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Bits & Bites
Love your mother with these trendy and health-conscious wine movements for Earth Day
1. Certified Sustainable Wines
Oregon Certified Sustainable Wines are at the forefront of the US sustainability movement. This group of producers ensures the land, animals, and rivers will be viable for future generations by adhering to responsible growing and winemaking practices. Our favorite is the legendary Adelsheim Vineyard, which has been making high-end Pinot Noir from the Chehalem Mountains in Willamette Valley since 1971. Try its 2008 Boulder Bluff Vineyard and you will taste how responsible practices translate to quality in the glass. $68, protocolwinestudio.wordpress.com
2. USDA Certified Organic Wines
Not only is responsibility in growing and winemaking practiced, it is regulated. In USDA Certified Organic wines, the use of fungicides, fertilizers, herbicides, pesticides, and added sulfites are all prohibited. (Sulfites are a natural by-product of fermentation, so all wines have them. Organically made wines only limit adding more to the wine.) To celebrate the spirit of these au naturel wines, try Snoqualmie Vineyards Naked Riesling from Washington’s Columbia Valley. The 2011 vintage will impress! $11, lacostawineco.com
3. Biodynamically Certified Wines
Biodynamics are based on understanding the ecological, energetic, and spiritual aspects of nature. The idea is to treat the farm as a cohesive, interconnected ecosystem. Its most interesting detail is in the use of “preparations”—stuffing cow horns with dung and planting them under the vines when the moon is either waxing or waning. Although this lunar-based system seems lost in space, if you talk to any of its followers, they will tell you the quality of their soil and wines have dramatically improved since they switched. Try Beckman’s Purisima Mountain Vineyard Grenache Block 8 in Santa Barbara County, and you may also drink the Kool-Aid. $53, fiftysevendegrees.com
// Lindsay Pomeroy
Bits & Bites
“I was a little nervous. At one point I’m presented with a bowl of water with flowers and herbs to wash my hands. I nearly drank it.”
—Troy Johnson on his stint as a judge on a recent Iron Chef America episode. Read his Top 10 Observations from the show, which airs Sundays at 10 p.m. on Food Network.
PARTNER CONTENT
The North Park winery & Mabel’s Gone Fishing collab on a special San Diego vermouth
Nerdy drinks people and Euro-philes, alike, rejoice. Bay Park’s Oddish Wines has just released a special edition white vermouth with Michelin Bib Gourmand-awarded restaurant Mabel’s Gone Fishing. Called “Mabel’s Gone Foraging or: How I Learned to Stop Hurrying and Love the Biome,” it’s a hyperlocal fortified wine—perhaps the first of its kind on the market in San Diego.
The base wine is chardonnay. Botanicals like sagebrush, mugwort, sagewort, Torrey pine, Pinyon pine, Cleveland sage, fig leaf, coriander, elderflower, Oro Bianco grapefruit zests, and Sorrento lemon zest, all of which were foraged in San Diego County, were used to bitter and aromatize. Sweetening was accomplished with local wild buckwheat honey.

I am so relieved that vermouth culture is finally catching on here in the United States. I know, I sound like one of 800 people you follow who just got back from their August Italian vacations, waxing poetic on the way Europeans just know how to live.
The thing is, your annoying friends are kind of right. At least when it comes to drinking. Vermouth culture on the Iberian peninsula and in Italy is a social event, made to be shared with friends, especially during happy hours or weekends. Northern Italy is particularly known for its aperitivo culture, which boasts vermouth-spiked cocktails with salty bites as a pre-meal indulgence.
In Spain, “la hora del vermut” is typically the time where people gather at a cafe in a square to drink dark red vermouth on the rocks with an orange slice and maybe a spritz of soda water, also with salty snacks. It’s an excuse to chill out, shoot the shit.
What do these gorgeous locales have in common with our fair city? Sunshine, a temperate climate, arid hills ripe for growing grapes, and salt water. There’s a reason San Diego’s climate is referred to as Mediterranean. So, it makes sense that the Oddish x Mabel’s vermouth fits right in here.
“This vermouth IS San Diego,” reads the Instagram post about Gone Foraging. “It smells and tastes like walking through a trail along the bluffs in La Jolla or in Switzer Canyon or Lake Hodges or Mt. Laguna. Not sure there is anything that expresses the terroir and native flora of this beautiful region like this here bottle.”
