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As American coffee culture moves past the nonfat vanilla lattes toward a more elevated brew (imagine a cuppa so artfully crafted that it’s meant to stand on its own, black, without the cream), San Diego is right on trend. Local roasters are raising the bar and finding that the competition is fierce. San Diego Coffee […]
San Diego Coffee
Luis :Garcia
Daniel Holcomb
Daniel Holcomb, founder and owner of Coffee & Tea Collective
It’s just a cup of coffee. It’s the black, ubiquitous liquid that makes mornings hurt less or brings the afternoon a caffeine-laden second wind. Coffee has long been a beverage more mindlessly ingested than tasted and appreciated. All that is changing now. As foodies move toward fresh, organic, local everything, it’s only natural that the coffee industry—purveyors of something 63 percent of Americans consume daily—would catch on. Finally, coffee is joining the upper ranks alongside craft beer, cold-pressed juice, artisan cheese, and other high-brow food and drinks.
Modern coffee evolution can often be broken down into three phases. The first was a post-WWII surge that put Folgers and Maxwell House into most American mugs. This was mass coffee production on the grandest scale, sardining burnt grinds into cylindrical tins and creating a generation of drinkers of bland coffee. The second is attributed to Starbucks and Peet’s, companies that focused on espresso-based coffee drinks (think half-caf soy nonfat grande lattes, four pumps, no whip) and coffee that was labeled by country and region, similarly to wine.
The most recent phase, known in the industry as the Third Wave, is coffee craftsmanship of the highest level. Drilling down past sourcing and labeling beans by country, they’re sourced from specific farms. The dark roasts made popular by Starbucks are now manifesting into lighter, brighter roasts, more acidic and almost sour (though this isn’t a defining characteristic of the movement, just a result of it). New serving techniques also mark the arrival of the Third Wave: A pour-over is a slow-drip single cup of coffee made to order, where beans are ground and placed in a filter-lined ceramic funnel and hot water delicately drenches the grind. Siphoned coffee is brewed in an hourglass-looking device that uses heat and vacuum pressure to reverse-cycle (from bottom to top) hot water through coffee grounds. Cold brewing is an eight-to-12-hour process in which room-temperature water percolates through coarsely ground coffee.
David Kennedy
David Kennedy pours over at James Coffee Co.
David Kennedy pours over at James Coffee Co.
Bonus: Click here to see a video of one of the Thursday Night Throwdown latte art competitions put on by the San Diego Coffee Network.
Third Wave may be a new term, but its concepts have been brewing for quite some time. San Diego is a relative neophyte to specialty coffee, but several roasters have paved the way for a coffee renaissance. One pioneer everyone points to is Arnie Holt of Caffé Calabria. Almost 23 years ago, Caffé Calabria began simply as a quest for a decent cup of coffee. A Seattle native, Holt set up coffee carts at Grossmont and Kaiser Hospitals before opening his Italian-accented North Park coffee shop and roasting operation. “I’ve been trying to pioneer Third Wave coffee for a long time,” Holt says. “It’s really good to see it happening because it’s where coffee should be.”
Café Moto (which began as a division of Pannikin Coffee) and Ryan Brothers are both Barrio Logan stalwarts that helped to get San Diegans thinking about coffee and appreciating locally roasted product. But despite these businesses’ efforts, not much national credence was given to our coffee scene until Bird Rock Coffee Roasters was named “Micro Roaster of the Year” by Roast Magazine in 2012.
With a focus on single-origin, seasonal coffee, Bird Rock Coffee Roasters opened in 2002. At the time, the roaster and coffee shop’s focus was different than its contemporaries, giving attention mostly to blends. Owner Chuck Patton opened his storefront right across the street from a Starbucks. “People thought we were crazy,” he remembers. It was almost poetic, though, ushering in coffee’s Third Wave kitty-corner from the international conglomerate. “In the last year and a half, [we’ve seen that] people will seek out good coffee,” Patton says. “That’s a huge thing that started happening. The city is starting to appreciate good coffee.”
