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More than two years after the acquisition, misinformation and misunderstanding still abound
When Ballast Point announced it was selling to Constellation Brands in 2015, the news rocked the entire San Diego beer community. More than anything, the deal’s billion-dollar price tag sent shockwaves throughout the craft beer industry.
What shocked me most about the deal—above and beyond the previously unimaginable purchase price—was how quickly so many folks in the beer community turned their backs—not only on the company, but also on its people. Sure, I understood where a lot of that bad feeling was coming from; hard-core craft fans felt Ballast was “selling out” and betraying some sort of implied contract they had with their customer base to remain, as other people put it, “independent.” To my mind, no one had really successfully defined the parameters of what “truly independent” actually means, nor had they agreed on which aspects of independence were specifically so great. I would argue that a home-grown local company that makes its product locally, contributes to the local economy, is a good corporate citizen, and employs hundreds of locals, is a good company—regardless of who owns it. I know plenty of people would disagree with me on this, and I understand that perspective as well—I just believe it’s misguided.
I’ve known Ballast Point Vice President and Specialty Brewer Colby Chandler for a long time now. I got to know him and the Ballast Point team back when I first started writing about beer in San Diego. I’ve seen firsthand how Colby, Home Brew Mart, and Ballast Point have played crucial roles in developing the craft beer culture and community here; the contributions they have made to the advancement and promotion of the industry are matched only by one or two other breweries in town. Knowing Colby, and knowing how strained the years since the acquisition have been for him as a member of the craft beer community, I have wanted for a while now to sit down and give him the opportunity to speak to all the misinformation and misconceptions there are about exactly what kind of company Constellation Brands actually is, what their actual day-to-day involvement in the brewery is, and how things have changed (or not) since the acquisition.
I finally—and recently—had that chance to sit down with Colby to discuss those long-awaited topics and more. Luckily, we were also joined by veteran Ballast Point V.P. of Marketing Hilary Cocalis, who added her 5+ years of perspective and was able to elaborate on certain key points and issues regarding the company as it stands today.
Hilary: You know, it’s interesting. The first misconception is who we were even acquired by. It was a landmark deal probably for the number—people will remember the billion dollars, but they won’t remember the details behind it. A lot of people think we were acquired by Anheuser-Busch or some other “big beer” company. A lot of people in San Diego don’t even know who Constellation is or what the history is. This is a company that really is a “House of Brands.” It started as a wine company and now has a portfolio of wine brands including Mondavi, Clos du Bois, and Simi. They’re brand managers.
Colby: Yes. They acquire brands and then manage them to the next level. And they’ve been doing it for the past 54 years or so.
Hilary: And the majority of that was wine. They only just recently got into the beer business. They got the import rights for the Mexican brands only recently.
Colby: Five years ago. They hadn’t had a beer brand until five years ago.
Hilary: Well, they were importing beer before the company was brewing it themselves. But, before the past five years, they were not brewers. They acquire brands that have potential and let them do their thing and grow them.
Hilary: Right.
Colby: Right. I don’t consider them “chefs.” You know what I mean? I don’t consider them manufacturers, in the historical sense. They only recently became brewers of the Mexican portfolio, not just importers. They are brand managers. And the whole point is that they haven’t touched the chefs here at all. We haven’t “cleaned house.” And the majority of our people haven’t left. It’s the same crew making the same beer, it’s just that we’re doing it with better facilities and better equipment. We were already heading in that direction [before the acquisition]. We were already quality focused and we were already kind of super corporate in a lot of ways to begin with. I think, actually, in a lot of ways, we’re less corporate now with Constellation than we were as an independent brewery. Hilary? Yes? No?
Hilary: I think yes in that we have a lot more freedom to build the brand the way that we want to under Constellation’s guidance.
Hilary: It was between 400 and 500. Now we’re at about 750. So we’ve grown our employee base.
Hilary: We were the 13th largest craft brand in the nation before were acquired.
Colby: Most people don’t know that Constellation bought the rights for the Modelo group but they can only brew it in Mexico and they can only sell it in the United States. They do not have the distribution rights for worldwide; that is fully AB-InBev. Constellation bought the rights for the Modelo group from AB-InBev to produce that product as a completely separate entity. Constellation is not an international company. They’re not owned by an international company. They’re a New York- and Chicago-based company, basically.
Hilary: And they’re family owned.