“We were very stoked that we could find the bittering botanicals right here in San Diego,” says Oddish Wine owner Billy Beltz. “When we first started the project, we assumed we’d have to use gentian root or rhubarb root or something more common in vermouth that wouldn’t be native [to San Diego].”

He added that foraging was a “team effort” over several months with both the Mabel’s and Oddish crews, as well as some hospitality industry friends.
“I love that vermouth is so broad and regional in its experience,” says Chelsea Coleman, co-owner of Mabel’s, to that point. “My palate leans agrodulce, so it’s kind of my dream aperitif. When I drink vermouth I can believe, if only for a moment, I’m at a cafe table in a lively European square. Maybe with a cigarette. Definitely with olives and some kids playing futbol.”
It’s a nice dream, to be sure. Good thing I know a place in town where this can be a reality. Pick up the bottles in Oddish’s El Cajon Boulevard tasting room or at Mabel’s on 30th street.
Jackie is a long-time freelance journalist covering cannabis, food/restaurants, travel, labor, wine, spirits, arts & culture, design, and other topics. Her work has been selected twice for Best American Travel Writing, and she has won a variety of national and local awards for her writing and reporting.
Small but increasingly mighty, California’s hottest emerging wine region is just up the road
The sun is just starting to set, and it seems like every table is popping bottles at Bluewater Grill in downtown Temecula. The sustainable seafood restaurant lets diners bring two bottles of local wine with no corkage fee, making it a favorite among winemakers and visitors alike.
With 17 Temecula wines available by the glass or as part of a flight, this is also a great place to begin a visit to Temecula Valley and get a taste for which wineries you prefer. Raul Ramirez’s tempranillo pairs remarkably well with chipotle blackened swordfish, while Carter Estate’s Blanc de Blanc cuts through the rich beurre blanc sauce dousing the restaurant’s sautéed sand dabs.

Within a two-hour drive from 21 million people in surrounding cities (including San Diego, Los Angeles, and Palm Springs), Temecula has become an unlikely wine destination in Southern California. In recent years, Temecula wines have achieved impressive scores from national critics, with Wine Enthusiast naming Temecula one of the top wine travel destinations in the world in 2019.
John Kelliher, founder of Grapeline Wine Tours, has seen the region explode since he began operations in 2002.
“When we started, there were between 14 and 17 wineries that you could go to in Temecula for a wine tasting,” he recalls. “Now, there are more than 50 wineries.”
The vast majority (more than 90 percent) of Temecula wines are sold direct-to-consumer, making it rare to find bottles on store shelves or restaurant wine lists. If you haven’t visited, you probably haven’t tasted them before. Some people may have the misconception that it’s too hot here to grow great grapes, but the large diurnal swing and mountain gaps allow cool air to funnel through the decidedly Mediterranean climate.
“Twenty years ago, it was pretty easy to find a bad wine and it was pretty hard to find a good one in Temecula,” Kelliher says. “Nowadays, the level of winemaking has really gone up, and I think that all of the new competition coming in just keeps raising the bar.”

For a tiny wine region with just 1,300 acres planted to vine, Temecula is impressively diverse, growing more than 30 different grape varietals. Many of the most successful wineries embrace the Spanish and Italian grapes that thrive here rather than sticking to the same Bordeaux blends that are common throughout California.
Olivia Bue, winemaker at Robert Renzoni Vineyards, recently ripped out 28-year-old estate cabernet sauvignon vines and planted Montepulciano, a medium-bodied red wine grape cultivated widely in central Italy. Bue is also growing sangiovese and barbera. All three of Renzoni’s wines made with these Italian varietals have achieved scores of 92 points or higher from Wine Enthusiast.
“Barbera thrives in Temecula Valley,” Bue says. “The vines love heat and produce high-yielding clusters, and the roots integrate deep into our soil, producing complex, layered flavor profiles year after year no matter what climate challenges come our way.” The ruby-red wine is naturally acidic, but low in tannins, making it easy to pair with food.
Similarly, Nick Palumbo, owner and winemaker at Palumbo Family Vineyards, replaced his original merlot vines with sangiovese. One of Temecula’s newest wineries, Altísima Winery shines with garnacha and Super Tuscan Italian red blends, paired with Spanish charcuterie and grilled octopus.
“Temecula is similar to the warmer regions where vitis vinifera [or grape vines] originally evolved,” says Greg Pennyroyal, vineyard manager at Wilson Creek Winery and professor of viticulture at Mount San Jacinto College. “We can produce rich expressions of wines that are considered less noteworthy table wines in their traditional regions.”