By “good,” the experts are referring to a taste so sophisticated and flavorful that it can and should be drunk black. Hold the creamer.
Jonathan Britton
Jonathan Britton experiments with an iced custom blend of five different single-origin coffees at Caffe Calabria
Jonathan Britton experiments with an iced custom blend of five different single-origin coffees at Caffe Calabria
Wake Up And Smell the Coffee
Luis :Garcia
Wake Up And Smell the Coffee
Luis :Garcia
The proof is in the numbers. According to a recent study by the National Coffee Association on coffee drinking trends, overall coffee consumption in America increased by five percentage points, to 83 percent, in 2013. Single-cup brewing also saw a steady rise, from 37 to 43 percent, while consumption of coffee made in drip coffee makers declined.
Why only now is San Diego starting to sniff out good coffee? Whether it’s the consistently warm weather or the casual work vibe, San Diego falls far behind Seattle, Portland, New York, and the Bay Area in terms of a thriving coffee culture.
Craft beer, on the other hand, is arguably our forte, and has opened the floodgates to supporting small-batch, locally made products. Its spillover can be seen throughout the food and drink scenes, but especially in beverages like craft cocktails and coffee. Partnerships between brewers and roasters are numerous, furthering an unquenchable thirst for specialty coffee. In the Venn diagram that is coffee and beer, these collaborations land squarely in the middle: Coronado Brewing Company’s Blue Bridge Coffee Stout with Café Moto roasted coffee, Karl Strauss’ Wreck Alley Imperial Stout with Bird Rock Coffee Roasters, and Ballast Point’s Victory at Sea Coffee Vanilla Imperial Porter with Caffé Calabria coffee.
Just as the craft beer boom spread like wildfire, micro-roasters are popping up everywhere. One of the best known is Coffee & Tea Collective in North Park, named one of the “21 Hottest Coffee Shops Across the U.S” by Eater.com. Opened in 2012, the coffee shop thoughtfully sources single-origin beans and small-batch roasts, and focuses on a by-the-cup experience. With Zen-like precision, filtered water temperature is measured, coffee is weighed (about two tablespoons for every six ounces of water), and time is taken to ensure that each cup is specifically made for the drinker. Similar to in the craft beer world, Coffee & Tea Collective put its cold brew on tap. You can even fill up a growler of the stuff, coffee concentrate specifically, that’s meant to be mixed with water and served over ice. “It was a very interesting transition for new people coming into the shop. Talking to people, the [coffee] language was different than what they were used to,” says Michael Spear, curator of experiences at Coffee & Tea. “Now we have regulars and people who bring in their friends. We’re a destination coffee spot.”
Michael Spear
Michael Spear at Coffee & Tea Collective serves up cold brew on tap
Michael Spear at Coffee & Tea Collective serves up cold brew on tap
Wake Up And Smell the Coffee
Luis :Garcia
Other local roasters have continued to pop up, with a focus on small-batch roasting (giving the roaster ultimate control over the bean) and serving techniques that aim to present the coffee in its truest form. Dark Horse Coffee Roasters in Normal Heights has gained quite a following, expanding to Golden Hill and Truckee, California (near Lake Tahoe). WestBean Coffee Roasters is getting its first brick-and-mortar location downtown to complement the Mission Valley roasting facility. Café Virtuoso in Barrio Logan sources 100 percent organic beans, and was recently named “Best Small Business” by the California Restaurant Association. Farther north, Lofty Coffee and Revolution Roasters in Encinitas both employ Third Wave principles, sustainably sourcing beans from all over the world. Mostra Coffee in Rancho Bernardo produces a cold brew that fans compare to manna of the gods.
Even rock stars are riding the Third Wave. David Kennedy, guitarist for the internationally touring band Angels and Airwaves, started James Coffee Co. out of his garage, roasting on a popcorn machine. He’s now selling his beans online at a boutique kiosk in Little Italy. Cura Coffee is a direct trade coffee roaster started by Thomas Fitzpatrick, a local dentist who traveled to Nicaragua to provide dental care but came back with the coffee bug. While in the town of Boaco, the team Fitzpatrick was traveling with found a wealth of small farms growing high-quality coffee, and he now works directly with the farmers to source the green, unroasted beans.