Colby: We have a larger international footprint as Ballast Point than Constellation has as a whole. We run our own international sales and everything. So that’s just a little bit of perspective.
Hilary: I think another misconception, going back to the quality issue, is that our quality has gone down. We hear that all the time through second-hand and third-hand sources; that we’re owned by Constellation and our quality has gone down. That’s a tougher one to quantify or to justify, honestly, because as a marketing person I can pay lip service to that and say it’s not true, but it’s a subjective thing. What I can say is that the amount of investment that we’ve put into our quality program—to Colby’s point, we were doing that even before the deal—but it’s even grown since the deal. We have a lab in every brewery, we’re expanding our lab here [in Miramar], and we doubled the size of our field quality team. The one proof point that we’re really proud of is that we have more than 300 quality touch points for every single batch of beer—that includes everything from the raw ingredients to out on the shelves in the market. And nothing about the procurement of our raw ingredients has changed. We’re working with the same hop farmers, we’re still working with the same malt vendors, we’re now even propagating our own yeast in many cases. James Murray, our head of brewing operations, is still running all of that decision making.
Colby: The quality has definitely gotten better. [Colby later added that, at the last GABF, Manta Ray won gold in the extremely competitive IIPA category and Sour Wench won silver—and both submissions were sent from large regular production batches.]
Hilary: Absolutely. And I think if you were to ask some of the executives at Constellation they would tell you that the thought leadership we bring to quality is what they see as appealing. As they’ve started to acquire other craft brands—Funky Buddha in Florida, for example—they’re looking to us for guidance on how to help them with their quality program.
Hilary: Not one bit.
Colby: Yes. But don’t get us wrong. It’s not like we’re saying absolutely nothing has changed since the deal. Things have changed, but it’s mostly been admin. Or sales and marketing. Those are the areas where Constellation is bringing its resources to us and we’re taking advantage of that. But, again, they’re not the chefs. So they kind of let us rule the kitchen.
Hilary: There’s pressure to grow the business, but we had that before.
Colby: And they’re not dictating the brands that we’re making. They’re guiding us a little bit here and there. But we’re still putting the beers out and making the recipes. And places like [Ballast Point] Little Italy are still full steam ahead with all the R&D down there.
Colby: Unless the beer is shitty…
Hilary: It seems the defining factor these days in this category is “independent” versus “non-independent.” For us, we think it should be about quality. All we can do is make the best beer we can and stand behind it. And the folks who won’t drink Ballast Point any more because we’re owned by Constellation—because of the independence factor—there’s not much we can do to win them back, other than to potentially show them that this is still great beer and there are still great people here that are passionate about making it. We may not be “independent,” but we are—first and foremost—a San Diego brewery. San Diego is still 20% of our total business. And this is where the majority of our employees work and live, and we’re doing a lot to support the community here. I mean, we’re still running Home Brew Mart, our original location that Jack opened as a homebrew supply shop—and we’re still running it as a homebrew supply shop. If we just cared about being a big national brand, what would be our incentive to do that?
Colby: Yes, that’s right. That’s another misconception. People think Constellation owns its own distributors; they don’t. They have their own network of distributors, which they call the Gold Network, but when people say we’re restricting access to market, we can’t. We can’t control it the way AB-InBev does with their own distributors. The only way we can control it is with quality beer.
Colby: Half of our distributors were already lined up with the network before the acquisition.
Hilary: That’s right. We were already mostly lined up with the distributor network and we were already distributed to most of the U.S. Our route to market hasn’t changed.
Colby: You should see the welcome mat they put out for us in the cities we’re going into. The difference between the San Diego brewing scene and the brewing scenes in other cities around the country is pretty dramatic. People are actually excited for us to come into places like Virginia and Chicago—even Disney at this point. It’s the complete opposite of what other breweries have experienced here in San Diego. It’s a passionate culture that we’ve created here over the past twenty to twenty-five years. I always relate it back to an indie band getting a record deal. You may find it hard to support them for the first couple of years, but sooner or later you realize they’re still making f*****g good music.
Let me also add that I didn’t get into the beer business—I didn’t fall in love with micro-brews—because of who owned them. I fell in love with how they tasted. And I’m bummed about the beer drinkers we’re creating nowadays, because they feel they can only drink “independent beer,” and it doesn’t matter if the beer tastes good or not, or the history behind it. Does that mean you can’t have a Guinness on St. Patrick’s Day because it’s owned by Diageo? I can’t have a Corona and a taco on Cinco de Mayo because it’s Constellation? That’s not why I got into this business. I think it’s turning in not the best direction, and I think Ballast is kind of feeling that in a lot of ways. For me, it’s always been about the beer. And the whole reason I’ve been here for 21 years is because we’ve always made great f*****g beer.