Compared to some of California’s more established wine regions, the Temecula Valley Wine Country Community Plan is a lot more permissive, with land-use ordinances allowing wineries to operate restaurants, events, and lodging. For example, Europa Village offers multiple wineries, hotel rooms, restaurants, and event spaces (plus a wine cave where guests can book a private sound-bath meditation) under one roof. South Coast Winery Resort has a full-service spa and heated, outdoor saltwater pool.
You can blend your own bottle of wine at Bottaia Winery, experimenting with estate-grown Italian varietals like aglianico, sangiovese, sagrantino, and barbera in a wine lab complete with beakers. There’s no right or wrong answer here—just whatever suits your personal taste.
When it comes to dining, Leoness Cellars and Avensole Winery have some of the best bites and views in the region, and Peltzer Winery features food trucks and live music. The fifth-generation family farm hosts an annual autumn pumpkin farm and petting zoo and builds an 8,400-square-foot ice-skating rink each winter. At times, it might feel a little like the Disney World of wine—but you’re allowed to have fun when your wines are this damn good.
And, after all, fun is what keeps people coming back. “We have a lot of loyal customers that we call ‘repeat offenders,’” Kelliher says. “Temecula becomes their regular getaway and mini vacation. They like that we’re not pretentious like some other wine regions.”
Start your Temecula wine-tasting journey with one of these 10 winners.
An ideal bottle on hot summer days, flavors of pineapple and pink grapefruit in this crisp white wine whisk you away to a tropical paradise. Pair it with mild cheeses or oysters.
It’s rare to find a traditional Champagne-method wine in Temecula, but this racy sparkling wine with notes of apple, lemon zest, and toasted brioche is an improbable Champs dupe.
Easy to drink on its own, and a nice complement to charcuterie or spicy Chinese stir-fry, this is a fun, crushable zinfandel rosé reminiscent of strawberry and orange Starbursts.
Winemaker Olivia Bue’s favorite, this high-acid, low-tannin barbera is rich with ripe strawberry and pomegranate flavor. Sip the lighter-bodied red with red-sauce pasta, pizza, and grilled vegetables.
Syrah is one of Temecula’s signature grapes, and this vibrant rosé is a delicate expression of syrah’s intense flavor, displaying the subtle sweetness of plump red cherries and aromatic rose petals.
This velvety Super Tuscan is predominantly sangiovese, rounded out with touches of merlot, cabernet, and syrah. Drink it now with grilled meat, but it’s sure to age gracefully, too.
Rhône grape varietals do well in Temecula, and this powerful syrah is a prime example
by winemaker Justin Knight. Bold black cherry on the palate leads to a savory, peppery finish.
This plummy, Bordeaux-style field blend is the first wine that Marcelo Doffo made in his garage two decades ago. It received a gold medal at the San Francisco Chronicle Wine Competition.
An elegant blend of sangiovese, syrah, malbec, mourvedre, petite sirah, and merlot, this red wine displays a soft, well- rounded complexity punctuated by a bright, elderberry finish.
Named for the ancient Greek goddess of justice, this grenache, syrah, and mourvedre blend has been aged for 30 months in Hungarian oak, creating a creamy palate and hints of smoked raspberry.
The local wine label is bringing the Sonoran Desert’s fruitful offerings to Tucson
Sand-Reckoner’s wines are made from grapes grown on the Willcox Bench, a couple of hours southeast of Tucson.
Arizona’s desert-born wine scene is starting to heat up, like a summer day just before dawn. In Tucson, Sand-Reckoner Vineyards is, at the moment, the only local wine label with a downtown tasting room. Here, curious wine drinkers can stretch their assumptions about the saguaro-speckled Sonoran Desert’s fruitful offerings. The first is challenging the notion that the desert produces wine at all.
“The soil is very good,” Sarah Fox says. She owns Sand-Reckoner with winemaker Rob Hammelman. Fox is referring to the dirt in the ringed-by-mountains Willcox wine region located about an hour and a half southeast of Tucson. Its earthy terroir comes from a Chex Mix of sand, clay, and minerals. Burrow three feet further down, and you hit limestone. In other words, it’s a classic wine soil profile, similar to France’s famed Burgundy region.
This part of the desert also touts an elevation of at least 4,000 feet and seasonal monsoon weather flowing up from the Gulf of Mexico. The elemental combination prevents grapes from shriveling into raisins during scorching summers. During monsoon season, producers have to play lifeguard, lest the fruit drown. And some growers have learned to cultivate varieties that play nice with a little extra hydration. “Sangiovese is very well-behaved in the vineyard,” Fox says. So are syrah and tempranillo.