If craft coffee is a fire, the San Diego Coffee Network is the one stoking it. Started by a coffee blogger Jessica Percifield, barista Matt Barahura, and videographer Jared Armijo-Wardle, the association hosts events that bring the coffee community together. At its Thursday Night Throwdowns, what sounds more like a WWE title belt match is actually a series of latte art competitions with 100-plus attendees. Small, quiet coffee shops morph into high-energy, jam-packed venues of onlookers watching baristas paint with milk on a coffee canvas. The group hopes to bring attention to our local coffee scene and unite coffee enthusiasts and professionals.
Bird Rock Coffee Roasters
Luis :Garcia
Wake Up And Smell the Coffee
Luis :Garcia
Wake Up And Smell the Coffee
Luis :Garcia
Unlike the craft beer scene, though, local roasters don’t share ingredients or recipes and aren’t collaborating much, due to the nature of selling coffee. “Go to any new bar in town,” says Chuck Patton of Bird Rock Coffee Roasters. “It’s going to have lots of taps, so breweries can share a single account. But coffee isn’t really like that—you can’t share wholesale accounts.” There’s an underlying competitiveness and survival instinct to the coffee industry, of which most drinkers are unaware. And while the San Diego Coffee Network aims to table the politics, if just for an evening, to shine a light on a growing industry, Patton says it’s sourcing that really separates the crème de la crème of Third Wave roasters. “It’s terrific how many roasters are putting time and energy into quality coffee. But more effort needs to be placed on sourcing green beans. It’s crucial for the long-term success of San Diego coffee,” he says. “It’d be great to see more people making the effort to go to origin. There’s time to do that. The coffee industry is rather young but we should be working towards sourcing.”
And this is just scratching the surface. Each year, consumption of these specialty coffees continues to rise, wedging open the door for quality coffee responsibly sourced and precisely prepared.
Single origin refers to where the coffee was grown. This once referenced the country of origin, then a particular region of the country. Now, certain farms or a co-op of farms or estates are noted, as with wine, and terroir is often considered.
Small batch and micro roasting are symbiotic terms more commonly seen as “small batch roasting.” As with craft beer, it depends on the size of the roasting equipment rather than the amount of coffee roasted. A roaster in the 25-lb. region is mostly considered small batch roasting. Reaching more than 100 lbs. is considered macro-level roasting.
Fair trade coffee is a certification. It fosters sustainable farming (of the coffee) and financial health of the small farmers and producers growing coffee, often in underdeveloped countries. It aims to distribute profits to stimulate economic growth, encourages ecologically responsible farming, and promotes fair working conditions.
Pour-overs are cups of coffee made individually. Beans are ground for a single cup and brewed in a cone dripper by meticulously pouring hot water over the freshly ground coffee, allowing it to drip into the cup from which it will be drunk.
Cold brew is not iced coffee. Coffee grounds are steeped in room-temperature water for a period of 12 to 24 hours. This results in a less acidic coffee with higher caffeine content and nuanced flavors, usually mixed with water and served over ice.
We ask the city's best food photographers to choose their favorite pics and share their secrets to capturing a drool-worthy pic
Food is a notorious diva to photograph. The wrong lighting can make José Andrés’ paella look like a jaundiced grain bowl. You could be staring at the best sandwich of your life, but shoot it from above and—hey, congrats on that abandoned piece of lettuce bread. A cottage meme industry has been built around the hilariously bad photos on review sites that make Michelin-star food look like Michelin tires.
Especially in a visual modern media world, food culture depends on great photographers capturing the painstaking work in equally deserving ways. We asked four of San Diego’s top food photographers for their favorite shot from another year of documenting what we eat.

Getting this kind of shot takes a bit of yoga. Asana yourself into the corner, hold your breath, pray that a chef on the move doesn’t back into your light stand.