Colby: Home Brew Mart. That’s almost the foundation of the San Diego brewing community.
Colby: Sometimes I think it hurts the wrong people. Somebody’s intention to “hurt” Ballast Point just trickles down and eventually hurts some of the 450 people working here in San Diego.
Hilary: I have to say that, historically, we’ve been a pretty quiet and humble brand. We’re not out there tooting our own horn; we’ve always let the beer speak for itself and let the consumers and our fans speak for us. If anything, I think we’ve been too quiet after the acquisition about what the culture really is here, and what has not changed. We’ve let the rumor mill sort of run rampant a little bit. Even doing something like this interview feels a bit uncomfortable because we shouldn’t have to prove ourselves or toot our own horn.
Colby: The irony for me is that I was president of the Guild for almost six years, it was all volunteer work, and a lot of it was done on Jack’s dime while I was working. We supported the community so much when we had no resources. And now that we have all of the resources, the community won’t let us support them any more. That’s the most frustrating thing for me. I mean, nothing’s really changed for us. We’re still going to promote San Diego here, we’re going to promote San Diego in our new locations around the country, and we’re always going to promote the brewing scene in San Diego to the rest of the world. We also want to help the local hop growers and Pink Boots and folks like that, and if people want our help we’re going to give it to them.
Colby: Nobody remembers it, but when I was president, I always said if Budweiser had a plant in San Diego they would be a part of the Guild. That’s because I would have leveraged their resources for everything! For meetings, for food, for festivals, whatever. That ultimately would help everybody, right?
Colby: Yeah. We want to do it. And more importantly, Constellation wants to do it. They’re kind of new to this too, you know? They bought a brewery in the most beer-nerdy city in the United States, so it’s a learning curve for them as well.
Has Anything Really Changed Since Ballast Point Sold to Constellation?
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Colby Chandler is Vice President and Specialty Brewer at Ballast Point Brewing Company | Photo: Bruce Glassman
We ask the city's best food photographers to choose their favorite pics and share their secrets to capturing a drool-worthy pic
Food is a notorious diva to photograph. The wrong lighting can make José Andrés’ paella look like a jaundiced grain bowl. You could be staring at the best sandwich of your life, but shoot it from above and—hey, congrats on that abandoned piece of lettuce bread. A cottage meme industry has been built around the hilariously bad photos on review sites that make Michelin-star food look like Michelin tires.
Especially in a visual modern media world, food culture depends on great photographers capturing the painstaking work in equally deserving ways. We asked four of San Diego’s top food photographers for their favorite shot from another year of documenting what we eat.

Getting this kind of shot takes a bit of yoga. Asana yourself into the corner, hold your breath, pray that a chef on the move doesn’t back into your light stand.
“You’re stepping into someone’s workspace during their busiest moments, so it’s a balance of being present to get the shot and being invisible to not slow anything down,” Kimberly Motos says.
The subject here is the Birdman sandwich from Chick & Hawk—hot fried chicken thigh, tangy slaw, kimchi comeback sauce, sweet and spicy pickles, potato brioche bun—getting a hearty dousing of its difference-maker seasoning. Motos captures the parts of the process that diners don’t usually see: the chaos behind something that looks so simple.

“I love this image because it feels like a moment you want to step into,” says Lucianna McIntosh. A warm, sunny day at The Fishery in PB with oysters, caviar, and martinis. Yes, please.
The little details—the glass sweating a little, the direct afternoon light creating stark shadows, the oyster glistening on the tray—are the main characters. Instead of trying to overly control the setup, McIntosh “followed the light and lines that draw you in more,” she says. “This was one of those moments where everything lined up on its own for a second. I love it when the shadows end up being just as important as the food itself.”

La Jolla native Eric Wolfinger—who won a James Beard Award for Tartine Bread, one of the most stunning bread books of all time—says he doesn’t have a signature style. His style is a conduit.
“I see my job is to translate the chef’s point of view into something you can feel,” he says.