When it comes to wine making, Sand-Reckoner has transitioned to a mostly low-intervention approach. That means opting for organic sprays, eschewing herbicides, and using naturally occurring yeast—a critical ingredient that turns sugar into alcohol. In the glass, Sand-Reckoner wines are an elegant ballroom dance. Its malvasia bianco bursts with lychee. Its grenache rosé is more understated than other punchy or candied strawberry-watermelon bottles. Its sangiovese includes grapes from Sand-Reckoner’s own vineyard and hints at bright cherry and earth.
Well-known grapes like cabernet sauvignon and chardonnay grow well in most areas, but Fox says exploring “outside of the norm” grapes in Arizona’s unique terroir is more exciting. By fall 2023, Fox and Hammelman hope to move into a larger space within the downtown Warehouse Arts District, where their current tasting room is situated, to include room for bottling, cellaring, and tasting. “It takes a certain amount of grit to forge forward in an area that’s not known yet for grape growing,” Fox says.
What used to be a newspaper building is now Tucson’s Citizen Hotel, which boasts wine-soaked amenities like a bottle fridge in every room.
Courtesy of The Citizen Hotel
Keep the wine theme going at The Citizen Hotel. What was once Tucson’s first newspaper press building was reimagined in 2022 with muted pastels and light wood, stone, and bronze accents that mimic the desert landscape. Vino-centric amenities include wine fridges in each of its 10 high-ceilinged rooms. In the world of shrinking hotel perks, an in-room French press coffee kit, a soaking tub, and bathrobes feel luxurious.
A minimalistic lobby bar offers red, white, and fortified wines made by regional producers from Arizona and Mexico and occasional complimentary wine tastings. Around town, find more local wine at bottle shops and specialty markets like nearby Pearly Baker Fermentables and Time Market.
Ligaya Malones grew up in Kaua’i, Hawai’i and is a San Diego-based writer covering the intersection of food, travel, and culture. Her work has appeared in publications including Food52, Condé Nast Traveler, Lonely Planet, and Salt & Wind Travel.
A look back at the risks, grit, and instincts behind the local restaurant powerhouse
In this city, chef Brian Malarkey and restaurateur Chris Puffer are kind of like peanut butter & jelly, tacos and Tuesday, Padres and Petco—they just go together. This month, the duo celebrates 10 years of partnering on some of San Diego’s top restaurants including their first venture, Herb & Wood.
To celebrate this milestone, we stepped back and revisited their journey becoming some of this city’s most successful restaurateurs.
But first, let’s go back to the beginning. The duo met at Oceanaire in 2007 where they both worked. Malarkey was still riding the high from his stint on Top Chef Season 3 where he won runner-up. He was a great chef, Puffer recalls, if not a tad arrogant. Whatever he was doing, though, it worked. Sales doubled under his watch.
In 2009, Malarkey was approached by some patrons to start what would become Searsucker. He knew he wanted Puffer to be his partner. They had great chemistry and loved hospitality and food. “We both came to this with a bit of a chip on our shoulder,” says Malarkey. “We wanted to prove it to other people that we know what we’re doing.”

Searsucker, Gabardine, and Herringbone (under the Fabric of Social Dining restaurant group) were born through the new partnership. But in 2012, they sold their concepts to Hakkasan and soon partnered on a new lease.
That building would eventually become Herb & Wood. “We were going to do it differently this time around,” says Malarkey as he reflects on Wood’s early days. “And we [wanted to] build it to last.”
The vision: Great food. Great music. Great service. It’d be a place where diners would let go, put their phones down, and be fully present to enjoy a meal together. When they walked into 2210 Kettner Blvd, they knew they had found their spot.
The only problem was that, at the time, that area of Little Italy was still severely underdeveloped. In a 8,500-square-foot space, they were going to have 230 seats to fill. “It may as well have been on Mars,” says Troy Johnson, San Diego Magazine publisher, content chief, and the city’s longtime food critic.

And, of course, there were the naysayers. The prevailing feeling in the dining world was, “Let’s see what these f**king idiots do,” recalls Malarkey. The duo let all the noise be noise. In fact, the noise fueled them. “We weren’t going to cater to the haters,” Puffer says.