“You’re stepping into someone’s workspace during their busiest moments, so it’s a balance of being present to get the shot and being invisible to not slow anything down,” Kimberly Motos says.
The subject here is the Birdman sandwich from Chick & Hawk—hot fried chicken thigh, tangy slaw, kimchi comeback sauce, sweet and spicy pickles, potato brioche bun—getting a hearty dousing of its difference-maker seasoning. Motos captures the parts of the process that diners don’t usually see: the chaos behind something that looks so simple.

“I love this image because it feels like a moment you want to step into,” says Lucianna McIntosh. A warm, sunny day at The Fishery in PB with oysters, caviar, and martinis. Yes, please.
The little details—the glass sweating a little, the direct afternoon light creating stark shadows, the oyster glistening on the tray—are the main characters. Instead of trying to overly control the setup, McIntosh “followed the light and lines that draw you in more,” she says. “This was one of those moments where everything lined up on its own for a second. I love it when the shadows end up being just as important as the food itself.”

La Jolla native Eric Wolfinger—who won a James Beard Award for Tartine Bread, one of the most stunning bread books of all time—says he doesn’t have a signature style. His style is a conduit.
“I see my job is to translate the chef’s point of view into something you can feel,” he says.
For this shot, Fleurette chef Travis Swikard had one directive: cuisine du soleil (“cuisine of the sun”). With a spread of leeks vinaigrette, herb-roasted golden chicken, and beets, Wolfinger wanted to create a scene that felt straight out of the French Riviera, relaying the light, bright style of Swikard’s new spot.
Some bonus additions here: Extra lights—to add lots of warmth—and a clipping from an olive tree.

Timing and light are everything in food photography. In Lucien—La Jolla’s tasting-menu-only restaurant with moody ambiance—a single strobe flash creates the ideal spotlight.
Dee Sandoval says she uses the “natural, just-plated energy” of the dish to “create a portrait of moment and craft.” That’s why this Mostra Ghost Bear espresso ice cream—with San José dark chocolate mousse, soy-miso caramel, and koji shoyu chocolate sauce—looks like it might dissolve halfway to your mouth.
Emma Veidt is an editor at San Diego Magazine. She earned her bachelor's and master's degrees from the Missouri School of Journalism. She loves running, hiking, and rock climbing, but really, she mostly loves encounters with the street cats around North Park.
Spruce up your home bar setup with product recommendations from local cocktail aficionado and Collins & Coupe owner Gary McIntire
I peel myself off my couch, crack my back, and force myself to the bar (23 years old, by the way). It’s a Friday night, and my smart watch is already informing me my body battery is critically low.
Nevertheless, party we must.
Because, to be fair, one of the best things about going out—dive bar, velvet-clad cocktail lounge, or anywhere in between—is the performance of it all. Watching a bartender shake and stir like it’s choreography, finishing the drink with a sprig or petal placed just so, feeling like your collection of mixers and spirits is worth pouring into the Holy Grail.
One of the worst things about going out, though? Being out.
So I thank God for the home bar.
No lines, no cover, no shouting your order over someone named Kyle who just discovered the AMF. No $19 cocktails that taste suspiciously like juice. Just me, my apartment (where I can play whatever music I want), and the quiet confidence of knowing I can make something decent without putting on real pants.
A home bar, I’ve learned, doesn’t have to be impressive. It just has to be intentional—a few bottles you actually like, some tried-and-true tools, and at least one drink you can make without Googling. That’s it. That’s the barrier to entry.
To create the ultimate home bar collection, we tapped the folks at San Diego cocktail supply shop Collins & Coupe to give us some of their recommendations. Pick and choose what you need, and start cocktailing.

You won’t get very far in your cocktail-making-journey without shaker tins. Boston shakers (two pieces, tin-on-tin) and cobbler shakers (three pieces with a strainer and cap) are the most classic styles, but if you want to avoid the tins getting stuck (or creating a mess on the floor), Boston shakers are the way to go.