For this shot, Fleurette chef Travis Swikard had one directive: cuisine du soleil (“cuisine of the sun”). With a spread of leeks vinaigrette, herb-roasted golden chicken, and beets, Wolfinger wanted to create a scene that felt straight out of the French Riviera, relaying the light, bright style of Swikard’s new spot.
Some bonus additions here: Extra lights—to add lots of warmth—and a clipping from an olive tree.

Timing and light are everything in food photography. In Lucien—La Jolla’s tasting-menu-only restaurant with moody ambiance—a single strobe flash creates the ideal spotlight.
Dee Sandoval says she uses the “natural, just-plated energy” of the dish to “create a portrait of moment and craft.” That’s why this Mostra Ghost Bear espresso ice cream—with San José dark chocolate mousse, soy-miso caramel, and koji shoyu chocolate sauce—looks like it might dissolve halfway to your mouth.
Emma Veidt is an editor at San Diego Magazine. She earned her bachelor's and master's degrees from the Missouri School of Journalism. She loves running, hiking, and rock climbing, but really, she mostly loves encounters with the street cats around North Park.
Spruce up your home bar setup with product recommendations from local cocktail aficionado and Collins & Coupe owner Gary McIntire
I peel myself off my couch, crack my back, and force myself to the bar (23 years old, by the way). It’s a Friday night, and my smart watch is already informing me my body battery is critically low.
Nevertheless, party we must.
Because, to be fair, one of the best things about going out—dive bar, velvet-clad cocktail lounge, or anywhere in between—is the performance of it all. Watching a bartender shake and stir like it’s choreography, finishing the drink with a sprig or petal placed just so, feeling like your collection of mixers and spirits is worth pouring into the Holy Grail.
One of the worst things about going out, though? Being out.
So I thank God for the home bar.
No lines, no cover, no shouting your order over someone named Kyle who just discovered the AMF. No $19 cocktails that taste suspiciously like juice. Just me, my apartment (where I can play whatever music I want), and the quiet confidence of knowing I can make something decent without putting on real pants.
A home bar, I’ve learned, doesn’t have to be impressive. It just has to be intentional—a few bottles you actually like, some tried-and-true tools, and at least one drink you can make without Googling. That’s it. That’s the barrier to entry.
To create the ultimate home bar collection, we tapped the folks at San Diego cocktail supply shop Collins & Coupe to give us some of their recommendations. Pick and choose what you need, and start cocktailing.

You won’t get very far in your cocktail-making-journey without shaker tins. Boston shakers (two pieces, tin-on-tin) and cobbler shakers (three pieces with a strainer and cap) are the most classic styles, but if you want to avoid the tins getting stuck (or creating a mess on the floor), Boston shakers are the way to go.
“Koriko Tins by Cocktail Kingdom are the gold standard for every bar worth their salt. Every new bar we help outfit with tools insists on this brand and model,” says Collins & Coupe co-owner Gary McIntire.
“These are handmade, 100 percent solid copper and will last a lifetime,” McIntire says. “Because they are solid, there is no plated finish to wear off, and they will only look more beautiful with age.”
According to the pros, don’t even bother getting bar spoons shorter than 12 inches. One foot long is the magic length to get the best stirring results: “Rule of thumb is at least 50 percent of the spoon should be out of the glass,” says McIntire.
Sugar Skull Bar Spoon
Cocktail Kingdom Enamel Lucky Cat Bar Spoon
Pulp in your orange juice? We’ll allow it. But in your cocktail? Smooth and strained is optimal. You have two choices here: Hawthorne strainers have a spring that attaches snugly to shaking tins; julep strainers have no tabs or springs (originally created to drink mint juleps before straws became commercially available).
Bull in China Julep Strainer, Brushed Stainless Steel
Barfly Two-prong Heavy Duty Hawthorne Strainer
We’ve all seen those seasoned bartenders with the arm tats and haughty demeanors who can assemble perfect drinks with their eyes shut. The rest of us, however, need training wheels. Jiggers—those hourglass-shaped measuring tools—make consistent cocktail-making easy, although cheap versions tend to be inaccurate. Don’t skimp out on these.

“Heavy-duty and made of one piece,” McIntire says. “We use [this jigger] in our classes and at home. It comes in a bell-shaped version and a Japanese version, which is tall and narrow.”