Their next hurdle would be to tackle the restaurant’s design. “There was nothing. It was literally a box,” says Puffer of the former space. Design teams were too expensive or didn’t quite get their vision—no, they didn’t want exposed beams or wooden tables made from reclaimed barns. “Then, Puffer was like, ‘f**k it, dude, I’m going to design this restaurant.’”
Having never really designed something like this before, he decided not to work in the programs that most professionals use to create their layouts. 3D mockup? Didn’t need it. CAD? That’s what a paper and pencil are for.

“It was all in my head,” he recalls. “I had this moment where I was like, ‘If I died right now, no one would know where any of this shit goes.’”
“Yeah, it made no sense,” Malarkey says.
And it still doesn’t if you hear him explain it. A mishmash of vignettes from the inner workings of his memory bank, evoking everything from Mississippi riverboats to Eiffel tower ironwork, Kensington home façades, an old theater he frequented, and a canoe, because why not? Yet somehow, it all worked.
“It’s a sense of nostalgia,” says Puffer. “People might say, ‘Oh, my gosh, this feels good’ and they don’t realize it reminds them of the time they were in Paris.’”
“We don’t play trends,” Malarkey says. “We play timeless.”

Over the course of many years and plenty of trial and error, the partnership has continued to thrive. And, the Puffer Malarkey Collective has found its sweet spot within their restaurants: The service had to be kind and unpretentious and the food had to come out quick, delicious, and consistent. “Consistency is key!” says Puffer.
They also learned to balance out one another. “He’s a go-go-go-go [person],” says Puffer, “I’m a let’s-take-a-deep-breath-and-sleep-on-it [type of person].”
So, when they opened the doors to Herb & Wood in April of 2016, with those lessons in place, everything was just right. “We knew it had to fire on all cylinders,” says Puffer. “And it did.”

There was no pretense and the dress code was exceedingly simple. “Money in your pocket,” says Malarkey. “That’s all you need.”
The phones rang, the seats filled, and the haters had to give it to them, those gnocchi hit. People began embracing every aspect of the place, even the edgier ones.
“We thought people were going to complain about all the paintings with boobs,” says Puffer of the many John Lanes on the wall. “But the amount of people who take pictures in front of the boobs is amazing.”
They even had a middle finger statue that Puffer had picked up from a yard sale. If a table was rude or antagonistic toward the staff, he’d walk over to them with the finger. “Congratulations,” he’d say, handing it over. “You’ve won asshole of the night.”

The point is, they were ready to laugh (and not take shit from anyone). When someone wrote a review of Herb & Wood and called it Weed & Boners, they both had a laugh. It’s one of the keys to longevity.
Along with the fun and deliciousness, they’ve also served as a culinary talent incubator for San Diego. “It’s like a centrifuge,” says Johnson about Herb & Wood. “They train up all these young chefs and start spinning all this talent into different parts of the city.”
There’s Sebastian Becerra with Pepino, Samantha Bird of Relic Bakery, Aidan Owens at Herb & Sea, and Tara Monsod of Animae and Le Coq (San Diego’s first James Beard award finalist) to name a few. “They’ve expanded the footprint of the food revolution in San Diego,” says Johnson.
Their plans for the next 10 years?
“We’re just going to keep the magic going,” says Malarkey.
Cassandra Schaeg, founder of Escondido’s Sip Wine & Beer, highlights diverse entrepreneurs in the first season of <i>Fresh Glass</i>
cassandra-schaeg-sdm-0223.JPG
Eight years ago, Cassandra Schaeg opened Sip Wine & Beer in Escondido to support “local, women, and BIPOC [Black, Indigenous, and people of color] brands.” Launching then and there was a risk, she admits, one that she wasn’t sure was going to pan out.
But Sip didn’t just survive. It thrived, allowing Schaeg to feature diverse entrepreneurs and producers that tend to face high barriers of entry in the beverage alcohol space. “To be here eight years later is obviously a sign of how important and necessary it is to continue doing the work,” she says.
During that time, Sip’s ground-breaking efforts have both continued and evolved. At the peak of Covid-19, Schaeg met Theresa Hoiles, a television producer with an idea: Why not take the Sip mission further, creating a TV series to improve representation in wine, spirits, beer, and beyond? That series, dubbed Fresh Glass, debuted on September 15, 2022 as a six-episode series on KPBS and PBS.
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The initial guests were all people behind brands Schaeg already carried at Sip. The existing foundation of history and trust allowed the unscripted discussions to reach new heights. “It’s as real and raw as it gets,” Schaeg says.