“Koriko Tins by Cocktail Kingdom are the gold standard for every bar worth their salt. Every new bar we help outfit with tools insists on this brand and model,” says Collins & Coupe co-owner Gary McIntire.
“These are handmade, 100 percent solid copper and will last a lifetime,” McIntire says. “Because they are solid, there is no plated finish to wear off, and they will only look more beautiful with age.”
According to the pros, don’t even bother getting bar spoons shorter than 12 inches. One foot long is the magic length to get the best stirring results: “Rule of thumb is at least 50 percent of the spoon should be out of the glass,” says McIntire.
Sugar Skull Bar Spoon
Cocktail Kingdom Enamel Lucky Cat Bar Spoon
Pulp in your orange juice? We’ll allow it. But in your cocktail? Smooth and strained is optimal. You have two choices here: Hawthorne strainers have a spring that attaches snugly to shaking tins; julep strainers have no tabs or springs (originally created to drink mint juleps before straws became commercially available).
Bull in China Julep Strainer, Brushed Stainless Steel
Barfly Two-prong Heavy Duty Hawthorne Strainer
We’ve all seen those seasoned bartenders with the arm tats and haughty demeanors who can assemble perfect drinks with their eyes shut. The rest of us, however, need training wheels. Jiggers—those hourglass-shaped measuring tools—make consistent cocktail-making easy, although cheap versions tend to be inaccurate. Don’t skimp out on these.

“Heavy-duty and made of one piece,” McIntire says. “We use [this jigger] in our classes and at home. It comes in a bell-shaped version and a Japanese version, which is tall and narrow.”
“Glassware is always essential to the cocktail experience,” says McIntire. The martini glass is an avatar for American hair-loosening for a reason: sleek, viciously “V,” and highly spillable (danger always looks good). To start, look for a coupe glass (the fancy cat bowl-looking thing), a highball (glassware with posture), and a rocks glass (the blue collar hero).
Milo Crystal Rocks Glass by Viski
Savage Coupe by Nude Glassware
Meridian Highball with Gold Rim by Viski
You know how Caesar dressing tastes way better when you don’t think about the fact that there are anchovies in it? The same goes for cocktails and raw egg whites. Some of your favorites rely on the frothy ingredient to shine (whiskey sours, gin fizzes, etc.). Mesh strainers help make that magic happen. According to McIntire, always get the conical version; the round, bowl style could cause spills.
Lili Kim is a content coordinator and writer for San Diego Magazine, with experience highlighting local businesses and communities. When not writing or shooting film, she is likely brewing her seventh cup of tea of the day or strolling along Sunset Cliffs.
After eight years and numerous awards, the cafe and roastery expands its operations in North County
San Diego’s coffee industry has yet to hit its ceiling. There are at least 850 coffee shops across the county (possibly over 1,000 at this point) and more specialty cafes and roasters seem to join the roster every other week.
Some newcomers, like Chance’s Coffee, focus on specialties like Vietnamese coffee; other stalwarts, like Bird Rock Coffee Roasters, have helped put the local coffee scene on the map with internationally acclaimed beans and baristas for 20 years. You can get a classic pour-over or an ultra, whipped cream–topped strawberry lavender basil blueberry matcha latte sprinkled with unicorn glitter—whatever your coffee style, San Diego’s got it… somewhere.
Steady State Roasting falls more in the former category, focusing on traceable, sustainable sourcing and no-nonsense roasting (no unicorn glitter here, sorry!). Founder and lead roaster Elliot Reinecke first started Steady State in a garage behind his house, roasting small batches until expanding slightly to a shared and not-quite-permitted space before landing in a lucky spot on State Street in Carlsbad.
Now, eight years later, Steady State is scaling up once more, opening its second cafe in San Marcos next to their roastery. The new location offers the same food and drink menu as the original Carlsbad location, and Reinecke says he plans to add an onsite bakery to bake items like English muffins and country loaves to supplement Prager Brothers’ more specialized pastries.