“Glassware is always essential to the cocktail experience,” says McIntire. The martini glass is an avatar for American hair-loosening for a reason: sleek, viciously “V,” and highly spillable (danger always looks good). To start, look for a coupe glass (the fancy cat bowl-looking thing), a highball (glassware with posture), and a rocks glass (the blue collar hero).
Milo Crystal Rocks Glass by Viski
Savage Coupe by Nude Glassware
Meridian Highball with Gold Rim by Viski
You know how Caesar dressing tastes way better when you don’t think about the fact that there are anchovies in it? The same goes for cocktails and raw egg whites. Some of your favorites rely on the frothy ingredient to shine (whiskey sours, gin fizzes, etc.). Mesh strainers help make that magic happen. According to McIntire, always get the conical version; the round, bowl style could cause spills.
Lili Kim is a content coordinator and writer for San Diego Magazine, with experience highlighting local businesses and communities. When not writing or shooting film, she is likely brewing her seventh cup of tea of the day or strolling along Sunset Cliffs.
After eight years and numerous awards, the cafe and roastery expands its operations in North County
San Diego’s coffee industry has yet to hit its ceiling. There are at least 850 coffee shops across the county (possibly over 1,000 at this point) and more specialty cafes and roasters seem to join the roster every other week.
Some newcomers, like Chance’s Coffee, focus on specialties like Vietnamese coffee; other stalwarts, like Bird Rock Coffee Roasters, have helped put the local coffee scene on the map with internationally acclaimed beans and baristas for 20 years. You can get a classic pour-over or an ultra, whipped cream–topped strawberry lavender basil blueberry matcha latte sprinkled with unicorn glitter—whatever your coffee style, San Diego’s got it… somewhere.
Steady State Roasting falls more in the former category, focusing on traceable, sustainable sourcing and no-nonsense roasting (no unicorn glitter here, sorry!). Founder and lead roaster Elliot Reinecke first started Steady State in a garage behind his house, roasting small batches until expanding slightly to a shared and not-quite-permitted space before landing in a lucky spot on State Street in Carlsbad.
Now, eight years later, Steady State is scaling up once more, opening its second cafe in San Marcos next to their roastery. The new location offers the same food and drink menu as the original Carlsbad location, and Reinecke says he plans to add an onsite bakery to bake items like English muffins and country loaves to supplement Prager Brothers’ more specialized pastries.
He doesn’t plan on opening more cafes, though. Rather, Reinecke plans to expand roasting operations and strategic sourcing. Currently, he sources beans from Colombia, Panama, across Africa, and as of this year, Costa Rica. “We’ve had Costa Rican coffee before, but we went to origin a few months ago and bought six different lots from there, all from really good high-end local farmers,” he explains.
The rising cost of sourcing does present some challenges, as does changes within coffee culture itself. Coffee has moved from a mass-market beverage to a highly personalized artisanal experience, but the current feeling is moving back towards focusing on quality over flashiness, says Reinecke.
If Reinecke’s prediction is right, coffee is headed on a similar trajectory to craft beer. Ten years ago, no one knew what Citra hops were. Now, even casual beer fans are versed in hop varieties, and that attention to detail is spilling over to coffee as well. How many of San Diego’s 1,000 coffee shops will remain once the unicorn glitter’s luster fades? My bet is on anyone remaining steadfast to sourcing, sustainability, and simplicity.
Steady State San Marcos is now open at 1320 Grand Avenue, Suite #9, San Marcos. Initial operating hours are Tuesday through Saturday, 7 a.m. to 2 p.m.
Listen Now: The Latest in San Diego’s Food and Drink Scene
Have breaking news, exciting scoops, or great stories about new San Diego restaurants or the city’s food scene? Send your pitches to [email protected].
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Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
Stake Chophouse & Bar brings contemporary classics and old-school service to the heart of Coronado
Stake Chophouse & Bar isn’t your average steakhouse. Blue Bridge Hospitality’s Coronado outpost is a modern interpretation of a big-city steakhouse nestled in the heart of the small coastal community. The team at Stake has reimagined the whole steakhouse experience. By prioritizing a seasonal farm-to-table sourcing philosophy, a personalized guest experience, and unique service touches, like a formal steak presentation and a bespoke knife selection process, Stake distinguishes itself in a sea of steakhouses.