She describes the series as “an intentional circle,” one that began with Camins 2 Dreams, a Santa Barbara-based winery founded by Tara Gomez, the only Native American woman winemaker in the country, and her wife Mireia Taribó, a Spanish winemaker. The couple uses old-world techniques to make wow-worthy wines in Lompoc, California. Their bottles can be found in various locations, including Alila Marea Beach Resort in Encinitas.
Iris Duplantier Rideau
The season’s final episode features Iris Duplantier Rideau, the first Creole woman to own a winery in the United States. “I think God gave me something that made me different, that made me strong, that made me determined,” Rideau says in the episode. She outlines her life and her journey from New Orleans to Los Angeles, with multiple self-made careers along the way.
Schaeg points to Rideau as a pioneer in multiple fields, even outside of wine. “She grew up [under] Jim Crow … She was the first Black woman to hold a city contract with the city of L.A., [and] she started the 457 pension program for the city of L.A.,” Schaeg says. “Her story is now cemented in history on television as part of her legacy. Opening a winery was just the cherry on top.”
Toward the end of the episode, Rideau reflects on her accomplishments and laughs. “You know what I want on my tombstone?” she remarks to Schaeg. “’Don’t cry for me, I did it all!’”
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These guests, along with those featured in other episodes, represent diversity not only in the beverage alcohol industry, but within leadership positions in that space.
“If you turn on the TV and you watch the news or television shows, Black people or people of color aren’t displayed in the light of entrepreneurship [or] leadership, or [that representation is] very few and far between,” Schaeg says. “It’s very hard for people to see themselves in spaces where they can’t see it in real life. So this was the opportunity to show it in real life.”
Schaeg says the possibility of a second season remains in question. “The reality is it costs money,” she explains. “Now that the show is out there, I believe it has the meat and the chops to go on a bigger scale, and we’re trying to see how that could happen in the future.” But regardless of the hurdles, Schaeg is committed to the work.
“There’s so many stories out there,” she says. “I am going to do my damnedest to figure out how to continue sharing those stories.”
Stream Fresh Glass on the KPBS app or online at KPBS.org/show/fresh-glass.
Beth Demmon is an award-winning writer and podcaster whose work regularly appears in national outlets and San Diego Magazine. Her first book, The Beer Lover's Guide to Cider, is now available. Find out more on bethdemmon.com.
The difficulties of turning water into wine during drought in San Diego County and Valle de Guadalupe
Chris Broomell of Vesper Vineyards is dry-farming vines (relying on rain) to avoid irrigation as drought becomes the norm in SoCal.
Photo Credit: Eric Wolfinger
On the surface, everything in Valle de Guadalupe seemed great. I lounged in a small pool on the deck of a gorgeous villa at Bruma winery, sipping a glass of the winery’s sauvignon blanc in the intense late afternoon sun, gazing past the winery—built sustainably with reclaimed materials—out toward the arid, baked mountains in the distance. I’d spent the day sampling cabernet sauvignon, syrah, and chardonnay in modern design tasting rooms, along with crowds of other day-tripping Americans, before dining al fresco with local, organic ingredients, overlooking a vineyard.
Things are popping in Baja’s emerging wine scene. Earlier this century, there were only a dozen or so wineries. Now, there are almost 200. By all indications, Valle de Guadalupe is ready to take its place among the world-class gastronomic destinations.
But, under the surface, there’s something larger lurking.
“The big problem today is lack of water,” says Camillo Magoni, the 82-year-old winemaker of Casa Magoni, who’s worked 58 harvests in Baja. “We don’t have enough rain, and the water table is going down.” As moisture in Valle de Guadalupe dries up, there’ talk of winegrowers abandoning vineyards. New hotel and winery construction is pitting neighbor against neighbor, as some developers drill deeper wells, forcing others to pay higher prices for water from those who have it.
As more water is extracted from the valley’s ancient ocean-bed soil, the quality of the water that remains becomes saltier and poorer in quality. Often, you can taste an odd saline, briny note in Baja’s wines, particularly curious in the reds. Some say it’s “terroir.” Others blame it on the water.
“We need to solve this problem as soon as possible,” Magoni says, “Or the valley is gone.”
Winemaker Lulu Martinez of Bruma Vinícola worked in Bordeaux before her beginning her current role in Valle de Guadalupe, where she finds herself harvesting grapes earlier and earlier each year.