He doesn’t plan on opening more cafes, though. Rather, Reinecke plans to expand roasting operations and strategic sourcing. Currently, he sources beans from Colombia, Panama, across Africa, and as of this year, Costa Rica. “We’ve had Costa Rican coffee before, but we went to origin a few months ago and bought six different lots from there, all from really good high-end local farmers,” he explains.
The rising cost of sourcing does present some challenges, as does changes within coffee culture itself. Coffee has moved from a mass-market beverage to a highly personalized artisanal experience, but the current feeling is moving back towards focusing on quality over flashiness, says Reinecke.
If Reinecke’s prediction is right, coffee is headed on a similar trajectory to craft beer. Ten years ago, no one knew what Citra hops were. Now, even casual beer fans are versed in hop varieties, and that attention to detail is spilling over to coffee as well. How many of San Diego’s 1,000 coffee shops will remain once the unicorn glitter’s luster fades? My bet is on anyone remaining steadfast to sourcing, sustainability, and simplicity.
Steady State San Marcos is now open at 1320 Grand Avenue, Suite #9, San Marcos. Initial operating hours are Tuesday through Saturday, 7 a.m. to 2 p.m.
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Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
Stake Chophouse & Bar brings contemporary classics and old-school service to the heart of Coronado
Stake Chophouse & Bar isn’t your average steakhouse. Blue Bridge Hospitality’s Coronado outpost is a modern interpretation of a big-city steakhouse nestled in the heart of the small coastal community. The team at Stake has reimagined the whole steakhouse experience. By prioritizing a seasonal farm-to-table sourcing philosophy, a personalized guest experience, and unique service touches, like a formal steak presentation and a bespoke knife selection process, Stake distinguishes itself in a sea of steakhouses.
Exceptional steaks, including Wagyu from Japan, Australia, and the U.S., and fresh seafood flown in daily form the core of Stake’s culinary identity. The menu features a five-course omakase-style steak experience highlighting house favorites, plus an array of cuts, and classic steakhouse staples—think a wedge salad, baked potato, or pasta carbonara—refined for a contemporary palate without losing their traditional appeal. Stake focuses on seasonal sourcing from the region’s best family farms and specialty purveyors, and incorporates intentionally unexpected touches to create something truly unique.
“I challenge our chefs and myself to take it a step further in sourcing,” says Chef Ronnie Schwandt. “It’s important to us to highlight different farms, unique one-off farms—whether it’s cattle, strawberries, a local fisherman or from anywhere in the United States, we’re always trying to find that niche.”
Beyond the menu, Stake emphasizes outstanding service, says Vinny Spatafore, Director of Hospitality Operations. Staff maintains detailed notes, allowing them to remember guests by name, recall previous orders such as a favorite martini (also memorable for the customer since it’s served in an extra tall, distinctly-shaped glass), and celebrate special occasions like birthdays and anniversaries.
“When you have those points of topic that you remember about a guest, they appreciate that,” he says. “Our servers are really good with that—we have a couple servers who have been here since the beginning and they’ll remember somebody from years ago, their name, their kids’ names, where they live. I’m really thankful to have a great front of house staff.”
Award-winning wines, rare whiskeys, special events, and a complementary black car service that provides transportation for guests throughout Coronado add to Stake’s appeal.
Schwandt stresses that Stake offers more than a meal; they aim to give patrons something unforgettable.
“It starts when you walk up the stairs and are greeted by the hostess—that sets the tone for the night. Then you’re greeted by a server, who may know you by name, and can guide you through the menu and curate as they get to know you,” says Schwandt. “Most people leave kind of blown away; they leave feeling like they just had an experience. That’s the goal, right? Whether you’re serving smash burgers or high-end steak, you want somebody to leave thinking, Wow, that was awesome.”