Exceptional steaks, including Wagyu from Japan, Australia, and the U.S., and fresh seafood flown in daily form the core of Stake’s culinary identity. The menu features a five-course omakase-style steak experience highlighting house favorites, plus an array of cuts, and classic steakhouse staples—think a wedge salad, baked potato, or pasta carbonara—refined for a contemporary palate without losing their traditional appeal. Stake focuses on seasonal sourcing from the region’s best family farms and specialty purveyors, and incorporates intentionally unexpected touches to create something truly unique.
“I challenge our chefs and myself to take it a step further in sourcing,” says Chef Ronnie Schwandt. “It’s important to us to highlight different farms, unique one-off farms—whether it’s cattle, strawberries, a local fisherman or from anywhere in the United States, we’re always trying to find that niche.”
Beyond the menu, Stake emphasizes outstanding service, says Vinny Spatafore, Director of Hospitality Operations. Staff maintains detailed notes, allowing them to remember guests by name, recall previous orders such as a favorite martini (also memorable for the customer since it’s served in an extra tall, distinctly-shaped glass), and celebrate special occasions like birthdays and anniversaries.
“When you have those points of topic that you remember about a guest, they appreciate that,” he says. “Our servers are really good with that—we have a couple servers who have been here since the beginning and they’ll remember somebody from years ago, their name, their kids’ names, where they live. I’m really thankful to have a great front of house staff.”
Award-winning wines, rare whiskeys, special events, and a complementary black car service that provides transportation for guests throughout Coronado add to Stake’s appeal.
Schwandt stresses that Stake offers more than a meal; they aim to give patrons something unforgettable.
“It starts when you walk up the stairs and are greeted by the hostess—that sets the tone for the night. Then you’re greeted by a server, who may know you by name, and can guide you through the menu and curate as they get to know you,” says Schwandt. “Most people leave kind of blown away; they leave feeling like they just had an experience. That’s the goal, right? Whether you’re serving smash burgers or high-end steak, you want somebody to leave thinking, Wow, that was awesome.”
The team behind Harumama and Blue Ocean will open Little Kiki Katsu & More on June 15, serving premium cutlets, Japanese sandos, and curated sake pairings
Every culture has its own comfort foods—cozy dishes that nurture the soul as much as the body. In the US, dipping a grilled cheese sandwich in a bowl of tomato soup can feel as satiating as pulling a warm sweater out of the dryer. In China, a steaming bowl of congee is basically a miracle remedy for anything you can imagine. I’m pretty sure Italian carbonara could achieve world peace. And in Japan, katsu remains one of the most universally satisfying inventions of the past century.
Katsu was originally invented as a riff on côtelette de veau, the classic French veal cutlet coated with breadcrumbs and pan-fried in butter. In 1899, a Western-style restaurant called Rengatei in Tokyo decided to put their own spin on the dish by pounding the cutlets until thin, then coating them with softer panko and deep-frying versus pan frying (like tempura) for a crispier, lighter, crunchier bite. Today, pork—called tonkatsu in Japanese—tends to be the most common base for katsu.
The dish has yet to achieve the same mainstream status as say, chicken nuggets, in the US. But Little Kiki Katsu & More hopes to change that, when the katsu-focused restaurant opens in Carlsbad on June 15.
Created by the team behind Harumama and Blue Ocean, Little Kiki will focus on premium katsu dishes paired with sake and around a dozen small bites like miso soup, karaage, edamame, and Japanese pickles. Executive chef James Pyo, who co-owns all three restaurants with his wife Jenny, created a menu that features proteins like Berkshire Kurobuta pork, Jidori chicken, salmon, scallops, and dry-aged Pacific cod for the katsu and grilled stone selections. (Note: the grilled stone options will be offered for dinner only.)

The lunch menu includes Japanese-style sandos like a tonkatsu sandwich with pork, housemade bread, and tonkatsu sauce (available regular or spicy). Dessert options are simple to start—yuzu cheesecake, matcha crème brûlée, and mango/yuzu mochi ice cream. The Pyos curated a selection of premium sakes as well, specifically for pairing purposes, as well as offering some beer and cocktails.
Little Kiki, which is named for Jenny’s cat, seats 25-30 guests inside with room for only a few more on the small outdoor patio as well. Designer and assistant Yoojin Jang says the vibe is meant to be warm and welcoming but modern, using colors like olive green, cream, and pops of orange against Japanese-style wood slats.