Photo Credit: Eric Wolfinger
San Diego County’s own winegrowers are also facing a water crisis. “We thought we were irrigating enough, but we’ve never been in this kind of drought,” says Alysha Stehly, enologist and co-owner (with her husband Chris Broomell) at Vesper Vineyards. Stehly says she saw a 25 percent smaller yield in her vineyards during this fall’s harvest. “Everyone needs to start thinking: How do we farm without water?” she asks.
With all the crises facing the world, some might dismiss the issue of growing grapes for premium wine to be a minor, bougie, first-world problem. But wine has always been a window into much larger farming issues.
“In some ways, wine is like the canary in the coal mine for climate change impacts on agriculture because these grapes are so climate-sensitive,” said Benjamin Cook from Columbia University’s Lamont-Doherty Earth Observatory.
Cook is the co-author of a 2020 study that determined the world’s area suitable for growing wine grapes could shrink by more than half over the next several decades if climate change continues its pace. According to the study, some famed wine regions in Spain, Italy, Australia, and elsewhere are already too hot to grow their traditional grapes. Valle de Guadalupe and San Diego County share many characteristics of these regions. So what is a 21st-century winemaker in a hot climate supposed to do?
Lulu Martinez, a winemaker at Bruma, spent half her life working in Bordeaux, returning in 2015 to work with Bodegas Henri Lurton and then moving on to her current position. Baja is a completely different growing situation than a cooler, rainier environment like Bordeaux. “Here, it’s like, ‘Ok, tomorrow it’s going to be hot again,’” she says with a laugh.
Vines at J. Brix in SD County. “In the next 20 years, there’s going to be a huge change in the varieties planted,” co-winemaker Emily Towe says of area vines.
Photo Credit: Eric Wolfinger
Martinez finds herself harvesting grapes earlier and earlier each year. This year, she harvested her sauvignon blanc in late July, a date nearly unheard of in the world of wine. She is also experimenting with techniques in the vineyard, such as adding algae from the sea to the usual crop cover between rows of vines. The algae helps to maintain humidity in the soil. Martinez insists that organic farming must be part of any solution. Right now, Bruma is organic in practice but still seeks certification. “Being organic?” she says. “Seriously, sincerely, we have to be. Today, making good wine is not enough. What’s your social ethic? What’s your environmental ethic?”
Despite her forward-thinking agricultural efforts, for Martinez, it all comes back to water. “We have to deal with the drought. Everything else is just easy,” says Martinez. “But Mother Nature only gave us so much water.” You’ll find the same conversation with every winemaker in the valley. “We started talking about this in 1986,” Magoni says ruefully. “We specialize in talking.”
Some have suggested desalination as a possible solution to the water problem. Magoni notes that south of Ensenada, there are around 60 private desalination plants used for agriculture. But he believes wineries like his in the valley may be too far from the ocean for that to be feasible. He sees reclaimed, treated water as a more likely solution. One plan that’s been talked about is a pipeline from Tijuana to bring reclaimed water to the valley. But as Martinez notes, “In Mexico, the government isn’t going to give this to us. We have to do it privately.”
Twelve years ago, with the permission of the water commission in Tijuana, Magoni planted an experimental vineyard inside the perimeter of the city’s water treatment plant. “I made water and soil analysis and did microbiology studies of the grapes. No problems at all. The vines are beautiful,” he said. This year, they harvested three tons of cabernet sauvignon from the water treatment plant.
Winemaker Lulu Martinez of Bruma Vinícola worked in Bordeaux before her beginning her current role in Valle de Guadalupe, where she finds herself harvesting grapes earlier and earlier each year.
“We need water, and the only source is treated water. But no one wants to communicate that,” says Victor Segura, winemaker at Madera 5, which is based on the outskirts of Ensenada in an industrial area that has been repurposed and now houses a handful of smaller wineries.
In San Diego County, growers are finding different challenges and solutions. Growers such Chris Broomell at Vesper Vineyards are having to implement dry-farming techniques to avoid irrigation, such as growing bush vines rather than the trellis system you find across most California vineyards. The bush vines need much less water and form a canopy that shields grapes from direct sunlight—something growers do in hot climates like the South of France, Spain, and Australia. “The trellis system is set for cheap economics, not quality,” Broomell says. “But with bush vines you have to farm it, and understand farming. Everything is way more expensive.”