As NASCAR lands in San Diego this weekend, a recently burgled dad is irregularly excited
My 15-year-old daughter tried to steal our car this week, so I’m ready to become a NASCAR dad. It would be appropriate discipline. We just relocated to a nice suburb within walking distance of her high school. The suburbs are like living in a Tesla commercial. I am pretty far from the wealthiest dad in this neighborhood (I am the least wealthy dad in this neighborhood), more than a few engineering degrees short of being in the running.
I’m fairly certain watching NASCAR is a violation of our HOA and a violation of my daughter’s emotional HOA. But NASCAR hits San Diego this weekend and I have a fever I’ve never felt before. I want to watch 111 drivers do dangerous things in cars and trucks on an active military base in the ocean. Since my lifelong exposure to NASCAR is limited to Talladega Nights and every single iteration of the movie Cars, I can only base my plan of attack on oafish stereotypes.
So while other neighbor dads are sizing bubble jackets for their golf simulators, I’m gonna grow a Ricky Bobby, run the extension cord for the TV out into the carport we share with six other condos, fill a cooler with a proper 80-20 split of Hamm’s and Mountain Dew, treat a lawn chair like an ADU, and spend a few hours yelling ohsheeeit as if it’s a single, nine-syllable word.
The quality parents in our neighborhood seem highly attuned to the sound of any vehicle breaching the 6 MPH threshold, so I should gather a crowd pretty fast. They may come over with strongly worded emails in their hearts, but one glimpse of Shane van Gisbergen and hometown hero Jimmy Johnson guzzling the last remaining drops of gasoline on the planet in a dazzling display of carmanship—they’ll join my NASCAR pop-up party.
By the time my daughter brings her friends over, we’ll have a real welcoming committee.
Because, like I said, my daughter tried to steal my car.
She wasn’t going to Mexico. But while Claire and I were off doing businessy stuff to afford my teen’s skincare rituals, she and a friend decided to teach themselves stick shift. She’s never driven a stick before. I’m not saying she has, but if she has driven a vehicle at all—it would have been done in a remote, abandoned parking lot where the only possible thing she could destroy was the concept of driving itself.
But a couple TikTok videos later, she and her friend felt a certain level of mastery had been achieved, and they gave it a go. They backed our VW Bug out of the garage with a series of stalls and transmission seizures, and managed to get it into the carport, attempting to do “donuts.” That’s when I got a call from a resident, who had taken an active interest in this experiment.
Which got me wondering about the power and might of vehicles. Turns out, even at carport speeds there exists a bit of potential fireworks. A garage door could become not a garage door anymore. At 145 MPH on Naval Base Coronado this weekend (don’t worry, they slow down to 100 MPH for turns), NASCAR drivers are essentially doorbell ditching gods. I didn’t register the temperature after my daughter’s trial run, but the track at NASCAR races usually hits a cool 130-150 degrees, enough to lightly sear some Nikes (the tires themselves hover in the 200 degree range).
And that is at least part of our fascination with NASCAR (the other fascination is the legendary pit parties, which either set humanity back a few evolutionary links, or advance it by the same amount of links). These drivers do something all of us do every day in a very efficient, boring way—drive a car—and take it to its extreme impulse. Grace and precision at the thunderous edge of shit going terribly wrong. Most of us have looked at San Diego home prices and felt a burning desire to see how fast our Honda Pilot could make it to our new home in Vegas. So NASCAR drivers are acting on our own wildest impulse.
Troy Johnson is the magazine’s award-winning food writer and humorist, and a long-standing expert on Food Network. His work has been featured on NatGeo, Travel Channel, NPR, and in Food Matters, a textbook of the best American food writing.
In a sport obsessed with prestige, a San Diego–born golf brand is betting on something more fun and less fussy
Music drifts across the fairway. Someone’s in flip flops. The Pacific flashes in the distance. Sun peeks onto shoulders through the palm trees. It’s spring, technically, but the air reads suspiciously like summer. At the par-3 course at Liberty Station, the longest hole barely stretches past 120 yards, and no one looks particularly interested in becoming the next PGA legend.
This is where Sunday Golf was born.