Initially, Little Kiki will only be open for dinner service, but aims to introduce lunch hours for the grand opening on July 1. Due to the limited seating, Jang encourages guests to make reservations, and while the restaurant will offer takeout, it will not be available on food delivery apps like Uber Eats or DoorDash to motivate guests to come experience it for themselves.
“Come in curious and leave satisfied,” says Jang. And keep your eyes open for subtle cat motifs—she promises they are hidden all over the place. Whimsy, it seems, is also on the menu.
Little KiKi Katsu & More soft opens on June 15, 2026 at 2958 Madison Street, Suite 101 in Carlsbad. Hours are Monday, Wednesday, Thursday, and Sunday from 11:30 a.m. to 3 p.m. for lunch and 5 p.m. to 9:30 p.m. for dinner; Friday and Saturday from 11:30 a.m. to 3 p.m. for lunch and 5 p.m. to 10 p.m. for dinner; closed Tuesday.

Listen Now: The Latest in San Diego’s Food and Drink Scene
Have breaking news, exciting scoops, or great stories about new San Diego restaurants or the city’s food scene? Send your pitches to [email protected].
Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
Telefèric Barcelona will open its first San Diego location early this summer
Westfield UTC mall is adding yet another “first” to the ever-growing roster of restaurants. The first US location for China’s stir-fry sensation Chef Fei is on the way later this year, Japan already reinvented crispy rice pioneer Katsuya by opening the first Katsuya Ko, and now, it’s Spain’s turn—Telefèric Barcelona opens early this summer.
The family-owned, Barcelona-based tapas joint first opened in the US 10 years ago in Walnut Creek, California, but co-founder and CEO Xavi Padrosa says they’ve had their eye on San Diego for years. Westfield UTC “just clicked,” he says, pointing to the burgeoning collection of world-class eateries already within the mall’s walls. Plus, La Jolla’s breezy vibe echoes Spain’s easygoing tapas culture.
The indoor/outdoor space spans 5,526-square-feet, with seating for 150 inside, 60 on the patio, and 16 more at the bar. Xavi’s sister and co-owner Maria Padrosa designed the Mediterranean-inspired space as a contemporary take on coastal Catalonia, using imported furniture and materials from Spain like hand-glazed tiles and wood accents. And if all the dining spaces are planets, the center of the suite’s universe is the bar.

Padrosa points to signature favorites like patatas bravas (fried potatoes drizzled with a spicy red sauce and house aioli), jamón ibérico de bellota (Spanish ham from free-range pigs raised on acorns, cured for 38 months and sliced to order), gambas al ajillo (garlic shrimp), pulpo Telefèric (octopus with potato purée and pimentón XO, a spicy Spanish/Cantonese fusion sauce), and croquetas (a popular fried tapas dish coated in breadcrumbs and made with béchamel mixed with fillings like jamón or king crab.
There are a very small handful of legit paella spots in San Diego (Costa Brava in Pacific Beach and Cafe Sevilla in Gaslamp Quarter come to mind), so I’m personally looking forward to giving Telefèric’s a go—especially the squid ink paella negra, which is perhaps the most goth paella of all. Every location also offers different weekend specials, La Jolla’s being seafood-driven and meant to pair with beverage director Alex Serena’s drinks. There are over a hundred Spanish wines, Spanish-inspired cocktails, sangria, and of course, plenty of twists on the iconic gin and tonic. The restaurant will also have a gourmet market called The Merkat with imported Spanish sundries.

With more US locations in the works (Newport Beach will open soon after La Jolla), Padrosa says the company hopes to open more across California, but are open to anywhere in the country that feels right. “We don’t know exactly what new cities will appear on our map in the coming years,” he says. But in true Catalan fashion, anywhere they go should be ready for big plates of hearty Spanish cuisine.
Telefèric Barcelona La Jolla opens early summer 2026 in Westfield UTC. Opening hours will be Monday through Thursday, 11:30 a.m. to 10 p.m.; Friday and Saturday, 11:30 a.m. to 11 p.m.; and Sunday, 11 a.m. to 10 p.m.

Most of the time, you have to be 18 years old to change your name. In Arcana’s case, it was about a month. The immersive speakeasy behind Archive in Encinitas updated their moniker to Animga (a play on “enigma”) earlier this month, after what one can only assume was an upset letter from a similarly-named business. However, partner Paula Vrakas promises that the concept remains the same—mystery, cocktails, and a forthcoming bottle locker membership club. Since the only constant is change, Anigma is off to a good start!

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Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
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