city’s best new restaurants in 2023, Critic’s Pick for the best fish tacos in San Diego in 2024, 2025 and 2026, as well as readers’ top pick in 2024. It’s like if Rubio’s married into the royal family.
Most of his ingredients come straight from the cold waters of the Pacific Ocean, which happens to be down the street. His de espada (blackened swordfish) taco is the stuff of legend. He’s kept Fish Guts operating at an elite level, which tends to happen when you work for five years in Chicago under chef Richard Sandoval (who, by chance, is also his cousin) and open an ahead-of-its-time high-end modern Mexican restaurant in East Village (El Vitral Restaurant & Tequileria, 2009-2013).
Now Becker is branching out again, opening two new concepts in Barrio Logan this fall.
The first will be upstairs from Fish Guts, which at one point was destined to become an intimate omakase counter. Santo Poco will be a lunch-only sandwich shop, offering takeout and delivery (no dine-in), and the sandwiches will be a little Mexican, a little French, a little Italian, a little from Chicago, a little from New York. Basically, a bunch of different styles all on really, really good bread.
“There’s probably going to be a Cuban-style sandwich in there with a touch of Mexican, some cold cut Italians, too, putting my touch on them,” he says. “That’s what I feel like is my style of cooking.”
Things will be traditional, but inventive. Like his fish & chips taco at Fish Guts: two classic dishes, one killer mash-up. There will also be a hat tip to the late, great Anthony Bourdain, a sandwich called the Antonio Bourdain.
The second will be across the street from Fish Guts in the former Lia’s Lumpia space. Concrete Cowboy will be a taco-driven joint on the same wavelength as Fish Guts (keep it simple, keep it special), but featuring land animals rather than sea brethren. Think tacos made with duck confit, ribeye, pork belly, skirt steak.
The inspiration behind Concrete Cowboy comes from Becker’s father, a lifelong Western obsessive, despite growing up in Mexico City’s urban metropolis. “He always liked that cowboy life, that vibe,” he says. “I always say ‘Dad, you just grew up in the wrong city.”
He’s aiming to open Santo Poco in October and Concrete Cowboy in November. Neither require massive renovations, and while the former Lia’s Lumpia space will keep the cabin-esque aesthetic, he’s creating more of an adobe-style exterior and an interior lined with Western-themed wallpaper and taxidermied animals. He’ll also tweak the bar layout to move from a fast-casual feel to full service.
Local designer Dane Danner is designing both spaces and visual direction for menu layouts, logos, and packaging, going for low-key, but high on vibes. Once Concrete Cowboy opens, Fish Guts will temporarily close to remodel the space to switch its white palette for a warmer feel, plus introducing a refreshed menu featuring some new tacos and other items.
Could another Fish Guts be on the way somewhere else in San Diego? Not likely, says Becker. “Fish Guts is cool, “ he says. “I feel once you start branching out, it’s more forced, not as organic.” So for now, count on Becker staying in the neighborhood.
Santo Poco opens for lunch daily October 2026, 2222 Logan Avenue (above Fish Guts). Concrete Cowboy opens Tuesday through Sunday for lunch and dinner November 2026, 2219 Logan Avenue.
Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
Ten years ago, restaurant design centered around sleek minimalism. Fonts lacked serifs, clean lines dominated, and any manufacturer that made globe-shaped chandeliers must have made an absolute killing.
Things have changed since then, and Jeff Fink says it’s time for Madison on Park to glow up. On September 7, Madison will temporarily close its doors for a top-to-bottom renovation of the space and concept. Fink hopes to reopen this fall ahead of the busy holiday season, with a new look he calls moody mid-century maximalism.
“We have to take into consideration what’s going on culturally,” he says. When Madison first opened, TikTok wasn’t a thing in the U.S. and craft cocktails felt relatively cutting-edge. Today, he sees a resurgence in the vintage look, handmade goods, and low-to-no ABV drinks dominating menus everywhere.
Courtesy of Madison on Park | Photo Credit: Andy McRory
Fink and his partner Matt Sieve have already dabbled with that sort of motif at Sonny’s Pizza, their Brooklyn-inspired joint around the corner. Fully half of the cocktail menu is made up of spritzes, mocktails, and Negronis. Madison 2.0 will take it further.
The new concept doesn’t have a name yet—Fink says they have to feel out the vibes as they make progress with the design. “The name comes when you see it appear,” he says. But he has a few design elements in mind: things like more artwork and more uplighting. “Not cluttered and overstuffed… I want to keep it intimate, sexy, and immersive.”
Madison rightly earned its rep as one of the best-dressed eateries in San Diego, nabbing an Orchid Award for interior design its first year. The returning designers Anna and David Sindelar originally transformed the space from weird padded walls and fake greenery at Lei Lounge into a mid-century modern wonderland, complete with a signature arched ceiling and geometric patterns aplenty. Michelin-recognized chef Mario Cassineri (Ciccia Osteria, Bice Ristorante) built a menu heavy on Mediterranean flavors mixed with California classics.
The new menu shouldn’t feel completely jarring, but will take cues from Fink’s recent travels in Spain with his family. Expect shareable plates with lighter ingredients. “Americans eat way too much, and our portions are way too big,” he says. “I like the idea of smaller plates, healthier plates, and being creative… I’d rather see 15 items on the menu that are all less than $20 so that I can try different ones.” Bar manager Danny Kuehner will continue developing craft cocktails and mocktails for the new venture, as well as curating a selection of wine from Europe and locally.
Courtesy of Madison on Park | Photo Credit: Haley Hill
This isn’t the only project on their plate. Besides running Sonny’s in University Heights and Madi in Normal Heights, later this fall, Fink and Sieve will also open Josie’s, a modern all-day, Midwestern-style diner inspired by Sieve’s Minnesota roots. Like all their restaurants, it’ll hold a special part of their families’ legacies—something Fink hopes people feel as soon as they enter.
“You walk into Sonny’s, you’re like ‘Oh, Jeff’s at home,’” Fink laughs. “[Josies’] will be ‘Matt’s at home.’” The next version of Madison? We’ll have to wait and see.
Madison on Park will temporarily close on September 7 until October (barring any unexpected delays). Keep up with the newest updates on Madison’s Instagram.
Listen Now: The Latest in San Diego’s Food and Drink Scene
Have breaking news, exciting scoops, or great stories about new San Diego restaurants or the city’s food scene? Send your pitches to [email protected].
Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
Growing up, Laika Nur, MD, Scripps Clinic sports medicine specialist, loved watching beach volleyball when the Association of Volleyball Professionals tour came to her hometown of Chicago. A talented volleyball player herself, she remembers sitting in the stands all day, and once, even got a couple autographs. Years later, Dr. Nur was attending a professional event focused on women’s sports, and the discussion turned to a new professional women’s volleyball league. The general manager and coaching staff for San Diego’s team, the Mojo, happened to be in attendance, and Dr. Nur took the opportunity to ask them if they needed a team doctor. Flash forward to the Mojo’s inaugural 2024 season, when Dr. Nur officially became the team physician. Click here to read more about Dr. Nur and how she incorporates lessons she learned on the court into her practice.
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