“I got dragged to a par-3 course in 2019 —The Loma Club—and it was way more my jam,” says Ronan Galvin, CEO and co-founder of Sunday Golf, a company that makes lightweight golf bags for players who’d rather carry less and laugh more. “It was a lot different than the stereotypical ideas you have about golf where it’s kind of long, uptight, and exclusive.”
Galvin spent over a decade in the golf industry working in product development, sourcing and manufacturing. But he didn’t grow up swinging clubs. Basketball and football were more his speed. What clicked for him was a simpler, more relaxed kind of play: shorter rounds and weekend games built for fun rather than formality. The kind of golf that resonated for him felt accessible, effortless, and surprisingly his lifestyle.

He noticed something else, too.
On a course where five clubs do the job, players were still lugging 14. So Galvin built something smaller. Lighter. A bag designed specifically for par-3 rounds, the Loma Bag is sleek, functional, and refreshingly unfussy. It’s practical minimalism in a sport known for excess.
Sunday Golf was slated to launch in January 2020. Then, COVID hit. Shipments stalled; lost at sea. The future felt shaky. But the series of catastrophes for the young company turned out to be anything but: By the time inventory arrived that August, golf had become one of the few activities people could safely do.
“It introduced and brought so many people back to the game,” Galvin says. “It created a habit for a lot of people, which is a big reason golf is on its growth trajectory.”
It turns out Americans can’t get enough of golf. Forty-eight million of them swung clubs last year, a 41 percent jump since 2019, and the National Golf Foundation says the total could top 50 million by the end of 2026.
The brand rode this unlikely momentum. Since 2021, Sunday Golf has expanded into larger lightweight bags and continues evolving from there. A major reason for the company’s success is its approachability, a value so central that it’s literally written on the office walls in the form of the company’s guiding mission: “Get 500,000 golfers having more fun by 2027.” This goal is measured, fittingly, by golf bags sold.
Sunday Golf has already passed 300,000 bags sold.
But the numbers aren’t the point.

“To remind the world that life is meant to be enjoyed,” Galvin says of the brand’s why. In an era dominated by screens, golf offers something analog. “People are outside, touching grass with their friends. A golf bag is a golf bag, but our products are vehicles to help support that.”
Unlike legacy golf giants promising proximity to Rory McIlroy-level greatness, Sunday Golf leans into what Galvin jokingly calls “diet golf” or “golf light”—weekend rounds, driving range sessions, company scrambles. The bags are built for the casual golfer, and the fit feels obvious.
That philosophy resonates across Southern California, where year-round sunshine means golf courses never really hibernate for winter. As Galvin puts it, “the laid-back lifestyle of San Diego kind of seeps into everyone’s veins.”
Sometimes the validation arrives via email: a 76-year-old customer is able to walk the course again because their golf bag is lighter. Parents are able to take their children out with Sunday Golf’s kids line.
For Galvin, that’s the real win. Not perfection. Not prestige. Just more people outside, enjoying themselves. In San Diego, that might be the most natural mission of all.
Isabella Dallas is a freelance writer for San Diego Magazine and the Arts and Culture Editor at The Daily Aztec in her final year at San Diego State University. She previously worked as an editorial intern for SDM, but when she’s not writing, you can find her trying the best coffee spots in SD, devouring the latest rom-coms, and indulging in anything and everything pop culture.
Scripps study shows that some patients may be able to taper their dose and maintain results
While glucagon-like peptide-1 (GLP-1) receptor agents have been used to treat Type 2 diabetes for more than 20 years, their recent emergence as weight-loss wonder drugs marked a new frontier in medicine. But their effectiveness has left some patients wondering what to do once they’ve reached their goal. Stopping the medication could mean regaining some, if not all, of the weight. A Scripps Clinic internal medicine physician recently conducted a small study of whether GLP-1 patients who had reached their goal weight could maintain that weight by taking their regularly prescribed injection every other week instead of weekly. Spoiler alert: 30 of 34 patients did. Read more about the study here and what that may mean as pharmaceutical companies roll out oral GLP-1s.
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