Even that may not be enough. According to Broomell, vines need about 12 inches of rain per year for dry farming, and San Diego only got between 3 and 10 inches last year, depending on factors like elevation, proximity to the ocean, and other environmental factors. Broomell saw his grape yield drop by about a third this year. The drought is also causing another new threat: Coyotes. Broomell says coyotes will eat grapes from certain vineyards, and they also chew through irrigation systems, rendering them inoperable. Broomell estimates he lost about 20 to 50 percent of his grapes in certain vineyards to coyotes.
Beyond dry farming, water treatment plants, and coyote management, there’s also possibly a more straightforward solution: Grow different grapes. Both San Diego County and Valle de Guadalupe are very different than Bordeaux, Burgundy or Napa. Many suggest it’s time to move on from the internationally famous grapes such as cabernet sauvignon, pinot noir, or chardonnay and to focus on new varieties—ones that like heat and don’t require as much water.
“We are working with so many grapes here,” Segura says of Baja. “It’s crazy, but there’s not been much investigation into it. Sooner or later, we need to decide which grapes do better here.”
As he moves Madera 5 more toward hotter-climate Italian varieties like barbera or sangiovese, Segura believes that half of the grape varieties currently grown in Valle de Guadalupe need to be abandoned for the future. But that’s easier said than done. Wine drinkers still love and cling to what they’re familiar with. “People like the words cabernet sauvignon and pinot noir,” he says.
2022-11-28-New-Wines-5.jpg
Photo Credit: Eric Wolfinger
All over the wine world, there is talk about which new varieties need to be planted to deal with climate change. That’s the message of the study by Columbia University’s Lamont-Doherty Earth Observatory, which looked at models for how various grapes would thrive in various climates.
“By switching these varieties around, you can reduce losses by a significant amount,” said Cook. For example, the study’s authors say Burgundy could cut its projected vineyard losses in half if it switched from pinot noir to heat-loving grapes like mourvèdre or grenache. In Europe, where regions have grown the same grapes for hundreds of years, these are not easy conversations, and changes must happen via legislation. Last year, it was huge news that the French government allowed Bordeaux to add six new grape varieties to the five it has grown for centuries.
The wine regions of Baja and San Diego are not bound by tradition. Many have already embraced grapes from France’s southern Rhône Valley, like mourvèdre. “For a long while, this was too weird for a lot of people,” says Broomell. “But mourvèdre is something special that can come out of San Diego.”
“In the next 20 years, there’s going to be a huge change in the varieties planted,” says Emily Towe of J. Brix in Escondido. Towe also sees varieties from the south of France, such as grenache, picpoul, and carignan, as the answer. “Because San Diego is so experimental and they’re planting so much Rhône, they’re ahead of the game,” she says.
Jody and Emily Towe lug a few bottles through their J. Brix vineyard.
Photo Credit: Eric Wolfinger
In Valle de Guadalupe, which bills itself as the “Napa of Mexico,” changing grape varieties is more challenging. Right now, the signature grape of the region is the Italian grape nebbiolo—though many put “nebbiolo” in quotes since there’s a genetic link to the famous Nebbiolo of Italy’s Piedmont region.
“Climate is forcing us to choose,” says Magoni, who experiments with growing 120 varieties. “If you ask me, ‘Which one is the future?’ I don’t know,” he says with a laugh. “We need to find a grape that’s an icon, like malbec in Argentina.”
But how do you convince wine tourists to switch to unfamiliar grapes like mourvèdre, falanghina, fiano, vermentino, and aglianico? “Maybe we need to start blending to introduce the grapes,” Magoni says. “Some chardonnay with 20 percent vermentino, so people start hearing the name vermentino. It could take another ten years, but we need to start.
The top winemakers in the region see these changes as more positive than negative. “I hate what climate change is doing, but I love that it’s pushing the boundaries of what people do,” says Stehly of Vesper Vineyards. “You can’t just grow pinot noir anymore.”
Perfect pairings make this fundraiser one of our favorites
The San Diego Young Professionals Committee (YPC) and the University Club Charity Classic will host the 10th Annual Chocolate & Vino on Friday, September 5th at the University Club. Deemed an “Around the World Tasting,” guests get to sip and sample their way through different cuisines and wines of the world. Take in the city views from the 34th floor where the sunset alone is worth the ticket price. Proceeds from the event go to three different local organizations: Big Brothers Big Sisters, ALS Therapy Development Institute and Employee Partners Care Foundation.
Event Details:
Friday, September 5, 2014
The University Club atop Symphony Towers
750 B Street Suite 3400, San Diego CA 92101
6:00-9:00PM
Tickets: $60 per person
Purchase tickets HERE
10th Annual Chocolate & Vino